vendredi 23 janvier 1970
Pink Floyd
-
The Man and The Journey
Théâtre des Champs-Elysées, Paris, France
p:1/500/1...M/16
Je n'y étais pas.
Ce soir là j'étais scotché devant mon "poste à transistors" armé de mon petit magnétophone à bande.
Je ne l'ai pas vu, mais c'est surement mon premier concert en direct.
Je n'ai pas souvenir de ce qui est passé après l'interview de Gilmour, si il y avait eu une deuxième partie, je l'aurais enregistré.
J'ai posté ce torrent sur Dime le vendredi 2008-11-21, peu de temps apres il etait repris par karmamania de YEESHKUL!.
Voir le suivi des commentaires YEESHKUL! au bas de cette page. On y verra l'etat de delabrement mental de certains fans de Pink Floyd.
on trouvera parmi les enregistrements en circulation tout et n'importe quoi :
-des morceaux dans le mauvais ordres
-des morceaux manquant
-des morceaux avec les commentaires de Michel Lancelot coupés et donc la musique.
-pour le lieu on a : Hotel de Champs-Elysees, Comedie des Champs-Elysees, Theater Comedie des Champs-Elysees.
d'aprés l'enregistrement public la liste et l'ordre des morceaux etait :
01. Daybreak[Grantchester Meadows]
02. Work
03. Tea Time
04. Afternoon [Bidind My Time]
05. Doing It! [The Grand Vizier's Garden Party]
06. Sleeping [Quicksilver]
07. Nightmare [Cymbaline]
08. Celestial Voices [A Saucerful of Secrets]
09. Astronomy Domine
10. Green Is The Colour
11. Careful with That Axe, Eugene
12. The Violent Sequence [Us and Them]
13. More (Main Theme)
14. Set The Controls For The Heart Of The Sun
15. The Amazing Pudding [Atom Heart Mother]
Michel Lancelot mentionne un deuxième gala le lendemain soir???
Michel Lancelot
Michel Lancelot (1938-01-17/1984-02-25) fut écrivain, journaliste, animateur de télévision et de radio et acteur.
- Ã la radio :
* "Campus" de 8:00 Ã 10:30 entre 1968 et 1972 sur Europe 1. Contre-culture, discussion, jazz, rockÂ… La radio jeune sans tabous. L'underground...
- à la télévision :
* "Tempo" (ORTF, 1970 ?)
* "A bout portant" (ORTF, 1973/74/75 ?)
* "Un jour futur" sur Antenne 2 à partir de 1975 (tous les samedi après midi).
- au cinéma :
* Il joue le rôle d'un professeur d'histoire dans le film d'Anna Karina : Vivre ensemble (1973).
- Il a écrit :
* Anton Bruckner : l'homme et son oeuvre, Seghers, coll. Musiciens de tous les temps, Paris, 1964
* Je veux regarder Dieu en face : vie, mort et résurrection des hippies, Albin Michel, Paris, 1968
* Campus : violence ou non-violence, Albin Michel, Paris, 1971
* Le jeune lion dort avec ses dents : génies et faussaires de la contre-culture, Albin Michel, Paris, 1974
* Julien des fauves : roman, Albin Michel, Paris, 1979
Mon premier Rock and Folk No 27 Mars 1969 achete pour les Beatles et Lancelot en couverture
The Man and The Journey
La chronique du concert se trouve dans le No 38 pages 46 à 49 (mars 70, à noter l'erreur d'année sur ce No 38).
(auteur : André Maurice, illustrations : JP Vielfaure, JP Leloir)
Programmes et annonces
Discographie / Discography
Pink Floyd
Line Up
David Gilmour | : Guitars, Voices |
Nick Mason | : Drums, Percussions |
Roger Waters | : Bass, Guitars, Vocals |
Richard Wright | : Keyboards, Voices |
Allées O Venues
Pink Floyd |
108 | B | | | +{Inhouse Records (3) – PFCD234} | | All movement is accomplished | | | | | | 01 |
107 | B | | | | | BBC archives 1967-1969 | | | | | | 01 |
109 | B | | | | | BBC archives 1967-1969 (rev. a) | | | | | | 01 |
111 | B | | | | | Early Flights Vol 1-10 CD | | | | | | 01 |
105 | B | | | | | The Embryo | | | | | | 01 |
102 | B | | | | | The Man And The Journey (Live) | | | | | | 01 |
110 | B | | | | | The Man And The_Journey | | | | | | 01 |
106 | B | | | | | The Man The Journey | | | | | | 01 |
103 | B | | | | | Virtual Zabriskie Point Studio Album | | | | | | 01 |
104 | B | | | | | Zabriskie Point, Sessions | | | | | | 01 |
700 | B | | | | | The Massed Gadgets of Auximenes (Reconstructed) | | | | | | 01 |
1968 |
100 | | | | | 1968-06-25 | Celestial Voices BBC Studios, London, England | | | | | | 01 |
1969 |
17 | | | | +[PF][PFA] | 1969-01-10 | Fishmonger s Arms, London, England | | | | | | |
18 | | | | +[PF][PFA] | 1969-01-12 | Mothers Club, Birmingham, England | | | | | | |
19 | | | | +[PF][PFA] | 1969-01-18 | London College of Printing, London, England | | | | | | |
20 | | | | +[PFA] | 1969-01-22 | ORTF TV Studios, Paris, France | | | | | | |
21 | | | | +[PF][PFA] | 1969-01-25 | 69 Club, Isle of Wight, England | | | | | | |
22 | | | | +[PFA] | 1969-02-12 | Cardiff Inter-college Charities Appeal, Cardiff, Wales | | | | | | |
23 | | | | +[PF][PFA] | 1969-02-14 | Edward Herbert Building, Loughborough, England | | | | | | |
24 | | | | +[PFA] | 1969-02-15 | Junior Common Room, York, England | | | | | | |
25 | | | | +[PFA] | 1969-02-16 | Younger Hall, Saint Andrews, Scotland | | | | | | |
26 | | | | +[PFA] | 1969-02-17 | The Bay Hotel, Sunderland, England | | | | | | |
27 | | | | +[PF][PFA] | 1969-02-18 | Main Debating Hall, Manchester, England | | | | | | |
28 | | | | +[PF][PFA] | 1969-02-21 | Alhambra Theatre, Bordeaux, France | | | | | | |
29 | | | | +[PF][PFA] | 1969-02-24 | The Dome, Brighton, England | | | | | | |
30 | | | | +[PF][PFA] | 1969-02-25 | Marlowe Theater, Kent, England | | | | | | |
31 | | | | +[PF][PFA] | 1969-02-26 | New Cavendish Ballroom, Edinburgh, Scotland | | | | | | |
32 | | | | +[PF][PFA] | 1969-02-27 | The Maryland, Glasgow, Scotland | | | | | | |
33 | | | | +[PF][PFA] | 1969-02-28 | Queen Elizabeth College, London, England | | | | | | |
34 | | | | +[PF][PFA] | 1969-03-01 | University College, London, England | | | | | | |
35 | | | | +[PF][PFA] | 1969-03-03 | Victoria Rooms, Bristol, England | | | | | | |
36 | | | | +[PF][PFA] | 1969-03-08 | The New Union, Reading, England | | | | | | |
37 | | | | +[PF][PFA] | 1969-03-11 | Lawns Center, Brighton, England | | | | | | |
38 | | | | +[PF][PFA] | 1969-03-14 | The Van Dike Club, Plymouth, England | | | | | | |
39 | | | | +[PF][PFA] | 1969-03-15 | Kee Club, Glamorganshire, England | | | | | | |
40 | | | | +[PF][PFA] | 1969-03-19 | The Refectory, Swansea, Wales | | | | | | |
2 | | | | +[setlistfm] | 1969-03-20 | University of Durham, Durham, England | | | | | | |
41 | | | | +[PF][PFA] | 1969-03-21 | Empress Ballroom, Blackpool, England | | | | | | |
42 | | | | +[PFA] | 1969-03-22 | Refectory Hall, Leeds, England | | | | | | |
43 | | | | +[PFA] | 1969-03-24 | The Dome, Brighton, England | | | | | | |
1 | | | | +[PF]The Man and The Journey not performed | 1969-03-27 | St James s Hall, Chesterfield, England | | | | | | |
44 | | | | +[PFA] | 1969-04-12 | Leas Cliff Hall, Kent, England | | | | | | |
180 | | | | +[PF]First performance of The Man and The Journey | 1969-04-14 | Royal Festival Hall, London, England | | | | | | 01 |
600 | | | | +[neptunePF] | 1969-04-16 | Technical College, Bromley, England | | | | | | |
3 | | | | | 1969-04-19 | SDR TV Villaberg TV Studios, Stuttgart, Germany | | | | | | |
4 | | | | | 1969-04-23 | NDR Funkhaus, Hamburg, Germany | | | | | | |
5 | | | | +[PF]The Man and The Journey not performed | 1969-04-26 | Bromley Technical College, London, England | | | | | | |
6 | | | | +[PF]The Man and The Journey not performed | 1969-04-27 | Careful With These Tracks Mothers Club, Birmingham, England | | | | | | 01 |
7 | | | | +[PF]Shows recorded for Ummagumma | 1969-05-02 | Manchester College of Commerce, Manchester, England | | | | | | |
8 | | | | +[PF]The Man and The Journey not performed | 1969-05-03 | Queen Mary College, London, England | | | | | | |
182 | | | | +[PF] | 1969-05-09 | University, Southampton, England | | | | | | 01 |
9 | | | | +[PF] | 1969-05-10 | Notts County F.C., Nottingham, England | | | | | | |
185 | | | | +The Man and The Journey not performed | 1969-05-12 | Celestial Voices BBC Session, London, England | | | | | | 01 |
10 | | | | +[PF] | 1969-05-15 | Locarno Ballroom, Coventry, England | | | | | | |
190 | | | | +[PF] | 1969-05-16 | The Massed Gadgets of Auximenes Town Hall, Leeds, England | | | | | | / 16 |
45 | | | | +[PF][PFA] | 1969-05-17 | Lanchester College, Coventry, England | | | | | | |
200 | | | | +[PF] | 1969-05-24 | City Hall, Sheffield, England | | | | | | |
11 | | | | +[PF] | 1969-05-25 | Roundhouse, London, England | | | | | | |
12 | | | | | 1969-05-29 | HTV TV Studios (Fusions), Bristol, England | | | | | | |
210 | | | | +[PF] | 1969-05-30 | Fairfield Hall, Croydon, England | | | | | | |
13 | | | | +[PF] | 1969-05-31 | Pembroke College, Oxford, England | | | | | | |
220 | | | | +[PF] | 1969-06-08 | Rex Cinema, Cambridge, England | | | | | | |
230 | | | | +[PF] | 1969-06-10 | Belfast, Ireland | | | | | | |
14 | | | | +[PF] | 1969-06-13 | University of Exeter, Exeter, England | | | | | | |
240 | | | | +[PF] | 1969-06-14 | Colston Hall, Bristol, England | | | | | | |
250 | | | | +[PF] | 1969-06-15 | Portsmouth Guildhall, Portsmouth, England | | | | | | |
260 | | | A | +[PF] | 1969-06-16 | The Brighton Dome, Brighton, England | | | | | | |
270 | | | | +[PF] | 1969-06-20 | Town Hall, Birmingham, England | | | | | | |
280 | | | | +[PF] | 1969-06-21 | Royal Philharmonic, Liverpool, England | | | | | | |
290 | | | | +[PF] | 1969-06-22 | Free Trade Hall, Manchester, England | | | | | | 01 |
15 | | | | +[PF] | 1969-06-24 | The Queen s College, Oxford, England | | | | | | |
300 | | | | +[PF]Rick Wright played the Hall s pipe organ | 1969-06-26 | Royal Albert Hall, London, England | | | | | | 01 |
601 | | | | +[neptunePF] | 1969-06-27 | The Van Dike Club, Plymouth, England | | | | | | |
46 | | | | +[PFA] | 1969-06-28 | Winter Gardens Pavillion, Weston Super Mare, England | | | | | | |
87 | | | | +[PF] | 1969-06-29 | Winter Gardens Pavillion, Weston Super Mare, England | | | | | | |
47 | | | | +[PF][PFA] | 1969-06-30 | Top Rank Suite, Glamorgan, Wales | | | | | | |
48 | | | | +[PF][PFA] | 1969-07-04 | Selby, England | | | | | | |
81 | | | | +[setlistfm] | 1969-07-10 | BBC Studios, London, England | | | | | | |
49 | | | | +[PFA] | 1969-07-20 | Studio 5, London, England | | | | | | |
50 | | | | +[PFA] | 1969-07-22 | SDR TV Villa Berg Studios, Stuttgart, Germany | | | | | | |
51 | | | | +[PFA] | 1969-07-24 | Netherland 1 TV Studios, Zaandam, Netherlands | | | | | | |
52 | | | | +[PFA] | 1969-07-25 | Netherland 1 TV Studios, Zaandam, Netherlands | | | | | | |
53 | | | | +[PFA] | 1969-08-01 | Van Dike Club, Plymouth, England | | | | | | |
400 | | | | +[PF] | 1969-08-08 | Plumpton Festival, Plumpton, England | | | | | | 01 |
425 | | | | +The Man and The Journey not performed | 1969-08-09 | Celestial Voices The Paradiso, Amsterdam, Netherlands | | | | | | 01 |
82 | | | | +[setlistfm] | 1969-09-05 | University Of Southampton, Southampton, England | | | | | | |
54 | | | | +[PF][PFA] | 1969-09-13 | Rainsbrook, Rugby, England | | | | | | |
450 | | | A | +[PF]Rick Wright played the theatre s pipe organ | 1969-09-17 | Concertgebouw, Amsterdam, Netherlands | | | | | | 01 |
101 | B | | | | 1969-09-17 | More Furious Madness From The Massed Gadgets Of Auximenes Concertgebouw, Amsterdam, Netherlands | | | | | | 01 |
55 | | | | +[PF][PFA] | 1969-09-19 | Grote Zaal, Rotterdam, Netherlands | | | | | | |
56 | | | | +[PF][PFA] | 1969-09-20 | De Jong, Groningen, Netherlands | | | | | | |
57 | | | | +[PF][PFA] | 1969-09-21 | Het Kolpinghuis, Nijmegen, Netherlands | | | | | | |
83 | | | | +[setlistfm] | 1969-09-22 | BRT TV Studios, Schaerbeek, Belgium | | | | | | |
84 | | | | +[setlistfm] | 1969-09-23 | BRT TV Studios, Schaerbeek, Belgium | | | | | | |
16 | | | | +[PF] | 1969-09-24 | Staargebouw, Maastricht, Netherlands | | | | | | |
58 | | | A | +[PF][PFA] | 1969-09-24 | Stadsgehoorzaal, Leiden, Netherlands | | | | | | |
59 | | | | +[PF][PFA] | 1969-09-25 | Staargebouw, Maastricht, Netherlands | | | | | | |
60 | | | | +[PF][PFA] | 1969-09-26 | Theater 140, Brussels, Belgium | | | | | | |
61 | | | | +[PF][PFA] | 1969-09-27 | Theater 140, Brussels, Belgium | | | | | | |
62 | | | | +[PF][PFA] | 1969-09-28 | Theater 140, Brussels, Belgium | | | | | | |
63 | | | | +[PF][PFA] | 1969-10-03 | Debating Hall, Edgbaston, England | | | | | | |
64 | | | | +[PF][PFA] | 1969-10-04 | New Union, Reading, England | | | | | | |
65 | | | | +[PF][PFA] | 1969-10-10 | University of Loughborough, Loughborough, England | | | | | | |
66 | | | | +[PF][PFA] | 1969-10-11 | Gruga Halle, Essen, Germany | | | | | | 01 |
67 | | | | +[PF][PFA] | 1969-10-18 | University College, London, England | | | | | | |
85 | | | | +[setlistfm] | 1969-10-22 | University of Nottingham, Nottingham, England | | | | | | |
602 | | | | +[PF][neptunePF] | 1969-10-24 | Locarno Ballroom, Sunderland, England | | | | | | |
455 | | | | +[PF] | 1969-10-25 | Festival D Amougies, Amougies, Belgium | | | | | | 01 |
80 | | | A | +[PF] | 1969-10-27 | Electric Garden, Glasgow, Scotland | | | | | | |
68 | | | | +[PF][PFA] | 1969-11-01 | Main Debating Hall, Manchester, England | | | | | | |
69 | | | | +[PF][PFA] | 1969-11-07 | Main Hall, London, England | | | | | | |
70 | | | | +[PF][PFA] | 1969-11-08 | Refectory Hall, Leeds, England | | | | | | |
71 | | | | +[PF][PFA] | 1969-11-26 | Queensway Hall, Dunstable, England | | | | | | |
72 | | | | +[PF][PFA] | 1969-11-27 | Mountford Hall, Liverpool, England | | | | | | |
73 | | | | +[PF][PFA] | 1969-11-28 | Refectory Hall, Uxbridge, England | | | | | | |
74 | | | | +[PF][PFA] | 1969-11-30 | The Lyceum, London, England | | | | | | |
75 | | | | +[PF][PFA] | 1969-12-06 | AFAN Lido Indoor Sports Centre, Port Talbot, Wales | | | | | | 01 / 16 |
1970 |
76 | | | | +[PFA] | 1970-01-10 | The Ballroom, Beeston, England | | | | | | |
77 | | | | +[PFA] | 1970-01-17 | Lawns Center, Cottingham, England | | | | | | |
78 | | | | +[PFA] | 1970-01-18 | Fairfield Hall, Croydon, England | | | | | | 01 / 16 |
79 | | | | +[PFA] | 1970-01-19 | The Dome, Brighton, England | | | | | | / 16 |
500 | X | | | | 1970-01-23 | Théâtre Des Champs Elysées, Paris, France | | | | | | 01 / 02 / 03 / 04 / 05 / 06 / 08 |
501 | | | | | 1970-01-24 | Théâtre Des Champs Elysées, Paris, France | | | | | | |
505 | | | | | 1970-02-02 | Palais Des Sports, Lyon, France | | | | | | |
603 | | | | +[neptunePF] | 1970-02-05 | Sophia Gardens Pavilion, Cardiff, Wales | | | | | | / 16 |
604 | | | | +[neptunePF] | 1970-02-07 | Royal Albert Hall, London, England | | | | | | / 16 |
605 | | | | +[neptunePF] | 1970-02-08 | Opera House, Manchester, England | | | | | | |
606 | | | | +[neptunePF] | 1970-02-11 | Atomic Heart Beat In The Hall Town Hall, Birmingham, England | | | | | | 01 / 02 |
86 | | | | +[setlistfm] | 1970-02-12 | Town Hall, Birmingham, England | | | | | | |
607 | | | | +[neptunePF] | 1970-02-14 | Kings Hall, Stoke On Trent, England | | | | | | |
608 | | | | +[neptunePF] | 1970-02-15 | Empire Theatre, Liverpool, England | | | | | | |
609 | | | | +[neptunePF] | 1970-02-17 | City Hall, Newcastle, England | | | | | | |
610 | | | | +[neptunePF] | 1970-02-22 | Electric Garden, Glasgow, Scotland | | | | | | |
611 | | | | +[neptunePF] | 1970-02-23 | University of Edinburgh, Edinburgh, Scotland | | | | | | |
612 | | | | +[neptunePF] | 1970-02-28 | Leeds University, Leeds, England | | | | | | 01 |
613 | | | | +[neptunePF] | 1970-03-05 | BBC TV Centre, London, England | | | | | | |
614 | | | | +[neptunePF] | 1970-03-06 | Imperial College, London, England | | | | | | |
615 | | | | +[neptunePF] | 1970-03-07 | Colston Hall, Bristol, England | | | | | | |
616 | | | | +[neptunePF] | 1970-03-08 | Mothers Club, Birmingham, England | | | | | | |
617 | | | | +[neptunePF] | 1970-03-09 | City Hall, Sheffield, England | | | | | | |
618 | | | | +[neptunePF] | 1970-03-11 | Stadthalle, Offenbach, Germany | | | | | | |
619 | | | | +[neptunePF] | 1970-03-12 | Hamburg University, Hamburg, Germany | | | | | | |
621 | | | | +[neptunePF] | 1970-03-13 | Audimax der Technische University, Berlin, Germany | | | | | | |
622 | | | | +[neptunePF] | 1970-03-14 | Meistersinger Halle, Nürnberg, Germany | | | | | | |
623 | | | | +[neptunePF] | 1970-03-15 | Niedersachsenhalle, Hannover, Germany | | | | | | |
624 | | | | +[neptunePF] | 1970-03-19 | Konserthuset, Stockholm, Sweden | | | | | | |
625 | | | | +[neptunePF] | 1970-03-20 | Akademiska Foreningens Stora Sal, Lund, Sweden | | | | | | 01 |
626 | | | | +[neptunePF] | 1970-03-21 | Tivolis Koncertsal, Copenhagen, Denmark | | | | | | |
627 | | | | +[neptunePF] | 1970-03-30 | Hall des Expositions, Le Bourget, France | | | | | | |
628 | | | | +[neptunePF] | 1970-04-09 | Fillmore East, New York, NY, US | | | | | | |
629 | | | | +[neptunePF] | 1970-04-10 | Five Stages, Chicago, IL, US | | | | | | |
630 | | | | +[neptunePF] | 1970-04-11 | State University of New York, Long Island, NY, US | | | | | | |
631 | | | | +[neptunePF] | 1970-04-12 | Boston Tea Party, Boston, MA, US | | | | | | |
632 | | | | +[neptunePF] | 1970-04-16 | Fillmore East, New York, NY, US | | | | | | |
633 | | | | +[neptunePF] | 1970-04-17 | The Electric Factory, Philadelphia, PA, US | | | | | | |
634 | | | | +[neptunePF] | 1970-04-18 | The Electric Factory, Philadelphia, PA, US | | | | | | |
635 | | | | +[neptunePF] | 1970-04-22 | Capitol Theatre, Port Chester, NY, US | | | | | | 01 |
636 | | | | +[neptunePF] | 1970-04-24 | Easttown Theater, Detroit, MI, US | | | | | | |
637 | | | | +[neptunePF] | 1970-04-25 | Easttown Theater, Detroit, MI, US | | | | | | |
638 | | | | +[neptunePF] | 1970-04-29 | Interstellar Fillmore Fillmore West, San Francisco, CA, US | | | | | | 01 |
639 | | | | +[neptunePF] | 1970-04-30 | KQED TV Studios, San Francisco, CA, US | | | | | | |
640 | | | | +[neptunePF] | 1970-05-01 | Since We Were Teenagers Civic Auditorium, Santa Monica, CA, US | | | | | | 01 / 02 |
641 | | | | +[neptunePF] | 1970-05-06 | University of California, Los Angeles, CA, US | | | | | | |
642 | | | | +[neptunePF] | 1970-05-09 | Terrance Ballroom, Salt Lake City, UT, US | | | | | | |
643 | | | | +[neptunePF] | 1970-05-12 | Municipal Auditorium, Atlanta, GA, US | | | | | | |
644 | | | | +[neptunePF] | 1970-05-15 | The Warehouse, New Orleans, LA, US | | | | | | |
645 | | | | +[neptunePF] | 1970-05-16 | The Warehouse, New Orleans, LA, US | | | | | | |
646 | | | | +[neptunePF] | 1970-06-27 | Bath & West Showground, Shepton Mallet, England | | | | | | |
647 | | | | +[neptunePF] | 1970-06-28 | Kralingse Bos, Rotterdam, Netherlands | | | | | | |
648 | | | | +[neptunePF] | 1970-07-12 | Soerser Stadium, Aachen, Germany | | | | | | |
649 | | | | +[neptunePF] | 1970-07-16 | Paris Cinema, London, England | | | | | | 01 |
650 | | | | +[neptunePF] | 1970-07-18 | Hyde Park, London, England | | | | | | |
651 | | | | +[neptunePF] | 1970-07-22 | University of EssexEngland | | | | | | |
652 | | | | +[neptunePF] | 1970-07-26 | Antibes, Juan les Pins, France | | | | | | |
653 | | | | +[neptunePF] | 1970-08-08 | Les Arenas, Saint Tropez, France | | | | | | |
654 | | | | +[neptunePF] | 1970-08-12 | Les Arenas, Saint Raphaël, France | | | | | | |
655 | | | | +[neptunePF] | 1970-08-31 | Charlton Park, Bishopsbourne, England | | | | | | |
656 | | | | +[neptunePF] | 1970-09-12 | Bois de Vincennes, Paris, France | | | | | | |
657 | | | | +[neptunePF] | 1970-09-26 | The Electric Factory, Philadelphia, PA, US | | | | | | 01 |
659 | | | | +[neptunePF] | 1970-09-27 | Fillmore East, New York, NY, US | | | | | | |
660 | | | | +[neptunePF] | 1970-10-01 | Memorial Coliseum, Portland, OR, US | | | | | | |
661 | | | | +[neptunePF] | 1970-10-02 | Moore Theater, Seattle, WA, US | | | | | | |
662 | | | | +[neptunePF] | 1970-10-03 | Moore Theater, Seattle, WA, US | | | | | | |
663 | | | | +[neptunePF] | 1970-10-04 | Gonzaga University, Spokane, WA, US | | | | | | |
664 | | | | +[neptunePF] | 1970-10-06 | Central Washington University, Ellensburg, WA, US | | | | | | |
665 | | | | +[neptunePF] | 1970-10-07 | Gardens Arena, Vancouver, Canada | | | | | | |
666 | | | | +[neptunePF] | 1970-10-08 | Jubilee Auditorium, Calgary, Canada | | | | | | |
667 | | | | +[neptunePF] | 1970-10-09 | Sales Pavilion Annex, Edmonton, Canada | | | | | | |
668 | | | | +[neptunePF] | 1970-10-10 | Centennial Auditorium, Saskatoon, Canada | | | | | | |
669 | | | | +[neptunePF] | 1970-10-11 | Centre of the Arts, Regina, Canada | | | | | | |
670 | | | | +[neptunePF] | 1970-10-13 | Centennial Concert Hall, Winnipeg, Canada | | | | | | |
671 | | | | +[neptunePF] | 1970-10-15 | Terrance Ballroom, Salt Lake City, UT, US | | | | | | |
672 | | | | +[neptunePF] | 1970-10-16 | Pepperland Auditorium, San Rafael, CA, US | | | | | | 01 |
673 | | | | +[neptunePF] | 1970-10-17 | Pepperland Auditorium, San Rafael, CA, US | | | | | | |
674 | | | | +[neptunePF] | 1970-10-18 | University College of San Diego, San Diego, CA, US | | | | | | |
675 | | | | +[neptunePF] | 1970-10-21 | Fillmore West, San Francisco, CA, US | | | | | | |
676 | | | | +[neptunePF] | 1970-10-23 | Civic Auditorium, Los Angeles, CA, US | | | | | | |
677 | | | | +[neptunePF] | 1970-10-25 | The Tea Party, Boston, MA, US | | | | | | |
678 | | | | +[neptunePF] | 1970-11-06 | Concertgebouw, Amsterdam, Netherlands | | | | | | |
679 | | | | +[neptunePF] | 1970-11-07 | Grote Zaal, Rotterdam, Netherlands | | | | | | |
680 | | | | +[neptunePF] | 1970-11-11 | Konserthuset, Göteborg, Sweden | | | | | | |
682 | | | | +[neptunePF] | 1970-11-12 | Falkoner Centret, Copenhagen, Denmark | | | | | | 01 |
683 | | | | +[neptunePF] | 1970-11-13 | Vejlby-Risskov Hallen, Aarhus, Denmark | | | | | | |
684 | | | | +[neptunePF] | 1970-11-14 | Merck Halle, Hamburg, Germany | | | | | | 01 |
685 | | | | +[neptunePF] | 1970-11-21 | Casino de Montreux, Montreux, Switzerland | | | | | | |
686 | | | | +[neptunePF] | 1970-11-22 | Casino de Montreux, Montreux, Switzerland | | | | | | 01 |
687 | | | | +[neptunePF] | 1970-11-25 | Friedrich Ebert Halle, Ludwigshafen, Germany | | | | | | |
688 | | | | +[neptunePF] | 1970-11-26 | Killesberghalle, Stuttgart, Germany | | | | | | |
689 | | | | +[neptunePF] | 1970-11-27 | Niedersachsenhalle, Hannover, Germany | | | | | | 01 |
690 | | | | +[neptunePF] | 1970-11-28 | Saarlandhalle, Saarbrücken, Germany | | | | | | |
691 | | | | +[neptunePF] | 1970-11-29 | Circus Crone, München, Germany | | | | | | 01 |
692 | | | | +[neptunePF] | 1970-12-04 | ORTF TV Studios, Paris, France | | | | | | |
693 | | | | +[neptunePF] | 1970-12-05 | ORTF TV Studios, Paris, France | | | | | | |
694 | | | | +[neptunePF] | 1970-12-11 | The Big Apple, Brighton, England | | | | | | |
695 | | | | +[neptunePF] | 1970-12-12 | Roundhouse, London, England | | | | | | |
696 | | | | +[neptunePF] | 1970-12-18 | Town Hall, Birmingham, England | | | | | | |
697 | | | | +[neptunePF] | 1970-12-20 | Colston Hall, Bristol, England | | | | | | |
698 | | | | +[neptunePF] | 1970-12-21 | Free Trade Hall, Manchester, England | | | | | | |
699 | | | | +[neptunePF] | 1970-12-22 | City Hall, Sheffield, England | | | | | | 01 |
Enregistrements
(102/1) Pink Floyd, , The Man And The Journey (Live)
Audio/Flac, Dime/?, (20221124)
Pink Floyd
The Man And The Journey (Live)
01.Pink Floyd - Daybreak
02.Pink Floyd - Work
03.Pink Floyd - Afternoon
04.Pink Floyd - Doing It
05.Pink Floyd - Sleeping
06.Pink Floyd - Nightmare
07.Pink Floyd - Daybreak
08.Pink Floyd - The Beginning
09.Pink Floyd - Beset By Creatures Of The Deep
10.Pink Floyd - The Narrow Way
11.Pink Floyd - The Pink Jungle
12.Pink Floyd - The Labyrinths Of Auximenes
13.Pink Floyd - Footsteps Doors
14.Pink Floyd - Behold The Temple Of Light
15.Pink Floyd - The End Of The Beginning
(103/1) Pink Floyd, , Virtual Zabriskie Point Studio Album
Audio/Flac, TradersDen/?, (20221124)
Pink Floyd 1969-xx Virtual Zabriskie Point Studio Album drbirdseed version flac
Virtual Zabriskie Point Studio Album
Pink Floyd
compiled by drbirdseed 2006
When i heard the released portions of the zabriskie point OST, i was fascinated by the fact, that pink floyd were meant to do the complete soundtrack. I had Omay Yad in my ROIO collection for years and liked the ZP-Outtakes very much, though SQ is a bit disappointed. Later i got The Complete ZP Sessions ROIO in Trade. When i heard it for the first time, i decided, that there should have been a Pink Floyd Album from those sessions.
