Enregistrements
Pink Floyd
p:697/500/1...D/16
Cette page repose sur les données de plusieurs sites concernant Pink Floyd.
[neptunePF] - https://www.neptunepinkfloyd.co.uk/pfcdb/
[PFA] - http://www.pinkfloydarchives.com/TourDate.htm#Years
[setlistfm] - https://www.setlist.fm/setlists/pink-floyd-13d6adc5.html
[PF] - https://www.pinkfloyd.com/music/giglist_chronological.php
plus diverses sources :
-Tickets, Flyers, Affiches qui trainent sur le Web.
-...
Discographie / Discography
Pink Floyd
Mes Matérialisés |
1969 | Pink Floyd | Ummagumma | Harvest | SHDW 1/2 | 2xLP |
1973 | Pink Floyd | A Nice Pair | Harvest | 5C 178-50203/4 | 2xLP |
1975 | Pink Floyd | Wish You Were Here | Harvest | 2C 068-96918, 2 C 068-96918 | LP |
1977 | Pink Floyd | Animals | Harvest | 14C 064-98434 | LP |
1979 | Pink Floyd | Another Brick In The Wall (Part II) | Harvest | 2 C 008-63494 | 7" |
1983 | Pink Floyd | The Final Cut | CBS | 14-1668 | LP |
1995 | Pink Floyd | Music From The Film More | EMI | 7243 8 35631 2 8, CDEMD1084 | CD |
2000 | Pink Floyd | The Wall | Smv Enterprises, Smv Enterprises, Smv Enterprises | 501989, 0501989000, VFC13391 | DVD |
2010 | Pink Floyd | Allen s Psychedelic Breakfast | Circus Sun Records | PDF-22 | LP |
Mes Autres |
1967 | Pink Floyd | The Piper At The Gates Of Dawn | M | 192 | 11 |
1969 | Pink Floyd | Umma Gumma Cd1 | M | 160 | 4 |
1969 | Pink Floyd | Umma Gumma Cd2 | M | 160 | 12 |
1970 | Pink Floyd | 19700123-001#the Man Paris | F | 360 | 8 |
1971 | Pink Floyd | Dark Side Of The Moon | M | 199 | 9 |
1971 | Pink Floyd | Meddle | M | 256 | 6 |
1971 | Pink Floyd | Obscured By Clouds | M | 181 | 10 |
1971 | Pink Floyd | Relics | M | 215 | 11 |
1975 | Pink Floyd | Wish You Were Here | M | 128 | 5 |
1977 | Pink Floyd | Animals | M | 128 | 5 |
1978 | Pink Floyd | A Saucerful Of Secrets | M | 160 | 7 |
1983 | Pink Floyd | The Final Cut | M | 320 | 13 |
1987 | Pink Floyd | A Momentary Lapse Of Reason | M | 128 | 10 |
1987 | Pink Floyd | Atom Heart Mother | M | 197 | 5 |
1994 | Pink Floyd | The Division Bell | M | 128 | 11 |
1995 | Pink Floyd | More | M | 189 | 13 |
1995 | Pink Floyd | Pulse | M | 187 | 21 |
2000 | Pink Floyd | The Wall | M | 128 | 26 |
2013 | Pink Floyd | Rare Tracks | M | 192 | 17 |
2014 | Pink Floyd | The Endless River | M | 320 | 21 |
Allées O Venues
Pink Floyd |
108 | B | | | +{Inhouse Records (3) PFCD234} | | All movement is accomplished | | | | | | 01 |
43 | B | | | | | BBC archives 1967-1969 | | | | | | 01 |
107 | B | | | | | BBC archives 1967-1969 | | | | | | 01 |
109 | B | | | | | BBC archives 1967-1969 (rev. a) | | | | | | 01 |
111 | B | | | | | Early Flights Vol 1-10 CD | | | | | | 01 |
950 | B | | | +Kobra KRCR 21 | | Pinkie Milkie | | | | | | 01 |
45 | O | | | | | The Early Singles | | | | | | 01 |
49 | O | | | | | The Early Years 1969 Dramatis/ation | | | | | | 01 |
105 | B | | | | | The Embryo | | | | | | 01 |
102 | B | | | | | The Man And The Journey (Live) | | | | | | 01 |
110 | B | | | | | The Man And The_Journey | | | | | | 01 |
106 | B | | | | | The Man The Journey | | | | | | 01 |
103 | B | | | | | Virtual Zabriskie Point Studio Album | | | | | | 01 |
104 | B | | | | | Zabriskie Point, Sessions | | | | | | 01 |
700 | B | | | | | The Massed Gadgets of Auximenes (Reconstructed) | | | | | | 01 |
1965 |
6 | | | | +[neptunePF] | 1965-01 | RAF Uxbridge, Uxbridge, England | | | | | | |
8 | | | | +[neptunePF] | 1965-02 | Countdown Club, London, England | | | | | | |
10 | | | | +[PF][neptunePF] | 1965-05-22 | Homerton College, Cambridge, England | | | | | | |
14 | | | | +[PF][neptunePF] | 1965-06-27 | The Country Club, London, England | | | | | | |
18 | | | | +[neptunePF] | 1965-10 | Cambridge University Ball, Cambridge, England | | | | | | |
35 | | | | +[setlistfm] | 1965-10-01 | Trinity House, Great Shelford, England | | | | | | |
37 | | | | +[setlistfm] | 1965-10-02 | Byam Shaw School of Art, London, England | | | | | | |
51 | | | | +[setlistfm] | 1965-12-01 | The Goings On Club, Soho, England | | | | | | |
53 | | | | +[PF][setlistfm] | 1965-12-18 | Village Hall, Hay on wye, Wales | | | | | | |
55 | | | | +[PF][setlistfm] | 1965-12-31 | Youth Centre, Kimbolton, England | | | | | | |
1966 |
57 | | | | +[setlistfm] | 1966-01-06 | The Goings On Club, Soho, England | | | | | | |
20 | | | | +[PF][neptunePF] | 1966-01-09 | The Goings On Club, Soho, England | | | | | | |
59 | | | | +[PF][setlistfm] | 1966-01-30 | Marquee Club, London, England | | | | Marquee fermé le Dimanche | ? | |
930 | | | | +[PF] | 1966-02-06 | Marquee Club, London, England | | | | Marquee fermé le Dimanche | ? | |
61 | | | | +[PF][setlistfm] | 1966-02-27 | Marquee Club, London, England | | | | Marquee fermé le Dimanche | ? | |
22 | | | | +[PF][neptunePF] | 1966-03-11 | University of EssexEngland | | | | | | |
24 | | | | +[PF][neptunePF] | 1966-03-12 | University of EssexEngland | | | | | | |
26 | | | | +[PF][neptunePF] | 1966-03-13 | Marquee Club, London, England | | | | Marquee fermé le Dimanche | ? | |
28 | | | | +[PF][neptunePF] | 1966-03-27 | Marquee Club, London, England | | | | Marquee fermé le Dimanche | ? | |
30 | | | | +[PF][neptunePF] | 1966-04-03 | Marquee Club, London, England | | | | Marquee fermé le Dimanche | ? | |
32 | | | | +[neptunePF] | 1966-04-04 | Marquee Club, London, England | | | | | | |
931 | | | | +[PF] | 1966-04-07 | Marquee Club, London, England | | | | | | |
63 | | | | +[setlistfm] | 1966-04-17 | Marquee Club, London, England | | | | Bowie Showboat | ? | |
34 | | | | +[PF][neptunePF] | 1966-05-01 | Marquee Club, London, England | | | | | ? | |
36 | | | | +[PF][neptunePF] | 1966-05-08 | Marquee Club, London, England | | | | | ? | |
38 | | | | +[neptunePF] | 1966-05-12 | Marquee Club, London, England | | | | | | |
40 | | | | +[PF][neptunePF] | 1966-05-15 | Marquee Club, London, England | | | | | ? | |
42 | | | | +[PF][neptunePF] | 1966-06-05 | Marquee Club, London, England | | | | Bowie Showboat | ? | |
64 | | | | +[PF][setlistfm] | 1966-06-12 | Marquee Club, London, England | | | | | ? | |
44 | | | | +[neptunePF] | 1966-09-14 | All Saints Church Hall, London, England | | | | | | |
46 | | | | +[PF][neptunePF] | 1966-09-30 | All Saints Church Hall, London, England | | | | | | |
48 | | | | +[PF][neptunePF] | 1966-10-14 | All Saints Church Hall, London, England | | | | | | |
50 | | | | +[PF][neptunePF] | 1966-10-15 | Roundhouse, London, England | | | | | | |
52 | | | | +[PF][neptunePF] | 1966-10-19 | Top Rank Suite, Brighton, England | | | | | | |
54 | | | | +[PF][neptunePF] | 1966-10-21 | All Saints Church Hall, London, England | | | | | | |
56 | | | | +[PF][neptunePF] | 1966-10-23 | All Saints Church Hall, London, England | | | | | | |
65 | | | | +[setlistfm] | 1966-10-28 | All Saints Church Hall, London, England | | | | | | |
58 | | | | +[PF][neptunePF] | 1966-10-29 | All Saints Church Hall, London, England | | | | | | |
60 | | | | +[PF][neptunePF] | 1966-10-31 | Roundhouse, London, England | | | | | | |
62 | | | | +[PF][neptunePF] | 1966-11-04 | All Saints Church Hall, London, England | | | | | | |
66 | | | | +[PF][neptunePF] | 1966-11-05 | Five Acres Nudist Colony, Watford, England | | | | | | |
68 | | | | +[PF][neptunePF] | 1966-11-08 | All Saints Church Hall, London, England | | | | | | |
70 | | | | +[PF][neptunePF] | 1966-11-11 | All Saints Church Hall, London, England | | | | | | |
72 | | | | +[PF][neptunePF] | 1966-11-12 | Corn Exchange, Bedford, England | | | | | | |
67 | | | | +[PF][setlistfm] | 1966-11-13 | Starlite Ballroom, Greenford, England | | | | | | |
74 | | | | +[PF][neptunePF] | 1966-11-15 | All Saints Church Hall, London, England | | | | | | |
76 | | | | +[PF][neptunePF] | 1966-11-18 | Hornsey College of Art, London, England | | | | | | |
78 | | | | +[PF][neptunePF] | 1966-11-19 | Technical College Canterbury, Kent, England | | | | | | |
80 | | | | +[PF][neptunePF] | 1966-11-22 | All Saints Church Hall, London, England | | | | | | |
82 | | | | +[PF][neptunePF] | 1966-11-29 | All Saints Church Hall, London, England | | | | | | |
84 | | | | +[PF][neptunePF] | 1966-12-03 | Roundhouse, London, England | | | | | | / 16 |
69 | | | | +[PF][setlistfm] | 1966-12-08 | Royal College of Art, London, England | | | | | | |
86 | | | | +[PF][neptunePF] | 1966-12-09 | Marquee Club, London, England | | | | | | |
88 | | | | +[PF][neptunePF] | 1966-12-12 | Royal Albert Hall, London, England | | | | | | |
90 | | | | +[neptunePF] | 1966-12-16 | The Architects Association, London, England | | | | | | |
92 | | | | +[PF][neptunePF] | 1966-12-22 | Marquee Club, London, England | | | | | | / 16 |
94 | | | | +[PF][neptunePF] | 1966-12-23 | UFO Club, London, England | | | | | | |
932 | | | | +[PF] | 1966-12-24 | The Blarney Club, London, England | | | | | | |
96 | | | | +[PF][neptunePF] | 1966-12-29 | Marquee Club, London, England | | | | | ? | |
98 | | | | +[PF][neptunePF] | 1966-12-30 | UFO Club, London, England | | | | | | |
102 | | | | +[PF][neptunePF] | 1966-12-31 | Roundhouse, London, England | | | | | | |
1967 |
158 | P | | | +[Chris Cutler probes #04 (14)] | 1967 | Interstellar Overdrive | | | | | | |
104 | | | | +[PF][neptunePF] | 1967-01-05 | Marquee Club, London, England | | | | | | |
108 | | | | +[PF][neptunePF] | 1967-01-06 | UFO Club, London, England | | | | | | |
110 | | | | +[PF][neptunePF] | 1967-01-08 | Upper Cut, Forrest Gate, London, England | | | | | | |
112 | | | | +[PF][neptunePF] | 1967-01-13 | UFO Club, London, England | | | | | | |
114 | | | | +[PF][neptunePF] | 1967-01-14 | Great Hall, University of Reading, Reading, England | | | | | | |
116 | | | | +[PF][neptunePF] | 1967-01-16 | The Clubroom, Institute of Contemporary Arts, London, England | | | | | | |
118 | | | | +[PF][neptunePF] | 1967-01-17 | Commonwealth Institute, London, England | | | | | | |
120 | | | | +[PF][neptunePF] | 1967-01-19 | Marquee Club, London, England | | | | | | |
122 | | | | +[PF][neptunePF] | 1967-01-20 | UFO Club, London, England | | | | | | |
124 | | | | +[PF][neptunePF] | 1967-01-21 | Birdcage, Portsmouth, England | | | | | | |
126 | | | | +[PF][neptunePF] | 1967-01-27 | UFO Club, London, England | | | | | | |
128 | | | | +[PF][neptunePF] | 1967-01-28 | University of EssexEngland | | | | | | |
130 | | | | +[PF][neptunePF] | 1967-02-02 | Cadenna s, Guildford, England | | | | | | |
132 | | | | +[PF][neptunePF] | 1967-02-03 | Queen s Hall, Leeds, England | | | | | | |
134 | | | | +[PF][neptunePF] | 1967-02-09 | New Addington Hotel, New Addington, England | | | | | | |
136 | | | | +[PF][neptunePF] | 1967-02-10 | Leicester College of Technology, Leicester, England | | | | | | |
138 | | | | +[PF][neptunePF] | 1967-02-11 | University of Sussex, Brighton, England | | | | | | |
140 | | | | +[neptunePF] | 1967-02-16 | Guildhall, Southampton, England | | | | | | |
142 | | | | +[PF][neptunePF] | 1967-02-17 | The Dorothy Ballroom, Cambridge, England | | | | | | |
144 | | | | +[PF][neptunePF] | 1967-02-18 | California Ballroom, Dunstable, England | | | | | | |
146 | | | | +[PF][neptunePF] | 1967-02-20 | Adelphi Ballroom, West Bromwich, England | | | | | | |
148 | | | | +[PF][neptunePF] | 1967-02-24 | Ricky Tick Club, Windsor, England | | | | | | |
150 | | | | +[PF][neptunePF] | 1967-02-25 | Ricky Tick Club, Hounslow, England | | | | | | |
933 | | | | +[PF] | 1967-02-26 | UFO Club, London, England | | | | | | |
934 | | | | +[PF] | 1967-02-27 | UFO Club, London, England | | | | | | |
152 | | | | +[PF][neptunePF] | 1967-02-28 | Blaises Club, London, England | | | | | | |
154 | | | | +[PF][neptunePF] | 1967-03-01 | Dance Hall, Eel Pie Island Hotel, London, England | | | | | | |
73 | | | | +[PF][setlistfm] | 1967-03-02 | Assembly Hall, Worthing, England | | | | | | |
75 | | | | +[PF][setlistfm] | 1967-03-03 | St Albans City Hall, St Albans, England | | | | | | |
77 | | | | +[PF][setlistfm] | 1967-03-03 | UFO Club, London, England | | | | | | |
83 | | | | +[PF][setlistfm] | 1967-03-04 | Regent Street Polytechnic, London, England | | | | | | |
85 | | | | +[PF][setlistfm] | 1967-03-05 | Saville Theatre, London, England | | | | | | |
87 | | | | +[setlistfm] | 1967-03-06 | Granada Studios, Manchester, England | | | | | | |
89 | | | | +[PF][setlistfm] | 1967-03-07 | Malvern Winter Gardens, Great Malvern, England | | | | | | |
91 | | | | +[PF][setlistfm] | 1967-03-09 | Marquee Club, London, England | | | | | | |
93 | | | | +[PF][setlistfm] | 1967-03-10 | UFO Club, London, England | | | | | | |
95 | | | | +[PF][setlistfm] | 1967-03-11 | Technical College, Canterbury, England | | | | | | |
97 | | | | +[PF][setlistfm] | 1967-03-12 | The Agincourt, Camberley, England | | | | | | |
935 | | | | +[PF] | 1967-03-16 | Middle Earth, London, England | | | | | | |
99 | | | | +[PF][setlistfm] | 1967-03-17 | Kingston College of Technology, Kingston upon Thames, England | | | | | | |
100 | | | | +[PF][setlistfm] | 1967-03-18 | Enfield College of Technology, London, England | | | | | | |
101 | | | | +[PF][setlistfm] | 1967-03-23 | Clifton Hall, Rotherham, England | | | | | | |
936 | | | | +[PF] | 1967-03-24 | Ricky Tick Club, Hounslow, England | | | | | | |
105 | | | | +[PF][setlistfm] | 1967-03-25 | New Yorker Discotheque, Swindon, England | | | | | | |
103 | | | | +[PF][setlistfm] | 1967-03-25 | Thames Hotel, Windsor, England | | | | | | |
106 | | | | +[setlistfm] | 1967-03-26 | Shoreline Club, Bognor Regis, England | | | | | | |
107 | | | | +[PF][setlistfm] | 1967-03-28 | Corn Exchange, Bristol, England | | | | | | |
109 | | | | +[PF][setlistfm] | 1967-03-29 | Eel Pie Island Hotel, Twickenham, England | | | | | | |
937 | | | | +[PF] | 1967-03-30 | Top Spot Ballroom, Ross On Wye, England | | | | | | |
111 | | | | +[setlistfm] | 1967-03-31 | Top Spot Ballroom, Ross On Wye, England | | | | | | |
113 | | | | +[PF][setlistfm] | 1967-04-01 | The Birdcage Club, Portsmouth, England | | | | | | |
115 | | | | +[PF][setlistfm] | 1967-04-03 | Playhouse Theatre, London, England | | | | | | |
117 | | | | +[PF][setlistfm] | 1967-04-06 | Salisbury City Hall, Salisbury, England | | | | | | / 16 |
119 | | | | +[PF][setlistfm] | 1967-04-07 | Floral Hall, Belfast, Ireland | | | | | | |
857 | | | | +[PF][setlistfm] | 1967-04-08 | Rhodes Centre, Bishop s Stortford, England | | | | | | |
858 | | | | +[PF][setlistfm] | 1967-04-08 | Roundhouse, London, England | | | | | | |
859 | | | | +[PF][setlistfm] | 1967-04-09 | Nottingham Britannia Rowing Club, Nottingham, England | | | | | | |
860 | | | | +[PF][setlistfm] | 1967-04-10 | Bath Pavilion, Bath, England | | | | | | |
861 | | | | +[PF][setlistfm] | 1967-04-13 | Tilbury Railway Club, Tilbury, England | | | | | | |
862 | | | | +[PF][setlistfm] | 1967-04-15 | K4 Discotheque, Brighton, England | | | | | | |
863 | | | | +[setlistfm] | 1967-04-16 | Bethnal Green Working Mens Club, London, England | | | | | | |
864 | | | | +[PF][setlistfm] | 1967-04-19 | Bromel Club, Bromley, England | | | | | | |
865 | | | | +[PF][setlistfm] | 1967-04-20 | Queen s Hall, Barnstaple, England | | | | | | |
866 | | | | +[PF][setlistfm] | 1967-04-21 | Starlite Ballroom, Greenford, England | | | | | | |
867 | | | | +[PF][setlistfm] | 1967-04-21 | UFO Club, London, England | | | | | | |
868 | | | | +[PF][setlistfm] | 1967-04-22 | Benn Hall, Rugby, England | | | | | | |
869 | | | | +[PF][setlistfm] | 1967-04-23 | Starlight Ballroom, Crawley, England | | | | | | |
870 | | | | +[PF][setlistfm] | 1967-04-24 | Feathers Club, London, England | | | | | | |
871 | | | | +[PF][setlistfm] | 1967-04-25 | The Stage Club, Oxford, England | | | | | | |
872 | | | | +[PF][setlistfm] | 1967-04-28 | The Tabernacle Club Stockport, Stockport, England | | | | | | |
874 | | | | +[PF][setlistfm] | 1967-04-29 | The 14 Hour Technicolour Dream 1967 | | | | | | |
873 | | | | +[PF][setlistfm] | 1967-04-29 | Vara TV, Hilversum, Netherlands | | | | | | |
875 | | | | +[PF][setlistfm] | 1967-04-30 | Plaza Teen Club, Huddersfield, England | | | | | | |
876 | | | | +[PF][setlistfm] | 1967-05-03 | Moulin Rouge, Southport, England | | | | | | |
877 | | | | +[PF][setlistfm] | 1967-05-04 | Locarno Ballroom, Coventry, England | | | | | | |
878 | | | | +[PF][setlistfm] | 1967-05-06 | Kitson College, Leeds, England | | | | | | |
879 | | | | +[PF][setlistfm] | 1967-05-07 | King Mojo Club, Sheffield, England | | | | | | |
880 | | | | +[PF][setlistfm] | 1967-05-12 | Queen Elizabeth Hall, London, England | | | | | | |
881 | | | | +[PF][setlistfm] | 1967-05-13 | St George s Ballroom, Hinckley, England | | | | | | |
882 | | | | +[setlistfm] | 1967-05-14 | BBC Studios, London, England | | | | | | |
883 | | | | +[PF][setlistfm] | 1967-05-19 | Club A Go Go, Newcastle, England | | | | | | |
884 | | | | +[PF][setlistfm] | 1967-05-20 | Floral Hall, Southport, England | | | | | | |
885 | | | | +[PF][setlistfm] | 1967-05-23 | High Wycombe Town Hall, High Wycombe, England | | | | | | |
886 | | | | +[PF][setlistfm] | 1967-05-24 | Bromel Club, Bromley, England | | | | | | |
887 | | | | +[PF][setlistfm] | 1967-05-25 | The Barn, Croes goch, Wales | | | | | | |
888 | | | | +[PF][setlistfm] | 1967-05-26 | Blackpool Opera House, Blackpool, England | | | | | | |
889 | | | | +[PF][setlistfm] | 1967-05-27 | Nantwich Civic Hall, Nantwich, England | | | | | | |
890 | | | | +[PF][setlistfm] | 1967-05-29 | Barbeque 1967 | | | | | | |
