Grateful Dead
Fare The Well (2 of 5)
Levi's Stadium
Santa Clara, CA
June 28, 2015

SBD + AUD Matrix Mix (65%-SBD/35%-FOB) - 3 Source Mix

Set 1

01 [01:57] Tuning
02 [11:58] Feel Like A Stranger
03 [09:49] Minglewood Blues
04 [06:00] Brown Eyed Women
05 [08:49] Loose Lucy
06 [09:58] Loser
07 [11:39] Row Jimmy
08 [05:54] Alabama Getaway
09 [14:59] Black Peter
10 [10:36] Hell In A Bucket

Set 2  
 
01 [01:37] Tuning
02 [15:49] Mississippi Half-Step 
03 [18:09] Wharf Rat
04 [11:15] Eyes Of The World
05 [10:38] He's Gone
06 [13:27] Drums
07 [04:17] Space
08 [08:04] I Need A Miracle
09 [09:06] Death Don't Have No Mercy
10 [10:54] Sugar Magnolia
11 [02:08] Donor Rap
12 [07:12] Brokedown Palace
13 [00:34] Mickey Hart

Mickey Hart
Bill Kreutzmann
Phil Lesh
Bob Weir
with-
Trey Anastasio
Jeff Chimenti
Bruce Hornsby

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Source Info

KFOG
SBD > KFOG webstream (broadcast after the show)
web > Audition 1.5 > shntool > TLH

SBD > Webstream Video Rip
Live Stream

AUD
Sonics Studios DSM6 Omni's > Sony PCM-M10 > WAV 2496.
Hat-mounted mics, G.A. Pit center, aprx 35-feet from stage
Recording by Richie Stankiewicz.
WAV 2496 > Wavelab > CD-Wave > R8Brain > TLH > FLAC tagged

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Tech Notes

FLAC were decoded to wave. Vegas Pro 12 was used to reassemble the tracks back to 1 long wave. Vegas Pro 12 was used to align & synch both of the sources, isolate and remove background noise, expand the dynamics and widen the stereo imaging. This is a matrix mix of 32.5% KFOG, %32.5% Webstream, 35% FOB.
- Mixed by amdig1@yahoo.com
- FLAC conversion done 09-August-2015
- Folder Art Included

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Notes

Nice sounding broadcast with almost no crowd in the mix. It was more like a straight SBD but with the usual missing info above 16k and minimal dynamic range.

These are differnt than many of my matrix mix efforts in that quite a bit of DSP has been performed. Seperately the 2 broadcast sources did not sound that great. Heavily compressed, sterile and flat with no feel for a live experience. Additionally the mix was lacking Bruce and Jeff. 

The sound processing effort paid huge dividens alone but combining the 2 differnt SBD broadcast is what really made the differnce.
The final result iss a great sounding SBD source that just need some life breathed into it with the FOB.

Although the broadcast sources were received at 16/44 it seems likely they were broacast at lower resolutions but obviosuly still in the high quality range. The high end (cymbols) are tight and not brittle. 
Plus with all the DSP and the mixdown of 3 sources means this will no longer show any signs of suspect compression.

This is a great sounding source and will do nicely until the band puts out the multitracks. Enjoy, Dan (aka amdig1)

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Additional Formats

This show is available in the following formats:

1. The SBD and the AUD sources listed above.
2. SBD+AUD Matrix Mix at 16/44 CD-Audio
3. DTS-Audio-CD 5.1 Surround Sound

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