So, i did it.
I carefully denoised most of the tracks, EQ'd and edited them, and then compiled a mostly instrumental pink floyd album. I added Embryo, although i know that this one was recorded for Ummagumma earlier in 1969, but to me it sounds right between those ZP-Tracks.
Lineage:
dl from tracker 2019-06-02, rsx. files created 2006-06-09, LL. blog > Transmission 2.94
> iMac 3.2 GHz Intel Core i5 (os10.14.5 Mojave) > xACT 2.47 (md5, st5) > Transmission 2.94 >
st5 included in torrent with original checksum file (md5).
Setlist:
01 - Love Scene.flac
02 - Intermezzo.flac
03 - Violence Sequence.flac
04 - Crumbling Land Pt 1.flac
05 - Sleep.flac
06 - Oenone Pt 1.flac
07 - Fingal's Cave.flac
08 - Red Queen Prelude.flac
09 - Crumbling Land Pt 2.flac
10 - Rain in the Country.flac
11 - Blues.flac
12 - Red Queen Theme.flac
13 - Oenone Pt2.flac
14 - The Embryo.flac
15 - Heart Beat Pig Meat.flac
16 - Oenone (Reprise).flac
17 - Come in Number 51 your Time is up.flac
I hope you will have fun listening to another "Great Lost Pink Floyd Album". I do.
Please only trade freely and don't encode to lossy formats.
Greetings,
drbirdseed
"There are some of these recordings where it is just a whirring, and you cannot hear the music. "
Jimmy Page, 2007-07-26
(paddington))
(104/1) Pink Floyd, , Zabriskie Point, Sessions
Audio/Flac, TradersDen/?, (20221124)
Pink Floyd 1969-11-xx "Zabriskie Point, Sessions, Rev. A" [TPR CD 001] mob flac
Pink Floyd - Zabriskie Point - The Sessions - Rev. A
[ This Place Records TPR CD 001 ]
studio sessions recorded in Rome, Nov-Dec 1969
Lineage:
dl from tracker 2019-06-05, rsx.
Lossless Legs blog > Transmission 2.94 > iMac 3.2 GHz Intel Core i5 (os10.14.5 Mojave)
> xACT 2.47 (md5, st5) > Transmission 2.94 > share
st5 included in torrent with original checksum file (md5).
Some controversy attended the selection of tracks for this Compilation from other Sources. Certainly people of good will disagree at times when they share a common goal. I have tried to retain the reasons for the choices and terms used in these recordings. No music was altered in any way. I edited the info file for clarity but the original is still here, please use it if it fits your needs. A few complicated bits were left out of this file (I know!) so look there if you have a Need for more.
Tracks:
CD1:
01. Heart Beat, Pig Meat (soundtrack version)
02. Heart Beat, Pig Meat (film version)
03. Riot Scene
04. Fingal's Cave
05. Crumbling Land (with rock intro)
06. Crumbling Land (film version)
07. Crumbling Land (soundtrack version)
08. Crumbling Land (extended version)
09. Crumbling Land (full mix)
10. Unknown Song (soundtrack version)
11. Unknown Song (rough mix)
12. Unknown Song (full mix)
13. Country Song (humming version)
14. Country Song (harpsichord version)
15. Country Song (soundtrack version)
16. Country Song (full mix)
CD2:
01. Love Scene #1
02. Love Scene #2 (rough mix)
03. Love Scene #2 (full mix)
04. Love Scene #3
05. Love Scene #4 (soundtrack version)
06. Love Scene #4 (full mix)
07. Love Scene #5
08. Love Scene #6 (soundtrack version)
09. Love Scene #6 (full mix)
10. Come In Nr.51, Your Time Is Up (soundtrack version)
11. Come In Nr.51, Your Time Is Up (film version)
Sources:
CD1 1-7-10-15, CD2 5-8-10: "Zabriskie Point - Extended Soundtrack" CDs
CD1 2-6, CD2 11: "Zabriskie Point" LaserDisc
CD1 4-8-11, CD2 2: "Omay Yad" RoIO LP
CD1 3-5-9-12-13-14-16, CD2 1-3-4-6-7-9: "A Journey Through Time & Space" RoIO CD
Tracks from the RoIOs were carefully remastered:
- speed corrected
- levels, balance and EQ adjusted
- unwanted noise cleaned
Tracks from the "Zabriskie Point" LaserDisc were slightly cleaned
(some static noise carefully removed).
Comments for Rev.A:
-------------------
The first version used the "Omay Yad" RoIO CD, which had muffled sound. This time, I was able to rework the "Omay Yad" tracks from a direct RoIO LP rip. The versions on "Omay Yad" LP have a far better clarity compared to the versions on "Omay Yad" CD, but of course I had to spend a lot of time in order to carefully remaster them (cleaning of vinyl noises, speed adjusting ...).
For the rest of the tracks, Rev.A offers no real upgrade in terms of sound quality. I just did some editing work in order to smooth the
transitions between tracks (which were abrupt in some cases, on the original version).
------------------------------------------------------------------------
DETAILED INFORMATION
------------------------------------------------------------------------
Abbreviations:
--------------
ZP = Zabriskie Point
ZP97 = "Zabriskie Point" extended soundtrack released by Rhino in 1997
OY = "Omay Yad" RoIO LP
AJTT&S = "A Journey Through Time & Space" RoIO CD
UZP = "Ultimate Zabriskie Point" RoIO CDs
Number of tracks:
-----------------
There are 27 tracks, while on some other similar projects (e.g. UZP) there are 29 tracks for the Zabriskie Point sessions. The explanation is quite simple: on AJTT&S there are 2 unnecessary tracks (11 and 15).
AJTT&S track 11 is an extract of AJTT&S track 04 (this is exactly the same as track 04, the difference is that track 11 fades out
after one minute). On UZP, there is the same duplication: UZP CD2 track 12 is exactly the same as the beginning of UZP CD2 track 09.
AJTT&S track 15 is taken from ZP97 (it fades in slightly later, but it's clearly the soundtrack version). On UZP, there is the same
mistake: UZP CD1 track 15 is identical to the soundtrack version (UZP CD1 track 12).
Titles:
-------
The titles used for the tracks were taken from official sources as often as possible. The only exception is "Fingal's Cave", for which
no official title is known, therefore the tentative title from the original "Omay Yad" RoIO LP manufacturers was kept.
The correct title for "Rain In The Country" from OY is "Unknown Song".
"Oenone" from OY is actually one of the attempts for "Love Scene" (as explained in David Fricke's liner notes on the ZP97 booklet).
"Riot Scene" title was preferred above "The Violent Sequence", because here is no evidence that Pink Floyd ever used "The Violent Sequence" as the title, and David Fricke (who clearly had access to the multi-track tapes) refers to this outtake as being "Riot Scene", on the official ZP97 booklet.
Versions:
---------
The tracks marked "soundtrack version" are taken from ZP97.
The tracks marked "film version" are taken from ZP LaserDisc.
The two tracks marked "rough mix" are taken from OY.
On AJTT&S, most of the outtakes are not really "alternate versions", but rather "alternate mixes" (i.e. same take as on the official
version, but differently mixed). Apparently these mixes contain all the tracks from the multi-track tape, while on the official versions some tracks were left out of the mix. This is why these alternate mixes from AJTT&S are called "full mix" here.
More details about the different versions are given below.
Numbering of "Love Scene" outtakes:
-----------------------------------
Here is what we know from official sources:
- Pink Floyd made at least 6 attempts for "Love Scene"
- #4 is the quiet piano piece
- #6 is the blues piece
- the outtake known as "Oenone" was an earlier attempt for "Love
Scene" (refer to David Fricke's liner notes in the ZP97 booklet),
therefore it's one of the first 3 attempts
On AJTT&S, tracks 7-8-9 seem to come from a continuous tape (there is no tape cut). Since track 7 is "Love Scene #4" and track 9 is
"Love Scene #6", it is logical to assume that track 8 is "Love Scene #5". It is also important to note that during the Interstellar
Expo in Paris, late 2003, a 8-track master reel of the sessions was exposed. The label clearly mentions Love Scene #4 as a piano/vibes track, Love Scene #6 as the "blues version", and between them, Love Scene #5, which is indicated as a "vibes version", with 2 different vibes tracks. This definitely confirms that AJTT&S track 8 must be Love Scene #5.
On AJTT&S again, tracks 10-11-12 could be also from a continuous tape (even if track 11 fades out early). This is why it was assumed that:
- AJTT&S track 10 = "Love Scene #1"
- AJTT&S track 11 = "Love Scene #2" (intro only, the complete version being on AJTT&S track 4)
- AJTT&S track 12 = "Love Scene #3"
Tracks order:
-------------
The songs were organised to follow the movie. This is why:
- CD1 begins with "Heart Beat, Pig Meat"
- CD2 ends with "Come In Nr.51, Your Time Is Up"
- "Riot Scene" is placed after "Heart Beat, Pig Meat" and before "Crumbling Land"
- "Love Scene" is placed on CD2, just before "Come In Nr.51"
The way the other songs are placed is a matter of taste. "Unknown Song" and "Country Song" follow "Crumbling Land". "Fingal's Cave" cannot be attributed to a specific scene (it could be an attempt for the final scene, but it could also be an attempt for the riot
scene). It is placed on CD1 track 4, just after "Riot Scene", to contrast with the quietness of the preceding track. It offers also
an interesting transition with the following track (the rock intro of "Crumbling Land" and "Fingal's Cave" have some similarities).
For each song, the different versions were organised in order to have a progression between the versions. When different takes were
available, the earlier takes come first. For a same take, the official version comes first, because rough mixes and full mixes often reveal other recorded tracks, not kept in the official mix (e.g. the vibes during "Love Scene #4", the piano and additional percussion during "Unknown Song", a second drums track with tempo mistakes during "Crumbling Land").
Description of the versions:
----------------------------
HEART BEAT, PIG MEAT:
The "film version" is an alternate mono mix. The intro (before the first organ notes) is longer than on the soundtrack version. The sounds and background noises are differently mixed (especially the orchestra snippets). The last part is edited.
RIOT SCENE:
The only available version is an outtake. This song is often called "The Violent Sequence" by the fans, although there is no evidence
that this title was used by Pink Floyd. It was played live during shows in early 1970 (with bass and drums). The song later re-emerged
as "Us And Them".
FINGAL'S CAVE:
The only available version is an outtake. The title was given by the manufacturers of the "Omay Yad" RoIO LP.
CRUMBLING LAND:
The first version is an early take, where there is a solid rock intro, directly followed by the song itself. In fact only the first verse of
the song was recorded during this early take. Curiously, the "film version" comes from the early take mentioned above, and not from the final take that appears on the soundtrack. The "extended version" is basically the same as the soundtrack
version, but the ending with cars and street noises is uncut. The "full mix" version is from the same take as the soundtrack version, but here all the tracks are in the mix, even tracks with some experimentation (e.g. a second drums track with mistakes).
UNKNOWN SONG:
The "rough mix" version (entitled "Rain In The Country" in OY) comes from the same take as the soundtrack version (recorded 06Dec69), but there are edits here and there, and some instruments not mixed in the official version can be heard here (percussion, piano). The lead guitar is different. The "full mix" version is also from the same take, with all the tracks in the mix and without edit.
COUNTRY SONG:
The "humming version" and "harpsichord version" are early attempts. The "full mix" version is from the same take as the soundtrack version (recorded 12Dec69), but is slightly differently mixed. This version is also uncut and is more than one minute longer than the
soundtrack version.
LOVE SCENE:
"Love Scene #1" is just organ and guitar. "Love Scene #2" is much more elaborated, with more keyboards, more guitar tracks, vibes and percussion. The "rough mix" version (entitled "Oenone" in OY) has some edits and does not include all the tracks. The "full mix" version has all the tracks in the mix, including an explicit sex scene, with "vocals" from Roger and David! "Love Scene #3" is another take, with similar instrumentation. "Love Scene #4" is a quiet piano piece (recorded 16Nov69), overdubbed
with vibes. The soundtrack version only includes the piano, while the "full mix" version has the overdubs. "Love Scene #5" is a vibes duo. "Love Scene #6" is a blues piece, played by the whole band (recorded 16Nov69). The "full mix" version is from the same take as the soundtrack version, but is slightly differently mixed (note that the piano is on the left at the beginning and the suddenly moves to the right).
COME IN NR.51, YOUR TIME IS UP:
This song is actually "Careful With That Axe, Eugene" revisited. The "film version" is an alternate mono mix. The organ is louder in the mix, and one guitar track is edited out.
mob
Enjoy!
(105/1) Pink Floyd, , The Embryo
Audio/Flac, ?/?, (20221124)
Pink Floyd
The Embryo
Label: The Swingin' Pig – TSP-CD-020
1 Let There Be More Light 3:34
2 Point Me At The Sky 4:18
3 Murderistic Woman 2:16
4 Julia Dream 2:08
5 The Embryo 3:01
6 A Saucerful Of Secrets 6:42
7 The Narrow Way 4:23
8 Green Is The Colour 6:12
Recorded live in session for BBC Radio 1968- 1969.
(106/1) Pink Floyd, , The Man The Journey
Audio/Flac, ?/?, (20221124)
Pink Floyd
The Man The Journey
01 Daybreak
02 Work · Afternoon
03 Doing It
04 Sleep [Intro]
05 Sleep
06 Nightmare
07 Daybreak, Part Two
08 The Beginning
09 Beset By The Creatures Of The
10 The Narrow Way, Part Three
11 The Pink Jungle
12 The Labyrinths Of Auximenes
13 Behold The Temple Of Light
14 The End Of Time
(107/1) Pink Floyd, , BBC archives 1967-1969
Audio/Flac, ?/?, (?)
Pink Floyd - 1967-1969 BBC Archives
Genre : Rock
Date : 03.20.2012
Year : 1971
Quality : 436kbps / 44.1kHz / Stereo
Songs : 30
Playtime : CD1:36:16 CD2:67:51
Size : 323.74 MB
Streetdate : 00.00.0000
Type : Album
Source : CDDA
[ Tracklist ]
CD1
01.Pow R Toc H (14May67). [00:37]
02.Astronomy Domine (14May67). [03:58]
03.The Gnome (25Sep67). [02:12]
04.Scarecrow (25Sep67). [02:07]
05.Set The Controls (25Sep67). [03:32]
06.Matilda Mother (25Sep67). [03:22]
07.Reaction In G (25Sep67). [00:39]
08.Flaming (25Sep67). [02:40]
09.Green Onions (12Dec67). [00:37]
10.Instrumental (12Dec67). [01:14]
11.Vegetable Man (20Dec67). [03:20]
12.Scream Thy Last Scream (20Dec67). [03:42]
13.Pow R Toc H (20Dec67). [04:25]
14.Jugband Blues (20Dec67). [03:51]
CD2
01.Instrumental (26Mar68). [02:04]
02.Set The Controls (28Mar68). [02:44]
03.The Murderotic Woman (25Jun68). [03:10]
04.The Massed Gadgets Of Hercules (25Jun68). [06:56]
05.Let There Be More Light (25Jun68). [04:19]
06.Julia Dream (25Jun68). [02:35]
07.Point Me At The Sky (02Dec68). [04:25]
08.Baby Blue Shuffle In D Major (02Dec68). [03:48]
09.Embryo (02Dec68). [03:31]
10.Interstellar Overdrive (02Dec68). [08:40]
11.Daybreak (12May69). [03:47]
12.Nightmare (12May69). [03:38]
13.The Beginning (12May69). [03:31]
14.Beset By Creatures Of The Deep (12May69). [03:28]
15.The Narrow Way (12May69). [04:46]
16.Moonhead (20Jul69). [06:29]
-------
104:07
104:07 min
323.74 MB
[ ReleaseNotes ]
Another Fine Release Bought To You By OBSERVER
(108/1) Pink Floyd, , All movement is accomplished
Audio/mp3, ?/?, (?)
Pink Floyd
All Movement Is Accomplished
Label: Inhouse Records (3) – PFCD234
Pays: Luxembourg
Sortie: 1998
1 Flaming
2 Vegetable Man
3 Scream Thy Last Scream
4 Julia Dream
5 Murderistic Woman
6 The Massed Gadgets Of Hercules
7 Baby Blue Shuffle In D Minor
8 Embryo
9 Daybreak
10 The Narrow Way Part 3
11 Merry Xmas Song
12 Arnold Layne
13 Candy & A Currant Bun
14 See Emily Play
15 Scarecrow
16 Apples & Oranges
17 Paint Box
18 It Would Be So Nice
19 Julia Dream
20 Point Me At The Sky
21 Careful With That Axe Eugene
Taken from a CDr compilation of rare unreleased Pink Floyd material from the 1960s. Later half consists of early Pink Floyd singles.
Track 1: Top Gear 9/30/67
Tracks 2,3: Top Gear 12/19/67
Tracks 4,5,6: Top Gear 6/28/98
Tracks 7,8: Top Gear 1/14/69
Tracks 9,10: 5/12/69
Track 11: Circa 1969
Tracks 12-21: Early Singles A Sides & B Sides
(109/1) Pink Floyd, , BBC archives 1967-1969 (rev. a)
Audio/mp3, ?/?, (?)
Pink Floyd - BBC Archives 1967-1969 (Rev. A)
Recorded Sept. 25, 1967 at BBC Playhouse Theater,
Broadcast Oct. 1, 1967 (Top Gear) (01-04),
Recorded Dec. 20, 1967 at BBC Maida Vale Studios,
Broadcast Dec. 31, 1967 (Top Gear) (05-08),
Recorded June 25, 1968 at BBC 210 Piccadilly Studios,
Broadcast Aug. 11, 1968 (Top Gear) (09-12),
Recorded Dec. 2, 1968 at BBC Maida Vale Studios,
Broadcast Dec. 15, 1968 (Top Gear) (13-16),
Recorded May 12, 1969 at BBC Paris Cinema,
Broadcast May 14, 1969 (Night Ride),
and June 1, 1969 (Top Gear) (17-21)
Source: Soundboard -> Various -> CD-R -> Remastered -> SHN
Encoded with Lame 3.96 at VBR/44/JS/HQ (DinoMIX)
Tracks
01 - Flaming
02 - Scarecrow
03 - Matilda Mother
04 - The Gnome
05 - Pow R Toc H
06 - Vegetable Man
07 - Scream Thy Last Scream
08 - Jugband Blues
09 - Let There Be More Light
10 - Murderistic Women
11 - Julia Dream
12 - Massed Gadgets Of Hercules
13 - Point Me At The Sky
14 - Embryo
15 - Baby Blue Shuffle In D Major
16 - Interstellar Overdrive
17 - Daybreak
18 - Nightmare
19 - The Beginning
20 - Beset By Creatures Of The Deep
21 - The Narrow Way
Syd Barrett - Guitar, Vocals (01-08)
David Gilmour - Guitar, Vocals (09-21)
Rick Wright - Keyboards
Roger Waters - Bass, Vocals
Nick Mason - Drums
Remastering Notes From Ed At Harvested-Weeds:
Hi All,
Well it's that time again!
Another 'Rev. A' release is ready to go.
This time the treatment goes to HRV CDR 008 - BBC Archives 1967-1969.
Back when this title was orginally released, Marc-Olivier did an exhaustive comparison between it and the RoIO known as At Dawn v4.00. He found neither entity to be superior to the other. Each one had its strong points in different areas and he suggested an amalgamation of the two.
A little later, we also learned that the speed used for "Scream Thy Last Scream" and "Vegetable Man" were incorrect.
Another flaw existed with the 1967 sessions. These were originally mono broadcasts. But due to "old age" of the tapes, the original BBC Archives 1967-1969 Harvested release had some channel balance problems.
All this, and more, has been fixed on the 'Rev. A' release.
Here's a track-by-track breakdown...
Track 01 - Flaming
Our original release was a little hissy. The At Dawn version had been equalized to eliminate the hiss, but this was overdone and resulted in a "bassy" track. I've re-equalized our original track. The Rev. A version is not hissy and not bassy either. The balance has been recentered to mono too.
Track 02 - Scarecrow
The balance has been recentered to mono.
Track 03 - Matilda Mother
The At Dawn version was slightly clearer than our original. This Rev. A release uses the At Dawn version with the balance recentered to mono. Ron also re-Frankentooned the first note. In addition, the tray artwork has been updated to give the correct spelling of 'Matilda'.
Track 04 - The Gnome
Again, the At Dawn version is used here as it had slightly better SQ. We used our version to restore the start of the song that was missing on At Dawn. The balance was recentered to mono.
Track 05 - Pow R Toc H
The balance was recentered to mono.
Track 06 - Vegetable Man
The At Dawn version is used here. And the balance was recentered. But that's not all... This is the biggest change on this release. The speed has been significantly slowed down.
The recent Omnibus special on Syd Barrett and the Pink Floyd included some snippets of "Vegetable Man". The RoIO used for this BBC show came direct from the BBC Archives. As such, we feel we may have found a valid speed reference. The speed of "Vegetable Man" on our Rev. A release matches that used in the Omnibus special. This is a lot slower than you're probably used to hearing for this song. But, it is very nice and natural.
Enjoy!
Track 07 - Scream Thy Last Scream
A balance recentered, speed corrected version sourced from At Dawn is used here.
Track 08 - Jugband Blues
A balance recentered At Dawn version is used here.
Track 09 - Let There Be More Light
Our original unchanged.
Track 10 - Murderistic Women
Our original unchanged.
Track 11 - Julia Dream
At Dawn version used. Pop at 1:09 fixed.
Track 12 - Massed Gadgets Of Hercules
At Dawn version used. Pop at 0:24 fixed.
Track 13 - Point Me At The Sky
Our original version with the original patch job at the beginning, rebalanced to have a more natural transition. Glitch at 2:36 fixed.
Track 14 - Embryo
Our original unchanged.
Track 15 - Baby Blue Shuffle In D Major
Our original unchanged.
Track 16 - Interstellar Overdrive
Our original unchanged.
Track 17 - Daybreak
Our original unchanged.
Track 18 - Nightmare
To conform with The Man And The Journey theme of this performace, the title "Cymbaline" has been changed to "Nightmare" in the revised artwork. The song is our original unchanged.
Tracks 19/20 The Beginning/Beset By Creature Of The Deep
Our originals unchanged.
Track 21 - The Narrow Way
Our original unchanged.
So, as you can see, this new version of BBC Archives 1967-1969 has a lot to offer. Let the weeding begin.
Remember, for a single disc release such as this, only 3 weedlings are required to fulfill your obligations (not 5).
Regards,
Ed
(110/1) Pink Floyd, , The Man And The_Journey
Audio/mp3, ?/?, (?)
Originally released : 00-00-0000
Release date : 05-23-2007
Album name: The Man And The Journey
Artist : Pink Floyd
Ripped by : Kniffy
Genre: Progressive Rock
Label: Free Range Pigs
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 16
Size of Files : 122,3 MB
Track list
The Man
01 01:02 Introduction
02 08:11 Daybreak
03 03:53 Work
04 03:34 Teatime
05 05:13 Afternoon
06 04:03 Doing It
07 04:37 Sleep
08 09:14 Nightmare
09 01:21 Daybreak Part 2
The Journey
01 04:55 The Beginning
02 06:27 Beset By The Creatures Of The Deep
03 05:13 The Narrow Way
04 04:48 The Pink Jungle
05 06:39 The Labyrinths Of Auximenes
06 05:31 Behold The Temple Of Light
07 06:54 The End Of The Beginning
Total time: 81:35 min
Release notes
The Man and the Journey is the name of a conceptual music piece performed at Pink Floyd live shows in 1969.
It consists of several of their early songs coupled with material that would appear on Music from the Film More and Ummagumma, as well as unreleased songs. The material was incorporated into two album-length suites, The Man and The Journey. The concerts also included visual performance elements such as the sawing and construction of a table and consumption of afternoon tea onstage.
The concept was first performed 14 April, 1969 at the Royal Festival Hall in a show billed as The Massed Gadgets of Auximenes - More Furious Madness from Pink Floyd. A truncated version of the show was recorded 12 May, 1969 for the Top Gear radio programme. The 17 September performance in Amsterdam is the most widely bootlegged of the shows on the tour because it was broadcast by radio station VPRO. Plans for an official live album release of The Man and the Journey were considered, but abandoned due to overlap of material with Ummagumma.
To most fans, the work is either entirely unknown or at least unrecognized as the genesis of Pink Floyd's 'themed pieces'. The band themselves have seldom made reference to it in later interviews. Yet the unique combination of quadraphonic sound effects, abstract program music, and recursive themes ù all of which can be traced to The Man and The Journey ù were to become further developed in the band's most enduring music, culminating in 1983 with their album The Final Cut.
This is the September 17th show.
Contact
Contact us @ : #eos (efnet)
(111/1) Pink Floyd, , Early Flights Vol 1-10 CD
Audio/Flac, ?/?, (?)