891 | | | | +[PF][setlistfm] | 1967-06-02 | UFO Club, London, England | | | | | | |
892 | | | | +[PF][setlistfm] | 1967-06-09 | UFO Club, London, England | | | | | | |
893 | | | | +[PF][setlistfm] | 1967-06-10 | Marina Theatre, Lowestoft, England | | | | | | |
894 | | | | +[PF][setlistfm] | 1967-06-13 | Blue Opera Club, London, England | | | | | | |
895 | | | | +[setlistfm] | 1967-06-14 | Farnborough Town Hall, Farnborough, England | | | | | | |
896 | | | | +[PF][setlistfm] | 1967-06-15 | Abbey Park, Leicester, England | | | | | | |
897 | | | | +[PF][setlistfm] | 1967-06-16 | Tiles Club, London, England | | | | | | |
898 | | | | +[PF][setlistfm] | 1967-06-17 | Dreamland Ballroom, Margate, England | | | | | | |
899 | | | | +[PF][setlistfm] | 1967-06-17 | Supreme Ballroom, Ramsgate, England | | | | | | |
900 | | | | +[setlistfm] | 1967-06-18 | Radio London Motor Racing & Pop Festival 1967 | | | | | | |
901 | | | | +[PF][setlistfm] | 1967-06-20 | Magdalen College, Oxford, England | | | | | | |
902 | | | | +[PF][setlistfm] | 1967-06-21 | Bolton College of Art and Design, Bolton, England | | | | | | |
938 | | | | +[PF] | 1967-06-22 | Bradford University, Bradford, England | | | | | | |
904 | | | | +[PF][setlistfm] | 1967-06-23 | Locarno Ballroom, Derby, England | | | | | | |
903 | | | | +[PF][setlistfm] | 1967-06-23 | University of Bradford, Bradford, England | | | | | | |
940 | | | | +[PF] | 1967-06-25 | Mister Smiths, Manchester, England | | | | | | |
905 | | | | +[PF][setlistfm] | 1967-06-26 | University of Warwick, Coventry, England | | | | | | |
155 | | | | +[PF][neptunePF] | 1967-06-28 | Dance Hall, Eel Pie Island Hotel, Twickenham, England | | | | | | |
156 | | | | +[PF][neptunePF] | 1967-07-01 | The Swan, Birmingham, England | | | | | | |
157 | | | | +[PF][neptunePF] | 1967-07-02 | Civic Hall, Birmingham, England | | | | | | |
158 | | | | +[PF][neptunePF] | 1967-07-03 | The Pavilion, Bath, England | | | | | | |
159 | | | | +[PF][neptunePF] | 1967-07-05 | Dance Hall, Eel Pie Island Hotel, London, England | | | | | | |
160 | | | | +[neptunePF] | 1967-07-06 | BBC Lime Grove Studios, London, England | | | | | | |
161 | | | | +[PF][neptunePF] | 1967-07-07 | Unknown, Portsmouth, England | | | | | | |
162 | | | | +[PF][neptunePF] | 1967-07-08 | Pathe News TV and Memorial Hall, Northwich, England | | | | | | |
163 | | | | +[PF][neptunePF] | 1967-07-09 | Roundhouse, London, England | | | | | | |
164 | | | | +[neptunePF] | 1967-07-13 | BBC Lime Grove Studios, London, England | | | | | | |
165 | | | | +[PF][neptunePF] | 1967-07-15 | The Cricket Meadow, Stowmarket, England | | | | | | |
166 | | | | +[PF][neptunePF] | 1967-07-16 | Redcar Jazz Club, Coatham Hotel, Coatham, England | | | | | | |
167 | | | | +[neptunePF] | 1967-07-17 | Rediffusion Studios, London, England | | | | | | |
168 | | | | +[PF][neptunePF] | 1967-07-18 | The Palace, Isle of Man, England | | | | | | |
169 | | | | +[PF][neptunePF] | 1967-07-19 | Floral Hall, Norfolk, England | | | | | | |
170 | | | | +[PF][neptunePF] | 1967-07-20 | The Red Shoes Ballroom, Elgin, Scotland | | | | | | |
171 | | | | +[PF][neptunePF] | 1967-07-21 | Ballerina Ballroom, Nairn, Scotland | | | | | | |
172 | | | | +[PF][neptunePF] | 1967-07-22 | The Beach Ballroom, Aberdeen, Scotland | | | | | | |
173 | | | | +[PF][neptunePF] | 1967-07-23 | Cosmopolitan Ballroom, Carlisle, England | | | | | | |
174 | | | | +[PF][neptunePF] | 1967-07-24 | The Maryland, Glasgow, Scotland | | | | | | |
176 | | | | +[PF][neptunePF] | 1967-07-25 | BBC Lime Grove Studios, London, England | | | | | | |
906 | | | | +[setlistfm] | 1967-07-27 | BBC Studios, London, England | | | | | | |
177 | | | | +[neptunePF] | 1967-07-28 | UFO Club, London, England | | | | | | |
179 | | | | +[neptunePF] | 1967-07-29 | Alexandra Palace, London, England | | | | | | |
5 | O | T | | +(Columbia ) | 1967-08-05 | The Piper At The Gates Of Dawn | | | | | | |
180 | | | | +[neptunePF] | 1967-09-01 | Roundhouse, London, England | | | | | | |
181 | | | | +[neptunePF] | 1967-09-02 | Roundhouse, London, England | | | | | | |
182 | | | | +[neptunePF] | 1967-09-09 | Boom Dancing Center, Aarhus, Denmark | | | | | | |
183 | | | | +[PF][neptunePF] | 1967-09-10 | Gyllene Cirkeln, Stockholm, Sweden | | | | | | / 16 |
184 | | | | +[PF][neptunePF] | 1967-09-11 | Star Club, Copenhagen, Denmark | | | | | | |
185 | | | | +[PF][neptunePF] | 1967-09-12 | Star Club, Copenhagen, Denmark | | | | | | |
186 | | | | +[PF][neptunePF] | 1967-09-13 | Star Club, Copenhagen, Denmark | | | | | | |
188 | | | | +[PF][neptunePF] | 1967-09-15 | Flamingo, Ballymena, Ireland | | | | | | |
907 | | | | +[PF][setlistfm] | 1967-09-16 | Flamingo Ballroom, Ballymena, Ireland | | | | | | |
189 | | | | +[PF][neptunePF] | 1967-09-17 | Arcadia Ballroom, Cork, Ireland | | | | | | |
190 | | | | +[PF][neptunePF] | 1967-09-19 | Speakeasy, London, England | | | | | | |
191 | | | | +[PF][neptunePF] | 1967-09-21 | Assembley Hall, Worthing, England | | | | | | |
192 | | | | +[PF][neptunePF] | 1967-09-22 | Tiles Club, London, England | | | | | | |
193 | | | | +[PF][neptunePF] | 1967-09-23 | Corn ExchangeEngland | | | | | | |
194 | | | | +[neptunePF] | 1967-09-25 | BBC Playhouse Theater, London, England | | | | | | |
195 | | | | +[PF][neptunePF] | 1967-09-27 | 5th Dimension, Leicester, England | | | | | | |
196 | | | | +[PF][neptunePF] | 1967-09-28 | Skyline Club, Hull, England | | | | | | |
197 | | | | +[PF][neptunePF] | 1967-09-30 | Imperial Club, Nelson, England | | | | | | |
198 | | | | +[PF][neptunePF] | 1967-10-01 | Saville Theater, London, England | | | | | | |
199 | | | | +[PF][neptunePF] | 1967-10-06 | Top Rank Suite, Brighton, England | | | | | | |
200 | | | | +[PF][neptunePF] | 1967-10-07 | Victoria Rooms, Bristol, England | | | | | | |
201 | | | | +[PF][neptunePF] | 1967-10-13 | The Pavilion, Weymouth, England | | | | | | |
202 | | | | +[PF][neptunePF] | 1967-10-14 | Cesars Club, Bedford, England | | | | | | |
203 | | | | +[PF][neptunePF] | 1967-10-16 | The Pavilion, Bath, England | | | | | | |
204 | | | | +[PF][neptunePF] | 1967-10-21 | University of York, York, England | | | | | | |
205 | | | | +[neptunePF] | 1967-10-23 | The Pavilion, Bath, England | | | | | | |
206 | | | | +[PF][neptunePF] | 1967-10-28 | Durham University, Durham, England | | | | | | |
207 | | | | +[PF][neptunePF] | 1967-11-03 | Winterland, San Francisco, CA, US | | | | | | |
208 | | | | +[PF][neptunePF] | 1967-11-04 | Winterland, San Francisco, CA, US | | | | | | |
210 | | | | +[PF][neptunePF] | 1967-11-05 | The Cheetah Club, Santa Monica, CA, US | | | | | | |
908 | | | | +[setlistfm] | 1967-11-06 | KHJ Studios, Los Angeles, CA, US | | | | | | |
909 | O | T | | +[setlistfm] | 1967-11-07 | The Piper At The Gates Of Dawn ABC Studios, Los Angeles, CA, US | | | | | | |
910 | | | | +[setlistfm] | 1967-11-08 | KHJ Studios, Los Angeles, CA, US | | | | | | |
211 | | | | +[PF][neptunePF] | 1967-11-09 | Fillmore Auditorium, San Francisco, CA, US | | | | | | |
212 | | | | +[PF][neptunePF] | 1967-11-10 | Winterland, San Francisco, CA, US | | | | | | |
213 | | | | +[PF][neptunePF] | 1967-11-11 | Winterland, San Francisco, CA, US | | | | | | |
214 | | | | +[PF][neptunePF] | 1967-11-12 | The Cheetah Club, New York, NY, US | | | | | | |
215 | | | | +[PF][neptunePF] | 1967-11-13 | Ahoy Heliport, Rotterdam, Netherlands | | | | | | |
216 | | | | +[PF][neptunePF] | 1967-11-14 | Royal Albert Hall, London, England | | | | | | |
217 | | | | +[PF][neptunePF] | 1967-11-15 | Winter Gardens, Bournmouth, England | | | | | | |
218 | | | | +[PF][neptunePF] | 1967-11-17 | City Hall, Sheffield, England | | | | | | |
219 | | | | +[PF][neptunePF] | 1967-11-18 | Empire Theatre, Liverpool, England | | | | | | |
220 | | | | +[PF][neptunePF] | 1967-11-19 | Coventry Theater, Coventry, England | | | | | | |
221 | | | | +[PF][neptunePF] | 1967-11-22 | Guildhall, Portsmouth, England | | | | | | |
222 | | | | +[PF][neptunePF] | 1967-11-23 | Sophia Gardens Pavilion, Cardiff, Wales | | | | | | |
223 | | | | +[PF][neptunePF] | 1967-11-24 | Colston Hall, Bristol, England | | | | | | |
224 | | | | +[PF][neptunePF] | 1967-11-25 | Opera House, Blackpool, England | | | | | | |
225 | | | | +[PF][neptunePF] | 1967-11-26 | Palace Theater, Manchester, England | | | | | | |
226 | | | | +[PF][neptunePF] | 1967-11-27 | Whitla Hal, Belfast, Ireland | | | | | | |
227 | | | | +[PF][neptunePF] | 1967-12-01 | Central Hall, Chatham, England | | | | | | |
228 | | | | +[PF][neptunePF] | 1967-12-02 | The Dome, Brighton, England | | | | | | |
229 | | | | +[PF][neptunePF] | 1967-12-03 | Theatre Royal, Nottingham, England | | | | | | |
230 | | | | +[PF][neptunePF] | 1967-12-04 | City Hall, Newcastle, England | | | | | | |
231 | | | | +[PF][neptunePF] | 1967-12-05 | Green s Playhouse, Glasgow, Scotland | | | | | | |
911 | | | | +[PF][setlistfm] | 1967-12-06 | Royal College of Art, London, England | | | | | | |
232 | | | | +[PF][neptunePF] | 1967-12-08 | Royal College of Art, London, England | | | | | | |
233 | | | | +[PF][neptunePF] | 1967-12-10 | Birdcage, Harlow, England | | | | | | |
234 | | | | +[neptunePF] | 1967-12-12 | Mike Leonards house, Stanhope Gardens, London, England | | | | | | |
235 | | | | +[PF][neptunePF] | 1967-12-13 | Flamingo Club, Cornwall, England | | | | | | |
236 | | | | +[PF][neptunePF] | 1967-12-14 | Pavilion, Bolton, England | | | | | | |
237 | | | | +[PF][neptunePF] | 1967-12-15 | Middle Earth, London, England | | | | | | |
238 | | | | +[PF][neptunePF] | 1967-12-16 | Ritz Ballroom, Birmingham, England | | | | | | |
239 | | | | +[neptunePF] | 1967-12-20 | Maida Vale Studio 4, London, England | | | | | | |
240 | | | | +[PF][neptunePF] | 1967-12-21 | Speakeasy, London, England | | | | | | |
241 | | | | +[PF][neptunePF] | 1967-12-22 | Granada TV Studios, London, England | | | | | | |
1968 |
242 | | | | +[PF][neptunePF] | 1968-01-12 | University of Aston, Birmingham, England | | | | | | |
243 | | | | +[PF][neptunePF] | 1968-01-13 | Winter Gardens Pavillion, Weston Super Mare, England | | | | | | |
244 | | | | +[PF][neptunePF] | 1968-01-19 | Town Hall, Sussex, England | | | | | | |
245 | | | | +[PF][neptunePF] | 1968-01-20 | Hastings Pier, Hastings, England | | | | | | |
246 | | | | +[PF][neptunePF] | 1968-01-26 | Southampton University, Southampton, England | | | | | | |
247 | | | | +[PF][neptunePF] | 1968-01-27 | Leicester College of Technology, Leicester, England | | | | | | |
941 | | | | +[PF] | 1968-02-07 | Mary Hopkins TV show, Paris, France | | | | | | |
248 | | | | +[PF][neptunePF] | 1968-02-10 | The Imperial Ballroom, Nelson, England | | | | | | |
249 | | | | +[PF][neptunePF] | 1968-02-16 | ICI Fibres Club, Pontypool, England | | | | | | |
250 | | | | +[PF][neptunePF] | 1968-02-17 | Patronaatsgebouw, Terneuzen, Netherlands | | | | | | |
251 | | | | +[neptunePF] | 1968-02-18 | Radio et T 1 vision Belge, Brussels, Belgium | | | | | | |
252 | | | | +[neptunePF] | 1968-02-19 | Radio et T 1 vision Belge, Brussels, Belgium | | | | | | |
253 | | | | +[neptunePF] | 1968-02-20 | ORTF TV Studios, Paris, France | | | | | | |
254 | | | | +[neptunePF] | 1968-02-21 | ORTF TV Studios, Paris, France | | | | | | |
255 | | | | +[neptunePF] | 1968-02-22 | Rij, Leuven, Belgium | | | | | | |
256 | | | | +[PF][neptunePF] | 1968-02-23 | Pannenhuis, Antwerpen, Belgium | | | | | | |
257 | | | | +[PF][neptunePF] | 1968-02-24 | Cheetah Club, Brussels, Belgium | | | | | | |
258 | | | | +[neptunePF] | 1968-02-25 | t Smurf, De Engh,, Bussum, Netherlands | | | | | | |
259 | | | | +[PF][neptunePF] | 1968-02-26 | Domino Club, Cambridge, England | | | | | | |
260 | | | | +[PF][neptunePF] | 1968-03-04 | Vanessa Redgrave party,, London, England | | | | | | |
261 | | | | +[PF][neptunePF] | 1968-03-09 | Manchester Technical College, Manchester, England | | | | | | |
262 | | | | +[PF][neptunePF] | 1968-03-14 | Whitla Hall, Belfast, Ireland | | | | | | |
263 | | | | +[PF][neptunePF] | 1968-03-15 | The Stage Club, Oxford, England | | | | | | |
265 | | | | +[PF][neptunePF] | 1968-03-16 | Middle Earth, London, England | | | | | | |
266 | | | | +[PF][neptunePF] | 1968-03-20 | New Grafton Rooms, Liverpool, England | | | | | | |
267 | | | | +[neptunePF] | 1968-03-22 | Woolwich Polytechnic, London, England | | | | | | |
268 | | | | +[PF][neptunePF] | 1968-03-26 | BBC TV Centre, London, England | | | | | | |
269 | | | | +[PF][neptunePF] | 1968-03-28 | Abbey Mills Pumping Station, London, England | | | | | | |
270 | | | | +[neptunePF] | 1968-04-11 | BBC TV Centre, London, England | | | | | | |
942 | | | | +[PF] | 1968-04-14 | The Royal Albert Hall, London, England | | | | | | |
271 | | | | +[PF][neptunePF] | 1968-04-16 | Gruga Halle, Essen, Germany | | | | | | |
272 | | | | +[PF][neptunePF] | 1968-04-18 | Piper Club, Roma, Italy | | | | | | |
273 | | | | +[PF][neptunePF] | 1968-04-19 | Piper Club, Roma, Italy | | | | | | |
274 | | | | +[PF][neptunePF] | 1968-04-20 | RAF Waddington, Waddington, England | | | | | | |
275 | | | | +[neptunePF] | 1968-04-30 | Moef Ga Ga, Amsterdam, Netherlands | | | | | | |
276 | | | | +[PF][neptunePF] | 1968-05-03 | Westfield College, London, England | | | | | | |
277 | | | | +[PF][neptunePF] | 1968-05-04 | Theater 140, Brussels, Belgium | | | | | | |
278 | | | | +[PF][neptunePF] | 1968-05-05 | Theater 140, Brussels, Belgium | | | | | | |
279 | | | | +[PF][neptunePF] | 1968-05-06 | Palazzo dello Sport EUR, Roma, Italy | | | | | | |
280 | | | | +[PF][neptunePF] | 1968-05-11 | Thelme House, Brighton, England | | | | | | |
281 | | | | +[PF][neptunePF] | 1968-05-17 | Middle Earth, London, England | | | | | | |
282 | | | | +[PF][neptunePF] | 1968-05-22 | Hotel Billard Palace, Antwerpen, Belgium | | | | | | |
284 | | | | +[PF][neptunePF] | 1968-05-23 | Paradiso, Amsterdam, Netherlands | | | | | | |
285 | | | | +[PF][neptunePF] | 1968-05-24 | The Punchbowl Hotel, Lapworth, England | | | | | | |
286 | | | | +[PF][neptunePF] | 1968-05-25 | The Belfry Hotel, Sutton Coldfield, England | | | | | | |
287 | | | | +[PF][neptunePF] | 1968-05-26 | Oz Benefit,, London, England | | | | | | |
288 | | | | +[PF][neptunePF] | 1968-05-27 | The Belfry Hotel, Sutton Coldfield, England | | | | | | |
290 | | | | +[neptunePF] | 1968-05-31 | Fantasio, Amsterdam, Netherlands | | | | | | |
293 | | | | +[PF][neptunePF] | 1968-06-01 | Eurobeurs, Apeldoorn, Netherlands | | | | | | |
295 | | | | +[PF][neptunePF] | 1968-06-02 | Recta Club 67, Ertvelde, Belgium | | | | | | |
297 | | | | +[PF][neptunePF] | 1968-06-03 | Parochieel Ontspannings Centrum, Weesp, Netherlands | | | | | | |
298 | | | | +[PF][neptunePF] | 1968-06-08 | Market Hall, Haverfordwest, Wales | | | | | | |
299 | | | | +[PF][neptunePF] | 1968-06-12 | Kings College, Cambridge, England | | | | | | |
300 | | | | +[PF][neptunePF] | 1968-06-14 | University College, London, England | | | | | | |
301 | | | | +[PF][neptunePF] | 1968-06-15 | Magic Village, Manchester, England | | | | | | |
912 | | | | +[setlistfm] | 1968-06-20 | Houtrusthallen, Den Haag, Netherlands | | | | | | |
303 | | | | +[PF][neptunePF] | 1968-06-21 | Middle Earth, London, England | | | | | | |
305 | | | | +[neptunePF] | 1968-06-22 | Houtrusthallen, Den Haag, Netherlands | | | | | | |
306 | | | | +[neptunePF] | 1968-06-24 | JFK Stadium, Philadelphia, PA, US | | | | | | |
100 | | | | | 1968-06-25 | Celestial Voices BBC Studios, London, England | | | | | | 01 |
308 | | | | +[PF][neptunePF] | 1968-06-26 | The Shrine Exposition Hall, Los Angeles, CA, US | | | | | | |
309 | | | | +[neptunePF] | 1968-06-27 | The Shrine Exposition Hall, Los Angeles, CA, US | | | | | | |
310 | | | | +[PF][neptunePF] | 1968-06-28 | BBC TV Centre, London, England | | | | | | |
7 | O | T | | +(Columbia ) | 1968-06-28 | A Saucerful Of Secrets | | | | | | |
311 | | | | +[PF][neptunePF] | 1968-06-29 | Hyde Park, London, England | | | | | | |
312 | | | | +[PF][neptunePF] | 1968-07-08 | Kinetic Playground, Chicago, IL, US | | | | | | |
313 | | | | +[PF][neptunePF] | 1968-07-12 | Grande Ballroom, Detroit, MI, US | | | | | | |
314 | | | | +[neptunePF] | 1968-07-13 | Fifth Dimension, Ann Arbor, MI, US | | | | | | |
315 | | | | +[PF][neptunePF] | 1968-07-15 | The Scene, New York, NY, US | | | | | | |
316 | | | | +[PF][neptunePF] | 1968-07-16 | The Scene, New York, NY, US | | | | | | |
317 | | | | +[PF][neptunePF] | 1968-07-17 | The Scene, New York, NY, US | | | | | | |
913 | | | | +[PF][setlistfm] | 1968-07-18 | Boston Tea Party, Boston, MA, US | | | | | | |
914 | | | | +[PF][setlistfm] | 1968-07-19 | Boston Tea Party, Boston, MA, US | | | | | | |
915 | | | | +[PF][setlistfm] | 1968-07-20 | Boston Tea Party, Boston, MA, US | | | | | | |
318 | | | | +[PF][neptunePF] | 1968-07-23 | The Auditorium, Chicago, IL, US | | | | | | |
916 | | | | +[PF][setlistfm] | 1968-07-24 | John F. Kennedy Stadium, Philadelphia, PA, US | | | | | | |
917 | | | | +[PF][setlistfm] | 1968-07-26 | Shrine Exposition Hall, Los Angeles, CA, US | | | | | | |
918 | | | | +[PF][setlistfm] | 1968-07-27 | Shrine Exposition Hall, Los Angeles, CA, US | | | | | | |
319 | | | | +[PF][neptunePF] | 1968-08-02 | Avalon Ballroom, San Francisco, CA, US | | | | | | |
320 | | | | +[PF][neptunePF] | 1968-08-03 | Avalon Ballroom, San Francisco, CA, US | | | | | | |
321 | | | | +[PF][neptunePF] | 1968-08-04 | Avalon Ballroom, San Francisco, CA, US | | | | | | |