Pink Floyd - Early Flights Vol 1
Genre : Rock
Date : 03.20.2012
Year : 1994
Quality : 719kbps / 44.1kHz / Stereo
Songs : 131
Playtime : CD01:70:45 CD02:72:27 CD03:7
Size : 3787.91 MB
Streetdate : 00.00.0000
Type : Album
Source : CDDA
[ Tracklist ]
Pink Floyd - Early Flights Vol 01
01.I'm a King Bee [03:03](Session From 1966)
02.Interstellar Overdrive [16:52](Studio 31 Oct. 1967)
03.Sunshine [01:31](Unreleased Track From 1967)
04.Milky Way [03:10](Alternate Take)
05.Astronomy Domine [04:06](Outtake)
06.Scream Thy Last Scream [04:51](Acetate)
07.The Committee, Part 1 [05:40](OST)
08.The Committee, Part 2 [04:02](Alternate)
09.Long Blues [09:16](Montreux 1970)
10.Slow Blues [05:07](Montreux 1970)
11.Obscured by Clouds / When You're In [13:07](Chicago 3.07.1973)
Pink Floyd - Early Flights Vol 02
01.Silas Lane (Outtake) [01:18]
02.Flaming (U.S Version) [02:49]
03.Interstellar Overdrive(UFO Club 1967) [04:18]
04.Reactioning (Rotterdam 1967) [04:07]
05.12 Bar(Montreux 1970) [05:34]
06.Libest Spacement Monitor(Copenhagen 1971) [09:29]
07.Embryo (Copenhagen1971) [12:16]
08.Money(Demo 1971) [01:43]
09.On The Run(Demo 1971) [03:24]
10.Brain Damage(Demo 1971) [02:03]
11.us And Them(Demo 1971) [07:11]
12.Childhood`s End(Cincinatti 1973) [07:59]
13.Interstellar Overdrive(Acetate 1967) [05:26]
14.Moonhead(Ost From NASA Appolo 11 BBC 1969) [05:38]
Pink Floyd - Early Flights Vol 03
01.Arnold Layne [02:38](Acetate 1967)
02.Candy And Currant Bun [02:03](Acetate 1967)
03.Scarecrow [01:08](BBC Broadcast 1967)
04.Astronomy Domine [03:29](Abbey Road Outtake)
05.See Emily Play [02:56](Acetate)
06.Corporal Clegg [02:53](Belgian Video Version 1968)
07.It Would Be So Nice [03:20](Promo Edit 1968)
08.Paintbox [03:31](Stereo Edit)
09.Jugband Blues [03:11](Unreleased Version With Syd)
10.Vegetable Man [02:33](Last Song With Syd)
11.Let There Be More Light [03:34](Paris 15/05/1969)
12.The Narrow Way [04:22](London 12/05/1969)
13.Green Is The Colour [06:05](London 12/05/1969)
14.The Journey [09:13](Plumpton 08/08/1969)
15.Two Of A Kind [02:37]
16.Bob Dylan S Blues [03:16]
17.Interstellar Overdrive [15:47](London, October 31, 1966)
Pink Floyd - Early Flights Vol 04
01.Astronomy [09:01]
02.Mademoiselle Knobs [01:53](Outtake)
03.Come In Number 51 Your Time Is Up [05:00]
04.Green Is The Colour [03:54]
05.Careful With That Axe Eugene [03:46]
06.Embryo [02:11]
07.Cymbaline [08:36]
08.Granchester Meadows [07:12]
09.Fearless [03:20](Mono Mix - US Promo)
10.Us And Them [03:21](US Promo)
11.Brain Damage Eclipse [03:32](Demo)
12.Interstellar Overdrive [13:22]
13.See Saw [04:32]
14.San Tropez [03:40]
Pink Floyd - Early Flights Vol 05
01.Intro [01:17]
02.Let There Be More Light [07:28]
03.Set the Controls for the Heart of the Sun [12:30]
04.Intro (2) [00:54]
05.A Saucerful of Secrets [14:11]
06.Candy [02:00]
07.Interstellar Overdrive [06:23]
08.Intro (3) [00:36]
09.Keep Smiling People [10:12]
10.Intro (4) [01:06]
11.Let There Be More Light (2) [08:07]
12.Intro (5) [00:53]
13.Flaming [05:00]
Pink Floyd - Early Flights Vol 06
01.Astronomy Domine [02:30](Ortf Radio 28/01/1968 Complete Short Version)
02.Astronomy Domine [07:50](Rome 1969)
03.Cymbaline [05:21](London Sound Techniques Studios 03/1969)
04.Obscured By Clouds [01:03]
05.Free Four [03:32](US Promo Single 1972)
06.Instrumental Unreleased [01:40]
07.Set The Control For The Heart Of The Sun [02:36](ORTF Studio Paris Jan 22 1969)
08.Green Is The Colour [04:00](Amougies Festival - Belgium, Okt 25, 1969)
09.Careful With That Axe Eugene [09:55]
10.Intro [01:11](Theatre Des Champs-Elysees Paris - Jan 23, 1970)
11.The Violent Sequence [04:51](ID.)
12.The Amazing Pudding [16:21](ID.)
13.Careful With That Axe Eugene [07:43](The Dome, Brighton, June 29, 1972)
14.Margritte PT4 [02:45](Waters 1972)
Pink Floyd - Early Flights Vol 07
01.Interstellar Overdrive [04:17](Ufo Club 20.01.1967)
02.Pow R Toc H [00:49](BBC-Look Of The Week 14.05.1967)
03.Astronomy Domine [04:03](IDEM)
04.Set The Control For The Heart Of The Sun [02:30](UK Radio 1967)
05.Let There Be More Light [03:44](Psychedelic Club, Paris 30.10.1968)
06.Flaming [03:08](IDEM)
07.Set The Control For The Heart Of The Sun [08:25](Rome 05.05.1968)
08.Interstellar Overdrive [06:43](IDEM)
09.A Saucerful Of Secrets [06:12](Kralingen 28.07.1970)
10.A Great Gig In The Sky [06:04](Ivor Wyne Stadium, Hamilton, Canada 28.06.1975)
11.Money [09:14](IDEM)
12.Any Colour You Like [07:20](IDEM)
13.Brain Damage [09:13](IDEM)
14.Eclipse [03:52](IDEM)
Pink Floyd - Early Flights Vol 08
01.Pigs On The Wing Part 1 And 2 [03:35](Alternate Version 1977)
02.Comfortably Numb [02:39](Demo 1978)
03.Like A Rolling Stone [01:45](Gilmour 1983)
04.Across The Universe [02:37](Waters 1985)
05.The Hit [03:48](Waters/Clapton 1985)
06.Learning To Fly [01:27](Demo 1986)
07.Sign Of Life [03:59](Live Chicago 1987)
08.Yet Another Movie [07:38](IDEM)
09.A New Machine PT1 [01:43](IDEM)
10.Terminal Frost [06:52](IDEM)
11.A New Machine PT2 [10:10](IDEM)
12.Another Brick In The Wall [10:11](Waters 1987)
13.The Dog Of War [07:27](IDEM)
14.On The Turning Away [06:54](IDEM)
Pink Floyd - Early Flights Vol 09
01.A Saucerful Of Secrets [16:33]
02.Sheep [12:21]
03.Pigs Part 1 [01:34]
04.Dogs [18:25]
05.Pigs Part 2 [02:08]
06.One Slip [05:27]
07.Run Like Hell [07:34]
08.Money [06:17]
Pink Floyd - Early Flights Vol 10 The Last Flight
01.Country Theme [02:11]
02.Mexico 78 [04:24]
03.Big Theme [02:51]
04.Small Theme [03:08]
05.Carrerra Slow Blues [04:51]
06.Shine On You Crazy Diamond [10:51](Knebworth, June 6th 1990)
07.Comfortably Numb [08:22](Knebworth, June 6th 1990)
08.High Hopes [08:18](Knebworth 1994)
09.Take It Back [06:01](Knebworth 1994)
10.Coming Back To Life [06:50](Knebworth 1994)
11.Keep Talking [07:41](Knebworth 1994)
12.One Of These Days [06:59](1994)
-------
720:56
720:56 min
3787.91 MB
[ ReleaseNotes ]
Another Fine Release Bought To You By OBSERVER
(700/1) Pink Floyd, , The Massed Gadgets of Auximenes (Reconstructed)
Audio/Flac, ?/?, (?)
Pink Floyd
'The Massed Gadgets Of Auximenes (Reconstructed)' [SBD@320]
(Soniclovenoize 'The Man & The Journey' Studio Reconstruction)
The September 2017 Upgrade
Studio Soundboard Recordings
Encoded: 320 Kbps MP3
Track List: (Artwork Included)
Side A:
01. Daybreak, Pt 1
02. Work
03. Afternoon
04. Doing It!
05. Sleeping
06. Nightmare
07. Daybreak, Pt 2
Side B:
08. The Beginning
09. Beset By Creatures of the Deep
10. The Narrow Way
11. The Pink Jungle
12. The Labyrinths of Auximenes
13. Behold The Temple of Light
14. The End of The Beginning
After the release of Pink Floyd’s The Early Years anthology—especially the Dramatis/ation volume—I reevaluated this previous reconstruction, contemplating if it could be improved upon. And I found I could! This is an upgrade to a studio reconstruction of the never-recorded experimental performance piece of “The Man and The Journey”, often titled The Massed Gadgets of Auximenes. This reconstruction attempts to present a version of the performance that would have taken the place of the More soundtrack and Ummagumma album, only utilizing studio recordings and condensing the performance down to two sides of a vinyl album. -Original
The upgrades to this September 2017 edition are:
“Careful of that Axe Eugene” is used for “Beset by Creatures of the Deep” instead of “Come In Number 51, Your Time Is Up”
“Main Theme” is used for “The Pink Jungle” instead of the live version of “Syncopated Pandemonium”
“The Grand Vizier’s Garden Party II” is used for “The Labyrinths of Auximenes” instead of the live version of “Interstellar Overdrive”
A new, longer edit of “Behold The Temple of Light" was created.
“Cirrus Minor” is used for “The End of The Beginning” instead of the live version of “Celestial Voices”.
Musical soul-searching was the predominant mindset in 1969 for Pink Floyd. The previous year had seen the band attempt to mimic their former bandleader’s singles-oriented approach to psyche-pop with their second release A Saucerful of Secrets as well as the single releases “It Would Be So Nice” and “Point Me At the Sky”. While both singles failed to make any significant chart impact, it was actually the latter’s instrumental b-side “Careful With That Axe Eugene” that garnished some underground FM-radio play, prompting the band to make it a live staple. Following the cues of their audience’s reaction to the one-off track, Pink Floyd switched gears and focused on what the remaining four members could do the best without Syd Barrett: sprawling, experimental psychedelic jams.
The perfect opportunity to test these waters came in February 1969, recording the soundtrack for the film More at Pyre Studios in London. For several months, the band tracked a few songs and a number of musical themes for director Barbet Schroeder that ranged from Pink Floyd’s typical space rock to pastoral ballads, from exotic influences to even proto-metal hard rock. The soundtrack album was released in June and while not a critical nor commercial success, several of the album’s highlights were added to their current set, including “Green is The Colour” and “Cymbaline”. But More was not all; by then Pink Floyd had also been working on their own proper follow-up to A Saucerful of Secrets.
That Spring, each member of Pink Floyd entered Abbey Road studios alone to record solo material, intended to be collected together as the next Pink Floyd album. Although Nick Mason and Richard Wright’s material was largely instrumental and experimental, Roger Water’s and David Gilmour’s material each featured a song that had already been performed live with the full band, “Grantchester Meadows” and “The Narrow Way”. Paired with exquisite live recordings from The Mothers Club on April 27th and the Manchester College of Commerce on May 2nd, Ummagumma was released in October and cemented Pink Floyd’s status as a cult band, prepared to push rock’s envelope, even without hit singles.
While both More and Ummagumma tell a story of Pink Floyd’s progress in 1969, it is not the complete story. With new and original material spread across two separate albums essentially recorded simultaneously, as well as another two albums-worth of material in their back pocket, the band pondered how to present the material in a cohesive live setting beyond the typical rock band performance. Choosing to cull the highlights from both projects as well as their favorite instrumental jams from The Piper at the Gates of Dawn and A Saucerful of Secrets (as well as the b-side that was the catalyst for it all), Pink Floyd designed a series of performances from April to June, sometimes entitled The Massed Gadgets of Auximenes but usually titled “The Man and The Journey”.
“The Man & The Journey” was arranged as two 40-minute movements, and utilized the newly-built Azimuth Coordinator, a primitive incarnation of a surround sound system which played pre-recorded samples meant to fit into the performances itself. The first set—called “The Man”—seemed to follow the events of a typical person throughout his mundane, British, post-Industrial life. The set included the members of Pink Floyd actually building a table on-stage (to represent ‘Work’) and being served tea (to represent ‘Teatime’). The concept, as explained by Gilmour, was inspired by graffiti near Paddington Station, which said “Get up, go to work, come home, go to bed, get up, go to work, come home, go to bed, [repeated]... How much longer can you keep this up? How much longer before you crack?”
The concept of the second set is less clearly defined and seemed to be largely instrumental and improvisational. Called “The Journey”, sketches from the performances’ playbill—and even the songs themselves—seem to suggest the piece follows a pilgrim’s quest. A member of Pink Floyd’s crew even appeared in a sea creature’s costume, moving through the audience and appearing on-stage near the end of the set. Is there some greater meaning or metaphor beyond this? Is this the Man’s own spiritual journey through existence? Knowing Pink Floyd’s conceptual pretensions, that very well might be the case. But Pink Floyd has never given any hints of what the journey nor its prize was, the task apparently left to the imaginations of the listeners. My own interpretation is that “The Journey” is the evolution of agricultural mankind into industrial mankind, the quest for knowledge and technology; while there isn’t an actual Greek name Auximines, it could be stemmed from the Latin auxiliaris (to help) and the first
pharaoh of Egypt, Menes (whose name translates to “he who endures”), literally a metaphor for the king (of humanity) who is assisted by gadgets (our technology) as he endures (history).
After two seasons of performances of “The Man & The Journey” which concluded with a penultimate performance in Amsterdam on September 17th professionally recorded by VPRO Radio, Pink Floyd retired the conceptual pieces in time for Ummagumma’s release in October. Unfortunately, the music assembled as “The Man & The Journey” was never formally recorded in the studio, suggesting that it was simply a way for the band to present the disparaging More and Ummagumma material in a live setting, rather than “The Man & The Journey” being the true genesis of either albums. But is there a way to construct a studio version of “The Man & The Journey”, to condense and create some sort of conceptual order to Pink Floyd’s 1969 output?
My reconstruction of “The Man & The Journey” will have two rules. The first (which I regretfully broke when I originally reconstructed this album a few years ago) is that only studio material recorded in this era will be allowed. This will exclude both live material and anything after 1969. The problem that arises from this rule is that some of these pieces (“Work” and “Behold The Temple of Light”, for example) were never properly recorded by Pink Floyd. The solution to this is in the second rule: we will substitute some unavailable tracks for other similar ones, assuming they are still from this same era. Likewise we will try to avoid using previously-released tracks (“Pow R Toc H” or any section of “A Saucerful of Secrets”, for example) so that this album reconstruction can fit into any continuity you desire. The Azimuth Coordinator sound effects are also omitted, as I believe it fits better for a live performance rather than a studio album. I also chose to condense each set to fit on its own side of an LP, limited to 24 minutes. -Original
Side A—The Man—remains unaltered from my previous version of this reconstruction. The Man wakes at “Daybreak” (“Grantchester Meadows” from Ummagumma) and then goes to “Work (since this musical piece was never recorded by Pink Floyd, we will use a similar-sounding track, “Sysyphus Part III” from Ummagumma). “Tea Time” is omitted from my reconstruction, as it seemed more of a performance piece and less effective as an album recording. “Afternoon” follows (“Biding My Time” from Relics), as well as the track “Doing It!” meant to represent sexual intercourse (often a Nick Mason drum solo, Pink Floyd often used either “Up the Khyber”, “Syncopated Pandemonium” or “The Grand Vizier’s Garden Party (Entertainment)” for this; here I use the later from Ummagumma). Next the Man falls asleep (using an edited version of “Quicksilver” from More) and slips into a “Nightmare” (as represented by “Cymbaline” also from More). The side concludes with the Man waking from his dream to the next day’s “Daybreak” (a short edit of "Grantchester Meadows").
Side B—The Journey—begins with the pilgrim leaving the British pastoral countryside (“Green is the Colour” from More) by sea, when they are soon “Beset By Creatures of The Deep” (depicted by “Careful With That Axe Eugene” from Relics). The pilgrim’s ship plows through a 'horrid storm' (as depicted by “The Narrow Way III” from Ummagumma) and finally arrive on land, moving through a “Pink Jungle” (while Pink Floyd performed “Pow R Toc H” for this piece, here we will substitute a different ‘tribal’ track based around a rolling bass riff: an edit of “Main Theme” from More). Our adventurers next creep through the “Labyrinth of Auximenes” (this piece often featured the bassline to the verses of “Let There Be More Light” juxtaposed with guitar effects and ominous drums; when stripped of the bass line, we are left with a track reminiscent of the first few minutes of “The Grand Vizier’s Garden Party II” from Ummagumma, which I used here) and “Behold The Temple of Light” (looping the chord sequence from “The Narrow Way II” also from Ummagumma). “The End of The Beginning” is a problematic conclusion to the album, as any use of “Celestial Voices” would be reusing an old track, not to mention an anticlimax if using the subdued studio version that lacks the bombast of how it was performed for “The Man and The Journey”. Here, we will substitute a different song that features a very similar organ passage: “Cirrus Minor” from More. Not only are we then concluding the album on an actual song, but also it references a journey and features bird sound effects, a reoccurring motif of the performance.
Sources Used:
Relics (1996 remaster)
Soundtrack to the Film ‘More’ (1987 remaster)
Ummagumma (1994 remaster)
flac --> wav --> editing in SONAR and Goldwave --> flac encoding via TLH lv8
*md5, artwork and tracknotes included -Original
(100/1) Pink Floyd, 1968-06-25, Celestial Voices, BBC Studios, London, England
Audio/flac, ?/?, (?)
My contribution to the memorial posts. RIP Rick Wright, you'll be missed.
Pink Floyd
---------- ---
"Celestial Voices"
Rover Records (RR CD 002)
Source: Dime post by Darkcycle - thanks !!
Pink Floyd_Celestial Voices_1969-08-09_BBC1968-69_(DeGlitched)[SHN].torrent
http://www.dimeadozen.org/torrents-details.php?id=178623
Which was a beautifully de-clicked version of this Dime post:
http://www.dimeadozen.org/torrents-details.php?id=178092
Taken from silver bootleg CD: "Celestial Voices."
Ripped with EAC.
Lineage: Silvers > EAC > SHN
Additional lineage,
Tracks 1-8, 11 and 12: SHN > WAV (CEP2.1 deglitching) > TLH (SBEs fixed) > SHN (MKW)
Changes Made (Nero 7): SHN > MKW > Nero > FlacFrontend (level 6)
Paradiso tracks:
Fixed phase offset by moving left channel +0.15msec
- Balance centred
- More bass and drums more dynamic
Noise print NR at very lowest possible setting
- Noise and hum lessened, but not totally eliminated
- More bass and fuller sound
Cross faded tracks by 1sec to smooth transitions
1969 session tracks:
This is a mono recording with a better sounding, higher level right channel
- Remixed with both channels 100% right channel
- Fuller sound
Noise print NR at very lowest possible setting
- Hum lessened, noise only lowered a little
Deleted little silences and small glitches at beginning / end of tracks
Cross faded tracks by 1sec to smooth transitions
1968 session tracks:
No change at all, excellent sounding mono, you don't need these if you got the original.
Quality: As good as you'll hear from any of this era Pink Floyd posts
---------- --
The original was very good sounding with Darkcyle doing a great job on the glitches, but the
live tracks were very phasey and the 1969 session was actually mono with a false impression of
slight stereo due to the duller left channel, so I fixed all this, whilst leaving the 1968 mono
session alone...
...Enjoy !!
(TomP) Remaster on Dime (Oct 2008)
Original Info >>>>
-The Paradiso, Amsterdam, The Netherlands (August 9, 1969)
01. Interstellar Overdrive (Segment)
02. Set The Controls For The Heart Of The Sun
03. Careful With That Axe, Eugene
04. A Saucerful Of Secrets
-BBC Session, Paris Cinema, London, England (May 12, 1969)
05. Daybreak (Grantchester Meadows)
06. Nightmare (Cymbaline)
07. The Beginning (Green Is The Colour) / Beset By Creatures Of The Deep (Careful With That Axe, Eugene)
08. The Narrow Way (Part 3)
-BBC Studios, 201 Piccadilly, London, England (June 25, 1968)
09. 'Top Gear' Introduction
10. The Murderotic Woman (Careful With That Axe, Eugene)
11. The Massed Gadgets Of Hercules (A Saucerful Of Secrets)
12. Let There Be More Light
13. Julia Dream
14. 'Top Gear' Conclusion
Notes:
The BBC Recordings here do indeed sound better than those included on the current Harvested Rev.A release of BBC Archives 1967-1969 (HRV CDR 008)! Nice upgrade! Though, MOB did find evidence that some of the BBC 1969 tracks may have been processed. I kept the Spectral View of Track 7 that Ron Toon posted, together with this SHN set.
The only unfortunate thing is that there were a number of crackle/pops, most obvious on Track 5, but other tracks were affected as well. I had to fix these, I felt it was worth the effort.
I ended up fixing the pops/snaps on ten tracks (1-8, 11 and 12). Some 'pops' were VERY minor, others were quite obvious, like the ones during the first bit of Track 5, 'Daybreak (Grantchester Meadows)'.
I extracted the SHNs to WAV, then used Cool Edit Pro v2.1 to manually remove the digital pops, I aligned on sector boundaries with Traders Little Helper and reSHNed with MKW Audio Compression Toolkit. New ST5 Checksum created with TLH - Jan. 9, 2008.
Notes by MOB (from a post on Dime 2008-01-08 21:08:18 GMT):
The 1969 BBC session torrented here is an obvious upgrade compared to HRV CDR 008 Rev.A, but we already have an even better source for this session (the versions of BBC69 here have excellent sound quality, but spectral analysis reveals some kind of compression - high frequencies were "cleaned" by some compression process, maybe mp3). The source we have sounds slightly more natural and has a pure frequency range.
For the 1968 BBC session, the tracks here were directly taken from the "master" version of John Peel 11Aug68 show torrented here some years ago (this torrent also included tracks by Tim Rose, Leonard Cohen...). The volume has been normalised for the present RoIO but apart from that they are strictly the same. And for the quality, with the exception of Massed Gadgets which is an obvious upgrade compared to HRV CDR 008 Rev.A, the gain in sound quality it's not so obvious for the 3 remaining 1968 songs. The "master" versions here have pure spectral characteristics, so they are probably from a direct transfer from BBC masters, but the tapes appear to have suffered with the years and there is a lot of tape warble, especially during Murderotic Woman (the exact title announced by John Peel) and Julia Dream. These tape flaws are NOT present on the corresponding HRV versions, that were taken from excellent sources (probably 1st gen). So you have the choice between a direct transfer from slightly "damaged" BBC masters (the current torrent) and the HRV versions from an older transfer, done before the tapes began to reveal their age.
It's a matter of taste of course, but personnally I don't consider the 1968 tracks as upgrades (except Massed Gadgets), I prefer the HRV versions for their clarity and the absence of tape warble.
The HRV versions are much brighter and more pleasant to my ears. This is an example where "master" does not directly mean better sound quality; sound quality depends on the age of the master at the time of the transfer (in other words, a well preserved 1st gen can sometimes have less flaws than a recent transfer of a "damaged" master).
Cheers!
- MOB
[Seems a Rev.B of HRV CDR 008 is in our future!]
Other Notes:
'Celestial Voices' is a brand new (2007) bootleg from Rover Records. They offer a recently uncovered, lost recording from August 9, 1969. According to a review at boot-review.com:
The first four songs come from a recently surfaced soundboard tape of a recording made of Pink Floyd at the Paradiso in Amsterdam on August 9, 1969. The band's set was professionally recorded with the intention of broadcast on Hilversum 3 Radio. When this tape first surfaced it was said there was a malfunction with the microphone for the vocals and the band were forced to play the songs as instrumentals. This isn't exactly accurate because Waters does still sing in Set The Controls For The Heart Of The Sun, Careful With That Axe, Eugene, and in the latter part of A Saucerful Of Secrets. The vocals are present but barely audible.
Neither the audience nor the band seems to notice this and it leads one to the conclusion that the band's PA wasn't malfunctioning but the radio station's equipment was. Since the tape was unusable for the radio, Pink Floyd returned to Amsterdam the following month and were recorded by Hilversum 3 again on September 17th 1969 at the Concertgebouw, the famous The Man And The Journey tape.
The versions of the two other shows (May 12, 1969 and June 25, 1968) on the Celestial Voices boot are equally brilliant. The show at the Paris Cinema in London on May 12 precedes the Malaysian riots by one day. The last tune played that day was called The Narrow Way. It's chilling how it can describe the political fortunes of both Malaysia and Singapore.
This period of Pink Floyd was also their most liberating with all four members equally in charge and contributing. By the time Dark Side Of The Moon was made, Roger Waters was in control.
- The Little Chicken
(180/1) Pink Floyd, 1969-04-14, Royal Festival Hall, London, England
Audio/flac, ?/?, (?)
1969-04-14
HRV CDR009 - The Massed Gadgets of Auximenies
Royal Festival Hall, London / April 14, 1969
Label: Harvested HRV CDR009
Audio Source: audience recording
Lineage: Original Harvested shn-files --> FLAC 8 --> MWP
(see protocol file for conversion details)
Artwork: included
Gallery Link
http://www.mindwarppavilion.org/cpg/displayimage.php?pos=-5100
http://www.mindwarppavilion.org/cpg/displayimage.php?pos=-5105
Number of Discs: 2
Disc 1 Running time 38m 59s / Disc 2 Running Time 54m 21s
Notes:
April 14, 1969 - Royal Festival Hall, London
Comments: 1st performance of The Man & the Journey. Gilmour recieves an electric shock sending him across the stage during the show. drugged girl runs out screaming at sight of monster costume sitting next to her
http://home.comcast.net/~fingalscave/1969.htm
What were 'The Man' and 'The Journey'?
[With much help from Adam Winstanley and others]: In fact several concert recordings exist of The Man and The Journey and many people probably possess RoIOs of these pieces without realising it. The Man and The Journey were two parts of "More Furious Madness From The Massed Gadgets of Auximenies" and consisted of several well-known Floyd tunes linked into a concept piece as follows:
More Furious Madness From The Massed Gadgets Of Auximenies
Part One: The Man (representing a day in the life of a man)
Daybreak ("Granchester Meadows")
Work and Afternoon ("Biding My Time") [the band was served afternoon tea on stage at this point]
Doing It (instrumental) ("Grand Vizier's Garden Party, pt 3")
Sleep
Nightmare ("Cymbaline")
Daybreak (reprise)
Part Two: The Journey
The Beginning ("Green is the Colour")
Beset By Creatures of the Deep ("Careful With That Axe Eugene")
The Narrow Way ("The Narrow Way part 3")
The Pink Jungle ("Pow R Toc H")
The Labyrinths of Auximenes ("Moonhead")
Behold the Temple of Light ("Nile Song"-based instrumential)
The End of the Beginning ("Sauceful of Secrets" - final part)
The complete piece lasted about 70 minutes.
http://www.allfloyd.com/echoes/echoes2.html#13
The Man and the Journey (From Wikipedia, the free encyclopedia)
The Man and the Journey is the name of a conceptual music piece performed at Pink Floyd live shows in 1969. It consists of several of their early songs coupled with material that would appear on Music from the Film More and Ummagumma, as well as unreleased songs. The material was incorporated into two album-length suites, The Man and The Journey. The concerts also included visual performance elements such as the sawing and construction of a table and consumption of afternoon tea onstage.
The concept was first performed 14 April, 1969 at the Royal Festival Hall in a show billed as The Massed Gadgets of Auximenes - More Furious Madness from Pink Floyd. A truncated version of the show was recorded 12 May, 1969 for the Top Gear radio programme. The 17 September performance in Amsterdam is the most widely bootlegged of the shows on the tour because it was broadcast by radio station VPRO. Plans for an official live album release of The Man and the Journey were considered, but abandoned due to overlap of material with Ummagumma.
To most fans, the work is either entirely unknown or at least unrecognized as the genesis of Pink Floyd's 'themed pieces'. The band themselves have seldom made reference to it in later interviews. Yet the unique combination of quadraphonic sound effects, abstract program music, and recursive themes — all of which can be traced to The Man and The Journey — were to become further developed in the band's most enduring music, culminating in 1983 with their album The Final Cut.
http://en.wikipedia.org/wiki/The_Man_and_the_Journey
On 14 April 1969, at Royal Festival Hall, they debuted their new pan pot 360 degree sound system dubbed the "Azimuth Coordinator". This show, named "More Furious Madness from the Massed Gadgets of Auximenes", consisted of two experimental "suites", "The Man" and "The Journey". Most of the songs were either renamed earlier material or under a different name than they would eventually be released.
A UK tour of "The Man/The Journey" occurred during May and June 1969 culminating in the show dubbed "The Final Lunacy" at Royal Albert Hall on 26 June 1969. Considered one of the most experimental concerts by Pink Floyd, it featured a crew member dressed as a gorilla, a cannon that fired, and band members sawing wood on the stage. At the finale of "The Journey" suite the band was joined on stage by the brass section of the Royal Philharmonic and the ladies of the Ealing Central Amateur Choir, and at the very end a huge pink smoke bomb was let off.
An additional complete performance of "The Man/The Journey" occurred at the Concertgebouw, Amsterdam on 17 September and was taped and later broadcast by Dutch radio station Hilversum 3. Portions of the suites were being performed as late as early 1970.
http://en.wikipedia.org/wiki/Pink_Floyd_live_performances
Azimuth co-ordinator (From Wikipedia, the free encyclopedia)
The Azimuth coordinator was the first quadraphonic sound system. Pink Floyd became the first band to use it in their early shows.
The Azimuth coordinator was a multi-speaker pan pot system. It used four large rheostats housed in a large box, converted from 270 degrees rotation to 90 degrees. The system was operated by a joystick, which allowed the sound to be panned around the hall. The Azimuth coordinator was operated by keyboardist Rick Wright. The original one was stolen after the first concert in Queen Elizabeth Hall in London, England. A second system was built for the concert at the Royal Festival Hall in London on April 14, 1969. The second one had two pan pots and four channels.
http://en.wikipedia.org/wiki/Azimuth_co-ordinator
Info: This is the ninth Harvested release.
http://en.wikipedia.org/wiki/Pink_Floyd
http://en.wikipedia.org/wiki/Pink_Floyd_discography
http://en.wikipedia.org/wiki/Pink_Floyd_live_performances
http://www.harvested.org/
Tracklisting:
Disc 1
01 - Daybreak (Part 1) 6:16
02 - Work 8:39
03 - Afternoon 5:25
04 - Doing It 5:18
05 - Sleeping 10:55
06 - Daybreak (Part 2) 2:25
Disc 2
01 - The Beginning 4:35
02 - Beset By The Creatures Of The Deep 8:25
03 - The Narrow Way 4:46
04 - The Pink Jungle 4:18
05 - The Labyrinths Of Auximenies 8:30
06 - Behold the Temple Of Light 6:42
07 - The End Of The Beginning 5:49
08 - Interstellar Overdrive 11:15
Torrent History:
Originally seeded to Mind-Warp PaVilion by schnittstelle on October 15, 2007.
WackoBros&Sista thank the Harvested boys for their releases.
(6/1) Pink Floyd, 1969-04-27, Careful With These Tracks, Mothers Club, Birmingham, England
Audio/Flac, TradersDen/?, (20221124)
Pink Floyd - 1969-04-27, Mother's, Birmingham & 1969-05-02 Manchester College Of Commerce, Unreleased & Alternate Mix Ummagumma recordings, 'Careful With These Tracks', SB, 56:04
01. Astronomy Domine - 8.46 (Same as Ummagumma version, different mix)
02. Careful With That Axe, Eugene - 9.27 (Same as Ummagumma version, longer intro, no vocals in mix)
03. Interstellar Overdrive - 13.35 (Pulled from official release)
04. Set The Controls For The Heart Of The Sun - 9.51 (Same as Ummagumma version, different mix)
05. A Saucerful Of Secrets - 14.25 (Birmingham Mother's) (Ummagumma version uses a composite of this and the Manchester recording)
Birmingham Mother's 27th April 1969
Manchester College Of Commerce 2nd May 1969
56 minutes, Stereo Soundboard Recordings.
Yellow Cow Records - YCCD016
Includes artwork (cover insert, disc & tray) and MD5.
Yes folks, you have read the description correctly. This is lossy sourced but this is the best that has ever been available to date (i.e. never).
If you mess with this or re-release in any form then that's fine with us! We had nothing to do with it other than release it but if you could mention 'Yellow Cow Records' as being the original source for these tracks it would be appreciated :)
Prepare to have your fucking minds blown : )
YC xx
(182/1) Pink Floyd, 1969-05-09, University, Southampton, England
Audio/flac, ?/?, (?)
UNIVERSITY OF SOUTHAMPTON
HAMPSHIRE, ENGLAND
MAY 9TH 1969
Source: Audience
Generation: Master > Reel > DAT(4) > CDR(5) > EAC 0.94 > WAV > SHN
Sound Quality: VG+
Disc (52:10m)
1. ASTRONOMY DOMINE
2. CAREFUL WITH THAT AXE, EUGENE
3. INTERSTELLAR OVERDRIVE
4. THE BEGINNING / BESET BY CREATURES OF THE DEEP
5. A SAUCERFUL OF SECRETS
very nice upgrade over the common roio 'Beset By Creatures of the Deep'. It sounds real nice and bright.
g_b_c, july 2004
(190/16) Pink Floyd, 1969-05-16, The Massed Gadgets of Auximenes, Town Hall, Leeds, England
jpg/, 1969-05-10 Melody-Maker p27/?, ()
(290/1) Pink Floyd, 1969-06-22, Free Trade Hall, Manchester, England
Audio/shn, ?/?, (?)
69-06-22 Manchester
From The Master Tape
June 22 - Free Trade Hall, Manchester, Lancashire
Recording Includes:
Daybreak
Work
Afternoon
Doing It
Sleep
Nightmare
Daybreak Pt. 2
The Beginning
Beset By The Creatures Of The Deep
Narrow Way Pt. 3
Labyrinths Of Auximenes
Behold The Temple Of Light
End Of The Beginning
Set the Controls
Source: Audience
Comments:
CD Reference: Manchester 22.6.69, Man Chester, The Man and the Journey (ayanami)
LP Reference:
Quality: Very Good
***NOT TO BE ENCODED INTO MP3***
**NO CONVERSION TO FLAC**
EAC'd by sydb
seeded on PinkRoioShn
(300/1) Pink Floyd, 1969-06-26, Royal Albert Hall, London, England
Audio/flac, ?/?, (?)
Pink Floyd
June 26, 1969
Royal Albert Hall, London
'The Man and the Journey' tour
master > 1st gen > DAT > CD-R > flac (files made with xACT 1.4b28)
flac files made by jimshoes
disc one
--------
01. Afternoon (5:43) (Biding my Time)
02. Doing It (4:10)
03. Sleeping (5:27)
04. Nightmare (9:15) (Cymbaline)
05. Daybreak (1:04) this is just a clock sound effect!
06. The Beginning (4:39) (Green is the Colour)
07. Beset by Creatures of the Deep (5:56) (Careful With that Axe Eugene)
08. The Narrow Way (5:08)
09. The Pink Jungle (5:24) (Pow R Toc H)
10. The Labyrinths of Auximines (9:01)
11. Behold the Temple of Light (3:20)
12. The End of the Beginning (9:24) with orchestra and choir! (Celestial Voices)
disc two
--------
01. Set The Controls for the Heart of the Sun (11:04)
notes
-----
Daybreak and Work were not recorded. This is the longest and lowest generation tape of this show known. No processing, filtering, or noise reduction was done to this, as you can probably tell. This recording might be a little fast (it sounds it to me, but I'm just guessing), and there is a nasty hiss in the 8k range that many circulating copies of this show have filtered out. Despite the hiss, this has clearer sound than other copies of this show.
Please don't "remaster" this and "improve" it. Please. I beg you.
Just listen, share and enjoy. Don't pee all over it with your 'mad mastering skillz.'
The Pink Floyd trading pool is polluted enough already.
(400/1) Pink Floyd, 1969-08-08, Plumpton Festival, Plumpton, England
Audio/shn, ?/?, (?)
Pink Floyd
9th National Jazz & Blues Festival
Plumpton Racecourse
Plumpton, Sussex, England
1969-08-08
AUD (rec1 cass[m]) (SQ: VG+)
Technical: Lineage: Shure SM57 > Philips Recorder >BASF C90 Cassettes(Master) > DAT(2) > CDR(1) - Recorder #1
Source: AUD > rec1 > cass[m] > ...
Setlist:
01. Set The Controls For The Heart Of The Sun 10:46
02. Cymbaline 9:34
03. The Journey 9:07
04. The Narrow Way (Pt. 3) 5:42
time: 35:09
Notes:
Comments (as they came): Sound quality is superior to all of the versions that I have listened to so far. Several versions of this set are circulating, most probably from the same source and cut to fit tapes. The longest version is presumably of the entire show, some 65 minutes in all.
Not a lot of hiss and good separation. The audience is noticeably quiet, presumably because many of them are asleep or bombed out by this late hour.
Fantastic performance (one of my favorite). Ratings came as VG+ but I'd give it a EX or at least EX-, too bad it's incomplete.
For trade only, do not sell.
Do not encode as MP3 or any other lossy format and redistribute.
- fatoldpig
----------
MY NOTES:
I DL'd this from beerlover in one of the Hubs on 2008-02-06. No art...files were renamed a la' etree.org, original verification mechanism(s) saved, then copied and edited to reflect file-name change.
ref: http://www.pf-db.com/index.php?concert_id=400&bootleg_id=3309
pnkflyd@pnkflyd.net
www.pnkflyd.net
real.serious.music.
2007
(101/1) Pink Floyd, 1969-09-17, More Furious Madness From The Massed Gadgets Of Auximenes, Concertgebouw, Amsterdam, Netherlands
Audio/mp3, ?/?, (?)
Pink Floyd - More Furious Madness From The Massed Gadgets Of Auximenes.
'The Man and the Journey' was one of Pink Floyd's early concept-shows performed the first time April 14, 1969 in Royal Festival Hall, London.
The event was titled 'The Massed Gadgets Of Auximenes - More Furious Madness From Pink Floyd'. Both parts of the show contained of improvisations around different Floyd songs, many of them closely related to the soundtrach from the film 'More', which was written simultaniously.
A recording of the show was meant to be released, but cancelled because most of the material was already released in other versions.
'The Man and the Journey' is only available on bootleg-recordings. One recording circulating is done by dutch radio VPRO in Amsterdam September 17, 1969. A part of the show was recorded for the radio-show 'Top Gear' on May 12, 1969. The recording has been released on the more ore less official italian CD: 'Pink Floyd - The Complete Top Gear Sessions' (GDR CD 9206/AB).
This is the Live Soundboard Recording of the Amsterdam concert 09-17-1969 done by the dutch radio VPRO with additional tracks. There is some Dutch spoken comentary in between.
Produced by F. Saucer for Galaxy-Records, P 1971 Galaxy Records Ltd., London GR 1829
It is VERY much worth listening to .
Tracklisting
THE MAN - SUITE
01. Daybreak (Part One)
02. Afternoon
03. Doing It
04. Sleep
05. Nightmare/Daybreak (Part Two)
THE JOURNEY - SUITE
06. The Beginning
07. Beset The Creatures Of The Deep
08. The Narrow Way
09. The Pink Jungle
10. The Labyrinth Of Auximenes
11. Behold The Temples Of Light
12. Celestial Voices
Additional Tracks
13. Flaming (U.S. 7" Version)
14. Astronomy Domine (Alternate Take)
15. Sunshine (Unreleased, Recorded 1967)
16. Silas Lane (Outtake)
17. Money (1971 Demo Version)
Enjoy!!
(450/1) Pink Floyd, 1969-09-17, Concertgebouw, Amsterdam, Netherlands
Audio/flac, ?/?, (?)
1969-09-17
Amsterdam, Concertgebouw, Pays Bas
01 Introduction
02 Daybreak
03 Work
04 Teatime
05 Afternoon
06 Doing It
07 Sleep
08 Nightmare
09 Daybreak (Part II)
10 The Beginning
11 Beset By The Creatures Of The Deep
12 The Narrow Way
13 The Pink Jungle
14 The Labyrinths Of Auximenes
15 Behold The Temple Of Light
16 The End Of The Beginning
(66/1) Pink Floyd, 1969-10-11, Gruga Halle, Essen, Germany
Audio/Flac, TradersDen/?, (20221124)
Pink Floyd
Date: 11 October, 1969
Location: Internationales Essener Pop and Blues Festival '69, Grugahalle, Essen, West Germany
Source: A(1)>D(2)>CDR(4)
Rating: G-VG (Mono)
Disc One:
1. Introduction - Tuneups 0:22
2. Astronomy Domine 8:16
3. Green Is The Colour 4:11
4. Careful With That Axe, Eugene 6:21
5. Interstellar Overdrive (cuts early) 5:50
Total: 24:50
Comments: Pink Floyd played on the last night of this three day festival (10/9-10/11) and were second on the bill to The Nice. The Festival featured bands of the day including: Yes, Cuby's Blues Band, Deep Purple, Fleetwood Mac and others. The set list included 'A Saucerful of Secrets' as the closer, but that has not made it to this recording or any other known recording.
This recording is *very old* however sound quality rates Good to Very Good in places.
(455/1) Pink Floyd, 1969-10-25, Festival D Amougies, Amougies, Belgium
Audio/flac, ?/?, (?)
Pink Floyd - Interstellar Zappadrive
Actuel Music Festival, Amougies, Belgium, October 25, 1969
Label: HRV CDR031
Audio Source: CD 1 Audience (Speed corrected) / CD 2 Soundboard
Sound Quality: A-
Lineage: Original Harvested SHN-files --> FLAC level 8 --> MWP
(see protocol file for conversion details)
Artwork: Included
Gallery links:
http://www.mindwarppavilion.org/cpg/displayimage.php?pos=-5157
http://www.mindwarppavilion.org/cpg/displayimage.php?pos=-5162
Number of Discs: 2
Total running time: (77:43 / 25:14)
Notes:
Taken from http://members.cox.net/scottstrades/69-Oct-25_hrv.txt
From Harvested Weeds (www.harvested.org): Introducing Interstellar Zappadrive!! HRV-CDR-031. The complete Pink Floyd performance from October 25, 1969 at the Actuel Music Festival.
These (above tracks) are all from the new audience source recently uncovered. They have been speed corrected and carefully mastered by the Harvested staff. These 8 tracks all fit nicely on a single 80 minute disc.
However, the shn disc now being seeded has 3 bonus tracks. These are the soundboard tracks from this show that were broadcast on the radio. After some digging, we found the best source and put in our own handiwork.
The following comments were ripped from The Pink Floyd Database at http://pf-db.com/index.php?concert_id=905&bootleg_id=3467
Also speedcorrected and pitch corrected version of the original seed of the audience recording, slightly at diff speed than "Let's Be Frank..." though. The shn disc comes with bonus material from the supposed radio broadcast (soundboard source), but is not mentioned as a D2 on the artwork. -Furry_Animal
---------- ---------- ----------
Notes that came with the ORIGINAL recording (from which all others have come from):
source: audience recording
Our Amougies series continues with probably the most anticipated performance of all - Pink Floyd's. Of course, the version of "Interstellar Overdrive" with Frank Zappa, long presumed lost, will now be familiar to most, but I'm sure this complete set will be of high interest to Floyd fans. As previously stated, the taper (JJB) didn't record everything, but when he did, he generally recorded complete sets. There are exceptions though, and Freedom is one of them - presumably after a few minutes the taper thought the band wasn't worth taping? Still, better than nothing!
Also, there are obvious issues with the sound quality. Firstly, the tape recorder used was way below modern standards and the sound is nowhere near "professional" quality. Secondly, in order to save on batteries, the taper occasionally turned the recorder off between songs, resulting in a few truncated introductions. These reservations aside, however, this is simply an unbelievable document of a legendary festival, and so our hearfelt thanks to the taper for recording this at the time, and for allowing me to seed it here.
Disc 1 - 80.33 *
1 Astronomy Domine 10.53
2 Green Is The Colour 3.37
3 Careful With That Axe 10.08
4 Tuning w/ Frank Zappa 2.48
5 Interstellar Overdrive 21.03
6 Set The Controls 13.28
7 Saucerful Of Secrets 18.36
* (my comment): You can compare the disc and track
times to get an idea of how much HRV slowed the
recording
Taken from http://wherethevibeis.blogspot.com/2007/10/trolling-underground-interstellar.html
Thirty eight years ago, Paris was slated tohave its first rock festival, the Festival "Actuel".
The festival did occur, but due to bureaucratic nonsense it ended up in Belgium. It must have been one hell of a scene, though.
If you look at the list of bands below (click to embiggen) there are some amazing possibilities. I recognize the name Aynsley Dunbar from his work with Zappa and Jefferson Starship, and likewise recognize Keith Tippet from his brief stint with King Crimson in the 70s, but don't know if either of these bands was ever recorded. Better known bands included Yes, the Nice, and the Pretty Things. Zappa was there first as Capt. Beefheart's road manager, and soon stepped up to being the MC for the festival. This presented certain problems, however, since the audience spoke little English and Zappa's command of French was tenuous at best. He abdicated those duties and ended up playing as a guest with many of the bands instead. One of them was Pink Floyd.
(...)
...this delicious 20 minute jam from October 25 1969. On that night Zappa joined Pink Floyd onstage to improvise through an uncustomarily long and experimental version of the already long and experimental Syd Barrett classic Interstellar Overdrive.
When I found this, I actually found two different versions of it. One was called Interstellar Zappadrive and the other was Let's Be Frank. Being as it doesn't cost anything, I downloaded them both and gave them both a listen. Not only was IZ the better sounding audience recording, it also came with a few alternate soundboard cuts. What I have here, though, is from the audience - no board of the Zappa stuff. It sounds pretty damn good, though, and has become a favored listen here Under the Bridge. Those of us familiar with Gilmour and Zappa's styles will be able to pick them apart, and it's amazing how easily Zappa fits in with and influences what's going on with the song.
Info: Thirtyfirst in a series of Harvested uploads...
http://en.wikipedia.org/wiki/Pink_Floyd
http://en.wikipedia.org/wiki/Pink_Floyd_discography
http://en.wikipedia.org/wiki/Pink_Floyd_live_performances
http://www.harvested.org/
Tracklisting:
Disc 1
01 Astronomy Domine 9:51
02 Green Is The Colour 4:10
03 Careful With That Axe Eugene 9:44
04 Tuning Up With Zappa 2:29
05 Interstellar Overdrive 20:33
06 Tuning Up 0:51
07 Set The Controls 12:07
08 A Saucerful Of Secrets 17:58
Disc 2
01 Green Is The Colour (SBD) 4:14
02 Careful With That Axe Eugene (SBD) 9:44
03 Set The Controls (SBD) 11:16
Torrent History: Originally seeded to Mind-Warp PaVilion by xuncat on December 29, 2007.
WackoBros&Sista thank the Harvested boys for their releases :D
(75/1) Pink Floyd, 1969-12-06, AFAN Lido Indoor Sports Centre, Port Talbot, Wales
Audio/Flac, ?/?, (?)
Pink Floyd - Mega-rare restored LP "Port Talbot, Wales 1969" - Afan Lido Sports Centre, Port Talbot UK 1969-12-06 AUD great show
This is a very pretty package, as you can tell from the photos. It's very well done. Thanks to the Discogs site for the photos. The performance is great, the recording is a bit distant and sometimes overloaded. It's a nice listen, though.
Setlist (Runtime 36m52s)
Interstellar Overdrive
Green Is The Colour
Careful With That Axe, Eugene
Set The Controls For The Heart Of The Sun
Lineage: LP ->Audacity ->Sound Forge 11 ->click and crackle removal ->FLAC via TLH, level 6, sectors aligned and verified, FLAC integrity checked
Enjoy!
A DoinkerTape
(75/16) Pink Floyd, 1969-12-06, AFAN Lido Indoor Sports Centre, Port Talbot, Wales
jpg/, 1969-12-06 Melody-Maker p34/?, ()
(78/1) Pink Floyd, 1970-01-18, Fairfield Hall, Croydon, England
Audio/Flac, Dime/?, (20221124)
Pink Floyd - 1970-01-18 - Fairfield Hall, Croydon (Leaders Of The Underground - EAT 119-120)
Pink Floyd
January 18, 1970
Fairfield Hall
Croydon
Leaders Of The Underground
Eat A Peach / EAT 119-120
101. Careful With That Axe Eugene
102. The Embryo (Early Version)
103. Main Theme From 'More' (Early Version)
104. Biding My Time
105. A Saucerful Of Secrets
201. The Violent Sequence
202. Set The Controls For The Heart Of The Sun
203. Astronomy Domine
204. The Amazing Pudding (AKA Atom Heart Mother Early Version)
Contrast Clause
http://www.dimeadozen.org/torrents-details.php?id=540306 2 Gen Aud
Review:
After the arrival of David Gilmour and the departure of Syd Barrett, the Pink Floyd were forced to begin a musical transformation. Barrett was their chief song writer and front man, much of these duties would to Roger Waters and Richard Wright, subsequent singles from this time period shows a lack of direction from earlier songs that topped the British music charts. The band moved away from singles and towards more LP oriented themes, they also were much in demand as a live act, gone was the psychedelic freak outs and the band moved into college circuits where like minded students would intently listen to this new music. 1969 and 1970 were pivotal years for the band, they found that concept based themes could be personally rewarding and quite popular, The Man and The Journey concept concerts were well received. Their work on film soundtracks like Zabriskie Point and More would also provide a sort of testing ground to venture into other areas outside an official record and coupled with such albums as A Saucerful Of Secrets and Ummagumma, made for a very prolific period.
Not wanting to stick with concept performances the band were beginning to experiment with their live set and in early 1970 the band would play some of the most adventurous sets of songs, taking existing crowd favorites and expanding with newer music. This was short lived as the band would soon focus on a collection of songs that would form the basis for their sets for the next two years, it was this set of songs and consistent touring where themes and ideas would evolve into some of the greatest music the band would record. There are three very important recordings in circulation, Feb 11 Birmingham (Atomic Heartbeat In The Hall – Godfatherecords 786/787), Paris Jan 23 (Household Objects In Paris – Godfatherecords GR 897/868, The Man In Paris – Sigma 89) and Croydon Jan 18, the subject of this new release. The recording from Croydon is good, it has circulated for years in trading circles, the master tape has never circulated and the best that does are a couple generations from that tape. Apparently the taper would set up a stall at a record fair and sell copies of his recordings on cheap media, so the sound is not as good as it could be. As stated the sound is good, there is tape hiss present as well as some distortion in loud parts and while the instruments and vocals can be heard the recording lacks clarity. It is also sadly incomplete as to conserve tape the taper would pause the machine to save tape. For years the sequence was the subject of much debate with only news paper reviews to give some clues, finally a person who attended the concert wrote down the set lists at that time and confirmed the sequence of songs on this release are correct, only thing missing is the encore of Intestellar Overdrive!
The first disc begins with Careful With That Axe, Eugene, for a first song it is clear and well defined, clocking in at about 11 minutes it is a focused and excellent version of the song, not as intense as latter versions but certainly an important song in the bands repertoire. Embyro is still in its infancy, it is similar to the recording from the BBC December 1968, you can hear the band incorporating the more bluesy feel into it, something that would be fully in place less than a month later in Birmingham, Dave plays quite a bit of slide guitar during the song. The middle section features the band playing around with different melodies and themes as if simply seeing what works or is interesting. Main Theme From More is great live, it just kind of bobs along, the middle section features some interesting growls or grunts from Roger and you can hear some almost Embryo type jamming in the middle. What is apparent is how well played the song is giving it was very short lived in the band live set. Biding My Time aka Afternoon was part of the suite known as The Man from 1969Â’s concept concerts and is always an interesting song live. It sounds as if it could be played anywhere from London to New Orleans, Richard Wright would play trombone giving a jazzy feel but soon afterwards Gilmour plays a wonderful blues inspired solo as the song starts to really cook. More than likely A Saucerful Of Secrets is the final song from the first set, clocking in at 17 minutes it is a typically wonderful and mysterious version, the Celestial Voices ending seems to be too much for the recording device as it gets a bit distorted yet adds to the corrosive nature of the song.
The second disc and set begins with The Violent Sequence, it starts with a sort of Heartbeat Pigmeat meets Sysyphus which morphs into a sort of avant garde jazz variation of the percussive beat of the song before moving into the Richard Wright piano which would become Us And Them two years later. This is a very adventurous and at times meandering piece of music, given the rarity of the piece and the fact that the band would ultimately reject it for the stage make for a unique listening experience. A nice long Set The Controls For The Heart Of The Sun and Astronomy Domine follows, both typical for the era and its obvious that both are audience favorites with the former really starting to reach for the cosmos, gentle yet deliberate. The last thing that makes this tape absolutely essential for Floyd enthusiasts is the last song, the first known recording of what would later be titled as Atom Heart Mother. It is believed that the previous nightÂ’s concert in Hull, England was its live debut, yet there is no recording from that performance. The framework of the song is here, it lacks a more focused structure and lacks some of the dynamics that would continue to evolve over the next couple months, one of the more interesting things is Nick MasonÂ’s drum solo section. The recording cuts at its conclusion and the last three minutes is a repeat from the beginning section done as part of a Yeeshkull project restoration of this concert, done so well if you did not know it was there, you never wouldÂ’ve known.
The packaging is typical Eat A Peach, mini LP sleeve with a collage of live shots from the period. The inner CD sleeves have live and posed shots, the one of Waters seated at a table with a couple of cats glancing out a window in nice, and have the song titles for each cd listed. There is an insert with liner notes from The Lazy Goalkeeper that is well written, simply another well sought out release. As with their The Man And The Journey set, it is obvious Eat A Peach is committed to releasing well thought out and relevant Pink Floyd material, material that deserves such lovingly assembled sets such as this. Oh yeah, the title of this comes from Roy Shipston’s review of this concert in Disc magazine, “Pink Floyd Leaders of the underground”.
(78/16) Pink Floyd, 1970-01-18, Fairfield Hall, Croydon, England
jpg/, 1970-01-10 Melody-Maker p17/?, ()
(79/16) Pink Floyd, 1970-01-19, The Dome, Brighton, England
jpg/, 1970-01-10 Melody-Maker p17/?, ()
(500/1) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/flac, Dime/SousMarin, (?)
----------
Pink Floyd
The man : In memoriam Michel Lancelot, Rick Wright.
1970-01-23
Théatre des Champs-Elysées
Paris, France.
----------
From original Europe 1 live broadcast (AM bandwidth).
(Campus by Michel Lancelot, from 8:00 o'clock till 10:30 o'clock).
3 cuts :
- First : during "Sleeping", perhaps 20 seconds lost to flip the tape over.
- Second : at the end of "Cymbaline", the news (about 2 or 4 mn at 9:00 or 10:00 o'clock).
- The final cut :) at the end of the first part of the show, during the intermission, before the David Gilmour's interview.
No memories of what happens next. Surely, the end of Campus (10:30).
----------
Sound Quality : G
(1970) Philips > Geloso mono tape recorder G257 >
(2008) Sony stereo tape recorder TC-377 > Archos AV320
Lineage: ANA(M) > WAV(PCM 44.1Khz 16 bits) > Flac(Level 8)
Audacity v 1.3.5 (unicode) Beta (notch 4800 Hz frequency, split)
Trader's Little Helper v 2.4.1 (Build 160) (flac, md5)
----------
LineUp :
Richard Wright
David Gilmour
Nick Mason
Roger Waters
----------
Track List :
1. Daybreak 7:26
2. Work 4:48
3. Tea Time 3:14
4. Afternoon 6:12
5. Doing It 3:22
6. Sleeping 9:11
7. Nightmare 9:47
8. Celestial Voices 16:19
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Total Time : 60:26 mn
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SMJ002
v2013.12.11
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(500/2) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/flac, ?/?, (?)
Artist: Pink Floyd
Date: 23rd Of January, 1970
Venue: Theater Comedie des Champs-Elysees, Paris, France
Bootleg Title: "The Violent Journey To Paris"
Company: Fat Old Sun Records
Serial: FOS-CDR-003
Artwork: Moonwall
Disc 1:
1. Daybreak* [7:22]
2. Work* [4:43]
3. Tea Time* [2:28]
4. Afternoon [6:01]
5. Doing It [3:20]
6. Sleeping [6:42]
7. Celestial Voices* [3:08]
8. Green Is The Color [3:07]
9. Careful With That Axe, Eugene [6:37]
10. The Violent Sequence [4:54]
Disc 2:
1. The Amazing Pudding [19:42]
2. Main Theme (from "More") [6:51]
3. Set The Controls For The Heart Of The Sun* [12:39]
* - tracks come from source 2.
Total running time: 1hr 27min 27sec.
linage:
source 1 - FM source from Sean Z > FM > cas(?) > cdr
source 2 - Reels > mic in front of R2R speakers > cass[?] > CDR(?) > FLAC
then i've done - decode both to wav vial flacfronted > wav > cool edit pro 2.0 > wav > flac level 8.
background info:
How would i describe the floyd era of January and Febuary of 1970? My description would be one comprising of confusion, continuity, experimentation, originality but, most of all, creative. The band had finished a not so busy tour of the UK and Europe with "The Man and The Journey", and it seemed they wanted to continue with those songs whilst performing some new creations written over the christmas period of late 1969 and very early 1970.
This is the last audio document of the band playing "The Man and The Journey" sets, but its hard to say if the whole two sets were played due to all the different sources being incomplete, yet. Celestial Voices has just surfaced which was usually at the end of the second set. It seems to segue straight into "Green Is The Color", so i'm not actually sure if they closed set 1 with "Celestial Voices" or they did in fact play the whole "The Man and The Journey" suite. That is why i put "Celestial Voices" at the end of the first set.
The floyd augmented the "The Man and The Journey" suite with some very new material. "Main Theme" was composed for the film "More" in 1969 but was only ever played once before being only five days prior (as far as we know). There are only three documented performances of the "Main Theme" being the 18th and 23rd of Jan, and the 11th of Feb making this a rarity just for that. And making only its second appearance was "The Amazing Pudding" (aka Atom Heart Mother) which was still untitled even as far as the 28th of Febuary when Roger introduced it as being "as yet untitled".
recording info:
This is the most complete version of this date at present. All versions don't surpass an hour, yet this is an hour and twenty-seven minutes long. I came across a really nice version of the already mass circulated "source one" with a completely different transfer. It sounded a little clearer than the recently released roio "Mothered Man (LPP)" which i used as much as possible. "Source two", which only surfaced just recently, had some audio that was missing from source one including about twenty seconds more of the intro for Daybreak. It also brought to light "Celestial Voices" and "Set The Controls For The Heart Of The Sun" which until recently had not been heard at all from this date.
Source two was riddled with a "whistling" sound throughout most of the songs which really annoyed me so i only used the source when needed to fill gaps or present the newly surfaced songs. The "whistling" is documented in the .txt file of source two.
Going back to the addition and positioning of "Celestial Voices", on source two, it seems "Celestial Voices" goes straight into "Green Is The Color" which confused me somewhat. Maybe the band were doing different things with the "Man and The Journey" set list because "The Violent Sequence" directly follows "Careful With That Axe, Eugene", which it never used to do. So thats why i took the chance that the band actually played "Celestial Voices" at the end of "The Man".