322 | | | | +[PF][neptunePF] | 1968-08-09 | Seattle Center Arena, Seattle, WA, US | | | | | | |
323 | | | | +[PF][neptunePF] | 1968-08-10 | Seattle Center Arena, Seattle, WA, US | | | | | | |
919 | | | | +[PF][setlistfm] | 1968-08-11 | Eagles Auditorium, Seattle, WA, US | | | | | | |
324 | | | | +[PF][neptunePF] | 1968-08-16 | Sound Factory, Sacramento, CA, US | | | | | | |
325 | | | | +[PF][neptunePF] | 1968-08-17 | Sound Factory, Sacramento, CA, US | | | | | | |
326 | | | | +[PF][neptunePF] | 1968-08-23 | The Bank, Torrance, CA, US | | | | | | |
327 | | | | +[PF][neptunePF] | 1968-08-24 | The Bank, Torrance, CA, US | | | | | | |
328 | | | | +[PF][neptunePF] | 1968-08-31 | Kastival 68 Festival, Kasterlee, Belgium | | | | | | |
329 | | | | +[PF][neptunePF] | 1968-09-04 | Middle Earth, London, England | | | | | | |
920 | | | | +[setlistfm] | 1968-09-06 | Studios des Buttes-Chaumont, Paris, France | | | | | | |
921 | | | | +[PF][setlistfm] | 1968-09-07 | Studios des Buttes-Chaumont, Paris, France | | | | | | |
330 | | | | +[PF][neptunePF] | 1968-09-13 | Mothers Club, Birmingham, England | | | | | | |
331 | | | | +[PF][neptunePF] | 1968-09-20 | Victoria Rooms, Bristol, England | | | | | | |
332 | | | | +[neptunePF] | 1968-09-26 | The Mayfair Ballroom, Newcastle, England | | | | | | |
333 | | | | +[PF][neptunePF] | 1968-09-27 | Queens Hall, Dunoon, Scotland | | | | | | |
334 | | | | +[PF][neptunePF] | 1968-10-01 | t Smurf, De Engh,, Glasgow, Scotland | | | | | | |
335 | | | | +[PF][neptunePF] | 1968-10-04 | Mothers Club, Birmingham, England | | | | | | |
336 | | | | +[PF][neptunePF] | 1968-10-06 | The Country Club, London, England | | | | | | |
337 | | | | +[PF][neptunePF] | 1968-10-16 | Theatre du Huitieme, Lyon, France | | | | | | |
339 | | | | +[PF][neptunePF] | 1968-10-18 | The Industrial Club, Norwich, England | | | | | | |
340 | | | | +[PF][neptunePF] | 1968-10-19 | Roundhouse, London, England | | | | | | |
341 | | | | +[neptunePF] | 1968-10-20 | Theater 140, Brussels, Belgium | | | | | | |
342 | | | | +[PF][neptunePF] | 1968-10-25 | The Boat House, London, England | | | | | | |
344 | | | | +[PF][neptunePF] | 1968-10-26 | Roundhouse, London, England | | | | | | |
346 | | | | +[neptunePF] | 1968-10-30 | Le Psychedelic Club, Paris, France | | | | | | |
347 | | | | +[PF][neptunePF] | 1968-10-31 | Club Tournee, Paris, France | | | | | | |
348 | | | | +[neptunePF] | 1968-11-01 | Highbury Technical College, Portsmouth, England | | | | | | |
349 | | | | +[PF][neptunePF] | 1968-11-02 | Farnborough Technical College, Farnborough, England | | | | | | |
350 | | | | +[PF][neptunePF] | 1968-11-07 | Porchester Hall, London, England | | | | | | |
351 | | | | +[PF][neptunePF] | 1968-11-08 | Fishmonger s Arms, London, England | | | | | | |
352 | | | | +[PF][neptunePF] | 1968-11-15 | Blow Up Club, München, Germany | | | | | | |
354 | | | | +[PF][neptunePF] | 1968-11-16 | Grosse Tanzparty, Abtwil, Switzerland | | | | | | |
355 | | | | +[PF][neptunePF] | 1968-11-17 | Kongresshaus, Zürich, Switzerland | | | | | | |
356 | | | | +[PF][neptunePF] | 1968-11-22 | Crawdaddy, Richmond, England | | | | | | |
357 | | | | +[PF][neptunePF] | 1968-11-23 | Regent Street Polytechnic, London, England | | | | | | |
358 | | | | +[PF][neptunePF] | 1968-11-24 | Country Club, London, England | | | | | | |
359 | | | | +[PF][neptunePF] | 1968-11-27 | University of Keele, Newcastle, England | | | | | | |
360 | | | | +[PF][neptunePF] | 1968-11-29 | Bedford College, London, England | | | | | | |
361 | | | | +[neptunePF] | 1968-12-02 | Maida Vale Studio 4, London, England | | | | | | |
362 | | | | +[neptunePF] | 1968-12-05 | Royal Arcade Ballrooms, Bournmouth, England | | | | | | |
363 | | | | +[neptunePF] | 1968-12-07 | Liverpool Stadium, Liverpool, England | | | | | | |
922 | | | | +[setlistfm] | 1968-12-09 | Castle Cinema, Merthyr Tudful, Wales | | | | | | |
364 | | | | +[neptunePF] | 1968-12-11 | Saint Andrews University, Saint Andrews, Scotland | | | | | | |
365 | | | | +[neptunePF] | 1968-12-12 | Dundee College of Art, Dundee, Scotland | | | | | | |
366 | | | | +[neptunePF] | 1968-12-13 | The New Marquee, Leeds, England | | | | | | |
367 | | | | +[PF][neptunePF] | 1968-12-15 | City Hall, Newcastle, England | | | | | | |
368 | | | | +[neptunePF] | 1968-12-17 | Abbey Road Studios, London, England | | | | | | |
369 | | | | +[PF][neptunePF] | 1968-12-20 | The Paris Theater, London, England | | | | | | |
370 | | | | +[PF][neptunePF] | 1968-12-27 | De Doelen, Rotterdam, Netherlands | | | | | | |
371 | | | | +[PF][neptunePF] | 1968-12-28 | Jaarbeure, Utrecht, Netherlands | | | | | | |
923 | | | | +[setlistfm] | 1968-12-31 | Walthamstow College of Art, London, England | | | | | | |
1969 |
17 | | | | +[PF][PFA] | 1969-01-10 | Fishmonger s Arms, London, England | | | | | | |
18 | | | | +[PF][PFA] | 1969-01-12 | Mothers Club, Birmingham, England | | | | | | |
19 | | | | +[PF][PFA] | 1969-01-18 | London College of Printing, London, England | | | | | | |
20 | | | | +[PFA] | 1969-01-22 | ORTF TV Studios, Paris, France | | | | | | |
21 | | | | +[PF][PFA] | 1969-01-25 | 69 Club, Isle of Wight, England | | | | | | |
22 | | | | +[PFA] | 1969-02-12 | Cardiff Inter-college Charities Appeal, Cardiff, Wales | | | | | | |
23 | | | | +[PF][PFA] | 1969-02-14 | Edward Herbert Building, Loughborough, England | | | | | | |
24 | | | | +[PFA] | 1969-02-15 | Junior Common Room, York, England | | | | | | |
25 | | | | +[PFA] | 1969-02-16 | Younger Hall, Saint Andrews, Scotland | | | | | | |
26 | | | | +[PFA] | 1969-02-17 | The Bay Hotel, Sunderland, England | | | | | | |
27 | | | | +[PF][PFA] | 1969-02-18 | Main Debating Hall, Manchester, England | | | | | | |
28 | | | | +[PF][PFA] | 1969-02-21 | Alhambra Theatre, Bordeaux, France | | | | | | |
29 | | | | +[PF][PFA] | 1969-02-24 | The Dome, Brighton, England | | | | | | |
30 | | | | +[PF][PFA] | 1969-02-25 | Marlowe Theater, Kent, England | | | | | | |
31 | | | | +[PF][PFA] | 1969-02-26 | New Cavendish Ballroom, Edinburgh, Scotland | | | | | | |
32 | | | | +[PF][PFA] | 1969-02-27 | The Maryland, Glasgow, Scotland | | | | | | |
33 | | | | +[PF][PFA] | 1969-02-28 | Queen Elizabeth College, London, England | | | | | | |
34 | | | | +[PF][PFA] | 1969-03-01 | University College, London, England | | | | | | |
35 | | | | +[PF][PFA] | 1969-03-03 | Victoria Rooms, Bristol, England | | | | | | |
36 | | | | +[PF][PFA] | 1969-03-08 | The New Union, Reading, England | | | | | | |
37 | | | | +[PF][PFA] | 1969-03-11 | Lawns Center, Brighton, England | | | | | | |
38 | | | | +[PF][PFA] | 1969-03-14 | The Van Dike Club, Plymouth, England | | | | | | |
39 | | | | +[PF][PFA] | 1969-03-15 | Kee Club, Glamorganshire, England | | | | | | |
40 | | | | +[PF][PFA] | 1969-03-19 | The Refectory, Swansea, Wales | | | | | | |
2 | | | | +[setlistfm] | 1969-03-20 | University of Durham, Durham, England | | | | | | |
41 | | | | +[PF][PFA] | 1969-03-21 | Empress Ballroom, Blackpool, England | | | | | | |
42 | | | | +[PFA] | 1969-03-22 | Refectory Hall, Leeds, England | | | | | | |
43 | | | | +[PFA] | 1969-03-24 | The Dome, Brighton, England | | | | | | |
1 | | | | +[PF]The Man and The Journey not performed | 1969-03-27 | St James s Hall, Chesterfield, England | | | | | | |
44 | | | | +[PFA] | 1969-04-12 | Leas Cliff Hall, Kent, England | | | | | | |
180 | | | | +[PF]First performance of The Man and The Journey | 1969-04-14 | Royal Festival Hall, London, England | | | | | | 01 |
600 | | | | +[neptunePF] | 1969-04-16 | Technical College, Bromley, England | | | | | | |
3 | | | | | 1969-04-19 | SDR TV Villaberg TV Studios, Stuttgart, Germany | | | | | | |
4 | | | | | 1969-04-23 | NDR Funkhaus, Hamburg, Germany | | | | | | |
5 | | | | +[PF]The Man and The Journey not performed | 1969-04-26 | Bromley Technical College, London, England | | | | | | |
6 | | | | +[PF]The Man and The Journey not performed | 1969-04-27 | Careful With These Tracks Mothers Club, Birmingham, England | | | | | | 01 |
7 | | | | +[PF]Shows recorded for Ummagumma | 1969-05-02 | Manchester College of Commerce, Manchester, England | | | | | | |
8 | | | | +[PF]The Man and The Journey not performed | 1969-05-03 | Queen Mary College, London, England | | | | | | |
182 | | | | +[PF] | 1969-05-09 | University, Southampton, England | | | | | | 01 |
9 | | | | +[PF] | 1969-05-10 | Notts County F.C., Nottingham, England | | | | | | |
185 | | | | +The Man and The Journey not performed | 1969-05-12 | Celestial Voices BBC Session, London, England | | | | | | 01 |
10 | | | | +[PF] | 1969-05-15 | Locarno Ballroom, Coventry, England | | | | | | |
190 | | | | +[PF] | 1969-05-16 | The Massed Gadgets of Auximenes Town Hall, Leeds, England | | | | | | / 16 |
45 | | | | +[PF][PFA] | 1969-05-17 | Lanchester College, Coventry, England | | | | | | |
200 | | | | +[PF] | 1969-05-24 | City Hall, Sheffield, England | | | | | | |
11 | | | | +[PF] | 1969-05-25 | Roundhouse, London, England | | | | | | |
12 | | | | | 1969-05-29 | HTV TV Studios (Fusions), Bristol, England | | | | | | |
210 | | | | +[PF] | 1969-05-30 | Fairfield Hall, Croydon, England | | | | | | |
13 | | | | +[PF] | 1969-05-31 | Pembroke College, Oxford, England | | | | | | |
220 | | | | +[PF] | 1969-06-08 | Rex Cinema, Cambridge, England | | | | | | |
230 | | | | +[PF] | 1969-06-10 | Belfast, Ireland | | | | | | |
14 | | | | +[PF] | 1969-06-13 | University of Exeter, Exeter, England | | | | | | |
41 | O | T | | +(Columbia ) | 1969-06-13 | Soundtrack From The Film MORE | | | | | | |
240 | | | | +[PF] | 1969-06-14 | Colston Hall, Bristol, England | | | | | | |
250 | | | | +[PF] | 1969-06-15 | Portsmouth Guildhall, Portsmouth, England | | | | | | |
260 | | | A | +[PF] | 1969-06-16 | The Brighton Dome, Brighton, England | | | | | | |
270 | | | | +[PF] | 1969-06-20 | Town Hall, Birmingham, England | | | | | | |
280 | | | | +[PF] | 1969-06-21 | Royal Philharmonic, Liverpool, England | | | | | | |
290 | | | | +[PF] | 1969-06-22 | Free Trade Hall, Manchester, England | | | | | | 01 |
15 | | | | +[PF] | 1969-06-24 | The Queen s College, Oxford, England | | | | | | |
300 | | | | +[PF]Rick Wright played the Hall s pipe organ | 1969-06-26 | Royal Albert Hall, London, England | | | | | | 01 |
601 | | | | +[neptunePF] | 1969-06-27 | The Van Dike Club, Plymouth, England | | | | | | |
46 | | | | +[PFA] | 1969-06-28 | Winter Gardens Pavillion, Weston Super Mare, England | | | | | | |
87 | | | | +[PF] | 1969-06-29 | Winter Gardens Pavillion, Weston Super Mare, England | | | | | | |
47 | | | | +[PF][PFA] | 1969-06-30 | Top Rank Suite, Glamorgan, Wales | | | | | | |
48 | | | | +[PF][PFA] | 1969-07-04 | Selby, England | | | | | | |
81 | | | | +[setlistfm] | 1969-07-10 | BBC Studios, London, England | | | | | | |
49 | | | | +[PFA] | 1969-07-20 | Studio 5, London, England | | | | | | |
50 | | | | +[PFA] | 1969-07-22 | SDR TV Villa Berg Studios, Stuttgart, Germany | | | | | | |
51 | | | | +[PFA] | 1969-07-24 | Netherland 1 TV Studios, Zaandam, Netherlands | | | | | | |
52 | | | | +[PFA] | 1969-07-25 | Netherland 1 TV Studios, Zaandam, Netherlands | | | | | | |
53 | | | | +[PFA] | 1969-08-01 | Van Dike Club, Plymouth, England | | | | | | |
400 | | | | +[PF] | 1969-08-08 | Plumpton Festival, Plumpton, England | | | | | | 01 |
425 | | | | +The Man and The Journey not performed | 1969-08-09 | Celestial Voices The Paradiso, Amsterdam, Netherlands | | | | | | 01 |
82 | | | | +[setlistfm] | 1969-09-05 | University Of Southampton, Southampton, England | | | | | | |
54 | | | | +[PF][PFA] | 1969-09-13 | Rainsbrook, Rugby, England | | | | | | |
450 | | | A | +[PF]Rick Wright played the theatre s pipe organ | 1969-09-17 | Concertgebouw, Amsterdam, Netherlands | | | | | | 01 |
101 | B | | | | 1969-09-17 | More Furious Madness From The Massed Gadgets Of Auximenes Concertgebouw, Amsterdam, Netherlands | | | | | | 01 |
55 | | | | +[PF][PFA] | 1969-09-19 | Grote Zaal, Rotterdam, Netherlands | | | | | | |
56 | | | | +[PF][PFA] | 1969-09-20 | De Jong, Groningen, Netherlands | | | | | | |
57 | | | | +[PF][PFA] | 1969-09-21 | Het Kolpinghuis, Nijmegen, Netherlands | | | | | | |
83 | | | | +[setlistfm] | 1969-09-22 | BRT TV Studios, Schaerbeek, Belgium | | | | | | |
84 | | | | +[setlistfm] | 1969-09-23 | BRT TV Studios, Schaerbeek, Belgium | | | | | | |
16 | | | | +[PF] | 1969-09-24 | Staargebouw, Maastricht, Netherlands | | | | | | |
58 | | | A | +[PF][PFA] | 1969-09-24 | Stadsgehoorzaal, Leiden, Netherlands | | | | | | |
59 | | | | +[PF][PFA] | 1969-09-25 | Staargebouw, Maastricht, Netherlands | | | | | | |
60 | | | | +[PF][PFA] | 1969-09-26 | Theater 140, Brussels, Belgium | | | | | | |
61 | | | | +[PF][PFA] | 1969-09-27 | Theater 140, Brussels, Belgium | | | | | | |
62 | | | | +[PF][PFA] | 1969-09-28 | Theater 140, Brussels, Belgium | | | | | | |
63 | | | | +[PF][PFA] | 1969-10-03 | Debating Hall, Edgbaston, England | | | | | | |
64 | | | | +[PF][PFA] | 1969-10-04 | New Union, Reading, England | | | | | | |
65 | | | | +[PF][PFA] | 1969-10-10 | University of Loughborough, Loughborough, England | | | | | | |
66 | | | | +[PF][PFA] | 1969-10-11 | Gruga Halle, Essen, Germany | | | | | | 01 |
67 | | | | +[PF][PFA] | 1969-10-18 | University College, London, England | | | | | | |
85 | | | | +[setlistfm] | 1969-10-22 | University of Nottingham, Nottingham, England | | | | | | |
602 | | | | +[PF][neptunePF] | 1969-10-24 | Locarno Ballroom, Sunderland, England | | | | | | |
455 | | | | +[PF] | 1969-10-25 | Festival D Amougies, Amougies, Belgium | | | | | | 01 |
9 | O | T | | +(Harvest ) | 1969-10-25 | Ummagumma | | | | | | |
80 | | | A | +[PF] | 1969-10-27 | Electric Garden, Glasgow, Scotland | | | | | | |
68 | | | | +[PF][PFA] | 1969-11-01 | Main Debating Hall, Manchester, England | | | | | | |
69 | | | | +[PF][PFA] | 1969-11-07 | Main Hall, London, England | | | | | | |
70 | | | | +[PF][PFA] | 1969-11-08 | Refectory Hall, Leeds, England | | | | | | |
71 | | | | +[PF][PFA] | 1969-11-26 | Queensway Hall, Dunstable, England | | | | | | |
72 | | | | +[PF][PFA] | 1969-11-27 | Mountford Hall, Liverpool, England | | | | | | |
73 | | | | +[PF][PFA] | 1969-11-28 | Refectory Hall, Uxbridge, England | | | | | | |
74 | | | | +[PF][PFA] | 1969-11-30 | The Lyceum, London, England | | | | | | |
75 | | | | +[PF][PFA] | 1969-12-06 | AFAN Lido Indoor Sports Centre, Port Talbot, Wales | | | | | | 01 / 16 |
1970 |
76 | | | | +[PFA] | 1970-01-10 | The Ballroom, Beeston, England | | | | | | |
77 | | | | +[PFA] | 1970-01-17 | Lawns Center, Cottingham, England | | | | | | |
78 | | | | +[PFA] | 1970-01-18 | Fairfield Hall, Croydon, England | | | | | | 01 / 16 |
79 | | | | +[PFA] | 1970-01-19 | The Dome, Brighton, England | | | | | | / 16 |
500 | X | | | | 1970-01-23 | Théâtre Des Champs Elysées, Paris, France | | | | | | 01 / 02 / 03 / 04 / 05 / 06 / 08 |
501 | | | | | 1970-01-24 | Théâtre Des Champs Elysées, Paris, France | | | | | | |
505 | | | | | 1970-02-02 | Palais Des Sports, Lyon, France | | | | | | |
603 | | | | +[neptunePF] | 1970-02-05 | Sophia Gardens Pavilion, Cardiff, Wales | | | | | | / 16 |
604 | | | | +[neptunePF] | 1970-02-07 | Royal Albert Hall, London, England | | | | | | / 16 |
605 | | | | +[neptunePF] | 1970-02-08 | Opera House, Manchester, England | | | | | | |
606 | | | | +[neptunePF] | 1970-02-11 | Atomic Heart Beat In The Hall Town Hall, Birmingham, England | | | | | | 01 / 02 |
86 | | | | +[setlistfm] | 1970-02-12 | Town Hall, Birmingham, England | | | | | | |
607 | | | | +[neptunePF] | 1970-02-14 | Kings Hall, Stoke On Trent, England | | | | | | |
608 | | | | +[neptunePF] | 1970-02-15 | Empire Theatre, Liverpool, England | | | | | | |
609 | | | | +[neptunePF] | 1970-02-17 | City Hall, Newcastle, England | | | | | | |
610 | | | | +[neptunePF] | 1970-02-22 | Electric Garden, Glasgow, Scotland | | | | | | |
611 | | | | +[neptunePF] | 1970-02-23 | University of Edinburgh, Edinburgh, Scotland | | | | | | |
612 | | | | +[neptunePF] | 1970-02-28 | Leeds University, Leeds, England | | | | | | 01 |
613 | | | | +[neptunePF] | 1970-03-05 | BBC TV Centre, London, England | | | | | | |
614 | | | | +[neptunePF] | 1970-03-06 | Imperial College, London, England | | | | | | |
615 | | | | +[neptunePF] | 1970-03-07 | Colston Hall, Bristol, England | | | | | | |
616 | | | | +[neptunePF] | 1970-03-08 | Mothers Club, Birmingham, England | | | | | | |
617 | | | | +[neptunePF] | 1970-03-09 | City Hall, Sheffield, England | | | | | | |
618 | | | | +[neptunePF] | 1970-03-11 | Stadthalle, Offenbach, Germany | | | | | | |
619 | | | | +[neptunePF] | 1970-03-12 | Hamburg University, Hamburg, Germany | | | | | | |
621 | | | | +[neptunePF] | 1970-03-13 | Audimax der Technische University, Berlin, Germany | | | | | | |
622 | | | | +[neptunePF] | 1970-03-14 | Meistersinger Halle, Nürnberg, Germany | | | | | | |
623 | | | | +[neptunePF] | 1970-03-15 | Niedersachsenhalle, Hannover, Germany | | | | | | |
624 | | | | +[neptunePF] | 1970-03-19 | Konserthuset, Stockholm, Sweden | | | | | | |
625 | | | | +[neptunePF] | 1970-03-20 | Akademiska Foreningens Stora Sal, Lund, Sweden | | | | | | 01 |
626 | | | | +[neptunePF] | 1970-03-21 | Tivolis Koncertsal, Copenhagen, Denmark | | | | | | |
627 | | | | +[neptunePF] | 1970-03-30 | Hall des Expositions, Le Bourget, France | | | | | | |