I don't think anyone really knows what exactly was the set list for the night so what i've done is i've presented "The Man and The Journey" upfront and followed it by the other songs which have nothing to do with the suite. But as i said, i don't think anyone really knows the setlist and i'm definitely not implying that this was HOW it was played that night.
I'm trying to make sense out of all the material i had.
One more thing, both sources were speed corrected. I didn't spend hours correcting them but both sources were occasionally running so fast that they were two semi-tones too high. I brought them both back down to a much normal speed. During "Afternoon" (Biding My Time) and "Green Is The Color" i actually fade from one source to the other, and they sound exactly the same pitch wise so they ended up being as close as you get to the same speed.
conclusion:
The recording is still a digusting roio to listen to and only hardcore roio-er's will be able to listen to it the whole way through without an earache lol, but this is a much better sounding roio than anything i've heard from this date, but in saying that, its not a massive upgrade by any means but it is definitely THE longest version. The rarity factor of this roio is very high due to the rare performances of some of the songs, if you don't have anything from this date YOU NEED THIS! lol.
Fat Old Sun Records would like to thank Moonwall for the fantastic artwork provided for this. I love her work so i never give her any requirements or boundAries to work within (I always say "come up with something".) She never ceases to suprise me. As you can see, she came up with some awesome pictures of some famous France landmarks, The Eiffle Tower and The Arch Of Triumph which don't directly correspond with this show besides that the performance was in france yet the pictures blew me away, so her delightful creativity completes this release.
The original .txt files from the sources used are included.
FAT OLD SUN RECORDS... 2008.
----------
----------
**----Sell on ebay and die---------- -----**
**----convert to any lossy format and die-**
**----re-flac and die---------- ---------- **
**----take credit for this work and die---**
**----remaster and die---------- ---------**
----------
----------
(500/3) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/flac, ?/?, (?)
Pink Floyd
Date: January 23, 1970, June 12, 1971
Location: Hotel de Champs-Elysees a Paris Paris, France, Palais Des Sports Lyon, France
CD Bootleg: Broadcasting From Europa 1
Label: Free Range Pigs (FRP CDR-002)
Quality: EX
CD Bootleg "Broadcasting From Europa 1" > EAC > FLAC level 5
Comments:
(+) From a First Generation tape, of the April 30, 1995 rebroadcast by the French radio station, Europa 1. The Sound Quality is EX, making it essential for collectors. This snippet is about 22 minutes total length, however the original ORTF Radio, France broadcast was around 60 minutes.
(++) This recording is taken from the Europa 1 Radio France broadcast from sometime in June 1971. This is a two channel recording, unlike the one channel recording or AM broadcasts that have circulated previously.
Set List:
Hotel de Champs-Elysees a Paris Paris, France January 23, 1970 (+)
1. L'introduction en Français
2. The Violent Sequence
3. The Amazing Pudding
Palais Des Sports Lyon, France June 12, 1971 (++)
4. Set The Controls
5. Cymbaline
6. Atom Heart Mother (with Orchestra)
Band:
David Gilmour
Rick Wright
Nick Mason
Roger Waters
Recordet live at Hotel de Champs-Elysees a Paris Paris, France, Palais Des Sports Lyon, France
January 23, 1970, June 12, 1971
(500/4) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/flac, ?/?, (?)
Concert de Pink Floyd au Theatre des Champs-Elysees (Paris) le 23 janvier 1970.
Concert historique ! Il contient une rare version publique du theme de More, et une des toutes premieres presentations publiques de Atom Heart Mother, encore sous le titre provisoire de "Amazing Pudding". Et puis la version presentee ici de "Set The Controls For The Heart Of The Sun" est aussi une des plus musclees que je connaisse.
Il s'agit là d'une reconstitution de la plus grande partie du concert à partir principalement de 3 sources :
1. Un CD qui a ete fait à partir d'une K7 que j'ai faite en enregistrant, il y a quelques annees, avec un micro devant le haut-parleur du vieux magnero de mes parents, la bande originale que je n'ai pas encore retrouvee (Elle doit être dans tout mon fourbi...). Ben oui, ce foutu magneto à bande n'etait même pas equipe d'une sortie pour prise directe de magneto à magneto !! Alors forcement, c'est pas toujours top. Et puis il y a des siflements parasites qui s'accompagnent de baisses du son sur certains morceaux mais je me suis efforce d'utiliser au maximum, quand c'etait possible, d'autres sources pour ces passages abimes. Ils proviennent d'une manip' catastrophique que j'ai du faire sur la master-tape quelques mois apres qu'on me l'ait donnee. Ca se passait vers 1973... Mea culpa ! J'etais jeune à l'epoque... Mais je vous jure qu'avant que ce soit abime, c'etait pas mal du tout ! (sadique, va !)
Je ne connais pas precisement la source originelle, certainement la radio et il semblerait que ce soit Michel Lancelot qui commente le concert (un peu trop parfois !). Je ne sais pas plus les raisons des coupures : j'ai eu la bande telle quelle...
Abrege en "K7" dans la liste des morceaux ci-dessous)
2. Le roio "The Man In Paris" (qui provient certainement de la même source que ma bande magnetique. Il y a vait des coupes sombres dans certains morceaux, et notamment "Amazing Pudding", inutilisable en l'etat, mais d'autres morceaux sont integraux ou presque (Biding My Time, More Main Theme...). Abrege en "TMIP" dans la liste des morceaux ci-dessous.
3. Le roio "Broadcast from Europa 1" pour la majeure partie de "Amazing Pudding". Abrege en "BFE1" dans la liste des morceaux ci-dessous.
Les commentaires de Michel Lancelot ont ete gardes pour leur interêt descriptif.
Les morceaux :
1. Daybreak (Grantchester Meadows) (sources K7 + TMIP)
2. Work (source : K7)
3. Tea Time (avec presentation des musiciens) (Source K7)
4. Biding My Time - Doing It (sources K7 + TMIP)
5. Sleeping (source TMIP)
6. Celestial Voices (Fin)
7. Green Is The Colour (sources K7 = TMIP)
8. Careful with that axe Eugene (source TMIP))
9. The Violent Sequence (sources TMIP + BFE1)
10. More, Main Theme (sources K7 + TMIP + un roio de quelques jours plus tard pour les 80 premieres secondes (petite tricherie))
11. Set The Controls For The Heart Of The Sun (source K7)
12. Annonce par Gilmour (sources K7 + BFE1)
13. The Amazing Pudding (Atom Heart Mother) (sources K7 + BFE1)
Tous les morceaux sont entiers, sauf Celestial Voices.
Commentaires :
1 Daybreak (GM) : version habituelle à l'epoque, introduisant la suite "The Man", dont il semble que ce soit une des dernieres presentations publiques, peut-être même la derniere.
2 Work : Tres rare version pirate de ce morceau etonnant ! Waters à l'egoine, Gilmour au marteau, Wright au vibraphone, Mason à  ... la batterie. Et ça fait... de la musique !! Quel dommage que ce morceau n'ait jamais connu de sortie officielle !
3. Tea Time : Pendant que les quatre musiciens se font servir le the sur scene, l'animateur radio en profite pour les presenter. On apprend ainsi que Waters a "un visage de Christ" (!), que Wright est feru de Stockhausen, que Gilmour est "le beau gosse du groupe -il y en a toujours un- ", et que Mason est le batteur, merci !
4. Biding My Time - Doing It : une belle version de ce classique du Floyd, avec de belles envolees de Wright au trombone et de Gilmour à la six-cordes. Une belle demo de blues maà ®trise, suivie d'un dechainement de Mason aux percus.
5. Sleeping : version du sommeil qui precedait normalement "Nightmare" (Cymbaline), encore introuvable.
6. Celestial Voices (Fin) : une coda de Saucerful, un peu abimee par les parasites,
7. Green Is The Colour : version habituelle à l'epoque.
8. Careful with that axe Eugene : enchaine directement sur la precedente, comme d'habitude alors. Cette version ne restera pas dans les annales, sa fin est expediee. J'ai dà » travailler sur les niveaux d'amplification pour lui donner un peu de pêche...
9. The Violent Sequence : le futur "Us and Them", alors instrumental prevu pour "Zabriskie Point". J'ai superpose deux sources pour donner de la profondeur au son.
10. More, Main Theme : une version live tres rare de ce morceau tres peu joue sur scene (je n'en connais qu'une autre version, quelques semaines plus tard). Ca demenage bien. Elle est entiere, reconstituee à partir des sources citees. Neanmoins, comme il manquait le debut, j'ai pris les 80 premieres secondes sur la version du 11 fevrier 1970 à Birmingham, petite tricherie.
11. Set The Controls For The Heart Of The Sun : Une version assez speed de ce grand classique du Floyd à cette epoque. Les commentaires du presentateur ont ete conserves tels quels.
12. Annonce par Gilmour : Gilmour annonce le tout dernier morceau en français.
13. The Amazing Pudding (Atom Heart Mother): sans doute le clou de ce bootleg : une des toutes premieres presentations publiques de Atom Heart Mother. La version proposee dans "Broadcast..." a un son correct, mais il lui manque pres de 3 minutes au milieu de "Mother Fore", oà ¹ Gilmour et Wright improvisent des choeurs en voix de tête. Ces trois minutes, je les ai dans ma version K7, et les ai integrees. Le passage d'une source à l'autre se perçoit nettement, mais l'ensemble reste audible. J'ai superpose les deux sources sur les trois premiers mouvements pour donner plus de profondeur au son, celui de "Broadcast..." etant trop "propre" et sans grand relief.
(500/5) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/flac, ?/?, (?)
Pink Floyd
Work In Paris
Theater Comedie des Champs-Elysees
(Note: The "Theater des Champs-Elysees" and "Comedie des Champs-Elysees" are two separate, adjacent venues)
Paris, France
23 January 1970
1. Green Is The Colour (2:54)
2. Careful With That Axe, Eugene (6:40)
3. The Violent Sequence (5:00)
4. Biding My Time (5:43)
5. The Amazing Pudding (20:02)
6. Daybreak (6:21)
7. Work (1:25)
8. Doing It (2:47)
9. Sleep (6:03)
10. Main Theme From 'More' (6:46)
11. Interview (including Work) (5:29)
(500/6) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/Flac, ?/?, (?)
Pink Floyd
Théâtre des Champs-Elysées
Paris
1970-01-23
**** DO NOT BUY / SELL ****
**** DO NOT ENCODE TO MP3 OR ANY OTHER LOSSY FORMAT ****
**** DO NOT POST ON YOUTUBE OR ANY LOSSY SHARING MEDIA SITE ****
CD 1: The Man
1. Daybreak pt.1 [a.k.a. Grantchester Meadows]
2. Work
3. Tea Time
4. Afternoon [a.k.a. Bidind My Time]
5. Doing It! [a.k.a. The Grand Vizier's Garden Party (Entertainment)]
6. Sleep [a.k.a. Quicksilver]
7. Nightmare [a.k.a. Cymbaline]
8. A Saucerful of Secrets
-- cut (tape flip) --
9. A Saucerful of Secrets [continued]
CD 2
1. [banter]
-- cut --
2. Astronomy Domine
-- cut --
3. Green Is The Colour
4. Careful with That Axe, Eugene
5. The Violent Sequence
-- cut --
6. More (Main Theme)
7. Set The Controls For The Heart Of The Sun
8. The Amazing Pudding [a.k.a. Atom Heart Mother]
-- cut (tape change) --
9. The Amazing Pudding [continued]
-- cut --
**** DO NOT BUY / SELL ****
**** DO NOT ENCODE TO MP3 OR ANY OTHER LOSSY FORMAT ****
**** DO NOT POST ON YOUTUBE OR ANY LOSSY SHARING MEDIA SITE ****
Line-up:
--------
Roger Waters: Bass, Vocals
David Gilmour: Guitar, Vocals
Richard Wright: Keyboards
Nick Mason: Drums
Notes:
------
This recording comes from a 40 years old master tape and has never been circulated before.
It must have a few glitches from times to times, but it's a miracle that it was not completely gone after all this time. In particular the song Cymbaline has some gaps, but luckily I've been able to play it completly after many attemps since the deck was often stopping the tape during that part. Sadly the very end of The Amazing Pudding is cut because of another concert that was overtaped.
Big thanks to Gérard for digging out his tapes collection, and coming home with some of them, and of course for taping this show at the time!
A soundboard recording also exists, as the show was recorded for French radio Europe 1's Musicorama program. Many recodings based on various FM broadcasts are in circulation, however this is the first time a complete audience tape surfaces and gives us the complete and correct running order of all the songs.
Pink Floyd also played the same venue the day after, 24 January, but no recording of this second performance is to be known. The taper did not attend the second show since he attended (and recorded) The Nice at L'Olympia, Paris, that night. Sadly the very beginning of The Nice recording was taped over the very end of 'The Amazing Pudding'.
Some parts between the songs may also be missing, since the recorder was stopped to save the tape.
Because of a low recording level, the original recordings had a terrible amount of hiss.
I reduced a big part of it, but there's still a quite noticable hiss on the final recording.
The right channel has also a lower volume than the left channel. I did some ajustement, but I did not increased too much the right channel since it was increasing its hiss as well.
Lineage:
--------
Audience->Philips EL-3302->Master Cassette
->Nakamichi DR-1 (azimuth adj.)->Thomson/Hama Scenium KD4112 cable->Roland Edirol R-09HR
->WAV 96000Hz 24bits->Adobe Audition:
* Right Channel: +4dB
* Manual clicks removal
* Hiss Reduction (different on left and right channels)
* Volume (left: +9dB, right: +10dB)
* Conversion to 44100Hz 16bits
->split to CD WAV->FLAC->MP3Tag
**** DO NOT BUY / SELL ****
**** DO NOT ENCODE TO MP3 OR ANY OTHER LOSSY FORMAT ****
**** DO NOT POST ON YOUTUBE OR ANY LOSSY SHARING MEDIA SITE ****
(500/8) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/mp3, ?/?, (?)
pink floyd
19700123-008
Work in Paris (mothered man)
01 - Green Is The Colour
02 - Careful With That Axe Eugene
03 - The Violent Sequence
04 - Biding My Time
05 - The Amazing Pudding
06 - Daybreak
06 - Work
08 - Doing It
09 - Sleeping
10 - Main Theme (More)
(603/16) Pink Floyd, 1970-02-05, Sophia Gardens Pavilion, Cardiff, Wales
/, ?/?, (?)
(604/16) Pink Floyd, 1970-02-07, Royal Albert Hall, London, England
jpg/, 1970-01-17 Melody-Maker p22/?, ()
(606/1) Pink Floyd, 1970-02-11, Atomic Heart Beat In The Hall, Town Hall, Birmingham, England
Audio/Flac, Dime/?, (20221124)
Pink Floyd 1970-02-11 Birmingham, 2nd gen stratcat58 tapes (16bit/44.1kHz)
Pink Floyd
Town Hall, Birmingham, England
11 February 1970
Lineage: 2nd gen Maxell XLII-S and XLII cassettes (bet.1992-96) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) > vince666 > header change to 88.2 Khz > WAV 88.2Khz/32bit float > speed correction > WAV 88.2Khz/32bit float > resampled to 44.1Khz and dithered to 16bit > WAV 44.1Khz/16bit > track splits > FLAC 44.1Khz/16bit
1. The Embryo .................................. 11:50
2. Main Theme From More ........................ 11:29
3. Careful With That Axe, Eugene ............... 10:12
4. Sysyphus .................................... 11:39
5. Heart Beat, Pig Meat ........................ 5:46
6. Oenone ...................................... 6:19
7. Moonhead .................................... 4:21
8. The Violent Sequence ........................ 7:59
9. Set The Controls For The Heart Of The Sun ... 13:36
10. The Amazing Pudding ......................... 22:57
Total running time 1 hours 46 mins 14 secs
*Neonknight's notes*
We believe that this is the best copy yet of this great show. Stratcat58's 2nd gen is smoother, closer and more detailed than the 3rd gen we torrented in July. It also has better high end. From the outset it is apparent that the cymbals and hi-hats appear where they were previously buried; always a good sign. In fact you can follow all the instruments more clearly, including during the quieter passages which are less dominated by hiss than our previous copy.
Side B's TAP on the 3rd gen ends fractionally later than the 2nd gen so the 3rd gen cannot be a copy of this 2nd gen version.
The third gen's lineage was master (probably a cassette) > reel > reel > Nak Dragon > stratcat58's cassettes. Stratcat58 arranged a loan of the 2nd gen cassettes and the lineage for them is master > reel > Nak Dragon > cassettes. Stratcat58's source's source (the owner of the 1st gen) visited with his reel many years ago and our man made two copies, one to cassette and the other to reel. The reel was the source of the 3rd gen cassette that we posted. It's as though two gens have been shaved off, not just one, for this Nak Dragon provenance.
The audience chatter before The Embryo is more complete on some other copies e.g. the taper's comment at the very beginning of the recording, "I can't get the hang of his thing", is not present here. Additionally, the opening to side B, Heart Beat Pig Meat, is a bit steadier on lordsnooty's tapes than stratcat58's and his copy has some extra tuning. Stratcat58's tapes are fuller and closer than the lordsnooty version but his copy is cleaner. It's best to keep both!
The taper was probably towards the back of the auditorium and possibly had their recording levels set low, at least some of the time. The way the high end falls off indicates that basic equipment was used. The recording levels have probably been subsequently optimised during copying.
It's difficult to draw any clear conclusions about the Town Hall's acoustics but they may well have contributed to the overall ambience of this recording. Those not familiar with it might be a bit put off at first but my experience is that it ceases to be distracting when your ear dials into the sound.
If you are outside of the UK or have never been to Birmingham it's worth taking a moment to to get a feel for the Town Hall's neo-classical architecture by looking it up on wikipedia. Internal pictures from the time suggest that the hall was quite long and slim with a balcony at the end furthest from the stage.
As I mentioned in the 3rd gen text file, here the Floyd are recycling material from the Zabriskie Point sessions and working out what to do next.
Little memorabilia from the concert appears to exist. The only thing I could find was a ticket on google image search. I tried contacting the Friends of Birmingham Town Hall in 2012 and they were unable to assist.
11 February 1970 was a Wednesday and the concert started at 19.45. It was promoted by big name promotor Roy Guest, who had joined NEMS Enterprises in the autumn of 1968.
Most copies of the concert from the late 1970's onwards started out from a major tape collector in San Diego who sold and traded using low quality unbranded cassettes. His collection was passed to another collector who continued distributing tapes and then another one after that. There is also a guy from Wales, DT, who was probably the source of the San Diego trader in case anybody reading this recognises themselves or can offer a lead.
The guy who owned the 1st gen reel that was the source for the tapes used for this release retired from trading and moved away.
*Vince's mastering notes*
Most of my notes are going to be the same as what i've just described for the previous work on the 3rd gen cassettes, since they have many things in common... so, i start by "recycling" a few points from there, which are perfectly true for these new cassettes, too... especially the point which brought me to choose the final 88,2Khz sample rate for the both of them.
This recording did run very fast so, before actually performing the classic speed correction process, I made a header change to 88.2Khz which automatically "forces" the audio to play at a lower samplerate (and then at a lower speed) without actually altering the samples, so, i preferred to perform this header change to simply bring the recording much closer to the correct speed with no true resampling (and digital speed correction is a resampling process).
But the choice to switch to 88.2Khz needs that the whole recording will need to stay at this new samplerate (but a good point of the 88.2Khz samplerate is that the conversion to 44.1Khz to make a CD version is more easy/transparent than when you go from 96Khz to 44.1Khz, which would involve much more complex maths to do the trick as 96000 isn't a multiple of 44100).
So, with the recording played at 88.2Khz, and then much closer to a correct/reasonable speed, i finally started to think about the classic speed correction process, and it must be noted that the 88.2Khz header change alone did bring the first 9 minutes (or so) of "The Embryo" just to a quite correct speed (within a very small error I will explain later in more detail) so these first minutes weren't subjected to any resampling process as I simply left them alone as they sounded quite right that way... but let's go to the actual work I did...
First of all, I must say that this recording isn't just the typical "easy" speed correction work as the speed varies a lot of times throughout the whole recording and, moreover, there are a whole lot of slight speed fluctuations and also a noticeable amount of wow and flutter (and my guess is that the W&F just belongs to the previous generations of this recording, as I seem to remember it's present on any versions of this gig).
But, this time, I did choose to work in an even more careful and meticulous way as on the previous one... so, in the first moment, I simply checked the speed virtually second by second by trying the needed corrections "on the fly" without applying them and so I mapped the whole recording with a lot of markers to put in evidence all the segments which needed to be corrected differently (with a lot of markers I mean a few hundred markers!).
This way, with this very detailed map of the recording, I could actually correct both the "overall" speed and the small/sudden fluctuations with the first (and only) processing pass, small segment by small segment (at times, tiny segment by tiny segment).
On the contrary, on the previous 3rd gen, to make the work a bit easier, I had made a first "overall" correction applied on relatively long segments and then I addressed the short fluctuations within the same "just corrected" segments while applying a second correction process over the first one.
And so, the much longer and detailed checking work I had made before brought me to the final result by also processing the recording the least possible... but, actually, after I finished the whole work and was finally making a properly relaxed listening, I caught a handful short things which at that point I did correct in a second processing step... but, hey, it's a matter of a few minor things here and there which are 1 second long each, at max... so not really a big deal, but these few "extra" corrections may have been a bit distracting while listening (or, at least, they were definitely distracting to my ears)... Thus, the result of the processing itself is still more "transparent" than on the previous 3rd gen and, after all, this 2nd gen is a better sounding source just as a starting point.
But, since the Birmingham recording is perhaps the most "difficult" in terms of fluctuations and tape related problems of the whole PF recordings story, of course there are still small/light fluctuations here and there and there is still the infamous wow and flutter (more noticeable on some songs, less noticeable on others).
I will explain the wow and flutter and the "within a small error" point in more detail... After the initial header change, the first nine minutes of The Embryo came gracefully extremely close to the right speed... I mean that they may still be a hair fast (with "a hair" I mean a fraction of a percentage, say around 0,5%) and it would have been unwise to subject them to processing for such a tiny difference, since they just sounded very nicely in raw shape... and, while trying to find the best correction ratios for this recording I could experiment a few interesting things myself... the wow and flutter may appear to be more noticeable than on some other sources, not certainly because there is more or a deeper wow and flutter oscillation, but simply because the sound is clearer and better defined, so the instruments are more clear and detailed and, of course, the wow and flutter might also be heard more distinctly... if you think about it, the wow and flutter is a continuous and quite periodic speed fluctuation and the clearer you can finally hear the instruments, the clearer you will also detect the W&F, because if you have a confused and muffled sound, you will have the W&F somewhat masked just by the less defined sound itself, since the speed oscillation is detected just on the actual "useful" content and not on the hiss or on the background noise or on any other "non music related" noises.
So, in other words, we have better sound and so we can "appreciate" the flaws of this recording in a "better" way and, anyway, I'd prefer to see quite only the "half full" glass of a better sounding tape anyday!
The second point I'd like to mention is a sort of an easy way to tame what i've just explained here above about the W&F... in fact, I noticed that, when there is a noticeable continuous W&F speed oscillation, if I keep the overall speed a hair faster then the W&F speed fluctuation oscillates in a speed-range which, for example, goes from the correct speed to a hair fast or, anyway, it ranges mostly on the faster side... and, to my ears, such situation sounds noticeably better than if I try to put the overall speed to the "correct" value and leaving the W&F oscillation ranging also to the slower side as it definitely gives me the impression of a tape machine losing some power and I found it very annoying... so, in general, I tended to stay a hair fast throughout the whole recording because it makes the W&F much less annoying... so, a small error (around 0,5% or so) to the fast side sounded noticeably better than a "just exact" overall speed... and I add that, with the W&F and some minor fluctuations still present, it makes not really sense in talking about the "perfect" speed but it may be much more useful to directly stick to something which makes the recording more enjoyable, which is just what I tried to do.
And, believe me, it needed quite a bit more work than the 3rd gen to make the recording how it is now and with the lightest hand I could in applying processing individually on hundreds of small to tiny segments... so, as the other 3rd gen one, at a certain (even longer to arrive) moment, I simply decided to stop working and consider it ready otherwise i would have risked to never finish to work on it as these Birmingham recordings are just those which you could keep improving for years and with countless hours of meticulous manual editing.
So, the speed may still be not just perfect at moments and the W&F is still there but, hey, to my ears this time I finally have the impression of being phisically there attending the gig and it's indeed a nice upgrade in sound quality over any other circulating versions, including the recent 3rd gen cassettes which just sounded like a sort of miracle when they finally surfaced only a few months ago.
No other kind of processing was done, so no level changes, no normalization, no NR, no EQ, etc...
Stratcat58 cassettes / Neonknight tape transfer / Vince666 mastering, October 2017
(606/2) Pink Floyd, 1970-02-11, Atomic Heart Beat In The Hall, Town Hall, Birmingham, England
Audio/Flac, Dime/?, (20221124)
Pink Floyd 1970-02-11 Birmingham UK
“Atomic Heart Beat In The Hall” The Godfatherecords GR 786-787
Lineage:
My silvers.
EAC (secure mode) > WAV (& spectrograms included)
TraderÂ’s Little Helper > FLAC Level 08 (checksums included)
Tracker > You
Setlist:
CD 01
01. The Embryo
02. Main Theme From More
03. Tuning
04. Careful With That Axe, Eugene
05. Sysyphus
CD 02
01. Heart Beat, Pig Meat
02. Quicksilver
03. Moonhead
04. The Violent Sequence
05. Set the Controls For The Heart Of The Sun
06. The Amazing Pudding
Artwork included
Bootleg comments:
http://www.collectorsmusicreviews.com/pink-floyd/pink-floyd-atomic-heart-beat-in-the-hall-godfather-records-gr-786787/
&
http://www.hokafloyd.com/CD4/Atomic_Heart_Beat/Review_Atomic_Heart_Beat_In_The_Hall.htm
Atomic Heart Beat In The Hall (Godfather Records GR 786/787)
Town Hall, Birmingham, England – February 11th, 1970
Disc 1 (46:18): Embryo, Main Theme from More, Tuning, Careful With That Axe Eugene, Sysyphus
Disc 2 (61:08): Heart Beat Pig Meat, Quicksilver, Moonhead, The Violent Sequence, Set The Controls For The Heart Of The Sun, The Amazing Pudding
Atomic Heart Beat In The Hall documents Pink FloydÂ’s February 11th, 1970 show in Birmingham, England. The sound quality of the tape starts off quite rough and unpleasant, but quickly improves to be quite listenable and enjoyable. The entire show was pressed before on The Amazing Pudding (Highland HL 208/209) and the latter half of the show can be found as bonus tracks on Monopoly (1996 DYNAMO GULAG SUBOTNIK, MOSCOW).
There are several reasons why this show is important. It contains very early performances of both “Atom Heart Mother” still called “The Amazing Pudding” at this point and with a drum break, and “The Embryo.” Second, there are several very rare live performances of “Sysyphus” and “The Main Theme (from More).”
The most interesting part is the twenty-five minute long piece that starts off the second disc. It starts off with “Heart Beat Pig Meat” from the soundtrack to the film Zabriskie Point and leads into “The Violent Sequence,” the precursor to “Us & Them” on Dark Side Of The Moon. It’s the longest performance of the piece and most interesting given the incorporated musical themes. Godfather utilize their gorgeous tri-fold cardboard gatefold sleeve with copious liner notes written by their Pink Floyd expert Alex The Gnome.
http://www.freewebstore.org/scooby-doo/2CD_PINK_FLOYD_ATOMIC_HEART_BEAT_IN_THE_HALL/p1351921_7758014.aspx
Rare songs performed live on a decent sounding audience tape. Once you get past the first few unlistenable minutes of the Embryo, it's pretty good from there on. Recommended for the freak only.
(612/1) Pink Floyd, 1970-02-28, Leeds University, Leeds, England
Audio/Flac, Dime/?, (20221124)
PINK FLOYD
REFECTORY HALL, LEEDS UNIVERSITY
LEEDS, ENGLAND
FEBRUARY 28, 1970
MASTER REELS > DAT @48KhZ/16bIT > WAVE (PROTOOLS) @48KhZ/16bIT
SET LIST:
THE EMBRYO
CAREFUL WITH THAT AXE EUGENE
SET THE CONTROLS FOR THE HEART OF THE SUN
ATOM HEART MOTHER
SAUCER FULL OF SECRETS
INTERSTELLAR OVERDRIVE
After seeing several versions claiming to come from an unknown DAT gen from the master reels, the owner of the original tapes offered me a fresh transfer from those reels onto a DAT tape. From there I took the DAT into my studio and digitally transferred it using ProTools, preserving the integrity of the 48kHz/16Bit transfer (unfortunately a 24Bit transfer was not an option). These are the raw, unprocessed wave files from my transfer. MOB will be remastering this recording for Harvested Records, applying some needed speed-correction which will be shared shortly after the release of this torrent.
PLEASE DO NOT REMASTER AND REPOST!!!
Some additional info from the current owner of the reels:
"I didn't tape this show as was posted earlier ( I was 10 years old at the time!), but the taper, John Parkin, kindly gave me his master in the early 90's.
I've no idea who has what in terms of generation but I only made three direct transfers from reel to DAT. When I bought a DAT machine in 1994 I made a safety copy for myself and one also for a friend who is also a member of this forum (edit:Yeeshkul). I sent a few copies to friends at the time and these were clones from my DAT. I also made two cassette copies for other friends one of which was given away some years ago, this is probably the source of most of the boots that have surfaced. I subsequently made a new transfer about 3 years ago for a collector in the US who asked for one (nobody else asked!) so despite comments by others this was never hoarded, it was freely given to people I was in touch with at the time.
If anyone is interested I can make a fresh transfer on DAT, I can send a copy to someone if they want to torrent it. I'm afraid I'm too thick to torrent it myself, I attempted it once but failed miserably. I guess if he is willing I can send it to RonToon, as he is the only person I know on this forum, so Ron if you are 'up for it' let me know.
The original tape was recorded on a Grundig TK 140 machine at 3 3/4 ips, no idea what mics were used. The recording was made from the balcony, and the machine was plugged into the mains ( the joy of taping old shows!) as this was the only power source available."
Thanks to Lord Snooty for giving me the opportunity to share this incredible source!
Enjoy!
RonToon
(625/1) Pink Floyd, 1970-03-20, Akademiska Foreningens Stora Sal, Lund, Sweden
Audio/Flac, Dime/?, (20221124)
Pink Floyd DB:
http://www.pf-db.com/index.php?concert_id=190&bootleg_id=3413
Hokafloyd:
http://www.hokafloyd.com/CD3/Lund_Sweden/Lund_Sweden.htm
PINK FLOYD - Lund Sweden 1970
FARM 20507/8 Flux and Reflux Music
Matrix Disc 1: FARM 20507
Matrix Disc 2: FARM 20508
(P) ???? Made In Japan
Not For Sale. For Promotional Use Only.
Comment by pf-db.com
Great sound, everything comes through really clear, and there's no extraneous noise/chatter near the taper in the audience, to interfere with the listening experience.
I'd definitely feel comfortable rating this show as an A.
Their earlier tours (pre-Eclipsed) tend to get glossed over a little, since the material they performed isn't as legendary as their later works, which is a shame because these shows were just as tight and solid as the ones they did for The Dark Side of the Moon, Wish You Were Here, and Animals.
More Infos from Collectors Music Reviews
Disc 1: Time:
1. Astronomy Domine 9:23
2. Careful With That Axe Eugene 11:23
3. Cymbaline 10:00
4. A Saucerful Of Secrets 13:09
Total Time: 43:55
Disc 2: Time:
1. Embryo 8:44
2. Interstellar Overdrive 13:26
3. Set The Controls 11:53
4. Atom Heart Mother 18:29
Total Time: 53:42
Band:
Pink Floyd
David Gilmour
Nick Mason
Roger Waters
Richard Wright
MD5 & Artwork incl.
-----------------------------
Cheers
Hoka
http://www.hokafloyd.com
20 March 1970
Live at Akademiska Foreningens Stora Sal, Lund, Sweden
(635/1) Pink Floyd, 1970-04-22, Capitol Theatre, Port Chester, NY, US
Audio/Flac, Dime/?, (20221124)
Pink Floyd
Capitol Theater
Port Chester, New York
April 22nd 1970
Equipment: Sony TC-110
Source: Master Cassette > Soundforge / Remaster > CD-R > FLAC
TRACK LIST
Disc 1
1. Granchester Meadows
2. Astronomy Domine
3. Cymbaline
4. Atom Heart Mother
5. The Embryo
Disc 2
1. Green is the Colour
2. Careful With that Axe, Eugene
3. Set the Controls for the Heart of the Sun
4. A Saucerful of Secrets
5. Interstellar Overdrive*
(638/1) Pink Floyd, 1970-04-29, Interstellar Fillmore, Fillmore West, San Francisco, CA, US
Audio/Flac, Dime/?, (20221124)
Pink Floyd
Interstellar Fillmore
Fillmore West
April 29, 1970
Stereo Soundboard
Harvested HRV CDR 016
This is the best-known circulating version of this show and is complete, though it's not clear if some of that "completeness" is due to careful patching from another show. This version supersedes "Interstellar Encore".
It's an excellent performance, though all versions of it suffer from a persistent, annoying "squeak" throughout disc one.
This performance occurred on the evening of the same day as the "KQED" video recording.
Disc One:
01 - Grantchester Meadows
02 - Astronomy Domine
03 - Cymbaline
04 - Atom Heart Mother
05 - Embryo
Disc Two:
01 - Green Is the Colour
02 - Careful with that Axe, Eugene
03 - Set the Controls for the Heart of the Sun
04 - A Saucerful of Secrets
05 - Interstellar Overdrive
(640/1) Pink Floyd, 1970-05-01, Since We Were Teenagers, Civic Auditorium, Santa Monica, CA, US
Audio/Flac, Dime/?, (20221124)
Pink Floyd - Since We Were Teenagers - MQR 004
Civic Auditorium - Santa Monica, CA, USA
May 1st 1970
Source: Audience
Sound Quality: EX
Taper: Dub Taylor
Recording equipment: Nagra R2R > 5" Reel Master
Playback: Tandberg R2R > Revox B-77 > M.M.'s 1st Generation Reels
Transfer: Reel[1] > Sony DAT > DAT(0) > Audigy 4 Pro > Nero Wav Editor > CDWav >
CDR(0) > CDR(1) > EAC > FLAC
Restored and Enhanced by MQR - creamcheese, }{eywood and WRomanus
Total time = 121:53m
Set One 51:18
1. GRANTCHESTER MEADOWS
2. ASTRONOMY DOMINE
3. Tune Ups
4. CYMBALINE
5. THE AMAZING PUDDING
Set Two 79:08
1. Tune Ups
2. THE EMBRYO
3. GREEN IS THE COLOUR
4. CAREFUL WITH THAT AXE, EUGENE
5. SET THE CONTROLS FOR THE HEART OF THE SUN
6. INTERSTELLAR OVERDRIVE
7. A SAUCERFUL OF SECRETS
Magna Qualitas Records is proud to present "Since We Were Teenagers", this fully restored and remastered recording from Santa Monica as our fourth release. Due to our continuing work on everything related to Zabriskie Point, which led to the new revision of the Omayyad album, we've decided to complete the restoration of this excellent recording. GBC torrented this recording (provided by Rudy and M.M.) originally a while back, and his notes reflect the many instances of dropouts, damages and cuts in the tape. All this has been restored here using pieces of other shows or relocating pieces from this show.
Originally Grantchester Meadows only ran about 30 seconds. Apparently that is where the taper started recording. We have patched the majority of the song in from the previous show in San Francisco on April 29, but since the very beginning of that fades in we decided to restore that as well from the KQED tape. We wanted the birds before the song to be there. The 30 seconds of the song that existed on the tape for this show are all there, but now the whole song exists in a form that is nearly impossible to tell its from more than one show. from 0 to 0:34 April 30 - KQED. From 0:34 to 7:13 April 29 - Fillmore East. From 7:13 to 7:37 (end) May 1 - Santa Monica
Astronomy Domine had a small part missing due to a damaged portion of the tape. This was patched with a piece from slightly earlier in the song. The buildup was a bit oversaturated and was all at one continuous loud volume, so this was readjusted to better reflect the gradually increasing intensity of the song.
The original little patch from Santa Monica 1970-10-23 is still in place in Cymbaline. It was done so well I can't even tell where it is, so why mess with perfection?
A dull spot in the tape at about 14 minutes into The Amazing Pudding was repaired.
The missing part of Careful was spliced in from Port Talbot 1969-12-06, curiously this concert was during the Sessions for Zabriskie Point. We searched long and hard through dozens of shows to find a tape where the performance was similar enough to the one at Santa Monica (and with similar sound quality) to fill the missing section. Quite a lot was missing, so it had to be done. The patch exists from 2:33 to 3:48.
Drop-outs and other anomalies were cleaned up or otherwise repaired. The volume of the whole thing was adjusted in various places to make the dynamics more pleasant, and because the tape sounds like the taper was adjusting the gain on the fly as the show went on in order to compensate for very quiet passages. A lot of the between song banter and tuneups and the tape effects during Cymbaline were very quiet, so they were brought up a bit. The distorted sections of the show were carefully restored to avoid a lot of the oversaturation they originally contained. Several spots where the high end dulled down a bit, likely from deterioration of the master, were EQd separately and patched in in order to compensate for the tonal changes. Noise Reduction was carefully applied in three stages, and the whole thing now appears for the first time in stereo due to the usage of a very sophisticated and well sounding (although freely available) stereo processing plugin. The tape flips were all patched by relocating audience from different parts of the show so the whole thing is now a continuous piece for each set.
This release is certainly not perfect. Many wrinkles and crumples were present in the master tape, and although we did our best, there's not a lot that can be done to fix them. It is, however, probably the best it has ever sounded since we were teenagers, maybe even as it ever will...
July 2011
(640/2) Pink Floyd, 1970-05-01, Since We Were Teenagers, Civic Auditorium, Santa Monica, CA, US
Audio/Flac, Dime/?, (20221124)
Pink Floyd
Civic Auditorium
Santa Monica, California USA
May 1st 1970
Straight from a 1st Generation Reel to Reel copy of the masters
Source:
1 Sennheiser 805 shotgun microphone > Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips on 5" diameter 3M Scotch tapes
First Generation Tape Copy (1980's):
1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77
Transfer to DAT (1996):
Revox B-77 > Teac AN-60 (Dolby) > Sony DTC-690 @ LP (reduced Bandwidth of 16KHz or 32/2)
Transfer to Hard Drive (2006):
Sony DTC-690 (16-32) > Audigy 4 Pro (resampled to 16-48 on the fly)
Mastering (2014)
Adobe Audition 3.0 > AudioGate Aqua (16-44) > CD Wav > Flac (Level 8) > Stamp ID3 tag editor
Note that there are some drastic volume changes as the recording levels are adjusted.
The two affected songs are marked *
Recording starts with GRANTCHESTER MEADOWS already in progress.
First Set (45:48m)
1. GRANTCHESTER MEADOWS > ASTRONOMY DOMINE * (11:16m)
2. CYMBALINE * (12:51m) (tape flip)
3. ATOM HEART MOTHER aka THE AMAZING PUDDING (21:41m) (tape flip inside song)
Second Set (78:19m)
1. tuning (1:09m)
2. THE EMBRYO (12:35m)
3. GREEN IS THE COLOUR > CAREFUL WITH THAT AXE, EUGENE (13:21m) (tape flip inside song)
4. SET THE CONTROLS FOR THE HEART OF THE SUN (15:21m) (tape flip)
5. INTERSTELLAR OVERDRIVE (14:04m) (tape stopped-encore call not recorded)
encore
6. A SAUCERFUL OF SECRETS (21:49m) (tape flip inside song)
Total Running Time 2 hours, 4 minutes and 7 seconds
I have tried to borrow these masters again to do a hi-res transfer.
Even offered a tempting "borrowers fee".
Was informed that these tapes were discarded by the collector that got them after me.
Hope that's not true but this could be as close to the original tape as we may ever get.
As a result I spent a little extra time on this project.
Very nice sounding recording and it is the first time that this complete tape has been shared.
Some technical issues
Drastic volume changes are found in ASTRONOMY DOMINE and CYMBALINE.
This was a result of the microphone output overdriving the recorders input.
The adjustment knob becomes all or nothing at the near zero position in this condition.
Ahh, for an inexpensive 20 dB attenuator this would have been avoided.
Nothing can be done to fix this now.
There is a tape flip immediately after CYMBALINE ends.
A few seconds of applause was inserted to smooth out the abrupt transition.
Next tape flip is inside ATOM HEART MOTHER and an unknown amount is missing.
CAREFUL WITH THAT AXE, EUGENE has a tape flip a few bars before the scream.
SET THE CONTROLS FOR THE HEART OF THE SUN has a tape flip during the applause after the song.
INTERSTELLAR OVERDRIVE has a tape flip during the applause and just prior to the introduction of the next song
Some applause was inserted to smooth out the abrupt transition.
A SAUCERFUL OF SECRETS has a tape flip towards the end of the song.
These cuts are on the master reels.
Five inch tapes at 7 1/2 ips need flipping and re-threading every 22 1/2 minutes.
Thirty seconds (minimum) would be lost for each reel flip.
Even as much as 60 seconds to do this in the dark and on the floor.
Not as easy as turning a cassette over.
These old recordings were also plagued by "mini dropouts" found on the tapes or created in the transfer.
Opposite channel patches were used to repair single channel dropouts.
There were quite a few of these repairs required throughout this concert.
Performed a meticulous end to end review to try and catch all of these and fix them.
Some have slipped past my ears but I repaired most of the obvious ones.
The result is this nice clean copy of a classic Pink Floyd concert recording by the TMoQ crew (thanks Ken and Dub).
For Historical reference only and not for resale or any commercial uses.
Enjoy
-M- (October 2014)
FLYING M PRODUCTIONS
FAN RECORDINGS FOR COLLECTORS
TRADE FREELY BUT PLEASE DO NOT SELL
(649/1) Pink Floyd, 1970-07-16, Paris Cinema, London, England
Audio/mp3, ?/?, (?)
Pink Floyd
16th July 1970
Paris Theatre, London.
with John Alldis Choir och the Philip Jones Brass Ensemble.
1. Embryo
2. Green Is The Colour
3. Careful With That Axe, Eugene
4. If
5. Atom Heart Mother (Orchestra versions)
FM Re-Broadcast
Swedish Radio, P3 Live
7 October 2005
Excellent sound
-------------------------------------------------------------------------------------------------------------------------------------------------------------
FM broadcast >WinFast PVR2000 FM Card (44100, 16 bits Stereo, PCM Wav) > Adobe Audition 1.5 > Flac Frontend>Flac fix (to fix sector boundaires)
Cuts and fades between track 1-2 & 4-5: had to edit out the radio announcer.
-------------------------------------------------------------------------------------------------------------------------------------------------------------
(657/1) Pink Floyd, 1970-09-26, The Electric Factory, Philadelphia, PA, US
Audio/Flac, Dime/?, (20221124)
Pink Floyd 1970-09-26 Electric Factory, Philadelphia, 2nd gen (24bit/96kHz)
Pink Floyd
Electric Factory, Philadelphia, Pennsylvania, USA
26 September 1970
Lineage: 1st gen Maxell metal cassette > Nak Dragon x 2 > 2nd gen cassette (Maxell XLII-90) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 2.0.3 > FLAC (24bit/96kHz)
xACT used to create FFP
*The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum
01 Astronomy Domine
02 Cymbaline
03 A Saucerful Of Secrets
04 Interstellar Overdrive
05 Fat Old Sun
06 Green Is The Colour
07 Careful With That Axe, Eugene
Total running time: 1 hour 26 minutes 14 seconds
This is without doubt the best source for this date that I have come across so far. The only disadvantage to Stratcat58's tape is that Set The Controls For The Heart Of The Sun is missing. The master that circulates sounds dull in comparison to this 2nd gen, which is unequivocally brighter and clearer.
Stratcat58's source runs slow, as seems to be the case with all sources. Goldenband calculated the necessary speed corrections, which ranged form +0.9-2.3%. The values aren't perfect because of the shifting speed but get each song very close indeed to the right pitch.
The recording also has occasional flaws and dropouts that are not on other copies. You can hear one at the start of IO and a couple in CWTAE, for example. I have carefully checked various noises and can confirm they are on the tape.
Stratcat58's source kept meticulous notes on all of his recordings. From him we know that the individual who originally recorded the concert had the cassette masters "cleaned up" several years back using professional recording studio equipment.
Stratcat58's source is not aware of the details regarding what the original master(s) consisted of or what clean up process involved. The results were recorded onto a 90 minute Maxell metal cassette. Stratcat58's source was able to borrow this metal tape through a reliable third party and make two archive copies, one on reel-to-reel and the other being the tape used for this release.
Side B on Stratcat58's cassette, starting with Interstellar Overdrive, was recorded at a lower level than side A. I adjusted the gain on the FSP14 to compensate when I flipped the tape.
Stratcat58 cassette / Neonknight tape transfer and speed adjustments, January 2014
(672/1) Pink Floyd, 1970-10-16, Pepperland Auditorium, San Rafael, CA, US
Audio/Flac, Dime/?, (20221124)
Pink Floyd - Rolf's Pepperland Bomb - MQR 012
Pepperland Auditorium, San Rafael, CA, USA
October 16th 1970
Source: Audience
Sound Quality: EX+
Tapers: Jay D. and Ron C. ...They sat 10-12 rows back, left of center.
Recording equipment: Sony TC-126 with Powered Single Point Stereo Microphone, using either Sony Red or Green cassette tapes
Lineage:
Oct. 1970. Recording equipment > Sony TC-252 7" Reel to Reel Recorder >1/4“ Scotch 140 RtR Tape (Jay D. copy).
Jun. 2011. 1st gen 1/4“ Scotch 140 RtR Tape > Baking process > Revox A77 RtR Deck > Tascam US-200 > Adobe Audition 24/96. 2013. 50 Hz dehumming in iZotope RX 2 Advanced > EQ > NR1 in RX > 1st Manual cleaning and restoring iZ RX2 A> NR2 in RX > 2nd Manual cleaning iZ RX2 A > EQ and MB compression > Balancing > Adobe Audition 1.5 for some manual dynamic adjustments.
a) 24/96 version - TLH for SBE fix and FLAC Level 8.
b) 16/44.1 version - Conversion and manual dynamic adjustments done with Adobe Audition 1.5 > TLH for SBE fix and FLAC level 8.
Remaster and Artwork made throughout the whole 2013 by MQR - creamcheese, WRomanus and }{eywood
Released on 17 December 2013
DVD Audio 2:12:05 - (Disc One 69:05)
03:14 - 01. Astronomy Domine (1 st Attempt - Tune Up)
03:58 - 02. Astronomy Domine (2nd Attempt - Tune Up)
09:03 - 03. Astronomy Domine (3rd Attempt - Tune Up)
06:07 - 04. Astronomy Domine (4th Attempt)
00:27 - 05. Tune Up
12:09 - 06. Fat Old Sun
00:46 - 07. Tune Up
11:09 - 08. Cymbaline
01:53 - 09. Tune Up
20:19 - 10. Atom Heart Mother
.................................. (Disc Two 63:21)
01:13 - 11. Tune Up
11:01 - 12. The Embryo
01:26 - 13. Announcement - Tune Up
03:24 - 14. Green Is the Colour
10:52 - 15. Careful with that Axe, Eugene
01:14 - 16. Tune Up
12:06 - 17. Set the Controls for the Heart of the Sun
01:27 - 18. Tune Up
20:37 - 19. A Saucerful of Secrets
MQR releases this in memory of Rolf Ossenberg, who passed away on 17 December, 2012.
This show was the last Rolf worked on in the few days before he left us.
Thanks to him and his passionate research over the course of 35 years, research that took him all over the world at great expense to himself in search of master tapes and other Pink Floyd material, this show wasn't lost to time.
All those who knew this gentle and nice guy can recognize in this artwork the same style he used in his loony New Year cards.
The following notes were written by WRomanus and }{eywood based on the recollections of Rolf, Mike K., Ron C., Duckpont49, creamcheese and WRomanus.
Pepperland resided in San Rafael, CA, USA from September 1970 to the end of January 1972.
Prior to that it was known as Euphoria (though only for the summer of 1970) Bermuda Palms, and Lichfield's.
Pepperland was a Beatles-themed hall that featured a quadraphonic sound system designed by sound engineer John Meyer, who later built custom PA systems for the Grateful Dead.
It was 2 large rooms joined together with a partial wall separating both rooms.
This wall was opened up and later removed. The Room had a very low ceiling less than 10 feet high, creating excellent sound.
The support girders for the hallÂ’s roof were adorned with painted portholes that mimicked the windows of the Yellow Submarine.
Even the sound system blended into the décor, with the speakers molded into huge fiberglass cones in which people would often be found sitting. There was very poor ventilation. Lots of pot and cigarette smoke. No air conditioning. No HVAC.
Very cold in winter, too hot the rest of the time.
For Pink Floyd's shows there the band needed to use the ballroom floor to accommodate all of their gear, which took up two trucks to transport. PF was set up against the back wall opposite the entrance on a very low riser.
The big Glyph horns were set up in the corners and there were Shure vocal columns set up every 20 feet or so along the walls in between. There were slide projectors up in the metal rafters projecting fisheye photos of farm animals into the painted portholes on the walls in reference to the Atom Heart Mother cover.
A few steps up at the back of the performance space was another space with a trippy sculpture in the center, a female hand holding up a glowing sphere surrounded by "angel hair" and all under a plex dome.
There were no more than 500 people present, sitting on the floor in the center, with some folks sitting up inside the big Glyph bottom horns.
Pink Floyd were on tour promoting their new album, Atom Heart Mother, which had just been released a few days before.
They played there two nights, the 16th and 17th, returning to California for the fourth time in their career.
As with everytime they came to CA they felt at their best and their performance was really hot. This time, though, was the first time they didn't play Interstellar Overdrive, an omission not lost to the Californian fans who considered it a certainty.
That first night there were many problems with the power.
The club's system was unable to deal with the multichannel sound system the Floyd brought, and several power outages marred the performance of Astronomy Domine.
Three more small outages occurred during the crescendo of A Saucerful of Secrets, but this time the band forged on and finished the song in spite of them, much to the fans' delight.
The show was originally recorded by Jay D. and Ron C. with a Sony TC-126 with Powered Single Point Stereo Microphone,
using either Sony Red or Green cassette tapes. They sat 10-12 rows back, left of center.
When the boys got back home, they instantly made two copies onto Scotch 7" Reel, one for Jay and one for Ron C.
The Master Cassettes were re-used for next day's Jethro Tull show in Berkeley.
They were usually never kept, due to the unreliability of cassette transport mechanisms at the time.
Thanks to this recording the show was soon famous amongst the fan trader circles and many bootlegs were released with at least some of these songs, especially the four attempts at Astronomy Domine.
Jay D. never traded this item so all copies around came from Ron C.'s reel copy which went rotten in the early 90's.
Rolf Ossenberg managed to get the Jay D. 1st gen reel copy which would no longer play back at all.
With the invaluable help of Mike K., the reel was baked in June 2011 (the morning after Roger Waters' show in Düsseldorf) and transferred from Revox A77 into Tascam US-200 to a 96KHz/24bit file.
Rolf was really nervous about baking the Scotch tape.
The issue is that the binder used was incorrectly made so it absorbs moisture.
This is believed to be a problem with all old Scotch/Ampex reels.
This moisture interferes with the adhesive so during playback you get lots of sticky gunk (yes, that is the technical term for it) collecting on the playback head and it impacts playback quality and even speed.
So you have to fix it. Rolf had bought a well-controlled oven specifically for this purpose.
They baked at 53C to 55C for 3-4 hours to drive the moisture out without damaging the plastic backing, let cool down to room temp, and voila' ... The tape plays back with no problems for a month or so.
Rolf gave that to creamcheese for cutting and some "basic treatment", as we used to call it.
A 50 Hz hum that probably appeared with the transferring process was taken away very carefully.
A little EQ was done to give the recording a bit more body.
Rolf approved it that way. He furtherly agreed to MQR making a remastered release from this but it was his wish to release that (almost) raw one himself first.
Unfortunately we were in November 2012 and Rolf's time has come.
Creamcheese released the transfer as Grolsch's Baked Pepperland Reel a few days after Rolf (Grolsch) passed away.
This remaster uses that same transfer.
The 50 Hz de-humming was redone with iRX2. The recording was then EQ'ed and a 1st run of Noise Reduction was done with iRX2.
A 2nd Noise Reduction run was applied later. Some kind of noise "popping up" around sharp transients is audible throughout the show. A hiss that only appears in conjunction with an audible sound; when there's no sound there's no hiss.
This was particularly noticeable during the spoken intros. For this reason the whole project was restarted from scratch.
Although
the result of the 2nd attempt is way better sounding, we were not able to remove that popping noise entirely.
As it appeared independently of the NR settings, we suspect it to have been in the source material but buried in the hiss.
After that WRomanus manually removed clicks, pops, shits and some coughs for a more pleasant listening with iRX2.
The final master was then done by creamcheese applying another slight EQ, balancing the stereo image in collaboration with WRomanus and removing some phase issues on the bass range of the recording.
A little pressure was added applying very gentle multiband compression.
}{eywood manually adjusted the volume of a few parts to be more dynamic and better represent the way the songs sounded live, countering the level compression of the original analog gear, and then made an optimized 16/44.1 Master for CD playback of this very dynamic recording.
The main artwork is made with two of the pics WRomanus took of Rolf talking about this show with Ron C., one of the tapers, during a meeting of floydian fans in Rome.
WRomanus conceived
this artwork with Rolf's loony New Years cards in mind... Some of which you can see in the booklet.
MQR - Magna Qualitas Records (creamcheese, WRomanus and }{eywood )
Released on 17 December 2013
(682/1) Pink Floyd, 1970-11-12, Falkoner Centret, Copenhagen, Denmark
Audio/Flac, Dime/?, (20221124)
Pink Floyd
Falkoner Centret Fredriksberg
Copenhagen Denmark
November 12th 1970
Master to Dat Clone 2 to Cdr
from the krw_co collection
Lineage Audience Master transferred to Dat/DAT Clone 2 Fiber Optic Transfer to CDR
CDR Clone To EAC Secure Mode to WAV 16/44.1 to TLH Flac Level 8
Gear Shure SM 57 Mics/Philips Cassette Deck
THE BAND
David Gilmour guitar lead vocals
Roger Waters bass lead vocals
Richard Wright Hammond organ, piano vocals
Nick Mason drums percussion
SETLIST
CD 1
1 Astronomy Domine
2 Fat Old Sun
3 Cymbaline
4 Atom Heart Mother
5 Green Is The Colour
6 Careful With That Axe, Eugene
CD2
1 Set The Controls For The Heart Of The Sun
2 A Saucerful Of Secrets
Many Many Thanks go to the taper
If you have masters and/or known generation recordings that you need assistance with transferring/archiving, please contact us via email at krwcoarchiving@gmail.com.
Visit our youtube channel at https://www.youtube.com/channel/UCETN1cxhiHrPKfzUzmoGTrA
Subscribe if you like what you see. A lot more is on the way.
PLEASE DON'T ALTER OR SELL THIS RECORDING.
AS ALWAYS ENJOY CHEERS KRW_CO
(684/1) Pink Floyd, 1970-11-14, Merck Halle, Hamburg, Germany
Audio/Flac, Dime/?, (20221124)
Pink Floyd
1970-11-14 Ernst-Merck Halle Hamburg Germany (T-136)
The source for this CD-r release is a reel to reel tape recorded at 3 3/4 ips. I received it in trade from a guy in Chicago. This was one of the first shows I ever received in trade. I got it early in 1973. At that time it was only identified as Germany 1970. Many years later another tape trader told me he thought it was a fairly rare, low generation recording of 1970-11-14 Ernst-Merck Halle Hamburg Germany.
There are some bad edits on the reels I have. The sound made by releasing the pause on a reel to reel deck. I have left these intact for the most part since they also contain some program material.
A few years ago I did the first analog to digital transfer of this tape. I gave it out to one person and they copied and traded it. For this new release I have remastered it from my reel to reel tape. I think it's better than the first one.
Mics and recorder unknown >
generation unknown Reel to Reel Scotch 207 recorded at 3 3/4 ips >
Playback Deck: Akai GX-747 >
Nikko 32 Band EQ >
Akai DR16 Digital Hard Disk Recorder >
Sony PCM-R500 DAT Recorder >
Sony DAT Tape >
HHB CDR-800 Compact Disc Recorder >
HHB CDR >
WAV > SHN>TRADERS LITTLE HELPER>FLAC 8
disc 1
01 Astronomy Domine
02 Fat Old Sun
03 Cymbaline
04 Atom Heart Mother
05 Interstellar Overdrive
(This has also been called Corrosion / Pict
I've always thought it had elements of Interstellar Overdrive
There is a Rant by Roger at the end similar to the one at
the end of Pict but I've always thought Roger was sort of telling
the Germans off about something. I just can't really justify calling it Pict.)
disc 2
01 The Embryo
02 Green Is The Colour
03 Careful With That Axe, Eugene
04 Set The Controls For The Heart Of The Sun
05 Saucerful Of Secrets
I did the editing, mastering, analog to digital transfer and the artwork for this version of this show. Please keep the artwork and text file, unaltered, together with the SHN's.
Don't rename directories or file names if you share this.