628 | | | | +[neptunePF] | 1970-04-09 | Fillmore East, New York, NY, US | | | | | | |
629 | | | | +[neptunePF] | 1970-04-10 | Five Stages, Chicago, IL, US | | | | | | |
630 | | | | +[neptunePF] | 1970-04-11 | State University of New York, Long Island, NY, US | | | | | | |
631 | | | | +[neptunePF] | 1970-04-12 | Boston Tea Party, Boston, MA, US | | | | | | |
632 | | | | +[neptunePF] | 1970-04-16 | Fillmore East, New York, NY, US | | | | | | |
633 | | | | +[neptunePF] | 1970-04-17 | The Electric Factory, Philadelphia, PA, US | | | | | | |
634 | | | | +[neptunePF] | 1970-04-18 | The Electric Factory, Philadelphia, PA, US | | | | | | |
635 | | | | +[neptunePF] | 1970-04-22 | Capitol Theatre, Port Chester, NY, US | | | | | | 01 |
636 | | | | +[neptunePF] | 1970-04-24 | Easttown Theater, Detroit, MI, US | | | | | | |
637 | | | | +[neptunePF] | 1970-04-25 | Easttown Theater, Detroit, MI, US | | | | | | |
638 | | | | +[neptunePF] | 1970-04-29 | Interstellar Fillmore Fillmore West, San Francisco, CA, US | | | | | | 01 |
639 | | | | +[neptunePF] | 1970-04-30 | KQED TV Studios, San Francisco, CA, US | | | | | | |
640 | | | | +[neptunePF] | 1970-05-01 | Since We Were Teenagers Civic Auditorium, Santa Monica, CA, US | | | | | | 01 / 02 |
641 | | | | +[neptunePF] | 1970-05-06 | University of California, Los Angeles, CA, US | | | | | | |
642 | | | | +[neptunePF] | 1970-05-09 | Terrance Ballroom, Salt Lake City, UT, US | | | | | | |
643 | | | | +[neptunePF] | 1970-05-12 | Municipal Auditorium, Atlanta, GA, US | | | | | | |
644 | | | | +[neptunePF] | 1970-05-15 | The Warehouse, New Orleans, LA, US | | | | | | |
645 | | | | +[neptunePF] | 1970-05-16 | The Warehouse, New Orleans, LA, US | | | | | | |
646 | | | | +[neptunePF] | 1970-06-27 | Bath & West Showground, Shepton Mallet, England | | | | | | |
647 | | | | +[neptunePF] | 1970-06-28 | Kralingse Bos, Rotterdam, Netherlands | | | | | | |
648 | | | | +[neptunePF] | 1970-07-12 | Soerser Stadium, Aachen, Germany | | | | | | |
649 | | | | +[neptunePF] | 1970-07-16 | Paris Cinema, London, England | | | | | | 01 |
650 | | | | +[neptunePF] | 1970-07-18 | Hyde Park, London, England | | | | | | |
651 | | | | +[neptunePF] | 1970-07-22 | University of EssexEngland | | | | | | |
652 | | | | +[neptunePF] | 1970-07-26 | Antibes, Juan les Pins, France | | | | | | |
653 | | | | +[neptunePF] | 1970-08-08 | Les Arenas, Saint Tropez, France | | | | | | |
654 | | | | +[neptunePF] | 1970-08-12 | Les Arenas, Saint Raphaël, France | | | | | | |
655 | | | | +[neptunePF] | 1970-08-31 | Charlton Park, Bishopsbourne, England | | | | | | |
656 | | | | +[neptunePF] | 1970-09-12 | Bois de Vincennes, Paris, France | | | | | | |
657 | | | | +[neptunePF] | 1970-09-26 | The Electric Factory, Philadelphia, PA, US | | | | | | 01 |
659 | | | | +[neptunePF] | 1970-09-27 | Fillmore East, New York, NY, US | | | | | | |
660 | | | | +[neptunePF] | 1970-10-01 | Memorial Coliseum, Portland, OR, US | | | | | | |
661 | | | | +[neptunePF] | 1970-10-02 | Moore Theater, Seattle, WA, US | | | | | | |
11 | O | T | | +(Harvest ) | 1970-10-02 | Atom Heart Mother | | | | | | |
662 | | | | +[neptunePF] | 1970-10-03 | Moore Theater, Seattle, WA, US | | | | | | |
663 | | | | +[neptunePF] | 1970-10-04 | Gonzaga University, Spokane, WA, US | | | | | | |
664 | | | | +[neptunePF] | 1970-10-06 | Central Washington University, Ellensburg, WA, US | | | | | | |
665 | | | | +[neptunePF] | 1970-10-07 | Gardens Arena, Vancouver, Canada | | | | | | |
666 | | | | +[neptunePF] | 1970-10-08 | Jubilee Auditorium, Calgary, Canada | | | | | | |
667 | | | | +[neptunePF] | 1970-10-09 | Sales Pavilion Annex, Edmonton, Canada | | | | | | |
668 | | | | +[neptunePF] | 1970-10-10 | Centennial Auditorium, Saskatoon, Canada | | | | | | |
669 | | | | +[neptunePF] | 1970-10-11 | Centre of the Arts, Regina, Canada | | | | | | |
670 | | | | +[neptunePF] | 1970-10-13 | Centennial Concert Hall, Winnipeg, Canada | | | | | | |
671 | | | | +[neptunePF] | 1970-10-15 | Terrance Ballroom, Salt Lake City, UT, US | | | | | | |
672 | | | | +[neptunePF] | 1970-10-16 | Pepperland Auditorium, San Rafael, CA, US | | | | | | 01 |
673 | | | | +[neptunePF] | 1970-10-17 | Pepperland Auditorium, San Rafael, CA, US | | | | | | |
674 | | | | +[neptunePF] | 1970-10-18 | University College of San Diego, San Diego, CA, US | | | | | | |
675 | | | | +[neptunePF] | 1970-10-21 | Fillmore West, San Francisco, CA, US | | | | | | |
676 | | | | +[neptunePF] | 1970-10-23 | Civic Auditorium, Los Angeles, CA, US | | | | | | |
677 | | | | +[neptunePF] | 1970-10-25 | The Tea Party, Boston, MA, US | | | | | | |
678 | | | | +[neptunePF] | 1970-11-06 | Concertgebouw, Amsterdam, Netherlands | | | | | | |
679 | | | | +[neptunePF] | 1970-11-07 | Grote Zaal, Rotterdam, Netherlands | | | | | | |
680 | | | | +[neptunePF] | 1970-11-11 | Konserthuset, Göteborg, Sweden | | | | | | |
682 | | | | +[neptunePF] | 1970-11-12 | Falkoner Centret, Copenhagen, Denmark | | | | | | 01 |
683 | | | | +[neptunePF] | 1970-11-13 | Vejlby-Risskov Hallen, Aarhus, Denmark | | | | | | |
684 | | | | +[neptunePF] | 1970-11-14 | Merck Halle, Hamburg, Germany | | | | | | 01 |
685 | | | | +[neptunePF] | 1970-11-21 | Casino de Montreux, Montreux, Switzerland | | | | | | |
686 | | | | +[neptunePF] | 1970-11-22 | Casino de Montreux, Montreux, Switzerland | | | | | | 01 |
687 | | | | +[neptunePF] | 1970-11-25 | Friedrich Ebert Halle, Ludwigshafen, Germany | | | | | | |
688 | | | | +[neptunePF] | 1970-11-26 | Killesberghalle, Stuttgart, Germany | | | | | | |
689 | | | | +[neptunePF] | 1970-11-27 | Niedersachsenhalle, Hannover, Germany | | | | | | 01 |
690 | | | | +[neptunePF] | 1970-11-28 | Saarlandhalle, Saarbrücken, Germany | | | | | | |
691 | | | | +[neptunePF] | 1970-11-29 | Circus Crone, München, Germany | | | | | | 01 |
692 | | | | +[neptunePF] | 1970-12-04 | ORTF TV Studios, Paris, France | | | | | | |
693 | | | | +[neptunePF] | 1970-12-05 | ORTF TV Studios, Paris, France | | | | | | |
694 | | | | +[neptunePF] | 1970-12-11 | The Big Apple, Brighton, England | | | | | | |
695 | | | | +[neptunePF] | 1970-12-12 | Roundhouse, London, England | | | | | | |
696 | | | | +[neptunePF] | 1970-12-18 | Town Hall, Birmingham, England | | | | | | |
697 | | | | +[neptunePF] | 1970-12-20 | Colston Hall, Bristol, England | | | | | | |
698 | | | | +[neptunePF] | 1970-12-21 | Free Trade Hall, Manchester, England | | | | | | |
699 | | | | +[neptunePF] | 1970-12-22 | City Hall, Sheffield, England | | | | | | 01 |
1971 |
200 | | | | +[neptunePF] | 1971-01-17 | Roundhouse, London, England | | | | | | |
201 | | | | +[neptunePF] | 1971-01-23 | Leeds University, Leeds, England | | | | | | |
203 | | | | +[neptunePF] | 1971-02-03 | Devonshire House, Exeter, England | | | | | | |
205 | | | | +[neptunePF] | 1971-02-12 | University of Essex, Colchester, England | | | | | | |
207 | | | | +[neptunePF] | 1971-02-13 | Farnborough Technical College, Farnborough, England | | | | | | |
6 | | | | +[setlistfm] | 1971-02-16 | BBC Television Theatre, London, England | | | | | | |
208 | | | | +[neptunePF] | 1971-02-20 | Queen Mary College, London, England | | | | | | |
210 | | | | +[neptunePF] | 1971-02-24 | Halle Munsterland, Münster, Germany | | | | | | |
212 | | | | +[neptunePF] | 1971-02-25 | Musikhalle, Hamburg, Germany | | | | | | |
213 | | | | +[neptunePF] | 1971-02-26 | Stadthalle, Offenbach, Germany | | | | | | |
214 | | | | +[neptunePF] | 1971-02-27 | ORTF TV Studios, Paris, France | | | | | | |
215 | | | | +[neptunePF] | 1971-04-03 | Sportpaleis Ahoy, Rotterdam, Netherlands | | | | | | |
216 | | | | +[neptunePF] | 1971-04-12 | Locarno Ballroom, Sunderland, England | | | | | | |
217 | | | | +[neptunePF] | 1971-04-16 | Top Rank Suite, Doncaster, England | | | | | | |
218 | | | | +[neptunePF] | 1971-04-22 | Norwich Lads Club, Norwich, England | | | | | | |
220 | | | | +[neptunePF] | 1971-05-07 | University Of Lancaster, Lancaster, England | | | | | | |
221 | | | | +[neptunePF] | 1971-05-15 | Crystal Palace Bowl, London, England | | | | | | |
222 | | | | +[neptunePF] | 1971-05-18 | University of Stirling, Stirling, Scotland | | | | | | |
224 | | | | +[neptunePF] | 1971-05-19 | Edinburgh University, Edinburgh, Scotland | | | | | | |
226 | | | | +[neptunePF] | 1971-05-20 | University Of Strathclyde, Glasgow, Scotland | | | | | | |
227 | | | | +[neptunePF] | 1971-05-21 | Trent Polytechnic, Nottingham, England | | | | | | |
7 | | | | +[setlistfm] | 1971-06-02 | University of Edinburgh, Edinburgh, Scotland | | | | | | |
228 | | | | +[neptunePF] | 1971-06-04 | Philipshalle, Düsseldorf, Germany | | | | | | |
229 | | | | +[neptunePF] | 1971-06-05 | Berliner Sportpalast, Berlin, Germany | | | | | | |
600 | | | | | 1971-06-12 | Palais Des Sports, Lyon, France | | | | | | 01 |
13 | O | T | | +(Starline) | 1971-06-14 | Relics | | | | | | |
230 | | | | +[neptunePF] | 1971-06-15 | Abbaye De Royaumont, Royaumont, France | | | | | | |
231 | | | | +[neptunePF] | 1971-06-19 | Palazzo Delle Manifestazioni Artistiche, Brescia, Italy | | | | | | |
233 | | | | +[neptunePF] | 1971-06-20 | Palaeur Dello Sport Eur, Roma, Italy | | | | | | |
234 | | | | +[neptunePF] | 1971-06-23 | Hatfield Polytechnic, Hatfield, England | | | | | | |
236 | | | | +[neptunePF] | 1971-06-26 | Amsterdamse Bos, Amsterdam, Netherlands | | | | | | |
238 | | | | +[neptunePF] | 1971-07-01 | Congress Center Villach, Ossiach, Austria | | | | | | |
239 | | | | +[neptunePF] | 1971-08-06 | Seikei Gakuen Jofundai, Hakone, Japan | | | | | | |
240 | | | | +[neptunePF] | 1971-08-07 | Seikei Gakuen Jofundai, Hakone, Japan | | | | | | |
241 | | | | +[neptunePF] | 1971-08-09 | Festival Hall, Osaka, Japan | | | | | | |
242 | | | | +[neptunePF] | 1971-08-13 | Festival Hall, Melbourne, Australia | | | | | | |
243 | | | | +[neptunePF] | 1971-08-15 | Randwick Racecourse, Sydney, Australia | | | | | | |
244 | O | T | | +2021(Parlophone ) | 1971-09-18 | Live In Montreux 18 & 19 Sept 1971 Pavillion De Montreux, Montreux, Switzerland | | | | | | |
245 | O | T | | +2021(Parlophone ) | 1971-09-19 | Live In Montreux 18 & 19 Sept 1971 Pavillion De Montreux, Montreux, Switzerland | | | | | | |
246 | | | | +[neptunePF] | 1971-09-22 | Kungliga Tennishallen, Stockholm, Sweden | | | | | | |
247 | | | | +[neptunePF] | 1971-09-23 | Kb Hallen, Copenhagen, Denmark | | | | | | |
248 | | | | +[neptunePF] | 1971-09-30 | Bbc Paris Cinema, London, England | | | | | | |
249 | | | | +[neptunePF] | 1971-10-10 | Bradford University, Bradford, England | | | | | | |
250 | | | | +[neptunePF] | 1971-10-11 | Birmingham Town Hall, Birmingham, England | | | | | | |
251 | | | | +[neptunePF] | 1971-10-15 | Winterland Auditorium, San Francisco, CA, US | | | | | | |
252 | | | | +[neptunePF] | 1971-10-16 | Civic Auditorium, Santa Monica, CA, US | | | | | | |
253 | | | | +[neptunePF] | 1971-10-17 | Convention Hall, San Diego, CA, US | | | | | | |
254 | | | | +[neptunePF] | 1971-10-19 | National Guard Armory, Eugene, OR, US | | | | | | |
255 | | | | +[neptunePF] | 1971-10-21 | Willamette University, Salem, OR, US | | | | | | |
256 | | | | +[neptunePF] | 1971-10-22 | Paramount Theater, Seattle, WA, US | | | | | | |
257 | | | | +[neptunePF] | 1971-10-23 | Gardens Arena, Vancouver, Canada | | | | | | |
258 | | | | +[neptunePF] | 1971-10-26 | Eastown Theater, Detroit, MI, US | | | | | | |
259 | | | | +[neptunePF] | 1971-10-27 | Auditorium Theater, Chicago, IL, US | | | | | | |
260 | | | | +[neptunePF] | 1971-10-28 | Hill Auditorium, Ann Arbor, MI, US | | | | | | |
12 | O | T | | +(Harvest ) | 1971-10-30 | Meddle | | | | | | |
261 | | | | +[neptunePF] | 1971-10-31 | Fieldhouse, Toledo, OH, US | | | | | | |
262 | | | | +[neptunePF] | 1971-11-02 | Mccarter Theatre, Princeton, NJ, US | | | | | | |
263 | | | | +[neptunePF] | 1971-11-03 | Central Theatre, Passaic, NJ, US | | | | | | |
264 | | | | +[neptunePF] | 1971-11-04 | Lowes Theatre, Providence, RI, US | | | | | | |
265 | | | | +[neptunePF] | 1971-11-05 | Columbia University Of New York, New York, NY, US | | | | | | |
266 | | | | +[neptunePF] | 1971-11-06 | Emerson Gymnasium, Cleveland, OH, US | | | | | | |
267 | | | | +[neptunePF] | 1971-11-08 | Peace Bridge Exhibition Center, Buffalo, NY, US | | | | | | |
268 | | | | +[neptunePF] | 1971-11-09 | Centre Sportif, Montréal, Canada | | | | | | |
269 | | | | +[neptunePF] | 1971-11-10 | Pavillion De La Jeunesse, Québec, Canada | | | | | | |
270 | | | | +[neptunePF] | 1971-11-11 | Music Hall, Boston, MA, US | | | | | | |
271 | | | | +[neptunePF] | 1971-11-12 | University Of Pennsylvania, Philadelphia, PA, US | | | | | | |
272 | | | | +[neptunePF] | 1971-11-13 | Chapin Hall, Williamstown, MA, US | | | | | | |
273 | | | | +[neptunePF] | 1971-11-14 | State University of New York, Long Island, NY, US | | | | | | |
274 | | | | +[neptunePF] | 1971-11-15 | Carnegie Hall, New York, NY, US | | | | | | |
275 | | | | +[neptunePF] | 1971-11-16 | Lisner Auditorium, Washington, DC, US | | | | | | |
276 | | | | +[neptunePF] | 1971-11-19 | Syria Mosque Theater, Pittsburgh, PA, US | | | | | | |
277 | | | | +[neptunePF] | 1971-11-20 | Taft Auditorium, Cincinnati, OH, US | | | | | | |
278 | | | | +[neptunePF] | 1971-12-26 | Radio Bremen Tv Studios, Bremen, Germany | | | | | | |
1972 |
80 | | T | | +[PFA] | 1972-01-20 | The Dome, Brighton, England | | | | | | |
81 | | T | | +[PFA] | 1972-01-21 | Guildhall, Portsmouth, England | | | | | | |
82 | | T | | +[PFA] | 1972-01-22 | Winter Gardens, Bournemouth, England | | | | | | |
83 | | | | +[PFA] | 1972-01-23 | Guildhall, Southampton, England | | | | | | |
5 | | T | | | 1972-01-27 | Newcastle City Hall, Newcastle, England | | | | | | |
84 | | | | +[PFA] | 1972-01-28 | City Hall, Leeds, England | | | | | | |
85 | | | | +[PFA] | 1972-02-03 | Locarno Ballroom, Coventry, England | | | | | | |
86 | | | | +[PFA] | 1972-02-05 | Colston Hall, Bristol, England | | | | | | |
87 | | | | +[PFA] | 1972-02-10 | De Montfort Hall, Leicester, England | | | | | | |
88 | | | | +[PFA] | 1972-02-11 | Free Trade Hall, Manchester, England | | | | | | |
89 | | | | +[PFA] | 1972-02-12 | City Hall, Sheffield, England | | | | | | |
90 | | | | +[PFA] | 1972-02-13 | The Empire Theater, Liverpool, England | | | | | | |
91 | | | | +[PFA] | 1972-02-17 | Rainbow Theater, London, England | | | | | | 01 / 16 |
92 | | | | +[PFA] | 1972-02-18 | Rainbow Theater, London, England | | | | | | |
93 | | | | +[PFA] | 1972-02-19 | Rainbow Theater, London, England | | | | | | |
94 | | | | +[PFA] | 1972-02-20 | Rainbow Theater, London, England | | | | | | |
95 | | | | +[PFA] | 1972-03-06 | Taiikukan, Tokyo, Japan | | | | | | |
96 | | | | +[PFA] | 1972-03-07 | Taiikukan, Tokyo, Japan | | | | | | |
97 | | | | +[PFA] | 1972-03-08 | Festival Hall, Osaka, Japan | | | | | | |
98 | | | | +[PFA] | 1972-03-09 | Festival Hall, Osaka, Japan | | | | | | |
99 | | | | +[PFA] | 1972-03-10 | Taiikukan Hall, Kyoto, Japan | | | | | | |
1 | | | | | 1972-03-12 | Sapporo, Japan | | | | | | 01 |
147 | | | | +[PFA] | 1972-03-13 | Nakanoshima Sports Center, Hokkaido, Japan | | | | | | |
101 | | | | +[PFA] | 1972-03-17 | Festival Hall, Melbourne, Australia | | | | | | |
102 | | | | +[PFA] | 1972-03-18 | Sydney, Sydney, Australia | | | | | | |
103 | | | | +[PFA] | 1972-03-29 | Free Trade Hall, Manchester, England | | | | | | |
104 | | | | +[PFA] | 1972-03-30 | Free Trade Hall, Manchester, England | | | | | | |
105 | | | | +[PFA] | 1972-04-14 | Fort Homer Hesterly Armory, Tampa, FL, US | | | | | | |
106 | | | | +[PFA] | 1972-04-15 | Sportatorium, Hollywood, FL, US | | | | | | |
107 | | | | +[PFA] | 1972-04-16 | Township Auditorium, Columbia, SC, US | | | | | | |
108 | | | | +[PFA] | 1972-04-18 | Symphony Hall, Atlanta, GA, US | | | | | | |
109 | | | | +[PFA] | 1972-04-20 | The Syria Mosque Theater, Pittsburgh, PA, US | | | | | | |
110 | | | | +[PFA] | 1972-04-21 | Lyric Theater, Baltimore, MD, US | | | | | | |
111 | | | | +[PFA] | 1972-04-22 | Civic Theater, Akron, OH, US | | | | | | |
112 | | | | +[PFA] | 1972-04-23 | Music Hall, Cincinnati, OH, US | | | | | | |
113 | | | | +[PFA] | 1972-04-24 | Sports Arena, Toledo, OH, US | | | | | | |
114 | | | | +[PFA] | 1972-04-25 | Allen Theater, Cleveland, OH, US | | | | | | |
115 | | | | +[PFA] | 1972-04-26 | Ford Auditorium, Detroit, MI, US | | | | | | |
116 | | | | +[PFA] | 1972-04-27 | Ford Auditorium, Detroit, MI, US | | | | | | |
117 | | | | +[PFA] | 1972-04-28 | The Auditorium Theater, Chicago, IL, US | | | | | | |
118 | | | | +[PFA] | 1972-04-29 | The Spectrum, Philadelphia, PA, US | | | | | | |
119 | | | | +[PFA] | 1972-05-01 | Carnegie Hall, New York, NY, US | | | | | | |
120 | | | | +[PFA] | 1972-05-02 | Carnegie Hall, New York, NY, US | | | | | | |
121 | | | | +[PFA] | 1972-05-03 | Concert Hall, Kennedy Center, WA, US | | | | | | |
122 | | | | +[PFA] | 1972-05-04 | The Music Hall, Boston, MA, US | | | | | | |
279 | | | | +[setlistfm] | 1972-05-07 | Spectrum Theater, Philadelphia, PA, US | | | | | | |
123 | | | | +[PFA] | 1972-05-18 | Deutschlandhalle, Berlin, Germany | | | | | | |
124 | | | | +[PFA] | 1972-05-20 | Stuttgart, Stuttgart, Germany | | | | | | |
2 | | | | | 1972-05-21 | Open Air Festival, Germersheim, Germany | | | | | | 01 |
125 | | | | +[PFA] | 1972-05-22 | Olympic Stadium, Amsterdam, Netherlands | | | | | | |