Please don't alter the sound of this recording. If you want to do something find a better quality tape of the show and work from that. Don't just take what I have done and screw with it.
For Trade or Give Away only - Do not Sell - Do not encode as MP3
July 24, 2003
Timcrill (that guy in Boston)
(686/1) Pink Floyd, 1970-11-22, Casino de Montreux, Montreux, Switzerland
Audio/Flac, Dime/?, (20221124)
Pink Floyd
Altes Casino, Montreux, Switzerland
November 22, 1970
'REELING ON PINK FLOYD' - TAPE 24
Original source lineage: Reel(M) > Reel > Cass > DAT(0)@48khz > wav@16/48 > shn@16/48 > flac@16/48
Additional source lineage: flac > Adobe Audition 3.0.1 (97.1 shrink, clean up) > wav@16/48
Tracked with CD Wave, encoded to flac 8 with TLH, tagged with foobar2000
01 Astronomy Domine 11:03
02 Fat Old Sun 14:34
03 Cymbaline 14:01
04 Atom Heart Mother 18:18
05 The Embryo 14:46
06 Green Is The Colour 4:50
07 Careful With That Axe, Eugene 12:07
08 Set The Controls For The Heart Of The Sun 14:52
09 A Saucerful Of Secrets 18:34
10 Interstellar Overdrive (cuts off) 14:44
Total time: 137:48
Revised by Bert13
January 15, 2017
(689/1) Pink Floyd, 1970-11-27, Niedersachsenhalle, Hannover, Germany
Audio/Flac, Dime/?, (20221124)
Pink Floyd
Niedersachsenhalle, Hannover, West Germany
27 November 1970
Recorder 2
Lineage: Sony C-90CR Chrome Cassette > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > FLAC (24bit/96kHz)
Additional source lineage: flacs > TLH > wav > Adobe Audition 3.0.1** > wav
Tracked with CD Wave, encoded to flac 8 with Flac Frontend, tagged and verified
*The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum
** - Numerous pops and clicks smoothed out
- 13 secs repeat removed during Set The Controls (overlap Cass sides)
- 97.4 shrink
01 Green Is The Colour 4:13
02 Careful With That Axe, Eugene 11:40
03 Set The Controls For The Heart Of The Sun 13:06
Total time: 29:00
Neonknight's comments:
A high resolution transfer of this recently discovered stereo recording. It would be wonderful if the rest were to surface. Some work undoubtedly needs to be done to fix the speed, etc., but even without this it is a really enjoyable listen and shows enormous potential.
Set The Controls For The Heart Of The Sun ends Side A of Hoka's tape and continues on Side B. On Side A there is a silent passage after a stop button is depressed and the music momentarily re-starts in the right channel before the tape ends. If you listen carefully you can also hear some music that appears to be bleeding through from another tape or reel in the lineage. I considered trimming these snippets out but concluded they could be significant so opted to leave them in.
'T136' and all the other tapes collectors have listed as 1970-11-14 should be re-labeled Recorder 1 Hannover 1970-11-27. The 'T136' reel to reel transfer is probably the source of most people's copies of Recorder 1 from the late 1970's onwards. Tapes back then were typically labeled as Hamburg or Germany 1970. The latter was the most common listing for the date. There was a time when no date for a show from Hamburg at the end of 1970 was known. It was speculated that the tape was from Hannover instead but this did not stick when in the 1990s newspaper reviews, adverts, posters and ticket stubs from the Hamburg show were discovered. A number of old tapers agreed that Hamburg was the most likely source of the recording and everybody fell into line. It transpired that a Deep Purple fan was responsible for the recording and he was able to confirm the correct date.
Lord Snooty kindly explained the story of Recorder 1 to me when I corresponded with him last year.
This is the third and final part of my transfer of Hoka's compilation cassette. As previously, I would like to thank Pottel for bringing the tape to the UK so I could work on it.
Hoka Cassette / Neonknight Tape Transfer (February 2012)
Revised by Bert13
October 2013
Torrented at Yeeshkul Tracker
June 2014
(691/1) Pink Floyd, 1970-11-29, Circus Crone, München, Germany
Audio/Flac, Dime/?, (20221124)
Pink Floyd 1970-11-29 Munich, low gen stratcat58 tapes (16bit/44.1kHz)
Pink Floyd
Zirkus Krone, Munich, Germany
29 November 1970
Lineage: Maxell Epitaxial XLII 60 cassettes (1985/6) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) > Adobe Audition 3.0.1 > flac (32bit/96kHz float) > speed correction > FLAC (24bit/96kHz) > WAV (24bit/96kHz) > ClickRepair 3.9.8 > Reaper > FLAC (16bit/44.1kHz)
xACT used to create FFP
01 Astronomy Domine
02 Fat Old Sun
03 Cymbaline
04 Atom Heart Mother
05 The Embryo
06 Green Is The Colour
07 Careful With That Axe, Eugene
08 Set The Controls For The Heart Of The Sun
09 Audience and tuning
10 A Saucerful Of Secrets
Total running time 1 hour 48 mins 22 secs
After the high points of Friday 27th and Saturday 28th November, this gig was a much more straight run through of the band's current repertoire.
Stratcat58's copy is possibly a 2nd gen. His tape is noticeably brighter than the circulating 2nd gen and my transfer adds additional top end to the Beechwoods version you probably have in your collection. There are some cuts in these tapes that are not on other versions.
My thanks, as ever, to goldenband for his speed correction advice and, once again, to Bert13 for dealing with the corrections for me because some sliding adjustments were required. Both tapes run slow and my transfer was faster than the one by Beechwoods. Values of between +0.4 to +3.65% were applied. Goldenband wasn't 100% satisfied with the values. FOS isn't sitting exactly in the pocket, for example, but it was the best we could do without painstaking second-by-second correction.
Bert additionally filtered out some interference between 15 and 16 kHz and put the recording through click repair, medium setting. After further discussion and tests, I subsequently used a strong setting on ClickRepair decrackle to further clean up the recording. I would usually be wary of doing this but on this occasion it was successful.
The songs are arranged in the following order on the tapes: A - AD & AHM, B - FOS & Cymbaline, C - Emb, GITC and CWTAE, D - STC & ASOS. Bert re-sequenced AHM.
Stratcat58 cassettes / Neonknight tape transfer / revisions by Bert13, February 2017
(699/1) Pink Floyd, 1970-12-22, City Hall, Sheffield, England
Audio/Flac, Dime/?, (20221124)
Pink Floyd 1970-12-22 Sheffield 1st gen JFE master
Pink Floyd
City Hall, Sheffield, England
22 December 1970
Lineage: TDK D-C120 and TDK AD AD-C60 1st gen normal position cassettes recorded with Dolby on (1979) > Technics RS-B565-MH (Dolby off) > Tascam SD-20M > Reaper v5.983 (trimming off dead air) > FLAC (24bit/96kHz) > Reaper v6.15 (JFE mastering) > FLAC (24bit/96kHz)
01 Alan's Psychedelic Breakfast
02 The Embryo
03 Fat Old Sun
04 Careful With That Axe, Eugene
05 Set The Controls For The Heart Of The Sun (incomplete)
06 A Saucerful Of Secrets (with Celestial power loss)
07 Celestial Voices
08 Atom Heart Mother
09 Atom Heart Mother Reprise
*** Jimfisheye's recording notes ***
This is an amazing upgrade to previous higher generation copies! CWTAE is intact here! Sadly, STCFTHOTS is still not. This was always an interesting artifact with not only rare material but an excellent performance throughout. What you could make out from it, anyway. Now we have rare material, excellent performance, and strong good sound!
This is a mono recording of a live performance that was mixed in quadrophonic surround sound that was captured in close proximity to one of the surround speaker stacks in the room. I'm guessing a side surround speaker as opposed to the rear one. If this was closer to the stage, you'd hear more natural live drums and cymbals. If it was near the rear surround, the band would be further away sounding. The mono capture of this performance and live mix with sound in motion gives you a perspective that alternates from the perimeter of a surround soundstage to half way across a room from a band, to immersed in sound from all directions in a whole room used as a performance space. A characteristic of lower fidelity recording devices and microphones is that the sound pickup diminishes quicker with distance. Sounds close to the mic may retain surprising fidelity but far away sounds degrade more. Tape effects to instruments panned directly to this close proximity surround speaker come through with immediate up front fidelity. There are moments throughout the show where guitar, keys, or voices are panned to the surround speakers and you hear the proximity and these moments jumping out at you. The moments when the band is more boosted in the PA in general increase the overall brightness in this recording and sound fuller and closer. You can hear in AHM that between adding the (naturally loud) orchestra and the excitement of the finale and the piece, the band is amplified more in the PA and it hits this recording stronger. Of course the loudest moments like the scream push the recording technology too far and are degraded as is often the case. However, the damage in this 1st gen copy is far less than in previously circulating higher generation copies. Distortion damage can really get exponential in generational copies.
You hear evidence of just how wild this show was with the surround sound mix due to the recording perspective even though this is a mono recording. You hear this clearly during the DJ Jimmy Young tape in APB. It sounds like he is being panned around the room in a big circle. You hear it right on top of you when it's in the close speaker. You hear room reflections from sound from a further speaker to the recorder hit the recording mic before the direct sound from that far speaker. That's where that almost reverse reverb effect is coming from. In STC and ASOS especially you can hear the keyboards pulsing from this effect. These were originally sounds that were spinning fast 360 deg around the room. The mono perspective next to the speaker turns into pulsing every time the rotation of the pan hits that speaker. The motorcycle sound foley in AHM is right in this speaker and especially pronounced for it.
The applause from those nearest the recording device is the most well recorded and dynamic content on the tape. Turning the volume up on the recording to try to focus on the music with the applause at this level would cause hearing damage if it didn't blow out a speaker first!
The tape speed varies throughout the recording with longer sections running at unique speeds and many isolated fluctuations. Most of the isolated speed artifacts consist of the tape suddenly slowing down and returning to (a sometimes different) speed a moment later, consistent with a tape that was physically snagging in the transport. That the effect on the recording would be the opposite if this had been happening on the original recording deck suggests this happened with a playback deck used on a later transfer of the original or earlier generation copy.
The taper stopped the recording between songs to conserve tape. There are a few times that he would restart the recording only to stop it again a moment later - the result of trying to anticipate the start of the next song to not miss it but then realizing they weren't quite ready to start playing yet and stopping the recording again. Every stop/start resulted in a loud mechanical clank that was the loudest element of the recording.
The tape has a very high level of broadband noise. This is exaggerated from either this copy or an earlier generation being encoded in Dolby but not decoded on playback. Accurate decoding of the Dolby is not possible from this copy as it will no longer track the pre-emphasis correctly. In the long and short of things, while the Dolby system will not decode the tape correctly, the pre-emphasis probably helps offset some of the high end attenuation caused by various other factors. At the same time, however, the noise is boosted in the quieter parts.
*** Jimfisheye's mastering notes ***
This is originally a mono recording that was played back on a stereo deck for later generation copies. This makes two copies of the original mono track from two different areas of the physical tape into the two stereo channels. This can either result in one of the two channels being clearly the better copy or sometimes different elements of the recording better in each channel. The left channel alone ultimately has the better preserved recording.
The speed was corrected using iZotopeRZ v8 wow and flutter correction and Elastique Pro 3 integrated in Reaper. Sections in ASOS and AHM had some severe wow and flutter problems on top of the speed coasting around that was beyond repair in the past and rendered these pieces nearly unlistenable. The new correction in iZotopeRX v8 is the first software to deliver results with this that aren't mutilated! This went better than expected! The results still coasted around in the base pitch/speed but now these sections along with the rest could be corrected by ear in Reaper. There are still spots throughout the recording with mild speed warbles but the overall speed repair was a success.
The mechanical sounds from the start/stops (the loudest content in the recording) were removed. I kept all the short fragments from the parts where multiple stop/starts were made in anticipation of the song starting and let them segue with no alteration simply to preserve the ambient content. Some of the segues were seamless sounding as the ambience was similar enough sounding while others are obvious cuts. I removed the most obvious microphone clanking and rustling artifacts throughout. I probably missed some. I heavily dynamic eq'd the applause after songs to preserve the ambience as possible while dialing back the hearing damage potential.
Broadband noise was reduced with iZotopeRX v8. The more recent sounding layer of noise in the recording responded well to noise reduction. Older sounding layers of noise that extend well down into the midrange did not. Reducing all hiss to lower levels than the music at all times was not possible. 50Hz hum and the harmonic at 100Hz were removed spectrally with iZotopeRX v8.
There was some level of compression in the recording during the louder parts and then the original recording was likely turned down throughout as the show got louder. I normalized this as well as possible. The parts where you get louder moments of some instruments and sounds from the perspective next to the surround speaker were left alone. Ultimately this is an element as heard from this spot in the audience. You could say this is an example of what it was like to be a little too close to one of the surrounds at an old Pink Floyd show! You actually get an interesting mix between moments of a live band across a room, an amplified band boosted with a PA filling a room, and discrete moments of live surround sound play peppered throughout and really filling the room. In a strange way, this mono recording delivers more of their surround mix than it should! EQ balanced throughout to restore as much original balance as possible from the recording without introducing other artifacts or distortions.
Tools used include: Reaper v6.15, iZotopeRX v8, Waves linear phase multiband comp, Universal Audio multiband comp, ReaEQ, SOX in XLD for 44.1k downsample copy
Reviewing my mastering of the previous 2nd gen (as labeled) copy of this recording I hear a desparate struggle to focus content throughout the recording with an overall harsh processed quality to show for it. It was a way to at least acknowledge this performance. This copy may actually let you enjoy the performance!
*** Neonknight's notes ***
Tape 2 was recorded hotter than tape 1 so I reduced the gain on my Tascam. Note how the songs are in the wrong order so as to achieve a good fit for the cassettes.
Tape 1 D-C120
Side A: Alan’s Psychedelic Breakfast / The Embryo / Fat Old Sun
Side B: Atom Heart Mother / Atom Heart Mother Reprise
Tape 2 AD-C60
Side A: Careful With That Axe, Eugene / Set The Controls For The Heart Of The Sun
Side B: A Saucerful Of Secrets
It quickly became obvious when Haze sent me his tapes to transfer that we were onto something very special. Along with a major leap in sound quality compared to the previous best version supplied by petef451, for the first time there is no cut in Roger's scream and we have more tuning up and Roger's introduction. ASOS also features Roger introducing the song.
Haze is the Founder and CEO 'Woolly Hat Recordings', est. 1979. He is known as coolcats58 on Yeeshkul.
Haze recalls: "I started selling tapes and vinyl to supplement my student grant in about 1979 and "retired" in 1981. During that time I wasn't the only person selling bootlegs to Sheffield University students but I was the only one with a tape of the Floyd show from 1970.
"In 1979 a friend of mine asked if I'd like to borrow some more tapes to add to the catalogue "for a few beers". He had an older brother who taped a lot of radio shows and some gigs at the City Hall in the early 70's. The first batch of tapes included Captain Beefheart and this Floyd show. I copied them onto TDK tapes using a Sony deck for playback and a JVC deck to record. It was from these copies that I duplicated the tapes for sale. I can't remember for sure what brand of tape the masters were but I think they were Philips."
Jimfisheye, February 2021
YEESHKUL!
YEESHKUL!2022-11-19
Pink Floyd The Man 1970-01-23 Théatre des Champs-Elysées Paris, France
2008-11-22, 09:10 AM #1 karmamania
Pink Floyd The Man 1970-01-23 Théatre des Champs-Elysées Paris, France
Pink Floyd
The man : In memoriam Michel Lancelot, Rick Wright.
1970-01-23
Théatre des Champs-Elysées
Paris, France.
From original Europe 1 live broadcast (AM bandwidth).
(Campus by Michel Lancelot, from 8:00 o'clock till 10:30 o'clock).
3 cuts :
- First : during "Sleeping", perhaps 20 seconds lost to flip the tape
over.
- Second : at the end of "Cymbaline", the news (about 2 or 4 mn at 9:00
or 10:00 o'clock).
- The final cut at the end of the first part of the show, during the
intermission, before the David Gilmour's interview.
No memories of what happens next. Surely, the end of Campus (10:30).
Sound Quality : G
(1970) Philips > Geloso mono tape recorder G257 >
(2008) Sony stereo tape recorder TC-377 > Archos AV320
Lineage: ANA(M) > WAV(PCM 44.1Khz 16 bits) > Flac(Level 8)
Audacity v 1.3.5 (unicode) Beta (notch 4800 Hz frequency, split)
Trader's Little Helper v 2.4.1 (Build 160) (flac, md5)
Recording : ANDph
Editing : ANDbreton
Artwork included : John SousMarin
The Band :
Rick Wright
David Gilmour
Nick Mason
Roger Waters
Track List :http://www.yeeshkul.com/forum/showthread.php?t=20756
1. Daybreak 7:27
2. Work 4:49
3. Tea Time 3:15
4. Afternoon 6:12
5. Doing It 3:23
6. Sleeping 9:12
7. Nightmare 9:47
8. Celestial Voices 16:20
Total Time : 60 mn
for more information :
search : 1970-01-23 Pink Floyd The Man Theatre des Champs-Elysees Paris AU+=tape
Sousmarin_john@hotmail.fr
Hehe, my dear friend...let us not forget that heaven is blue...tomorrow the world!
FANTASTIC - A Full A Saucerful Of Secrets finally available from this performance!!!
Enjoy and Merry Early Christmas!
Attached Files Attached Files
File Type: torrent Pink
Floyd_19700123_Paris.torrent (13.1 KB, 530 views)
2008-11-22, 10:30 AM #2 neonknight
Wow! This looks like it's going to be good. Thank you.
Neon
2008-11-22, 11:59 AM #3 Verdi999
Another source!
But wow, thanks
2008-11-22, 12:36 PM #4 vince666
WOW!!!
thank you very much!
this mono reel to reel tape
sounds really clean and with excellently clear sound!
what an upgrade!!!
2008-11-22, 01:42 PM #5 Bert13
Quote Originally Posted by vince666 View Post
what an upgrade!!!
Indeed it is.
I saw it was posted by a
Frenchman at Dime. I missed it initially, thanks for bringing it here.
2008-11-22, 01:46 PM #6 radiowaves
This has to be one of the
finest Man And The Journey that is being traded online. The quality is
amazing.
Thank you to the taper and the seeder
2008-11-22, 01:47 PM #7 thomasbirch
This is still up at Dime...
I'll help seed. Thanks! Actually, seems I can't help seed as I'm
seeding at Dime. Bugger. If anyone can help me out with how to seed at
2 places at once, let me know!
2008-11-22, 02:15 PM #8 Bert13
Btw, I think a word of
thanks to the original seeder at Dime, sousmarin, is appropriate, so,
many thanks to him for sharing this source in the first
place.
Quote Originally Posted by thomasbirch View Post
This is still up at Dime... I'll help seed. Thanks! Actually, seems I
can't help seed as I'm seeding at Dime. Bugger. If anyone can help me
out with how to seed at 2 places at once, let me know!
I'm not sure, thomas, which
client are you using and which error message do you get? I can usually
seed at two sites simultaneously without problems. I'm using utorrent.
2008-11-22, 02:20 PM #9 wromanus
Quote Originally Posted by Bert13 View Post
Indeed it is.
I saw it was posted by a
Frenchman at Dime. I missed it initially, thanks for bringing it
here.
hehehe...to be used for the
LP reconstruction of Blow Your Mind Till You Die?
http://www.yeeshkul.com/forum/showthread.php?t=13609
2008-11-22, 03:35 PM #10 pnkflyd
Quote Originally Posted by thomasbirch View Post
This is still up at Dime...
I'll help seed. Thanks! Actually, seems I can't help seed as I'm
seeding at Dime. Bugger. If anyone can help me out with how to seed at
2 places at once, let me know!
i believe if you download it
from the second site, and point the DL towards your existing directory,
it should work as I too am able to seed the same show on multiple
sites.
2008-11-22, 07:14 PM #11 thomasbirch
Being unable to seed this,
for some reason, I have instead put the rest of this gig up here:
http://www.yeeshkul.com/forum/showthread.php?p=82447
.
Quote Originally Posted by pnkflyd View Post
i believe if you download it
from the second site, and point the DL towards your existing directory,
it should work as I too am able to seed the same show on multiple
sites.
No, when I do that it just
says that I already have the files and so won't even add it! I'm using
Azureus - oh, it's called Vuze now, isn't it. I don't have much choice,
do I, as I use a Mac?
2008-11-22, 07:27 PM #12 Preclipse
Can someone explain the
difference between "Théatre des Champs-Elysées" and "Comedie des
Champs-Elysees"? Two names for same venue? Two venues? This gig is
variously reported as both.
2008-11-22, 07:29 PM #13 radiowaves
they are different recorders or upgrades
2008-11-22, 07:33 PM #14 Bert13
Quote Originally Posted by radiowaves View Post
they are different recorders or upgrades
:confused:
Quote Originally Posted by Preclipse View Post
Can someone explain the
difference between "Théatre des Champs-Elysées" and "Comedie des
Champs-Elysees"? Two names for same venue? Two venues? This gig is
variously reported as both.
I suppose the answer to your
question is right here, just took a quick google:
http://en.wikipedia.org/wiki/Th%C3%A...%89lys%C3%A9es
2008-11-22, 07:53 PM #15 Preclipse
http://www.yeeshkul.com/forum/showthread.php?t=20756
Quote Originally Posted by Bert13 View Post
:confused:
I suppose the answerhttp://www.yeeshkul.com/forum/showthread.php?t=20756 to your
question is right here, just took a quick google:
http://en.wikipedia.org/wiki/Th%C3%A...%89lys%C3%A9es
Yes, that's what I found
when I prepared a txt file for an upload here a couple of years ago.
But the seeder at DIME takes offence at my note. Just wondering if a
French Yeeshkul'er could explain:
In comment #2895249 sousmarin wrote something like this:
sorry my english sucks.
(nobody is perfect)
but
"Theater Comedie des Champs-Elysees
(Note: The "Theater des
Champs-Elysees" and "Comedie des Champs-Elysees"
are two separate, adjacent venues)
Paris, France"
are bullshits. YEESHKUL!
it's allien talkings. Ahhhhhhhhhh!!!!!
from someone who don't know Paris an this/these show/shows.
2008-11-22, 08:03 PM #16 Bert13
From what I gather the
Théâtre des Champs-Elysées is the venue and the same building
houses the smaller Comédie des Champs-Élysées theatre on the
3rd floor. I don't know how to interpret that post.
Last edited by Bert13; 2008-11-22 at 08:07 PM.
2008-11-23, 12:12 AM #17 pnkflyd
Quote Originally Posted by Bert13 View Post
From what I gather the
Théâtre des Champs-Elysées is the venue and the same building
houses the smaller Comédie des Champs-Élysées theatre on the
3rd floor. I don't know how to interpret that post.
they are the one and the same, as Bert describes above.
and being in the same building can be interpretated as "adjacent"
so, while they both are the
same "place", maybe this is an upgrade...
2008-11-23, 12:48 AM #18 Bert13
Quote Originally Posted by pnkflyd View Post
maybe this is an upgrade...
It sure is, it sounds better
than the other sources even if there is background noise and it has a
few drop outs.
Last edited by Bert13; 2008-12-03 at 02:12 PM.
2008-11-23, 01:36 AM #19 oneofmypages
wonderful version of Cymbaline, which was missing until now.
2008-11-23, 04:46 AM #20 goldenband
This is terrific! It's great
to have another source for this show, and one that adds a great deal of
material. This definitively establishes that they played The Man in its
entirety -- there was at one time some doubt about that, I
think.
This also proves that the
old tape -- call it Source 1 -- is definitely from an edited
re-broadcast, no? Whereas the "microphone in front of the reel
speakers" tape seems closer to the original, but there's definitely an
edit between "Celestial Voices" and "Green is the Colour" on that one,
which is absent from this source.
The sound on this one is
considerably better than that old tape, or at least the high-generation
copies we have. There are a few level drops and some bleed-through of
faint classical music from another source (different station? old
tape?), but it's quite a bit cleaner than the other two tapes that date
from 1970.
So here's what we have, numbering in the order in which these tapes surfaced:
Source 1 (recording of
edited re-broadcast, early '70s?): GITC/CWTAE, Riot Scene (aka The
Violent Sequence), AHM, The Man (cuts after Sleep), Main Theme
Source 2 (interview with DG, 1982): Work
Source 3 (1996 re-broadcast): Riot Scene, AHM (edited)
Source 4 (reel > mic >
cass source): The Man (to Biding My Time), Celestial Voices (edited),
GITC/CWTAE (cuts out), Main Theme (cuts in), Set the Controls, AHM (cut)
Source 5 (this source): The Man (just about complete!), ASOS (complete!)
The Pink Jungle lists the following setlist for this show:
The Man, Green Is The Colour
/ Careful With That Axe, Eugene, Set The Controls For The Heart Of The
Sun, Riot Scene, Untitled (aka Atom Heart Mother), Main Theme, A
Saucerful Of Secrets
However, I think this order
may be incorrect -- in particular, I'm fairly confident that AHM
followed right after STC, since on Source 4, after STC and before AHM,
Gilmour says it's the last thing they're going to play -- "we wrote it
last week"! There's no cut between Main Theme and STC on Source 4,
either, so I think that those three tracks really do run together.
Plus at the end of this
tape, after he talks about "The Man" a bit, the DJ says something like
"Eh bien, pour conclure ce premiere partie, le Pink Floyd à
terminé avec un de leur plus grands succes, succes enorme, ça
appelle 'A Saucerful of Secrets'." Which means "So, to conclude this
first half, the Pink Floyd finished with one of their greatest
successes, which is called ASOS".
It seems clear that the tape
we have here really is the original live broadcast of Set 1, with no
edits. So my guess is that the real order was:
Set 1: The Man, A Saucerful Of Secrets
Set 2: Green Is The Colour /
Careful With That Axe, Eugene, Riot Scene, Main Theme, Set The Controls
For The Heart Of The Sun, Untitled (aka Atom Heart Mother)
I'm not sure about the order
of the second half, but I suspect that the running order of Source 4 is
correct. The only question is, where does Riot Scene go? The most
logical spot is to put it after CWTAE, which is where Source 1 has it
anyway. Plus Source 4, which is missing Riot Scene completely, is also
missing the end of CWTAE and the beginning of Main Theme; if the guy
who recorded it missed that whole section, it would make a lot of sense.
So if one wanted to put
together a Frankenshow, using the best and most complete sources, you
could do it thus:
The Man - Source 5
A Saucerful Of Secrets - Source 5
GITC/CWTAE - Source 1, possibly interpolating some of Source 4
Riot Scene - Source 3
Main Theme - Source 1, switching to Source 4 at the very end
Set The Controls For The Heart Of The Sun - Source 4
Untitled - Source 3, with an
edit from Source 1 to restore the missing drum solo!
Huge thanks go to the guy
who taped and shared this one. This is quite remarkable, to be able to
have the full show for the first time in almost 40 years! Until
recently, we only had about two-thirds of it; now, we've got just about
everything, except a bit of Sleep and the very end of
Nightmare.
(It'd be even better if the
guy who taped Source 4 can find his master reel -- he was recently
looking for it, wasn't he?)
2008-11-23, 08:50 AM #21 Marcel Coste
for those who understand
French it's a pleasure to hear all the comments (not so bad like DJ's
these days... Altough I understand that is a bit frustrating to hear
talking during a show... But I think that the purpose of this comment
was to try to describe what happens on stage and he did really good in
describing the "table", dream sequence, for him "Doing It" is the
"faire l'amour" scene... (according to him (too bad that it wasn't
filmed) the audience was completely mezmerized about what happened on
stage (I'm not talking about the ""faire l'amour" scene ;-) but the
whole show...) - it seems that they've never seen such
cinematic/harmonic show before, and the DJ saying that it's sad that
there has been only 2 gigs.
He even says that Pink Floyd
his probably the greatest band, the Beatles being at the top for
"melodics" and the Floyd are the greatest for
"harmonics"
Gilmour being described as
always as "le beau gosse du groupe, il y en a toujours un, yeux bleux,
cheveux longs, très gentils...." (the pretty face of the band
- there's always a pretty face guy in a rock band..., long hair, blue
eyes (really ?)..."
I have a question (sonic
question) about the "wheel" sound that we can hear after Grantchester
Meadows (was it a channel AM interferene or the motor of the
reel-to-reel ?) is there a way to attenuate and localize the frequence
of this "wheel" sound ? it sounds like cricked.
Don't get me wrong, the SQ
is amazing, I didn't except such good sound for a 1970 recording
!
But CYMBALINE is probably
one of the best early performance I've heard (before the hendrixian
solo at the Philly 70 show) : there's 2 additional guitar solos after
the footsteps sequence and they are great.
Is there a project to
combine the 90's short FM broadcast which contains only a small portion
of doing it and the piano sequence of the violence sequence + the
Amazing Pudding ? (+ the other AM radio sources in order to get a full
recording).
I know that Cochon
production has done such work (and Free Range Pigs) but it didn't
include Cymbaline and the Celestial Voices track...