15 | O | T | | +(Harvest ) | 1972-06-02 | Obscured By Clouds | | | | | | |
126 | | | | +[PFA] | 1972-06-28 | The Dome, Brighton, England | | | | | | |
127 | | | | +[PFA] | 1972-06-29 | The Dome, Brighton, England | | | | | | |
128 | | | | +[PFA] | 1972-09-08 | Municipal Auditorium, Austin, TX, US | | | | | | |
129 | | | | +[PFA] | 1972-09-09 | Music Hall, Houston, TX, US | | | | | | |
130 | | | | +[PFA] | 1972-09-10 | McFarlin Auditorium, Dallas, TX, US | | | | | | |
131 | | | | +[PFA] | 1972-09-11 | Memorial Hall, Kansas City, KS, US | | | | | | |
132 | | | | +[PFA] | 1972-09-12 | Civic Center, Oklahoma City, OK, US | | | | | | |
133 | | | | +[PFA] | 1972-09-13 | Henry Arena, Wichita, KS, US | | | | | | |
134 | | | | +[PFA] | 1972-09-15 | Community Center, Tuscon, AZ, US | | | | | | |
135 | | | | +[PFA] | 1972-09-16 | Golden Hall, San Diego, CA, US | | | | | | |
136 | | | | +[PFA] | 1972-09-17 | Big Surf, Tempe, AZ, US | | | | | | |
137 | | | | +[PFA] | 1972-09-19 | Fieldhouse, Denver, CO, US | | | | | | |
3 | | | | | 1972-09-22 | Hollywood Bowl, Los Angeles, CA, US | | | | | | 01 |
138 | | | | +[PFA] | 1972-09-23 | Winterland Auditorium, San Francisco, CA, US | | | | | | |
139 | | | | +[PFA] | 1972-09-24 | Winterland Auditorium, San Francisco, CA, US | | | | | | |
140 | | | | +[PFA] | 1972-09-27 | Vancouver Gardens, Vancouver, Canada | | | | | | |
141 | | | | +[PFA] | 1972-09-28 | Memorial Coliseum, Portland, OR, US | | | | | | |
142 | | | | +[PFA] | 1972-09-29 | HEC Edmundson Pavilion, Seattle, WA, US | | | | | | |
143 | | | | +[PFA] | 1972-09-30 | Vancouver Gardens, Vancouver, Canada | | | | | | |
395 | | | | +European Tour Oct20-Dec10, 1972 | 1972-10-20 | Empire Pool, Wembley, England | | | | | | |
400 | | | | +European Tour Oct20-Dec10, 1972 | 1972-10-21 | Empire Pool, Wembley, England | | | | | | |
144 | | | | +[PFA] | 1972-10-22 | Wembley Empire Pool, London, England | | | | | | |
405 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-10 | Kb Hallen, Copenhagen, Denmark | | | | | | |
410 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-11 | Kb Hallen, Copenhagen, Denmark | | | | | | |
415 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-12 | Ernst Merck Halle, Hamburg, Germany | | | | | | 01 |
420 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-14 | Philips Veranstal Tungshalle, Düsseldorf, Germany | | | | | | |
425 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-15 | Sporthalle, Boblingen, Germany | | | | | | 01 |
430 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-16 | Festhalle, Hessen, Germany | | | | | | |
435 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-17 | Festhalle, Frankfurt, Germany | | | | | | |
440 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-20 | Taft Auditorium, Cincinnati, OH, US | | | | | | |
445 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-22 | Salle Valliers, Marseille, France | | | | | | |
450 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-23 | Salle Valliers, Marseille, France | | | | | | |
455 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-24 | Salle Valliers, Marseille, France | | | | | | |
460 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-25 | Salle Valliers, Marseille, France | | | | | | |
465 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-26 | Salle Valliers, Marseille, France | | | | | | |
470 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-28 | Palais Des Sports, Toulouse, France | | | | | | |
475 | | | | +European Tour Oct20-Dec10, 1972 | 1972-11-29 | Palais Des Expositions, Poitiers, France | | | | | | 01 / 02 |
480 | | | | +European Tour Oct20-Dec10, 1972 | 1972-12-01 | Palais Des Sports, Saint Ouen, France | | | | | | 01 |
485 | | | | +European Tour Oct20-Dec10, 1972 | 1972-12-02 | Palais Des Sports, Saint Ouen, France | | | | | | |
490 | | | | +European Tour Oct20-Dec10, 1972 | 1972-12-03 | Palais Des Sports, Caen, France | | | | | | |
145 | | | | +[PFA] | 1972-12-04 | Sport Paleis Vorst National, Brussels, Belgium | | | | | | |
495 | | | | +European Tour Oct20-Dec10, 1972 | 1972-12-05 | Vorst Nationaal, Brussels, Belgium | | | | | | 01 |
146 | | | | +[PFA] | 1972-12-06 | Strasbourg, Strasbourg, France | | | | | | |
500 | X | T | | +European Tour Oct20-Dec10, 1972 | 1972-12-07 | Le Palais Des Sports, Lille, France | | | | | | 01 / 02 / 03 / 04 / 05 |
505 | | T | | +European Tour Oct20-Dec10, 1972 | 1972-12-08 | Parc Des Expositions, Nancy, France | | | | | | |
510 | | | | +European Tour Oct20-Dec10, 1972 | 1972-12-09 | Hallenstadion, Zürich, Switzerland | | | | | | 01 / 02 |
515 | | T | | +European Tour Oct20-Dec10, 1972 | 1972-12-10 | Palais Des Sports, Lyon, France | | | | | | 01 |
1973 |
372 | | | | +[neptunePF] | 1973-01-13 | Palais Des Sports De La Porte De Versailles, Paris, France | | | | | | |
373 | | | | +[neptunePF] | 1973-01-14 | Palais Des Sports De La Porte De Versailles, Paris, France | | | | | | |
374 | | | | +[neptunePF] | 1973-02-03 | Palais Des Sports De La Porte De Versailles, Paris, France | | | | | | |
375 | | | | +[neptunePF] | 1973-02-04 | Palais Des Sports De La Porte De Versailles, Paris, France | | | | | | |
16 | O | T | | +(Harvest ) | 1973-03-01 | The Dark Side Of The Moon | | | | | | |
376 | | | | +[neptunePF] | 1973-03-04 | Dane County Memorial Coliseum, Madison, WI, US | | | | | | |
377 | | | | +[neptunePF] | 1973-03-05 | Cobo Arena, Detroit, MI, US | | | | | | |
378 | | | | +[neptunePF] | 1973-03-06 | Kiel Opera House, Saint Louis, MO, US | | | | | | |
379 | | | | +[neptunePF] | 1973-03-07 | International Amphitheater, Chicago, IL, US | | | | | | |
380 | | | | +[neptunePF] | 1973-03-08 | University Of Cincinnati Fieldhouse, Cincinnati, OH, US | | | | | | |
381 | | | | +[neptunePF] | 1973-03-10 | Memorial Gymnasium, Kent, OH, US | | | | | | |
382 | | | | +[neptunePF] | 1973-03-11 | Maple Leaf Gardens, Toronto, Canada | | | | | | |
383 | | | | +[neptunePF] | 1973-03-12 | Forum de Montreal, Montréal, Canada | | | | | | |
384 | | | | +[neptunePF] | 1973-03-14 | Music Hall, Boston, MA, US | | | | | | |
385 | | | | +[neptunePF] | 1973-03-15 | Spectrum Theater, Philadelphia, PA, US | | | | | | |
386 | | | | +[neptunePF] | 1973-03-17 | Radio City Music Hall, New York, NY, US | | | | | | |
387 | | | | +[neptunePF] | 1973-03-18 | Palace Theater, Waterbury, OH, US | | | | | | |
388 | | | | +[neptunePF] | 1973-03-19 | Providence Civic Center, Providence, RI, US | | | | | | |
389 | | | | +[neptunePF] | 1973-03-22 | Hampton Coliseum, Hampton, VA, US | | | | | | |
390 | | | | +[neptunePF] | 1973-03-23 | Charlotte Park Center, Charlotte, NC, US | | | | | | |
391 | | | | +[neptunePF] | 1973-03-24 | Municipal Auditorium, Atlanta, GA, US | | | | | | |
392 | | | | +[neptunePF] | 1973-05-18 | Earls Court Exhibition Hall, London, England | | | | | | |
393 | | | | +[neptunePF] | 1973-05-19 | Earls Court Exhibition Hall, London, England | | | | | | |
394 | | | | +[neptunePF] | 1973-06-17 | Performing Arts Center, Saratoga, NY, US | | | | | | |
395 | | | | +[neptunePF] | 1973-06-18 | Roosevelt Stadium, Jersey City, NJ, US | | | | | | |
396 | | | | +[neptunePF] | 1973-06-19 | Civic Center Arena, Pittsburgh, PA, US | | | | | | |
397 | | | | +[neptunePF] | 1973-06-20 | Merriweather Post Pavilion, Columbia, MD, US | | | | | | |
398 | | | | +[neptunePF] | 1973-06-21 | Merriweather Post Pavilion, Columbia, MD, US | | | | | | |
399 | | | | +[neptunePF] | 1973-06-22 | Buffalo Memorial Auditorium, Buffalo, NY, US | | | | | | |
400 | | | | +[neptunePF] | 1973-06-23 | Olympia Stadium, Detroit, MI, US | | | | | | |
401 | | | | +[neptunePF] | 1973-06-24 | Blossom Music Center, Cuyahoga Falls, OH, US | | | | | | |
402 | | | | +[neptunePF] | 1973-06-25 | Convention Center, Louisville, KY, US | | | | | | |
403 | | | | +[neptunePF] | 1973-06-26 | Lake Spivey Park, Jonesboro, GA, US | | | | | | |
404 | | | | +[neptunePF] | 1973-06-27 | Jacksonville Coliseum, Jacksonville, FL, US | | | | | | |
405 | | | | +[neptunePF] | 1973-06-28 | The Sportatorium, Hollywood, FL, US | | | | | | |
406 | | T | | +[neptunePF] | 1973-06-29 | Tampa Stadium, Tampa, FL, US | | | | | | |
4 | | | | | 1973-10-12 | Olympia Halle, München, Germany | | | | | | 01 |
407 | | | | +[neptunePF] | 1973-10-13 | Stadthalle, Vienna, Austria | | | | | | |
408 | | | | +[neptunePF] | 1973-11-04 | Rainbow Theater, London, England | | | | | | |
17 | O | T | | +(Harvest ) | 1973-12-05 | A Nice Pair | | | | | | |
1974 |
409 | | | | +[neptunePF] | 1974-06-18 | Parc Des Expositions, Toulouse, France | | | | | | |
410 | | T | | +[neptunePF] | 1974-06-19 | Parc Des Expositions, Poitiers, France | | | | | | |
411 | | | | +[neptunePF] | 1974-06-21 | Palais Des Expositions, Dijon, France | | | | | | |
3 | | T | | +Ticket : Jean Claude Karle | 1974-06-22 | Parc Des Expositions, Colmar, France | | | | | | |
412 | | T | | +[neptunePF] | 1974-06-24 | Palais Des Sports De La Porte De Versailles, Paris, France | | | | | | |
413 | | T | | +[neptunePF] | 1974-06-25 | Palais Des Sports De La Porte De Versailles, Paris, France | | | | | | |
414 | | T | | +[neptunePF] | 1974-06-26 | Palais Des Sports De La Porte De Versailles, Paris, France | | | | | | |
415 | | | | +[neptunePF] | 1974-11-04 | Usher Hall, Edinburgh, Scotland | | | | | | |
416 | | T | | +[neptunePF] | 1974-11-05 | Usher Hall, Edinburgh, Scotland | | | | | | |
417 | | | | +[neptunePF] | 1974-11-08 | Odeon, Newcastle Upon Tyne, England | | | | | | |
418 | | | | +[neptunePF] | 1974-11-09 | Odeon, Newcastle Upon Tyne, England | | | | | | |
924 | | | | +[setlistfm] | 1974-11-10 | Palace Theatre, Manchester, England | | | | | | |
419 | | | | +[neptunePF] | 1974-11-14 | Empire Pool, London, England | | | | | | |
420 | | | | +[neptunePF] | 1974-11-15 | Empire Pool, London, England | | | | | | |
421 | | | | +[neptunePF] | 1974-11-16 | Empire Pool, London, England | | | | | | |
422 | | | | +[neptunePF] | 1974-11-17 | Empire Pool, London, England | | | | | | |
423 | | | | +[neptunePF] | 1974-11-19 | Trentham Gardens, Stoke On Trent, England | | | | | | |
424 | | | | +[neptunePF] | 1974-11-22 | Sophia Gardens Pavilion, Cardiff, Wales | | | | | | |
425 | | | | +[neptunePF] | 1974-11-28 | Empire Theatre, Liverpool, England | | | | | | |
426 | | | | +[neptunePF] | 1974-11-29 | Empire Theatre, Liverpool, England | | | | | | |
427 | | | | +[neptunePF] | 1974-11-30 | Empire Theatre, Liverpool, England | | | | | | |
428 | | | | +[neptunePF] | 1974-12-03 | The Hippodrome, Birmingham, England | | | | | | |
429 | | | | +[neptunePF] | 1974-12-04 | The Hippodrome, Birmingham, England | | | | | | |
430 | | | | +[neptunePF] | 1974-12-05 | The Hippodrome, Birmingham, England | | | | | | |
431 | | | | +[neptunePF] | 1974-12-09 | The Palace Theatre, Manchester, England | | | | | | |
432 | | | | +[neptunePF] | 1974-12-10 | The Palace Theatre, Manchester, England | | | | | | |
433 | | | | +[neptunePF] | 1974-12-13 | The Hippodrome, Bristol, England | | | | | | |
434 | | | | +[neptunePF] | 1974-12-14 | The Hippodrome, Bristol, England | | | | | | |
1975 |
435 | | | | +[neptunePF] | 1975-04-08 | Pacific National Exhibition Coliseum, Vancouver, Canada | | | | | | |
436 | | | | +[neptunePF] | 1975-04-10 | Seattle Center Coliseum, Seattle, WA, US | | | | | | |
437 | | | | +[neptunePF] | 1975-04-12 | The Cow Palace, San Francisco, CA, US | | | | | | |
438 | | | | +[neptunePF] | 1975-04-13 | The Cow Palace, San Francisco, CA, US | | | | | | |
439 | | | | +[neptunePF] | 1975-04-17 | Denver Coliseum, Denver, CO, US | | | | | | |
440 | | | | +[neptunePF] | 1975-04-19 | Tucson Community Center Arena, Tuscon, AZ, US | | | | | | |
441 | | | | +[neptunePF] | 1975-04-20 | University Activity Center, Tempe, AZ, US | | | | | | |
442 | | | | +[neptunePF] | 1975-04-21 | Sports Arena, San Diego, CA, US | | | | | | |
443 | | | | +[neptunePF] | 1975-04-23 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
444 | | | | +[neptunePF] | 1975-04-24 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
445 | | | | +[neptunePF] | 1975-04-25 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
446 | | | | +[neptunePF] | 1975-04-26 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
447 | | | | +[neptunePF] | 1975-04-27 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
448 | | | | +[neptunePF] | 1975-06-07 | Atlanta Stadium, Atlanta, GA, US | | | | | | |
449 | | | | +[neptunePF] | 1975-06-09 | Capital Centre, Landover, MD, US | | | | | | |
450 | | | | +[neptunePF] | 1975-06-10 | Capital Centre, Landover, MD, US | | | | | | |
451 | | | | +[neptunePF] | 1975-06-12 | Spectrum Theater, Philadelphia, PA, US | | | | | | |
452 | | | | +[neptunePF] | 1975-06-13 | Spectrum Theater, Philadelphia, PA, US | | | | | | |
925 | | | | +[setlistfm] | 1975-06-14 | Roosevelt Stadium, Jersey City, NJ, US | | | | | | |
453 | | | | +[neptunePF] | 1975-06-15 | Roosevelt Stadium, Jersey City, NJ, US | | | | | | |
454 | | | | +[neptunePF] | 1975-06-16 | Nassau Veterans Memorial Coliseum, Long Island, NY, US | | | | | | |
455 | | | | +[neptunePF] | 1975-06-17 | Nassau Veterans Memorial Coliseum, Long Island, NY, US | | | | | | |
456 | | | | +[neptunePF] | 1975-06-18 | Boston Gardens, Boston, MA, US | | | | | | |
457 | | | | +[neptunePF] | 1975-06-20 | Three Rivers Stadium, Pittsburgh, PA, US | | | | | | |
458 | | | | +[neptunePF] | 1975-06-22 | County Stadium, Milwaukee, WI, US | | | | | | |
459 | | | | +[neptunePF] | 1975-06-23 | Olympia Stadium, Detroit, MI, US | | | | | | |
460 | | | | +[neptunePF] | 1975-06-24 | Olympia Stadium, Detroit, MI, US | | | | | | |
461 | | | | +[neptunePF] | 1975-06-26 | Autostade, Montréal, Canada | | | | | | |
462 | | | | +[neptunePF] | 1975-06-28 | Ivor Wynne Stadium, Hamilton, Canada | | | | | | |
463 | | | | +[neptunePF] | 1975-07-05 | Knebworth Park, Stevenage, England | | | | | | |
19 | O | T | | +(Harvest ) | 1975-09-15 | Wish You Were Here | | | | | | |
1977 |
21 | O | T | | +(Harvest ) | 1977-01-21 | Animals | | | | | | |
464 | | | | +[neptunePF] | 1977-01-23 | Westfalenhalle, Dortmund, Germany | | | | | | |
465 | | | | +[neptunePF] | 1977-01-24 | Westfalenhalle, Dortmund, Germany | | | | | | |
466 | | | | +[neptunePF] | 1977-01-26 | Festhalle, Frankfurt, Germany | | | | | | |
467 | | | | +[neptunePF] | 1977-01-27 | Festhalle, Frankfurt, Germany | | | | | | |
468 | | | | +[neptunePF] | 1977-01-29 | Deutschlandhalle,, Berlin, Germany | | | | | | |
469 | | | | +[neptunePF] | 1977-01-30 | Deutschlandhalle,, Berlin, Germany | | | | | | |
470 | | | | +[neptunePF] | 1977-02-01 | Stadthalle, Vienna, Austria | | | | | | |
471 | | | | +[neptunePF] | 1977-02-03 | Hallenstadion, Zürich, Switzerland | | | | | | |
472 | | | | +[neptunePF] | 1977-02-04 | Hallenstadion, Zürich, Switzerland | | | | | | |
473 | | | | +[neptunePF] | 1977-02-17 | Sportpaleis Ahoy, Rotterdam, Netherlands | | | | | | |
474 | | | | +[neptunePF] | 1977-02-18 | Sportpaleis Ahoy, Rotterdam, Netherlands | | | | | | |
475 | | | | +[neptunePF] | 1977-02-19 | Sportpaleis Ahoy, Rotterdam, Netherlands | | | | | | |
476 | | | | +[neptunePF] | 1977-02-20 | Sport Palais Vorst Nationaal, Antwerpen, Belgium | | | | | | |
477 | | T | | +[neptunePF] | 1977-02-22 | Pavillion De Paris, Paris, France | | | | | | |
478 | | T | | +[neptunePF] | 1977-02-23 | Pavillion De Paris, Paris, France | | | | | | |
479 | | T | | +[neptunePF] | 1977-02-24 | Pavillion De Paris, Paris, France | | | | | | |
480 | | T | | +[neptunePF] | 1977-02-25 | Pavillion De Paris, Paris, France | | | | | | |
1 | | | | | 1977-02-27 | Olympia Halle, München, Germany | | | | | | 01 |
2 | | | | | 1977-02-28 | Olympia Halle, München, Germany | | | | | | 01 |
481 | | | | +[neptunePF] | 1977-03-01 | Olympia Halle, München, Germany | | | | | | |
482 | | | | +[neptunePF] | 1977-03-15 | Empire Pool, London, England | | | | | | |
483 | | | | +[neptunePF] | 1977-03-16 | Empire Pool, London, England | | | | | | |
484 | | | | +[neptunePF] | 1977-03-17 | Empire Pool, London, England | | | | | | |
485 | | | | +[neptunePF] | 1977-03-18 | Empire Pool, London, England | | | | | | |
486 | | | | +[neptunePF] | 1977-03-19 | Empire Pool, London, England | | | | | | |
487 | | | | +[neptunePF] | 1977-03-28 | New Bingley Hall, Stafford, England | | | | | | |
488 | | | | +[neptunePF] | 1977-03-29 | New Bingley Hall, Stafford, England | | | | | | |
489 | | | | +[neptunePF] | 1977-03-30 | New Bingley Hall, Stafford, England | | | | | | |
490 | | | | +[neptunePF] | 1977-03-31 | New Bingley Hall, Stafford, England | | | | | | |
491 | | | | +[neptunePF] | 1977-04-22 | Miami Baseball Stadium, Miami, FL, US | | | | | | |
492 | | | | +[neptunePF] | 1977-04-24 | Tampa Stadium, Tampa, FL, US | | | | | | |
493 | | | | +[neptunePF] | 1977-04-26 | The Omni Coliseum, Atlanta, GA, US | | | | | | |
494 | | | | +[neptunePF] | 1977-04-28 | Assembly Center, Baton Rouge, LA, US | | | | | | |
495 | | | | +[neptunePF] | 1977-04-30 | Jeppesen Stadium, Houston, TX, US | | | | | | |
496 | | | | +[neptunePF] | 1977-05-01 | Tarrant County Convention Center, Forth Worth, TX, US | | | | | | |
497 | | | | +[neptunePF] | 1977-05-04 | Veterans Memorial Coliseum, Phoenix, AZ, US | | | | | | |
498 | | | | +[neptunePF] | 1977-05-06 | Anaheim Stadium, Los Angeles, CA, US | | | | | | |
499 | | | | +[neptunePF] | 1977-05-07 | Anaheim Stadium, Los Angeles, CA, US | | | | | | |
500 | | | | +[neptunePF] | 1977-05-09 | Oakland Coliseum Arena, Oakland, CA, US | | | | | | |
501 | | | | +[neptunePF] | 1977-05-10 | Oakland Coliseum Arena, Oakland, CA, US | | | | | | |
502 | | | | +[neptunePF] | 1977-05-12 | Memorial Coliseum, Portland, OR, US | | | | | | |
503 | | | | +[neptunePF] | 1977-06-15 | County Stadium, Milwaukee, WI, US | | | | | | |
504 | | | | +[neptunePF] | 1977-06-17 | Freedom Hall, Louisville, KY, US | | | | | | |
505 | | | | +[neptunePF] | 1977-06-19 | Super Bowl Of Rock n Roll, Chicago, IL, US | | | | | | |
506 | | | | +[neptunePF] | 1977-06-21 | Kemper Arena, Kansas City, MO, US | | | | | | |
507 | | | | +[neptunePF] | 1977-06-23 | Riverfront Coliseum, Cincinnati, OH, US | | | | | | |
508 | | | | +[neptunePF] | 1977-06-25 | World Series Of Rock, Cleveland, OH, US | | | | | | |
509 | | | | +[neptunePF] | 1977-06-27 | Boston Gardens, Boston, MA, US | | | | | | |
510 | | | | +[neptunePF] | 1977-06-28 | Spectrum Theater, Philadelphia, PA, US | | | | | | |
511 | | | | +[neptunePF] | 1977-06-29 | Spectrum Theater, Philadelphia, PA, US | | | | | | |
512 | | | | +[neptunePF] | 1977-07-01 | Madison Square Garden, New York, NY, US | | | | | | |
513 | | | | +[neptunePF] | 1977-07-02 | Madison Square Garden, New York, NY, US | | | | | | |
514 | | | | +[neptunePF] | 1977-07-03 | Madison Square Garden, New York, NY, US | | | | | | |
515 | | | | +[neptunePF] | 1977-07-04 | Madison Square Garden, New York, NY, US | | | | | | |
516 | | | | +[neptunePF] | 1977-07-06 | Stade Du Parc Olympique, Montréal, Canada | | | | | | |
1979 |
23 | O | T | | +(Harvest ) | 1979-11-30 | The Wall | | | | | | |
1980 |
517 | | | | +[neptunePF] | 1980-02-07 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
518 | | | | +[neptunePF] | 1980-02-08 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
519 | | | | +[neptunePF] | 1980-02-09 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
520 | | | | +[neptunePF] | 1980-02-10 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
521 | | | | +[neptunePF] | 1980-02-11 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
522 | | | | +[neptunePF] | 1980-02-12 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
523 | | | | +[neptunePF] | 1980-02-13 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
524 | | | | +[neptunePF] | 1980-02-24 | Nassau Veterans Memorial Coliseum, Long Island, NY, US | | | | | | |
525 | | | | +[neptunePF] | 1980-02-25 | Nassau Veterans Memorial Coliseum, Long Island, NY, US | | | | | | |
526 | | | | +[neptunePF] | 1980-02-26 | Nassau Veterans Memorial Coliseum, Long Island, NY, US | | | | | | |
527 | | | | +[neptunePF] | 1980-02-27 | Nassau Veterans Memorial Coliseum, Long Island, NY, US | | | | | | |
528 | | | | +[neptunePF] | 1980-02-28 | Nassau Veterans Memorial Coliseum, Long Island, NY, US | | | | | | |
529 | | | | +[neptunePF] | 1980-08-04 | Earls Court Exhibition Hall, London, England | | | | | | |
530 | | | | +[neptunePF] | 1980-08-05 | Earls Court Exhibition Hall, London, England | | | | | | |
531 | | | | +[neptunePF] | 1980-08-06 | Earls Court Exhibition Hall, London, England | | | | | | |
532 | | | | +[neptunePF] | 1980-08-07 | Earls Court Exhibition Hall, London, England | | | | | | |
533 | | | | +[neptunePF] | 1980-08-08 | Earls Court Exhibition Hall, London, England | | | | | | |
534 | | | | +[neptunePF] | 1980-08-09 | Earls Court Exhibition Hall, London, England | | | | | | |
1981 |
535 | | | | +[neptunePF] | 1981-02-13 | Westfalenhalle, Dortmund, Germany | | | | | | |
536 | | | | +[neptunePF] | 1981-02-14 | Westfalenhalle, Dortmund, Germany | | | | | | |
537 | | | | +[neptunePF] | 1981-02-15 | Westfalenhalle, Dortmund, Germany | | | | | | |
538 | | | | +[neptunePF] | 1981-02-16 | Westfalenhalle, Dortmund, Germany | | | | | | |
539 | | | | +[neptunePF] | 1981-02-17 | Westfalenhalle, Dortmund, Germany | | | | | | |
540 | | | | +[neptunePF] | 1981-02-18 | Westfalenhalle, Dortmund, Germany | | | | | | |
541 | | | | +[neptunePF] | 1981-02-19 | Westfalenhalle, Dortmund, Germany | | | | | | |
542 | | | | +[neptunePF] | 1981-02-20 | Westfalenhalle, Dortmund, Germany | | | | | | |
543 | | | | +[neptunePF] | 1981-06-13 | Earls Court Exhibition Hall, London, England | | | | | | |
544 | | | | +[neptunePF] | 1981-06-14 | Earls Court Exhibition Hall, London, England | | | | | | |
545 | | | | +[neptunePF] | 1981-06-15 | Earls Court Exhibition Hall, London, England | | | | | | |
546 | | | | +[neptunePF] | 1981-06-16 | Earls Court Exhibition Hall, London, England | | | | | | |
547 | | | | +[neptunePF] | 1981-06-17 | Earls Court Exhibition Hall, London, England | | | | | | |
1983 |
25 | O | T | | +(Harvest ) | 1983-03-21 | The Final Cut | | | | | | |
1987 |
27 | O | T | | +(EMI ) | 1987-09-07 | A Momentary Lapse Of Reason | | | | | | |
548 | | | | +[neptunePF] | 1987-09-09 | Landsdowne Park Stadium, Ottawa, Canada | | | | | | |
549 | | | | +[neptunePF] | 1987-09-12 | Forum de Montreal, Montréal, Canada | | | | | | |
550 | | | | +[neptunePF] | 1987-09-13 | Forum de Montreal, Montréal, Canada | | | | | | |
551 | | | | +[neptunePF] | 1987-09-14 | Forum de Montreal, Montréal, Canada | | | | | | |
552 | | | | +[neptunePF] | 1987-09-16 | Municipal Stadium, Cleveland, OH, US | | | | | | |
553 | | | | +[neptunePF] | 1987-09-17 | Municipal Stadium, Cleveland, OH, US | | | | | | |
554 | | | | +[neptunePF] | 1987-09-19 | John F Kennedy Stadium, Philadelphia, PA, US | | | | | | |
555 | | | | +[neptunePF] | 1987-09-21 | Canadian National Exhibition Stadium, Toronto, Canada | | | | | | |
556 | | | | +[neptunePF] | 1987-09-22 | Canadian National Exhibition Stadium, Toronto, Canada | | | | | | |
557 | | | | +[neptunePF] | 1987-09-23 | Canadian National Exhibition Stadium, Toronto, Canada | | | | | | |
558 | | | | +[neptunePF] | 1987-09-25 | Rosemont Horizon, Chicago, IL, US | | | | | | |
559 | | | | +[neptunePF] | 1987-09-26 | Rosemont Horizon, Chicago, IL, US | | | | | | |
560 | | | | +[neptunePF] | 1987-09-27 | Rosemont Horizon, Chicago, IL, US | | | | | | |
561 | | | | +[neptunePF] | 1987-09-28 | Rosemont Horizon, Chicago, IL, US | | | | | | |
562 | | | | +[neptunePF] | 1987-09-30 | County Stadium, Milwaukee, WI, US | | | | | | |
563 | | | | +[neptunePF] | 1987-10-03 | The Carrier Dome, Syracuse, NY, US | | | | | | |
564 | | | | +[neptunePF] | 1987-10-05 | Madison Square Garden, New York, NY, US | | | | | | |
565 | | | | +[neptunePF] | 1987-10-06 | Madison Square Garden, New York, NY, US | | | | | | |
566 | | | | +[neptunePF] | 1987-10-07 | Madison Square Garden, New York, NY, US | | | | | | |
567 | | | | +[neptunePF] | 1987-10-10 | Brendan Byrne Meadowlands Arena, East Rutherford, NJ, US | | | | | | |
568 | | | | +[neptunePF] | 1987-10-11 | Brendan Byrne Meadowlands Arena, East Rutherford, NJ, US | | | | | | |
569 | | | | +[neptunePF] | 1987-10-12 | Brendan Byrne Meadowlands Arena, East Rutherford, NJ, US | | | | | | |
570 | | | | +[neptunePF] | 1987-10-14 | Hartford Civic Center, Hartford, CT, US | | | | | | |
571 | | | | +[neptunePF] | 1987-10-15 | Hartford Civic Center, Hartford, CT, US | | | | | | |
572 | | | | +[neptunePF] | 1987-10-16 | Providence Civic Center, Providence, RI, US | | | | | | |
573 | | | | +[neptunePF] | 1987-10-17 | Providence Civic Center, Providence, RI, US | | | | | | |
574 | | | | +[neptunePF] | 1987-10-19 | Capitol Center, Landover, MD, US | | | | | | |
575 | | | | +[neptunePF] | 1987-10-20 | Capitol Center, Landover, MD, US | | | | | | |
576 | | | | +[neptunePF] | 1987-10-21 | Capitol Center, Landover, MD, US | | | | | | |
577 | | | | +[neptunePF] | 1987-10-22 | Capitol Center, Landover, MD, US | | | | | | |
578 | | | | +[neptunePF] | 1987-10-25 | Dean E. Smith Student Activities Center, Chapel Hill, NC, US | | | | | | |
579 | | | | +[neptunePF] | 1987-10-26 | Dean E. Smith Student Activities Center, Chapel Hill, NC, US | | | | | | |
580 | | | | +[neptunePF] | 1987-10-30 | Tampa Stadium, Tampa, FL, US | | | | | | |
581 | | | | +[neptunePF] | 1987-11-01 | Orange Bowl, Miami, FL, US | | | | | | |
582 | | | | +[neptunePF] | 1987-11-03 | The Omni Coliseum, Atlanta, GA, US | | | | | | |
583 | | | | +[neptunePF] | 1987-11-04 | The Omni Coliseum, Atlanta, GA, US | | | | | | |
584 | | | | +[neptunePF] | 1987-11-05 | The Omni Coliseum, Atlanta, GA, US | | | | | | |
585 | | | | +[neptunePF] | 1987-11-07 | Rupp Arena, Lexington, KY, US | | | | | | |
586 | | | | +[neptunePF] | 1987-11-08 | Rupp Arena, Lexington, KY, US | | | | | | |
587 | | | | +[neptunePF] | 1987-11-10 | Pontiac Silverdome, Pontiac, MI, US | | | | | | |
588 | | | | +[neptunePF] | 1987-11-12 | Hoosier Dome, Indianapolis, IN, US | | | | | | |
589 | | | | +[neptunePF] | 1987-11-15 | St. Louis Arena, Saint Louis, MO, US | | | | | | |
590 | | | | +[neptunePF] | 1987-11-16 | St. Louis Arena, Saint Louis, MO, US | | | | | | |
591 | | | | +[neptunePF] | 1987-11-18 | Astrodome, Houston, TX, US | | | | | | |
592 | | | | +[neptunePF] | 1987-11-19 | Frank Erwin Center, Austin, TX, US | | | | | | |
593 | | | | +[neptunePF] | 1987-11-20 | Frank Erwin Center, Austin, TX, US | | | | | | |
594 | | | | +[neptunePF] | 1987-11-21 | Reunion Arena, Dallas, TX, US | | | | | | |
595 | | | | +[neptunePF] | 1987-11-22 | Reunion Arena, Dallas, TX, US | | | | | | |
596 | | | | +[neptunePF] | 1987-11-23 | Reunion Arena, Dallas, TX, US | | | | | | |
597 | | | | +[neptunePF] | 1987-11-26 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
598 | | | | +[neptunePF] | 1987-11-27 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
599 | | | | +[neptunePF] | 1987-11-28 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
926 | | | | +[setlistfm] | 1987-11-29 | Los Angeles Sports Arena, Los Angeles, CA, US | | | | | | |
600 | | | | +[neptunePF] | 1987-11-30 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
601 | | | | +[neptunePF] | 1987-12-01 | Los Angeles Memorial Sports Arena, Los Angeles, CA, US | | | | | | |
602 | | | | +[neptunePF] | 1987-12-03 | Oakland Coliseum Arena, Oakland, CA, US | | | | | | |
603 | | | | +[neptunePF] | 1987-12-04 | Oakland Coliseum Arena, Oakland, CA, US | | | | | | |
604 | | | | +[neptunePF] | 1987-12-05 | Oakland Coliseum Arena, Oakland, CA, US | | | | | | |
605 | | | | +[neptunePF] | 1987-12-06 | Oakland Coliseum Arena, Oakland, CA, US | | | | | | |
606 | | | | +[neptunePF] | 1987-12-08 | Kingdome, Seattle, WA, US | | | | | | |
607 | | | | +[neptunePF] | 1987-12-10 | Bc Place Stadium, Vancouver, Canada | | | | | | |
1988 |
608 | | | | +[neptunePF] | 1988-01-22 | Western Springs Stadium, Auckland, New Zealand | | | | | | |
609 | | | | +[neptunePF] | 1988-01-27 | Entertainment Center, Sydney, Australia | | | | | | |
610 | | | | +[neptunePF] | 1988-01-28 | Entertainment Center, Sydney, Australia | | | | | | |
611 | | | | +[neptunePF] | 1988-01-29 | Entertainment Center, Sydney, Australia | | | | | | |
612 | | | | +[neptunePF] | 1988-01-30 | Entertainment Center, Sydney, Australia | | | | | | |
927 | | | | +[setlistfm] | 1988-01-31 | Entertainment Center, Sydney, Australia | | | | | | |
613 | | | | +[neptunePF] | 1988-02-01 | Entertainment Center, Sydney, Australia | | | | | | |
614 | | | | +[neptunePF] | 1988-02-02 | Entertainment Center, Sydney, Australia | | | | | | |
615 | | | | +[neptunePF] | 1988-02-03 | Entertainment Center, Sydney, Australia | | | | | | |
616 | | | | +[neptunePF] | 1988-02-04 | Entertainment Center, Sydney, Australia | | | | | | |
617 | | | | +[neptunePF] | 1988-02-05 | Entertainment Center, Sydney, Australia | | | | | | |
618 | | | | +[neptunePF] | 1988-02-07 | Entertainment Centre, Brisbane, Australia | | | | | | |
619 | | | | +[neptunePF] | 1988-02-08 | Entertainment Centre, Brisbane, Australia | | | | | | |
620 | | | | +[neptunePF] | 1988-02-11 | Thebarton Oval, Adelaide, Australia | | | | | | |
621 | | | | +[neptunePF] | 1988-02-13 | National Tennis Center, Melbourne, Australia | | | | | | |
622 | | | | +[neptunePF] | 1988-02-14 | National Tennis Center, Melbourne, Australia | | | | | | |
623 | | | | +[neptunePF] | 1988-02-15 | National Tennis Center, Melbourne, Australia | | | | | | |
624 | | | | +[neptunePF] | 1988-02-16 | National Tennis Center, Melbourne, Australia | | | | | | |
625 | | | | +[neptunePF] | 1988-02-17 | National Tennis Center, Melbourne, Australia | | | | | | |
626 | | | | +[neptunePF] | 1988-02-18 | National Tennis Center, Melbourne, Australia | | | | | | |
627 | | | | +[neptunePF] | 1988-02-19 | National Tennis Center, Melbourne, Australia | | | | | | |
628 | | | | +[neptunePF] | 1988-02-20 | National Tennis Center, Melbourne, Australia | | | | | | |
629 | | | | +[neptunePF] | 1988-02-24 | National Tennis Center, Melbourne, Australia | | | | | | |
630 | | | | +[neptunePF] | 1988-03-02 | Budokan Grand Hall, Tokyo, Japan | | | | | | |
631 | | | | +[neptunePF] | 1988-03-03 | Budokan Grand Hall, Tokyo, Japan | | | | | | |
632 | | | | +[neptunePF] | 1988-03-04 | Yoyogi Olympic Pool, Tokyo, Japan | | | | | | |
633 | | | | +[neptunePF] | 1988-03-05 | Yoyogi Olympic Pool, Tokyo, Japan | | | | | | |
634 | | | | +[neptunePF] | 1988-03-06 | Yoyogi Olympic Pool, Tokyo, Japan | | | | | | |
635 | | | | +[neptunePF] | 1988-03-08 | Joh Hall, Osaka, Japan | | | | | | |
636 | | | | +[neptunePF] | 1988-03-09 | Joh Hall, Osaka, Japan | | | | | | |
637 | | | | +[neptunePF] | 1988-03-11 | Rainbow Hall, Nagoya, Japan | | | | | | |
638 | | | | +[neptunePF] | 1988-04-15 | Memorial Coliseum, Los Angeles, CA, US | | | | | | |
639 | | | | +[neptunePF] | 1988-04-18 | Mile High Stadium, Denver, CO, US | | | | | | |
640 | | | | +[neptunePF] | 1988-04-20 | Hughes Stadium, Sacramento, CA, US | | | | | | |
641 | | | | +[neptunePF] | 1988-04-22 | Oakland Coliseum Stadium, Oakland, CA, US | | | | | | |
642 | | | | +[neptunePF] | 1988-04-23 | Oakland Coliseum Stadium, Oakland, CA, US | | | | | | |
643 | | | | +[neptunePF] | 1988-04-25 | Municipal Stadium, Phoenix, AZ, US | | | | | | |
644 | | | | +[neptunePF] | 1988-04-26 | Municipal Stadium, Phoenix, AZ, US | | | | | | |
645 | | | | +[neptunePF] | 1988-04-28 | Texas Stadium, Dallas, TX, US | | | | | | |
646 | | | | +[neptunePF] | 1988-04-30 | Citrus Bowl, Orlando, FL, US | | | | | | |
647 | | | | +[neptunePF] | 1988-05-04 | Carter Finley Stadium, Raleigh, NC, US | | | | | | |
648 | | | | +[neptunePF] | 1988-05-06 | Foxboro Stadium, Boston, MA, US | | | | | | |
649 | | | | +[neptunePF] | 1988-05-08 | Foxboro Stadium, Boston, MA, US | | | | | | |
650 | | | | +[neptunePF] | 1988-05-11 | Stade Du Parc Olympique, Montréal, Canada | | | | | | |
651 | | | | +[neptunePF] | 1988-05-13 | Canadian National Exhibition Stadium, Toronto, Canada | | | | | | |
652 | | | | +[neptunePF] | 1988-05-15 | Veterans Stadium, Philadelphia, PA, US | | | | | | |
653 | | | | +[neptunePF] | 1988-05-16 | Veterans Stadium, Philadelphia, PA, US | | | | | | |
654 | | | | +[neptunePF] | 1988-05-18 | University Of Northern Iowa Dome, Cedar Falls, IA, US | | | | | | |
655 | | | | +[neptunePF] | 1988-05-20 | Camp Randall Stadium, Madison, WI, US | | | | | | |
656 | | | | +[neptunePF] | 1988-05-21 | Rosemont Horizon, Chicago, IL, US | | | | | | |
657 | | | | +[neptunePF] | 1988-05-22 | Rosemont Horizon, Chicago, IL, US | | | | | | |
658 | | | | +[neptunePF] | 1988-05-24 | Hubert H Humphrey Metrodome, Minneapolis, MN, US | | | | | | |
659 | | | | +[neptunePF] | 1988-05-26 | Arrowhead Stadium, Kansas City, MO, US | | | | | | |
660 | | | | +[neptunePF] | 1988-05-28 | Ohio State University Stadium, Columbus, OH, US | | | | | | |
661 | | | | +[neptunePF] | 1988-05-30 | Three Rivers Stadium, Pittsburgh, PA, US | | | | | | |
662 | | | | +[neptunePF] | 1988-06-01 | Robert F Kennedy Stadium, Washington, DC, US | | | | | | |
663 | | | | +[neptunePF] | 1988-06-03 | Giants Stadium, East Rutherford, NJ, US | | | | | | |
664 | | | | +[neptunePF] | 1988-06-04 | Giants Stadium, East Rutherford, NJ, US | | | | | | |
665 | | | | +[neptunePF] | 1988-06-10 | Stade De La Beaujoire, Nantes, France | | | | | | |
666 | | | | +[neptunePF] | 1988-06-13 | Stadion Feyenoord, Rotterdam, Netherlands | | | | | | |
667 | | | | +[neptunePF] | 1988-06-14 | Stadion Feyenoord, Rotterdam, Netherlands | | | | | | |
668 | | | | +[neptunePF] | 1988-06-16 | Reichstagsgelande, Berlin, Germany | | | | | | |
669 | | | | +[neptunePF] | 1988-06-18 | Maimarketgelande, Mannheim, Germany | | | | | | |
670 | | T | A | +[neptunePF] | 1988-06-21 | Place DArme, Versailles, France | | | | | | |
671 | | | A | +[neptunePF] | 1988-06-22 | Place DArme, Versailles, France | | | | | | |
672 | | | | +[neptunePF] | 1988-06-25 | Niedersachsenstadion, Hannover, Germany | | | | | | |
673 | | | | +[neptunePF] | 1988-06-27 | Westfalenhalle, Dortmund, Germany | | | | | | |
674 | | | | +[neptunePF] | 1988-06-28 | Westfalenhalle, Dortmund, Germany | | | | | | |
675 | | | | +[neptunePF] | 1988-06-29 | Westfalenhalle, Dortmund, Germany | | | | | | |
676 | | | | +[neptunePF] | 1988-07-01 | Prarerstadion, Vienna, Austria | | | | | | |
677 | | | | +[neptunePF] | 1988-07-03 | Olympiastadion, München, Germany | | | | | | |
678 | | | | +[neptunePF] | 1988-07-06 | Stadio Comunale, Torino, Italy | | | | | | |
679 | | | | +[neptunePF] | 1988-07-08 | Stadio Comunale Braglia, Modena, Italy | | | | | | |
680 | | | | +[neptunePF] | 1988-07-09 | Stadio Comunale Braglia, Modena, Italy | | | | | | |