Last edited by Marcel Coste; 2008-11-23 at 04:37 PM.
2008-11-23, 08:53 AM #22 Marcel Coste
this also been already
spotted before but I'm always amazed to hear snippets from the
teacher's voice from The Wall during such an early Pink Floyd show :
just before Cymbaline starts we can hear in English (it's difficult for
me to transcribe it exactly, but it's a mathematical rule about what
quadrature du cercle ?)
Waters is also described as
being looking like Jesus and it's amazing if the photo of the Cochon
Production Champs-Elysees (the back cover) is from the actual
Champs-Elysees show (he's got the beard, long hair, I've rarely seeing
him like this - and the four guys are on the back artwork so this is
certainly Waters) - Well, come back Jesus, all is forgiven !!!! (oups
;-)))))))))))))
2008-11-23, 12:14 PM #23 Bert13
Thank you goldenband for
your very informative notes and Marcel for the translation of the
French.
2008-11-23, 02:58 PM #24 Orgone Accumulator
Its an amazing rush I get
when I hear the audience cheer when Dave starts singing Cymbaline.
2008-11-23, 03:13 PM #25 sousmarin
Thanks
Happy, you enjoy.
I post this torrent on Dime,
friday afternoon (
2008-11-21) and here i am ???
About the fading at the end
of Grandchester Meadows : i made an audio cable with a 3.5mm jack
(radio output) and a big (?) jack (mike input of the tape recorder), i
think i moved this cable and the fading was due to a bad silvering
?
If you are interested in i
can try to translate Michel Lancelot's words.
soon (?) here :
http://pagesperso-orange.fr/andrieu/.../19700123.html
i have this one too, from an
old friend of mine (sorry only in mp3/128) :
http://pagesperso-orange.fr/andrieu/.../19721207.html
BCNU
2008-11-23, 03:59 PM #26 gotta_be_crazy
yeah, great posts by
goldenband and Marcel, and i dont want to sound repetitive but thanks
goldenband, you save me some time checking this one
Have you heard the word is love?
2008-11-23, 04:22 PM #27 Pottel
Quote Originally Posted by sousmarin View Post
Happy, you enjoy.
I post this torrent on Dime, wenesday afternoon (
2008-11-21) and here i am ???
About the fading at the end of Grandchester Meadows : i made an audio
cable with a 3.5mm jack (radio output) and a big (?) jack (mike input
of the tape recorder), i think i moved this cable and the fading was
due to a bad silvering ?
If you are interested in i can try to translate Michel Lancelot's words.
soon (?) here : http://pagesperso-orange.fr/andrieu/.../19700123.html
i have this one too, from an old friend of mine (sorry only in mp3/128) :
http://pagesperso-orange.fr/andrieu/.../19721207.html
BCNU
hi sousmarin (yellow ?) very interesting stuff.
any chance of uploading the
up until now uncirculating lille show? that you seem to have in mp3
format? any idea where it comes from, i mean, there must be an original
master right?
thanks for the whole thing by the way, grabbed yours on dime.
...any Floyd, is good floyd....
visit the #1 Knopfler forum in the world at:
www.amarkintime.org/forum
1994.09.02, Werchter Festival Grounds - PF
2011.06.18, ESPRIT Arena, Düsseldorf - RW
2013.07.20, Werchter Festival Grounds --> full circle - RW
2015.09.19, König Pilsener Arena, Oberhausen - DG
2016.07.28, Grote Markt, Tienen - DG
2018.09.08, Stadsschouwburg, Antwerpen - NM
2021.05.19, Messe+Congress
Centrum Halle, Münster - NM......YESSSSSSS
2008-11-23, 04:43 PM #28 sousmarin
Quote Originally Posted by goldenband View Post
This is terrific! It's great to havhttp://www.yeeshkul.com/forum/showthread.php?t=20756
e another source for this show, and
one that adds a great deal of material. This definitively establishes
that they played The Man in its entirety -- there was at one time some
doubt about that, I think.
This also proves that the old tape -- call it Source 1 -- is definitely
from an edited re-broadcast, no? Whereas the "microphone in front of
the reel speakers" tape seems closer to the original, but there's
definitely an edit between "Celestial Voices" and "Green is the Colour"
on that one, which is absent from this source.
The sound on this one is considerably better than that old tape, or at
least the high-generation copies we have. There are a few level drops
and some bleed-through of faint classical music from another source
(different station? old tape?), but it's quite a bit cleaner than the
other two tapes that date from 1970.
Thank you very much!
2008-11-24, 02:56 AM #29 theembryo
Great great thanks for this absolutely wonderful post!!!
2008-11-24, 04:46 AM #30 Syborg
I tracked the show the way
Goldenband suggested and it looks pretty good, especially with the
Amazing Pudding bringing up the rear. But I think I'd be a lot more
comfortable with the show if A Saucerful of Secrets was the Encore
rather than the end of a very long first set which by itself was a set
the previous year.
I don't know. We probably
have all the pieces to the puzzle but they're all the same shape and
almost the same color. Timewise, the show is longer than Birmingham and
some of it reminds me of Croydon but the Paris show seems to be an
irregularity. It doesn't need to have anything in common with two other
shows.
I like it, I just wish I knew what it was.
2008-11-24, 12:21 PM #31 goa
Quote Originally Posted by goldenband View Post
So if one wanted to put
together a Frankenshow, using the best and most complete sources, you
could do it thus:
The Man - Source 5
A Saucerful Of Secrets - Source 5
GITC/CWTAE - Source 1, possibly interpolating some of Source 4
Riot Scene - Source 3 YEESHKUL!
Main Theme - Source 1, switching to Source 4 at the very end
Set The Controls For The Heart Of The Sun - Source 4
Untitled - Source 3, with an
edit from Source 1 to restore the missing drum solo!
Huge thanks go to the guy
who taped and shared this one. This is quite remarkable, to be able to
have the full show for the first time in almost 40 years! Until
recently, we only had about two-thirds of it; now, we've got just about
everything, except a bit of Sleep and the very end of
Nightmare.
(It'd be even better if the
guy who taped Source 4 can find his master reel -- he was recently
looking for it, wasn't he?)
Frankenshow yeeees
2008-11-24, 04:05 PM #32 sousmarin
hello, here i'am!
http://pagesperso-orange.fr/andrieu/.../19700123.html
2008-11-24, 07:17 PM #33 littlepieces
I got this on dime along
with karmamania and its always great to get more and better portions of
this show. I grab every portion and version I can.
That being said, I wish some
of you gurus with extra technical prowess would give the spectral a
once over or perhaps a twice over. Maybe you can explain why on the
spectral there is a clearer strip that varies from track to track from
the musical content to 13-17k before the hiss strip starts again. Or
why does TLH test 100% mp3 on the 3 tracks I checked, track
01,02,04. I certainly wouldn't rely on TLH's mp3 tester as a definitive
answer, in fact its the first time I used it, but its certainly worth
mentioning.
I waited for a while hoping
that a tech guru would bring this up. I 'm not trying to be a wet rag
but I would like to be more certain about this lineage before I catalog
it. Especially since it apparently came from a French tracker that
offers mp3's.
Track01 spectral attached
Last edited by littlepieces; 2008-11-26 at 06:57 PM.
~ Atlas Is Vomiting ~
2008-11-24, 07:53 PM #34 radiowaves
Quote Originally Posted by littlepieces View Post
I got this on dime along
with karmamania and its always great to get more and better portions of
this show. I grab every portion and version I can.
That being said, I wish some
of you gurus with extra technical prowess would give the spectral a
once over or perhaps a twice over. Maybe you can explain the apparent
notch filter at 5k thats easier to see on some tracks than others.
Easily seen on track 01. Or why on the spectral there is a clearer
strip that varies from track to track from the musical content to
13-17k before the hiss strip starts again. Or why does TLH test 100%
mp3 on the 3 tracks I checked, track 01,02,04. I certainly wouldn't
rely on TLH's mp3 tester as a definitive answer, in fact its the first
time I used it, but its certainly worth mentioning.
I waited for a while hoping
that a tech guru would bring this up. I 'm not trying to be a wet rag
but I would like to be more certain about this lineage before I catalog
it. Especially since it apparently came from a French tracker that
offers mp3's.
Good one...LP...Here is the report from TLH....
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 ( )
19700123_Pink Floyd_xx_v2b-1.wav: track looks like MPEG with probability 100%.
19700123_Pink Floyd_xx_v2b-2.wav: track looks like MPEG with probability 100%.
19700123_Pink Floyd_xx_v2b-3.wav: track looks like MPEG with probability 100%.
19700123_Pink Floyd_xx_v2b-4.wav: track looks like MPEG with probability 100%.
19700123_Pink Floyd_xx_v2b-5.wav: track looks like CDDA with probability 43%.
19700123_Pink Floyd_xx_v2b-6.wav: track looks like MPEG with probability 100%.
19700123_Pink Floyd_xx_v2b-7.wav: track looks like MPEG with probability 100%.
19700123_Pink Floyd_xx_v2b-8.wav: track looks like MPEG with probability 100%.
2008-11-24, 08:03 PM #35 moonwall
And here is track 1:
???
2008-11-24, 08:43 PM #36 sousmarin
http://www.yeeshkul.com/forum/showthread.php?t=20756
Quote Originally Posted by Pottel View Post
hi sousmarin (yellow ?) very interesting stuff.
any chance of uploading the up until now uncirculating lille show? that
you seem to have in mp3 format? any idea where it comes from, i mean,
there must be an original master right?
thanks for the whole thing by the way, grabbed yours on dime.
Thanks
Yes it's a friend of mine who has the master.
He ripped it for me 2 months ago.
here it is :
I wait for the wave files.............
sousmarin (jaune/john)
2008-11-24, 08:49 PM #37 sousmarin
Quote Originally Posted by littlepieces View Post
I waited for a while hoping that a tech guru would bring this up. I 'm
not trying to be a wet rag but I would like to be more certain about
this lineage before I catalog it. Especially since it apparently came
from a French tracker that offers mp3's.
You don't read the txt file :
Audacity v 1.3.5 (unicode) Beta (notch 4800 Hz frequency, split)
and
i don't offer mp3's.
I say i have this show in mp3/128.
2008-11-24, 09:09 PM #38 neonknight
Quote Originally Posted by sousmarin View Post
http://pagesperso-orange.fr/andrieu/.../19700123.html
Hello Sousmarin!
Can you say whrther ther is
any chance of a 48kHz / 24 bit version of this recording emerging (or
something similar)? I have been listening to it again and again today
and really love it
Neon
2008-11-24, 09:18 PM #39 sousmarin
Quote Originally Posted by neonknight View Post
Hello Sousmarin!
Can you say whrther ther is any chance of a 48kHz / 24 bit version of
this recording emerging (or something similar)? I have been listening
to it again and again today and really love it
Neon
How to do that. I have only an Archos.
2008-11-25, 12:38 AM #40 goldenband
Quote Originally Posted by littlepieces View Post
Maybe you can explain the apparent notch filter at 5k thats easier to
see on some tracks than others.
That one's easy to explain:
it mentions on the artwork that they used a notch filter at 4800 Hz.
2008-11-25, 12:49 AM #41 goldenband
Quote Originally Posted by sousmarin View Post
http://pagesperso-orange.fr/andrieu/.../19700123.html
Sousmarin, bienvenue et merci mille fois pour partager ce trésor!
2008-11-25, 12:54 AM #42 kimirkim
Quote Originally Posted by sousmarin View Post
i have this one too, from an old friend of mine (sorry only in mp3/128)
:
http://pagesperso-orange.fr/andrieu/.../19721207.html
BCNU
I would love to have Lille
show even in mp3; thanks for great version of Paris show
2008-11-25, 07:19 AM #43 karmamania
Smile Thank YOU Sousmarin - For efforts past present and future
Quote Originally Posted by sousmarin View Post
Happy, you enjoy.
I post this torrent on Dime, friday afternoon (
2008-11-21) and here i
am ???
Thank You Sousmarin for
recording and releasing this wonderful performance, this is indeed
amazing and gave us over 20 more minutes of music from this concert
which is why I hastily placed this here on the Pink Floyd site
Yeeshkul.
Cymbaline has elements of
The Committee in moments and I love the start of Saucerful with "Dawn
Chorus" bird sounds.
Roger recently mentioned
seeing film of himself sawing wood on stage and I wonder does anyone
know of film of this concert?
Thanks again to Sousmarin and looking forward to Lille! Wow!
K
2008-11-25, 07:56 AM #44 plains203
wow!
Many thanks sousmarin
2008-11-25, 02:50 PM #45 goa
Quote Originally Posted by goldenband View Post
That one's easy to explain:
it mentions on the artwork that they used a notch filter at 4800
Hz.
and the reason to use that filter is...?
2008-11-25, 03:06 PM #46 sousmarin
To remove a constant noise
of course (a hiss ?) due to my AM radio!!!
Last edited by sousmarin; 2008-11-25 at 03:18 PM.
2008-11-25, 03:58 PM #47 goa
Quote Originally Posted by sousmarin View Post
To remove a constant noise of course (a hiss ?) due to my AM
radio!!!
yes, sure AM even today is noisy!!!
but, would you consider also to share the tape just as it is?
and in 48kHz / 24 bit or around that?
I'm not a techie, but maybe,
before someone make a "Frankenshow", techies would prefer to work with
the rawest posible version....imho.
2008-11-25, 09:50 PM #48 neonknight
Hi Sousmarin
I don't know anything about
Archos / players recorders but there are plenty of audio interfaces on
the market nowadays that would help you make a simple raw 48kHz 24 bit
copy. If you can't lay your hands on one easily I'm sure there would
also be a number of people on this forum who would be pleased to help
you out (I could help if you would be prepared to put it in the post to
England).
The Lille performance sounds
like it would be very interesting as well and I too would be interested
in an MP3!
Thanks for your efforts!
Neon
2008-11-26, 08:23 AM #49 sousmarin
Happy Xmas
Ye.
I will ask for a "H2
Portable 2-Track SD Recorder" or an "EDIROL R-09" as Xmas gift !!!
Last edited by sousmarin;
2008-11-26 at 11:22 AM.
2008-11-26, 04:09 PM #50 Paranoid_Eyes
http://www.yeeshkul.com/forum/showthread.php?t=20756
Quote Originally Posted by sousmarin
Ye.
I will ask for a "H2 Portable 2-Track SD Recorder" or an "EDIROL R-09"
as Xmas gift !!!
Nice choice sousmarin,
Any good concert in Lille for 2009 to test this recorder ?
Cheers,
BruNo.
We are always, in all ways, nowhere - now, here.
2008-11-26, 05:32 PM #51 aikowolf
Quote Originally Posted by littlepieces
I got this on dime along
with karmamania and its always great to get more and better portions of
this show. I grab every portion and version I can.
That beinView
Post g said, I wish some of you gurus with extra
technical prowess would give the spectral a once over or perhaps a
twice over. Maybe you can explain the apparent notch filter at 5k thats
easier to see on some tracks than others. Easily seen on track 01. Or
why on the spectral there is a clearer strip that varies from track to
track from the musical content to 13-17k before the hiss strip starts
again. Or why does TLH test 100% mp3 on the 3 tracks I checked, track
01,02,04. I certainly wouldn't rely on TLH's mp3 tester as a definitive
answer, in fact its the first time I used it, but its certainly worth
mentioning.
I waited for a while hoping
that a tech guru would bring this up. I 'm not trying to be a wet rag
but I would like to be more certain about this lineage before I catalog
it. Especially since it apparently came from a French tracker that
offers mp3's.
Track01 spectral attached
checking in HUB audio tools,
i got to believe that tLH has been duped by the AM source and high pass
filter, I do not rely on TLH's MP3 tester ALONE any
more
track 1 Frequency analysis:
2008-11-26, 07:49 PM #52 neonknight
Quote Originally Posted by sousmarin
Ye.
I will ask for a "H2 Portable 2-Track SD Recorder" or an "EDIROL R-09"
as Xmas gift !!!
May Santa Claus be kind to you!
Neon
2008-12-03, 02:15 PM #53 Bert13
Small thing which I think
hasn't been mentioned before: 2:20 into Doing It there's a small part
of a John Lennon interview being played by the Floyd on stage. I can't
pin point where that's coming from, I suppose with the title Doing It
referring to having sex it might come from the Lennons Amsterdam 1969
Hilton Hotel "Bed-In"?
2008-12-03, 03:15 PM #54 vince666
Quote Originally Posted by aikowolf
checking in HUB audio tools,
i got to believe that tLH has been duped by the AM source and high pass
filter, I do not rely on TLH's MP3 tester ALONE any
more
yes, i also agree!
when littlepieces noticed
that TLH gives 100% MPEG when testing this source i did a little
experiment to test the TLH itself...
i took a track that is
lossless for sure (Amsterdam 1969-09-17) and TLH gave a 100% CDaudio
result...
...then i applied a notch
filter "split mode" similar to the one in this source and repeated the
test in TLH... this time the test gave 99% CDaudio...
so a missing band (even if
narrow) due to a notch filter can alter the testing of
TLH...
...by the way, the Amsterdam
track has a clean full spectrum with music till 22KHz and if i repeat
the experiment with a "lo-fi" recording such this one i think that TLH
could say also "100% MPEG" even if the file is really a lossless
one...
this new Paris AM source has
the sound with a narrow bandwith (due probably by the radio b/c itself
and/or the original Geloso Recorder) but the tape hiss goes till 22KHz
without any cut... so it cannot be from mp3!
2008-12-28, 10:11 PM #55 sousmarin
Quote Originally Posted by littlepieces
I got this on dime along with karmamania and its always great to get
more and better portions of this show. I grab every portion and version
I can.
That being said, I wish some of you gurus with extra technical prowess
would give the spectral a once over or perhaps a twice over. Maybe you
can explain why on the spectral there is a clearer strip that varies
from track to track from the musical content to 13-17k before the hiss
strip starts again. Or why does TLH test 100% mp3 on the 3 tracks I
checked, track 01,02,04. I certainly wouldn't rely on TLH's mp3 tester
as a definitive answer, in fact its the first time I used it, but its
certainly worth mentioning.
I waited for a while hoping that a tech guru would bring this up. I 'm
not trying to be a wet rag but I would like to be more certain about
this lineage before I catalog it. Especially since it apparently came
from a French tracker that offers mp3's.
Track01 spectral attached
Hi, i'm always french.... and you !!!.
2008-12-28, 11:00 PM #56 littlepieces
Quote Originally Posted by sousmarin
Hi, i'm always french.... and you !!!.
Not sure what you're getting
at but hopefully Santa gave you a "H2 Portable 2-Track SD Recorder" or
an "EDIROL R-09" as Xmas gift or another audio interface that can
provide 24bit recording for your archives.
~ Atlas Is Vomiting ~
2009-08-01, 03:21 PM #57 Mandrill
Quote Originally Posted by sousmarin
http://pagesperso-orange.fr/andrieu/.../19700123.html
Hello Sous-Marin John! ( excellent pseudo, au demeurant )
I'm really glad to discover
this new source for a show I really find special. Thank you to anyone
involved!
I also like the artwork
included with it, but why is there only the "front" side? :confused:
2009-08-13, 09:42 AM #58 Lennyif
Quote Originally Posted by karmamania View Post
Thank You Sousmarin for
recording and releasing this wonderful performance, this is indeed
amazing and gave us over 20 more minutes of music from this concert
which is why I hastily placed this here on the Pink Floyd site
Yeeshkul.
Cymbaline has elements of
The Committee in moments and I love the start of Saucerful with "Dawn
Chorus" bird sounds.
Roger recently mentioned
seeing film of himself sawing wood on stage and I wonder does anyone
know of film of this concert?
Thanks again to Sousmarin and looking forward to Lille! Wow!
K YEESHKUL!
I had a conversation with a
record store owner in the French Quarter in New Orleans about ten years
ago and he mentioned seeing a film like that. He said it was one of the
coolest floyd videos he ever saw. I thought he was remembering wrong
but now I think there may be something to it. He was a big floyd fan
and I went to his store to get cassette copies of his highly priced
bootlegs. The first one was "Crackers"
2010-01-23, 08:50 PM #59 Mandrill
IT WAS 40 YEARS AGO!!!!!!!!!!!!!!!!!!!!!!!!!
2010-07-29, 09:33 PM #60 Mandrill
I did a back cover to
complete Sousmarin John's cool artwork, it is seeded here with covers
for the other AM sources:
http://www.yeeshkul.com/forum/showthread.php?t=20756
Thank you, Jean Submarine!
2011-01-10, 05:35 PM #61 grete
Thanks
Thankhttp://www.yeeshkul.com/forum/showthread.php?t=20756s a lot for
this !
Thanks a lot to seeders too !!
2021-04-14, 05:18 PM #62 holdingcell
[Kust wondering if there was
ever a frankenshow. as mentioned, put together? Ty
This
is terrific! It's great to have another source for this show, and one
that adds a great deal of material. This definitively establishes that
they played The Man in its entirety -- there was at one time some doubt
about that, I think.
This also proves that the
old tape -- call it Source 1 -- is definitely from an edited
re-broadcast, no? Whereas the "microphone in front of the reel
speakers" tape seems closer to the original, but there's definitely an
edit between "Celestial Voices" and "Green is the Colour" on that one,
which is absent from this source.
The sound on this one is
considerably better than that old tape, or at least the high-generation
copies we have. There are a few level drops and some bleed-through of
faint classical music from another source (different station? old
tape?), but it's quite a bit cleaner than the other two tapes that date
from 1970.
So here's what we have, numbering in the order in which these tapes surfaced:
Source 1 (recording of
edited re-broadcast, early '70s?): GITC/CWTAE, Riot Scene (aka The
Violent Sequence), AHM, The Man (cuts after Sleep), Main Theme
Source 2 (interview with DG, 1982): Work
Source 3 (1996 re-broadcast): Riot Scene, AHM (edited)
Source 4 (reel > mic >
cass source): The Man (to Biding My Time), Celestial Voices (edited),
GITC/CWTAE (cuts out), Main Theme (cuts in), Set the Controls, AHM (cut)
Source 5 (this source): The Man (just about complete!), ASOS (complete!)
The Pink Jungle lists the following setlist for this show:
However, I think this order
may be incorrect -- in particular, I'm fairly confident that AHM
followed right after STC, since on Source 4, after STC and before AHM,
Gilmour says it's the last thing they're going to play -- "we wrote it
last week"! There's no cut between Main Theme and STC on Source 4,
either, so I think that those three tracks really do run together.
Plus at the end of this
tape, after he talks about "The Man" a bit, the DJ says something like
"Eh bien, pour conclure ce premiere partie, le Pink Floyd à terminé
avec un de leur plus grands succes, succes enorme, ça appelle 'A
Saucerful of Secrets'." Which means "So, to conclude this first half,
the Pink Floyd finished with one of their greatest
successes, which is called ASOS".
It seems clear that the tape
we have here really is the original live broadcast of Set 1, with no
edits. So my guess is that the real order was:
Set 1: The Man, A Saucerful Of Secrets
Set 2: Green Is The Colour /
Careful With That Axe, Eugene, Riot Scene, Main Theme, Set The Controls
For The Heart Of The Sun, Untitled (aka Atom Heart Mother)
I'm http://www.yeeshkul.com/forum/showthread.php?t=20756not sure about the order
of the second half, but I suspect that the running order of Source 4 is
correct. The only question is, where does Riot Scene go? The most
logical spot is to put it after CWTAE, which is where Source 1 has it
anyway. Plus Source 4, which is missing Riot Scene completely, is also
missing the end of CWTAE and the beginning of Main Theme; if the guy
who recorded it missed that whole section, it would make a lot of sense.
So if one wanted to put
together a Frankenshow, using the best and most complete sources, you
could do it thus:
The Man - Source 5
A Saucerful Of Secrets - Source 5
http://www.yeeshkul.com/forum/showthread.php?t=20756
GITC/CWTAE - Source 1, possibly interpolating some of Source 4
Riot Scene - Source 3
Main Theme - Source 1, switching to Source 4 at the very end
Set The Controls For The Heart Of The Sun - Source 4
Untitled - Source 3, with an
edit from Source 1 to restore the missing drum solo!
Huge thanks go to the guy
who taped and shared this one. This is quite remarkable, to be able to
have the full show for the first time in almost 40 years! Until
recently, we only had about two-thirds of it; now, we've got just about
everything, except a bit of Sleep and the very end of
Nightmare.
(It'd be even better if the
guy who taped Source 4 can find his master reel -- he was recently
looking for it, wasn't he?)
2021-04-14, 05:56 PM #63 goldenband
Quote Originally Posted by holdingcell
http://www.yeeshkul.com/forum/showthread.php?t=20756
[Kust wondering if there was
ever a frankenshow. as mentioned, put together? Ty
Interestinhttp://www.yeeshkul.com/forum/showthread.php?t=20756g question -- I
don't know whether someone has ever taken all the radio sources per se
and Frankenshowed them together. This excellent version by Jimfisheye
combines the audience tape (which surfaced after my post) with various
parts of the radio broadcast:
Alphi-Neonknight-Jimfisheye 24/96 Master
Alphi-Neonknight-Jimfisheye CD version
That's the one I would recommend for listening purposes.
Regarding a radio-only
version, I'd be surprised if someone didn't make a compilation of those
before the audience tape surfaced. I just don't happen to know about it
(if so), but it does seem like a natural project! However, none of the
radio sources have Astronomy Domine, for whatever reason; that's only
on Gérard's audience tape.
ON TV
merci a hardprog pour le partage de son titanesque travail :
Rock on TV * 1967-05-05 | Dutch | Fanclub Fenklup | , Pink Floyd , |
1968-02-24 | France | Bouton Rouge | , Pink Floyd , |
1968-02-27 | Belgium | Vibrato | , Pink Floyd , |
1968-03-03 | France | Discorama | , Pink Floyd , |
1968-03-31 | Belgium | Tienerklanken | , Pink Floyd , |
1968-05-01 | Dutch | Moef Ga Ga | , Pink Floyd , |
1968-11-26 | France | Tous En Scene | , Pink Floyd , |
1969-01-18 | Norway | Various Norway Rock Tv Shows | , Pink Floyd , Jefferson Airplane , The Mothers of Invention , |
1969-02-15 | France | Forum Musique | , Pink Floyd , |
1969-05-03 | Belgium | Promotion | , Pink Floyd , |
1970-05-30 | France | Point Chaud | , Pink Floyd , |
1970-10-10 | France | Pop Deux | , Pink Floyd , |
1970-10-24 | France | Pop Deux | , Pink Floyd , |
1972-01-15 | France | Rockenstock | , Pink Floyd , |
1973-03-17 | Japan | Young Music Show | , Pink Floyd , |
1973-04-03 | Great Britain | Old Grey Whistle Test | , Pink Floyd , |
1973-10-31 | Japan | Young Music Show | , Pink Floyd , |
1973-12-11 | Swiss | Various Swiss Tv Shows | , Pink Floyd , |
1973-12-15 | Swiss | Various Swiss Tv Shows | , Pink Floyd , |
1974-01-12 | Swiss | Various Swiss Tv Shows | , Pink Floyd , |
1974-05-29 | Denmark | Various Denmark Tv Rock Show | , Pink Floyd , |
1974-06-09 | Belgium | Folllies | , Pink Floyd , |
1974-06-11 | Great Britain | Old Grey Whistle Test | , Pink Floyd , |
1979-04-05 | Norway | Flimra | , Pink Floyd , |
1980-01-16 | France | Studio 3 | , AC/DC , Pink Floyd , |
1980-04-11 | Usa | The Midnight Special | , Pink Floyd , |
1980-04-16 | France | Studio 3 | , AC/DC , Jacques Higelin , Paul McCartney , Pink Floyd , Status Quo , Supertramp , Telephone , |
1980-05-01 | Canadian | Start Chart | , Pink Floyd , |
1980-05-03 | Canadian | Start Chart | , Pink Floyd , |
1980-05-10 | Usa | Don Kirshner Rock Concert | , Pink Floyd , |
1980-10-21 | Canadian | Metro Music | , Pink Floyd , |
1981-01-20 | Norway | Flimra | , Pink Floyd , |
1981-01-20 | Norway | Jukebox | , Pink Floyd , |
1983-06-13 | Australia | Nightmoves | , Pink Floyd , |
1983-06-20 | Germany | Thommys Pop Show | , Pink Floyd , Supertramp , |
1983-08-01 | Germany | Thommys Pop Show | , Angelo Branduardi , Mike Oldfield , Pink Floyd , |
1984-03-14 | Germany | Flashlights | , Paul McCartney , Pink Floyd , |
1987-11-10 | Australia | Rock Arena | , Pink Floyd , |
1988-01-09 | Germany | Peter Illmann Treff | , Pink Floyd , |
1989-06-24 | France | Perfecto | , Pink Floyd , Donovan , |
1991-11-23 | Great Britain | Sounds Of 60s | , Pink Floyd , |
1992-08-10 | Great Britain | Cue The Music | , Pink Floyd , |