681 | | T | | +[neptunePF] | 1988-07-11 | Stadio Flaminio, Roma, Italy | | | | | | |
682 | | T | | +[neptunePF] | 1988-07-12 | Stadio Flaminio, Roma, Italy | | | | | | |
683 | | | | +[neptunePF] | 1988-07-15 | Stade Du Municipal Charles Berty, Grenoble, France | | | | | | |
684 | | T | | +[neptunePF] | 1988-07-17 | Stade De LOuest, Nice, France | | | | | | |
685 | | | | +[neptunePF] | 1988-07-20 | Estadio Sarria Espanol Fc, Barcelona, Spain | | | | | | |
686 | | | | +[neptunePF] | 1988-07-22 | Estadio Vicente Calderon, Madrid, Spain | | | | | | |
687 | | | | +[neptunePF] | 1988-07-24 | Espace Richter, Montpellier, France | | | | | | |
688 | | | | +[neptunePF] | 1988-07-26 | Fussballstadion St. Jakob, Basel, Switzerland | | | | | | |
689 | | | | +[neptunePF] | 1988-07-28 | Stadium Du Nord, Lille, France | | | | | | |
690 | | | | +[neptunePF] | 1988-07-31 | Gentofte Stadium, Copenhagen, Denmark | | | | | | |
691 | | | | +[neptunePF] | 1988-08-02 | Valle Hovin Stadion, Oslo, Norway | | | | | | |
692 | | | | +[neptunePF] | 1988-08-05 | Wembley Stadium, London, England | | | | | | |
693 | | | | +[neptunePF] | 1988-08-06 | Wembley Stadium, London, England | | | | | | |
694 | | | | +[neptunePF] | 1988-08-08 | Manchester City Football Ground, Manchester, England | | | | | | |
695 | | | | +[neptunePF] | 1988-08-12 | The Coliseum, Cleveland, OH, US | | | | | | |
696 | | | | +[neptunePF] | 1988-08-13 | The Coliseum, Cleveland, OH, US | | | | | | |
698 | | | | +[neptunePF] | 1988-08-16 | The Palace Of Auburn Hills, Auburn Hills, MI, US | | | | | | |
699 | | | | +[neptunePF] | 1988-08-17 | The Palace Of Auburn Hills, Auburn Hills, MI, US | | | | | | |
700 | | | | +[neptunePF] | 1988-08-19 | Nassau Veterans Memorial Coliseum, Long Island, NY, US | | | | | | |
701 | | | | +[neptunePF] | 1988-08-20 | Nassau Veterans Memorial Coliseum, Long Island, NY, US | | | | | | |
702 | | | | +[neptunePF] | 1988-08-21 | Nassau Veterans Memorial Coliseum, Long Island, NY, US | | | | | | |
703 | | | | +[neptunePF] | 1988-08-22 | Nassau Veterans Memorial Coliseum, Long Island, NY, US | | | | | | |
704 | | | | +[neptunePF] | 1988-08-23 | Nassau Veterans Memorial Coliseum, Long Island, NY, US | | | | | | |
1989 |
705 | | | | +[neptunePF] | 1989-05-13 | Festivalweise, Werchter, Belgium | | | | | | |
706 | | | | +[neptunePF] | 1989-05-16 | Arena Di Verona, Verona, Italy | | | | | | |
707 | | | | +[neptunePF] | 1989-05-17 | Arena Di Verona, Verona, Italy | | | | | | |
708 | | | | +[neptunePF] | 1989-05-18 | Arena Di Verona, Verona, Italy | | | | | | |
709 | | | | +[neptunePF] | 1989-05-20 | Arena Concerti, Monza, Italy | | | | | | |
710 | | | | +[neptunePF] | 1989-05-22 | Stadio Comunale Ardenza, Livorno, Italy | | | | | | |
711 | | | | +[neptunePF] | 1989-05-23 | Stadio Comunale Ardenza, Livorno, Italy | | | | | | |
712 | | | | +[neptunePF] | 1989-05-25 | Stadio Simonetta Lamberti, Cava De Tirreni, Italy | | | | | | |
713 | | | | +[neptunePF] | 1989-05-26 | Stadio Simonetta Lamberti, Cava De Tirreni, Italy | | | | | | |
714 | | | | +[neptunePF] | 1989-05-31 | Olympic Stadium Spiridon Spiros Louis, Athens, Greece | | | | | | |
715 | | | | +[neptunePF] | 1989-06-03 | Olimpiyski Stadium, Mockba, Russia | | | | | | |
716 | | | | +[neptunePF] | 1989-06-04 | Olimpiyski Stadium, Mockba, Russia | | | | | | |
717 | | | | +[neptunePF] | 1989-06-06 | Olimpiyski Stadium, Mockba, Russia | | | | | | |
718 | | | | +[neptunePF] | 1989-06-07 | Olimpiyski Stadium, Mockba, Russia | | | | | | |
719 | | | | +[neptunePF] | 1989-06-10 | Lahden Suurhalli, Lahti, Finland | | | | | | |
720 | | | | +[neptunePF] | 1989-06-12 | Globe Arena, Stockholm, Sweden | | | | | | |
721 | | | | +[neptunePF] | 1989-06-13 | Globe Arena, Stockholm, Sweden | | | | | | |
722 | | | | +[neptunePF] | 1989-06-14 | Globe Arena, Stockholm, Sweden | | | | | | |
723 | | | | +[neptunePF] | 1989-06-16 | Festweisse Im Stadtpark, Hamburg, Germany | | | | | | |
724 | | | | +[neptunePF] | 1989-06-18 | Mungersdorfer Stadion, Köln, Germany | | | | | | |
725 | | | | +[neptunePF] | 1989-06-20 | Festhalle, Frankfurt, Germany | | | | | | |
726 | | | | +[neptunePF] | 1989-06-21 | Festhalle, Frankfurt, Germany | | | | | | |
727 | | | | +[neptunePF] | 1989-06-23 | Linzer Stadion, Linz, Austria | | | | | | |
728 | | | | +[neptunePF] | 1989-06-25 | Neckarstadion, Stuttgart, Germany | | | | | | |
729 | | T | | +[neptunePF] | 1989-06-27 | Palais Des Sports De Paris Bercy, Paris, France | | | | | | |
730 | | T | | +[neptunePF] | 1989-06-28 | Palais Des Sports De Paris Bercy, Paris, France | | | | | | |
731 | | T | | +[neptunePF] | 1989-06-29 | Palais Des Sports De Paris Bercy, Paris, France | | | | | | |
732 | | T | | +[neptunePF] | 1989-06-30 | Palais Des Sports De Paris Bercy, Paris, France | | | | | | |
733 | | T | | +[neptunePF] | 1989-07-01 | Palais Des Sports De Paris Bercy, Paris, France | | | | | | |
734 | | | | +[neptunePF] | 1989-07-04 | Docklands Arena, London, England | | | | | | |
735 | | | | +[neptunePF] | 1989-07-05 | Docklands Arena, London, England | | | | | | |
736 | | | | +[neptunePF] | 1989-07-06 | Docklands Arena, London, England | | | | | | |
737 | | | | +[neptunePF] | 1989-07-07 | Docklands Arena, London, England | | | | | | |
738 | | | | +[neptunePF] | 1989-07-08 | Docklands Arena, London, England | | | | | | |
739 | | | | +[neptunePF] | 1989-07-09 | Docklands Arena, London, England | | | | | | |
740 | | | | +[neptunePF] | 1989-07-10 | Goffertpark, Nijmegen, Netherlands | | | | | | |
741 | | | | +[neptunePF] | 1989-07-12 | Stade Olympique De La Pontaise, Lausanne, Switzerland | | | | | | |
742 | O | T | | +2021(Pink Floyd Records ) | 1989-07-15 | Live In Venice Canal Di San Marco, Venezia, Italy | | | | | | |
743 | | | | +[neptunePF] | 1989-07-18 | Stade Velodrome, Marseille, France | | | | | | |
1990 |
39 | O | T | | +2021(Pink Floyd Records ) | 1990-06-30 | Live At Knebworth 1990 | | | | | | |
1993 |
744 | | | | +[neptunePF] | 1993-09-18 | Cowdray Ruins Concert 1993, Midhurst, England | | | | | | |
1994 |
29 | O | T | | +(EMI ) | 1994-03-28 | The Division Bell | | | | | | |
745 | | | | +[neptunePF] | 1994-03-30 | Joe Robbie Stadium, Miami, FL, US | | | | | | |
746 | | | | +[neptunePF] | 1994-04-03 | Alamo Dome, San Antonio, TX, US | | | | | | |
747 | | | | +[neptunePF] | 1994-04-05 | Rice University Stadium, Houston, TX, US | | | | | | |
748 | | | | +[neptunePF] | 1994-04-09 | Autodromo Hermanos Rodriguez, Mexico City, Mexico | | | | | | |
749 | | | | +[neptunePF] | 1994-04-10 | Autodromo Hermanos Rodriguez, Mexico City, Mexico | | | | | | |
750 | | | | +[neptunePF] | 1994-04-14 | Jack Murphy Stadium, San Diego, CA, US | | | | | | |
751 | | | | +[neptunePF] | 1994-04-16 | The Rose Bowl, Los Angeles, CA, US | | | | | | |
752 | | | | +[neptunePF] | 1994-04-17 | The Rose Bowl, Los Angeles, CA, US | | | | | | |
753 | | | | +[neptunePF] | 1994-04-20 | Oakland Coliseum Stadium, Oakland, CA, US | | | | | | |
754 | | | | +[neptunePF] | 1994-04-21 | Oakland Coliseum Stadium, Oakland, CA, US | | | | | | |
755 | | | | +[neptunePF] | 1994-04-22 | Oakland Coliseum Stadium, Oakland, CA, US | | | | | | |
756 | | | | +[neptunePF] | 1994-04-24 | Sun Devil Stadium, Tempe, AZ, US | | | | | | |
757 | | | | +[neptunePF] | 1994-04-26 | Sun Devil Stadium, El Paso, TX, US | | | | | | |
758 | | | | +[neptunePF] | 1994-04-28 | Texas Stadium, Dallas, TX, US | | | | | | |
759 | | | | +[neptunePF] | 1994-04-29 | Texas Stadium, Dallas, TX, US | | | | | | |
760 | | | | +[neptunePF] | 1994-05-01 | Legion Field, Birmingham, AL, US | | | | | | |
761 | | | | +[neptunePF] | 1994-05-03 | Bobbie Dodd Stadium, Atlanta, GA, US | | | | | | |
762 | | | | +[neptunePF] | 1994-05-04 | Bobbie Dodd Stadium, Atlanta, GA, US | | | | | | |
763 | | | | +[neptunePF] | 1994-05-06 | Tampa Stadium, Tampa, FL, US | | | | | | |
764 | | | | +[neptunePF] | 1994-05-08 | Vanderbilt University Stadium, Nashville, TN, US | | | | | | |
765 | | | | +[neptunePF] | 1994-05-10 | Carter Finley Stadium, Raleigh, NC, US | | | | | | |
766 | | | | +[neptunePF] | 1994-05-12 | Death Valley Stadium, Clemson, SC, US | | | | | | |
767 | | | | +[neptunePF] | 1994-05-14 | Louisiana Superdrome, New Orleans, LA, US | | | | | | |
768 | | | | +[neptunePF] | 1994-05-18 | Foxboro Stadium, Boston, MA, US | | | | | | |
769 | | | | +[neptunePF] | 1994-05-19 | Foxboro Stadium, Boston, MA, US | | | | | | |
770 | | | | +[neptunePF] | 1994-05-20 | Foxboro Stadium, Boston, MA, US | | | | | | |
771 | | | | +[neptunePF] | 1994-05-22 | Stade Du Parc Olympique, Montréal, Canada | | | | | | |
772 | | | | +[neptunePF] | 1994-05-23 | Stade Du Parc Olympique, Montréal, Canada | | | | | | |
773 | | | | +[neptunePF] | 1994-05-24 | Stade Du Parc Olympique, Montréal, Canada | | | | | | |
774 | | | | +[neptunePF] | 1994-05-26 | Municipal Stadium, Cleveland, OH, US | | | | | | |
775 | | | | +[neptunePF] | 1994-05-27 | Municipal Stadium, Cleveland, OH, US | | | | | | |
776 | | | | +[neptunePF] | 1994-05-29 | Ohio State University Stadium, Columbus, OH, US | | | | | | |
777 | | | | +[neptunePF] | 1994-05-31 | Three Rivers Stadium, Pittsburgh, PA, US | | | | | | |
778 | | | | +[neptunePF] | 1994-06-02 | Veterans Stadium, Philadelphia, PA, US | | | | | | |
779 | | | | +[neptunePF] | 1994-06-03 | Veterans Stadium, Philadelphia, PA, US | | | | | | |
780 | | | | +[neptunePF] | 1994-06-04 | Veterans Stadium, Philadelphia, PA, US | | | | | | |
781 | | | | +[neptunePF] | 1994-06-06 | Carrier Dome, Syracuse, NY, US | | | | | | |
782 | | | | +[neptunePF] | 1994-06-10 | Yankee Stadium, New York, NY, US | | | | | | |
783 | | | | +[neptunePF] | 1994-06-11 | Yankee Stadium, New York, NY, US | | | | | | |
784 | | | | +[neptunePF] | 1994-06-14 | Hoosier Dome, Indianapolis, IN, US | | | | | | |
785 | | | | +[neptunePF] | 1994-06-16 | Cyclone Stadium, Ames, IA, US | | | | | | |
786 | | | | +[neptunePF] | 1994-06-18 | Mile High Stadium, Denver, CO, US | | | | | | |
787 | | | | +[neptunePF] | 1994-06-20 | Arrowhead Stadium, Kansas City, MO, US | | | | | | |
788 | | | | +[neptunePF] | 1994-06-22 | Hubert H Humphrey Metrodome, Minneapolis, MN, US | | | | | | |
789 | | | | +[neptunePF] | 1994-06-25 | British Columbia Place Stadium, Vancouver, Canada | | | | | | |
790 | | | | +[neptunePF] | 1994-06-26 | British Columbia Place Stadium, Vancouver, Canada | | | | | | |
791 | | | | +[neptunePF] | 1994-06-28 | Commonwealth Stadium, Edmonton, Canada | | | | | | |
792 | | | | +[neptunePF] | 1994-07-01 | Winnipeg Stadium, Winnipeg, Canada | | | | | | |
793 | | | | +[neptunePF] | 1994-07-03 | Camp Randall Stadium, Madison, WI, US | | | | | | |
794 | | | | +[neptunePF] | 1994-07-05 | Canadian National Exhibition Stadium, Toronto, Canada | | | | | | |
795 | | | | +[neptunePF] | 1994-07-06 | Canadian National Exhibition Stadium, Toronto, Canada | | | | | | |
796 | | | | +[neptunePF] | 1994-07-07 | Canadian National Exhibition Stadium, Toronto, Canada | | | | | | |
797 | | | | +[neptunePF] | 1994-07-09 | Robert F. Kennedy Stadium, Washington, DC, US | | | | | | |
798 | | | | +[neptunePF] | 1994-07-10 | Robert F. Kennedy Stadium, Washington, DC, US | | | | | | |
799 | | | | +[neptunePF] | 1994-07-12 | Soldier Field, Chicago, IL, US | | | | | | |
800 | | | | +[neptunePF] | 1994-07-14 | Pontiac Silverdome, Pontiac, MI, US | | | | | | |
801 | | | | +[neptunePF] | 1994-07-15 | Pontiac Silverdome, Pontiac, MI, US | | | | | | |
802 | | | | +[neptunePF] | 1994-07-17 | Giants Stadium, East Rutherford, NJ, US | | | | | | |
803 | | | | +[neptunePF] | 1994-07-18 | Giants Stadium, East Rutherford, NJ, US | | | | | | |
804 | | | | +[neptunePF] | 1994-07-22 | Estadio De Alvalade, Lisboa, Portugal | | | | | | |
805 | | | | +[neptunePF] | 1994-07-23 | Estadio De Alvalade, Lisboa, Portugal | | | | | | |
806 | | | | +[neptunePF] | 1994-07-25 | Estadio Anoeta, San Sebastián, Spain | | | | | | |
807 | | | | +[neptunePF] | 1994-07-27 | Estadio Olimpico, Barcelona, Spain | | | | | | |
808 | | T | | +[neptunePF] | 1994-07-30 | Chateau De Chantilly, Chantilly, France | | | | | | |
809 | | T | | +[neptunePF] | 1994-07-31 | Chateau De Chantilly, Chantilly, France | | | | | | |
810 | | | | +[neptunePF] | 1994-08-02 | Mungersdorfer Stadion, Köln, Germany | | | | | | |
811 | | | | +[neptunePF] | 1994-08-04 | Olympiastadion, München, Germany | | | | | | |
812 | | | | +[neptunePF] | 1994-08-06 | Fussballstadion St. Jakob, Basel, Switzerland | | | | | | |
813 | | | | +[neptunePF] | 1994-08-07 | Fussballstadion St. Jakob, Basel, Switzerland | | | | | | |
814 | | | | +[neptunePF] | 1994-08-09 | Amphitheatre Du Chateau De Grammont, Montpellier, France | | | | | | |
815 | | | | +[neptunePF] | 1994-08-11 | Esplanade Des Quinconces, Bordeaux, France | | | | | | |
816 | | | | +[neptunePF] | 1994-08-13 | Hockenheimring,, Hockenheim, Germany | | | | | | |
817 | | | | +[neptunePF] | 1994-08-16 | Niedersachsenstadion, Hannover, Germany | | | | | | |
818 | | | | +[neptunePF] | 1994-08-17 | Niedersachsenstadion, Hannover, Germany | | | | | | |
819 | | | | +[neptunePF] | 1994-08-19 | Wiener Neustadt-Flugfeld, Vienna, Austria | | | | | | |
820 | | | | +[neptunePF] | 1994-08-21 | Maifeld Am Olympiastadion, Berlin, Germany | | | | | | |
821 | | | | +[neptunePF] | 1994-08-23 | Parkstadion, Gelsenkirchen, Germany | | | | | | |
822 | | | | +[neptunePF] | 1994-08-25 | Parken, Copenhagen, Denmark | | | | | | |
823 | | | | +[neptunePF] | 1994-08-27 | Ullevi Stadion, Göteborg, Sweden | | | | | | |
824 | | | | +[neptunePF] | 1994-08-29 | Valle Hovin Stadion, Oslo, Norway | | | | | | |
825 | | | | +[neptunePF] | 1994-08-30 | Valle Hovin Stadion, Oslo, Norway | | | | | | |
826 | | | | +[neptunePF] | 1994-09-02 | Festivalweise, Werchter, Belgium | | | | | | |
827 | | | | +[neptunePF] | 1994-09-03 | Stadion Feyenoord, Rotterdam, Netherlands | | | | | | |
828 | | | | +[neptunePF] | 1994-09-04 | Stadion Feyenoord, Rotterdam, Netherlands | | | | | | |
829 | | | | +[neptunePF] | 1994-09-05 | Stadion Feyenoord, Rotterdam, Netherlands | | | | | | |
830 | | | | +[neptunePF] | 1994-09-07 | Strahov Stadion, Praha, Czech Republic | | | | | | |
831 | | | | +[neptunePF] | 1994-09-09 | Stade De La Meinau, Strasbourg, France | | | | | | |
832 | | | | +[neptunePF] | 1994-09-11 | Stade De Gerland, Lyon, France | | | | | | |
833 | | | | +[neptunePF] | 1994-09-13 | Stadio Delle Alpi, Torino, Italy | | | | | | |
834 | | | | +[neptunePF] | 1994-09-15 | Stadio Friuli, Udine, Italy | | | | | | |
835 | | | | +[neptunePF] | 1994-09-17 | Festa Nazionale Dell Unita, Modena, Italy | | | | | | |
836 | | T | | +[neptunePF] | 1994-09-19 | Studi Di Cinecitta, Roma, Italy | | | | | | |
837 | | T | | +[neptunePF] | 1994-09-20 | Studi Di Cinecitta, Roma, Italy | | | | | | |
838 | | | | +[neptunePF] | 1994-09-21 | Studi Di Cinecitta, Roma, Italy | | | | | | |
839 | | | | +[neptunePF] | 1994-09-23 | Stade De Gerland, Lyon, France | | | | | | |
840 | | | | +[neptunePF] | 1994-09-25 | Stade De La Pontaise, Lausanne, Switzerland | | | | | | |
841 | | | | +[neptunePF] | 1994-10-12 | Earls Court Exhibition Hall, London, England | | | | | | |
842 | | | | +[neptunePF] | 1994-10-13 | Earls Court Exhibition Hall, London, England | | | | | | |
843 | | | | +[neptunePF] | 1994-10-14 | Earls Court Exhibition Hall, London, England | | | | | | |
844 | | | | +[neptunePF] | 1994-10-15 | Earls Court Exhibition Hall, London, England | | | | | | |
845 | | | | +[neptunePF] | 1994-10-16 | Earls Court Exhibition Hall, London, England | | | | | | |
846 | | | | +[neptunePF] | 1994-10-17 | Earls Court Exhibition Hall, London, England | | | | | | |
847 | | | | +[neptunePF] | 1994-10-19 | Earls Court Exhibition Hall, London, England | | | | | | |
848 | | | | +[neptunePF] | 1994-10-20 | Earls Court Exhibition Hall, London, England | | | | | | |
849 | | | | +[neptunePF] | 1994-10-21 | Earls Court Exhibition Hall, London, England | | | | | | |
850 | | | | +[neptunePF] | 1994-10-22 | Earls Court Exhibition Hall, London, England | | | | | | |
851 | | | | +[neptunePF] | 1994-10-23 | Earls Court Exhibition Hall, London, England | | | | | | |
852 | | | | +[neptunePF] | 1994-10-26 | Earls Court Exhibition Hall, London, England | | | | | | |
853 | | | | +[neptunePF] | 1994-10-27 | Earls Court Exhibition Hall, London, England | | | | | | |
854 | | | | +[neptunePF] | 1994-10-28 | Earls Court Exhibition Hall, London, England | | | | | | |
855 | | | | +[neptunePF] | 1994-10-29 | Earls Court Exhibition Hall, London, England | | | | | | |
1995 |
31 | O | T | | +(EMI ) | 1995-06-06 | Pulse | | | | | | |
2005 |
856 | | | | +[neptunePF] | 2005-07-02 | Hyde Park, London, England | | | | | | |
2006 |
999 | M | | | +Roger Keith Barrett : 6 janvier 1946 (Cambridge, England) / 7 juillet 2006 (Cambridge, England) | 2006-07-07 | Mort de Syd Barrett Cambridge, England | | | | 60 | | |
2008 |
998 | M | | | +28 juillet 1943(London, England) / 15 septembre 2008 (London, England) | 2008-09-15 | Mort de Richard Wright London, England | | | | 65 | | |
2012 |
4 | | | | | 2012-03-07 | Passons Le Bac Avec Les Pink Floyd Au Théâtre Du C, Paris, France | | | | | | 01 |
2014 |
33 | O | T | | +(Parlophone ) | 2014-11-07 | The Endless River | | | | | | |
Enregistrements
(43/1) Pink Floyd, , BBC archives 1967-1969
Audio/wav, ?/?, (?)
Pink Floyd
BBC Archives 1967-1969 (HRV CDR 008) RevB
40th Anniversary Edition
Research and Remastering by MOB
Quality Control by EdP
Artwork by RonToon
Produced by Harvested Records
Disc One
1. Pow R Toc H (14May67 "Look Of The Week")
2. Astronomy Domine (14May67 "Look Of The Week")
3. The Gnome (25Sep67 "Top Gear")
4. Scarecrow (25Sep67 "Top Gear")
5. Set The Controls For The Heart Of The Sun (25Sep67 "Top Gear")
6. Matilda Mother (25Sep67 "Top Gear")
7. Reaction in G (25Sep67 "Top Gear")
8. Flaming (25Sep67 "Top Gear")
9. Green Onions (12Dec67 "Tomorrow's World")
10. Instrumental (12Dec67 "Tomorrow's World")
11. Vegetable Man (20Dec67 "Top Gear")
12. Scream Thy Last Scream (20Dec67 "Top Gear")
13. Pow R Toc H (20Dec67 "Top Gear")
14. Jugband Blues (20Dec67 "Top Gear")
Disc Two
1. Instrumental (26Mar68 "The Sound Of Change")
2. Set The Controls For The Heart Of The Sun (28Mar68 "Omnibus' All My Loving")
3. The Murderotic Woman (25Jun68 "Top Gear")
4. The Massed Gadgets Of Hercules (25Jun68 "Top Gear")
5. Let There Be More Light (25Jun68 "Top Gear")
6. Julia Dream (25Jun68 "Top Gear")
7. Point Me At The Sky (02Dec68 "Top Gear")
8. Baby Blue Shuffle In D Major (02Dec68 "Top Gear")
9. Embryo (02Dec68 "Top Gear")
10. Interstellar Overdrive (02Dec68 "Top Gear")
11. Daybreak (12May69 "Top Gear")
12. Nightmare (12May69 "Top Gear")
13. The Beginning (12May69 "Top Gear")
14. Beset By Creatures Of The Deep (12May69 "Top Gear")
15. The Narrow Way (12May69 "Top Gear")
16. Moonhead (20Jul69 "Omnibus' What If It's Just Green Cheese?")
40 years after the last Pink Floyd studio session for the BBC, Harvested is proud to present this upgraded version of "BBC Archives 1967-1969".
This release required a lot of work and took more than 6 months to complete. The purpose was to present each track in the best possible quality. The process was long because it was performed on a track by track basis. For each song, we had to compare many different sources in order to identify the strengths and weaknesses of each version and then decide which one(s) to work on. The mastering work was done very carefully, trying to repair every flaw that could be corrected... and there were a lot (tape warble, crackles, drop-outs, incorrect speed, etc).
Instead of giving all the details for each single track (we want to avoid sterile debates about lineage and sources), we prefer the results to speak for itself. We think people should judge by their ears; listen to your sonically-preferred versions and compare them to the ones on this new Harvested release. We can confidently say that every track is - sonically speaking - an upgrade compared to the best previously circulating version, including the master transfer of the 25Jun68 session (which offered complete versions but from a damaged mastertape) and the recent Celestial Voices tracks from the 12May69 session.
We made the choice not to include the various DJ intros in order to focus on the music. There are some exceptions such as Reaction In G and Set The Controls from the 25Sep67 session, but for the remainder the DJ comments were considered too distracting and so we edited them out (e.g. the Tomorrow's World tracks). Also, it's important to note that all tracks are presented in true mono, the way they were mixed by the BBC (there's no "fake stereo" nor "sound expanding" effect).
This collection not only includes the sessions for BBC radio, but also studio sessions for BBC TV shows and documentaries making it more complete than the previous releases. The number of tracks is now 30; 14 are covering the 1967 sessions with Syd (on CD 1) and 16 are dedicated to the 1968-1969 era with David (on CD 2).
Cuesheets are included for those who like to burn CDRs with all the required text info.
Enjoy this 40th Anniversary Edition !
MOB (December 2009)
Harvested Records
(45/1) Pink Floyd, , The Early Singles
Audio/mp3, ?/?, (?)
Pink Floyd - The Early Singles
Release Date: 1992
Columbia CXK 53180 CK 53181
Bonus Disc from the Shine On box set
1. "Arnold Layne" 2:57
* Lead vocals: Syd Barrett
2. "Candy and a Currant Bun" 2:47
* Lead vocals: Syd Barrett
3. "See Emily Play" 2:54
* Lead vocals: Syd Barrett
4. "The Scarecrow" 2:10
* Lead vocals: Syd Barrett
5. "Apples And Oranges" 3:08
* Lead vocals: Syd Barrett
6. "Paintbox" (Rick Wright) 3:47
* Lead vocals: Rick Wright
7. "It Would Be So Nice" (Rick Wright) 3:46
* Lead vocals: Rick Wright
8. "Julia Dream" (Roger Waters) 2:35
* Lead vocals: David Gilmour
9. "Point Me at the Sky" (Roger Waters) 3:35
* Lead vocals: David Gilmour, Roger Waters, Rick Wright
10. "Careful with That Axe, Eugene" (David Gilmour/Roger Waters/Rick Wright/Nick Mason) 5:44
All tracks written by Syd Barrett, except as noted.
Tracks 1-2 released as a single on March 11, 1967
Tracks 3-4 released as a single on June 17, 1967
Tracks 5-6 released as a single on November 18, 1967
Tracks 7-8 released as a single on April 13, 1968
Tracks 9-10 released as a single on December 7, 1968
Band:
Syd Barrett (1-6)
Roger Waters
Rick Wright
Nick Mason
David Gilmour (7-10)
Description:
The Early Singles is a CD that is available only on Pink Floyd's 1992 Shine On box set. It is a compilation of the first five Pink Floyd singles, in order. After these releases, the band did not officially issue another single in their home territory of Britain until 1979's Another Brick in the Wall, Part II.
Except for the song "The Scarecrow", which appeared on The Piper at the Gates of Dawn (1967), and "Careful with That Axe, Eugene", a live version of which was on Ummagumma, the rest of the tracks were not released on any studio albums. Although several of the tracks appeared on earlier compilations (notably Relics (1971) and Works (1983), this was the first release that brought the 1960s singles together.
The tracks "Apples and Oranges" and "Point Me at the Sky" were previously unreleased in the United States and The Early Singles CD marked the tracks' first official appearance in the United States.
(49/1) Pink Floyd, , The Early Years 1969 Dramatis/ation
Audio/mp3, ?/?, (?)
Pink Floyd
The Early Years 1969 Dramatis/ation
More Album Alternative Versions
CD1-1 Hollywood 1:21
CD1-2 Theme (Beat Version) 5:38
CD1-3 More Blues (Alternative Version) 3:49
CD1-4 Seabirds (Instrumental) 4:20
From 'Picnic', Harvest Records Sampler
CD1-5 Embryo 4:43
BBC Radio Session, 12 May 1969
CD1-6 Grantchester Meadows 3:36
CD1-7 Cymbaline 3:38
CD1-8 The Narrow Way 4:48
CD1-9 Green Is The Colour / 3:21
CD1-10 Careful With That Axe, Eugene 3:29
Live At The Paradiso, Amsterdam, 9 August 1969
CD1-11 Interstellar Overdrive 4:20
CD1-12 Set The Controls For The Heart Of The Sun 12:25
CD1-13 Careful With That Axe, Eugene 10:09
CD1-14 A Saucerful Of Secrets 13:03
The Man And The Journey, Performed At The Concertgebouw, Amsterdam, 17 September 1969
Part 1, The Man
CD2-1 Daybreak (Grantchester Meadows) 8:14
CD2-2 Work 4:12
CD2-3 Afternoon (Biding My Time) 6:39
CD2-4 Doing It 3:54
CD2-5 Sleeping 4:38
CD2-6 Nightmare (Cymbaline) 9:15
CD2-7 Labyrinth 1:10
Part 2, The Journey
CD2-8 The Beginning (Green Is The Colour) 3:25
CD2-9 Beset By Creatures Of The Deep (Careful With That Axe, Eugene) 6:27
CD2-10 The Narrow Way, Part 3 5:11
CD2-11 The Pink Jungle (Pow R. Toc H.) 4:56
CD2-12 The Labyrinths Of Auximines 3:20
CD2-13 Footsteps / Doors 3:12
CD2-14 Behold The Temple Of Light 5:32
CD2-15 The End Of The Beginning (A Saucerful Of Secrets) 6:31
Forum Musiques, Paris, France, 22 January 1969 (19:25)
DVD-1 Set The Controls For The Heart Of The Sun
DVD-2 A Saucerful Of Secrets The Man And The Journey, Royal Festival Hall, London, Rehearsal, 14 April, 1969 (14:05)
DVD-3a Afternoon (Biding My Time)
DVD-3b The Beginning (Green Is The Colour)
DVD-3c Cymbaline
DVD-3d Beset By Creatures Of The Deep
DVD-3e The End Of The Beginning (A Saucerful Of Secrets) Essener Pop And Blues Festival, Essen, Germany, 11 October 1969 (19:14)
DVD-4 Careful With That Axe, Eugene
DVD-5 A Saucerful Of Secrets Music Power And European Music Revolution, Festival Actuel, Amougies Mont De LEnclus, Belgium, 25 October 1969 (27:53)
DVD-6 Green Is The Colour
DVD-7 Careful With That Axe, Eugene
DVD-8 Set The Controls For The Heart Of The Sun
DVD-9 Interstellar Overdrive 11:26
Forum Musiques, Paris, France, 22 January 1969 (19:25)
BR-1 Set The Controls For The Heart Of The Sun
BR-2 A Saucerful Of Secrets The Man And The Journey, Royal Festival Hall, London, Rehearsal, 14 April, 1969 (14:05)
BR-3a Afternoon (Biding My Time)
BR-3b The Beginning (Green Is The Colour)
BR-3c Nightmare (Cymbaline)
BR-3d Beset By Creatures Of The Deep
BR-3e The End Of The Beginning (A Saucerful Of Secrets) Essener Pop And Blues Festival, Essen, Germany, 11 October 1969 (19:14)
BR-4 Careful With That Axe, Eugene
BR-5 A Saucerful Of Secrets Music Power And European Music Revolution, Festival Actuel, Amougies Mont De LEnclus, Belgium, 25 October 1969 (27:53)
BR-6 Green Is The Colour
BR-7 Careful With That Axe, Eugene
BR-8 Set The Controls For The Heart Of The Sun
BR-9 Interstellar Overdrive 11:26
(102/1) Pink Floyd, , The Man And The Journey (Live)
Audio/Flac, Dime/?, (20221124)
Pink Floyd
The Man And The Journey (Live)
01.Pink Floyd - Daybreak
02.Pink Floyd - Work
03.Pink Floyd - Afternoon
04.Pink Floyd - Doing It
05.Pink Floyd - Sleeping
06.Pink Floyd - Nightmare
07.Pink Floyd - Daybreak
08.Pink Floyd - The Beginning
09.Pink Floyd - Beset By Creatures Of The Deep
10.Pink Floyd - The Narrow Way
11.Pink Floyd - The Pink Jungle
12.Pink Floyd - The Labyrinths Of Auximenes
13.Pink Floyd - Footsteps Doors
14.Pink Floyd - Behold The Temple Of Light
15.Pink Floyd - The End Of The Beginning
(103/1) Pink Floyd, , Virtual Zabriskie Point Studio Album
Audio/Flac, TradersDen/?, (20221124)
Pink Floyd 1969-xx Virtual Zabriskie Point Studio Album drbirdseed version flac
Virtual Zabriskie Point Studio Album
Pink Floyd
compiled by drbirdseed 2006
When i heard the released portions of the zabriskie point OST, i was fascinated by the fact, that pink floyd were meant to do the complete soundtrack. I had Omay Yad in my ROIO collection for years and liked the ZP-Outtakes very much, though SQ is a bit disappointed. Later i got The Complete ZP Sessions ROIO in Trade. When i heard it for the first time, i decided, that there should have been a Pink Floyd Album from those sessions.
So, i did it.
I carefully denoised most of the tracks, EQ'd and edited them, and then compiled a mostly instrumental pink floyd album. I added Embryo, although i know that this one was recorded for Ummagumma earlier in 1969, but to me it sounds right between those ZP-Tracks.
Lineage:
dl from tracker 2019-06-02, rsx. files created 2006-06-09, LL. blog > Transmission 2.94
> iMac 3.2 GHz Intel Core i5 (os10.14.5 Mojave) > xACT 2.47 (md5, st5) > Transmission 2.94 >
st5 included in torrent with original checksum file (md5).
Setlist:
01 - Love Scene.flac
02 - Intermezzo.flac
03 - Violence Sequence.flac
04 - Crumbling Land Pt 1.flac
05 - Sleep.flac
06 - Oenone Pt 1.flac
07 - Fingal's Cave.flac
08 - Red Queen Prelude.flac
09 - Crumbling Land Pt 2.flac
10 - Rain in the Country.flac
11 - Blues.flac
12 - Red Queen Theme.flac
13 - Oenone Pt2.flac
14 - The Embryo.flac
15 - Heart Beat Pig Meat.flac
16 - Oenone (Reprise).flac
17 - Come in Number 51 your Time is up.flac
I hope you will have fun listening to another "Great Lost Pink Floyd Album". I do.
Please only trade freely and don't encode to lossy formats.
Greetings,
drbirdseed
"There are some of these recordings where it is just a whirring, and you cannot hear the music. "
Jimmy Page, 2007-07-26
(paddington))
(104/1) Pink Floyd, , Zabriskie Point, Sessions
Audio/Flac, TradersDen/?, (20221124)
Pink Floyd 1969-11-xx "Zabriskie Point, Sessions, Rev. A" [TPR CD 001] mob flac
Pink Floyd - Zabriskie Point - The Sessions - Rev. A
[ This Place Records TPR CD 001 ]
studio sessions recorded in Rome, Nov-Dec 1969
Lineage:
dl from tracker 2019-06-05, rsx.
Lossless Legs blog > Transmission 2.94 > iMac 3.2 GHz Intel Core i5 (os10.14.5 Mojave)
> xACT 2.47 (md5, st5) > Transmission 2.94 > share
st5 included in torrent with original checksum file (md5).
Some controversy attended the selection of tracks for this Compilation from other Sources. Certainly people of good will disagree at times when they share a common goal. I have tried to retain the reasons for the choices and terms used in these recordings. No music was altered in any way. I edited the info file for clarity but the original is still here, please use it if it fits your needs. A few complicated bits were left out of this file (I know!) so look there if you have a Need for more.
Tracks:
CD1:
01. Heart Beat, Pig Meat (soundtrack version)
02. Heart Beat, Pig Meat (film version)
03. Riot Scene
04. Fingal's Cave
05. Crumbling Land (with rock intro)
06. Crumbling Land (film version)
07. Crumbling Land (soundtrack version)
08. Crumbling Land (extended version)
09. Crumbling Land (full mix)
10. Unknown Song (soundtrack version)
11. Unknown Song (rough mix)
12. Unknown Song (full mix)
13. Country Song (humming version)
14. Country Song (harpsichord version)
15. Country Song (soundtrack version)
16. Country Song (full mix)
CD2:
01. Love Scene #1
02. Love Scene #2 (rough mix)
03. Love Scene #2 (full mix)
04. Love Scene #3
05. Love Scene #4 (soundtrack version)
06. Love Scene #4 (full mix)
07. Love Scene #5
08. Love Scene #6 (soundtrack version)
09. Love Scene #6 (full mix)
10. Come In Nr.51, Your Time Is Up (soundtrack version)
11. Come In Nr.51, Your Time Is Up (film version)
Sources:
CD1 1-7-10-15, CD2 5-8-10: "Zabriskie Point - Extended Soundtrack" CDs
CD1 2-6, CD2 11: "Zabriskie Point" LaserDisc
CD1 4-8-11, CD2 2: "Omay Yad" RoIO LP
CD1 3-5-9-12-13-14-16, CD2 1-3-4-6-7-9: "A Journey Through Time & Space" RoIO CD
Tracks from the RoIOs were carefully remastered:
- speed corrected
- levels, balance and EQ adjusted
- unwanted noise cleaned
Tracks from the "Zabriskie Point" LaserDisc were slightly cleaned
(some static noise carefully removed).
Comments for Rev.A:
-------------------
The first version used the "Omay Yad" RoIO CD, which had muffled sound. This time, I was able to rework the "Omay Yad" tracks from a direct RoIO LP rip. The versions on "Omay Yad" LP have a far better clarity compared to the versions on "Omay Yad" CD, but of course I had to spend a lot of time in order to carefully remaster them (cleaning of vinyl noises, speed adjusting ...).
For the rest of the tracks, Rev.A offers no real upgrade in terms of sound quality. I just did some editing work in order to smooth the
transitions between tracks (which were abrupt in some cases, on the original version).
------------------------------------------------------------------------
DETAILED INFORMATION
------------------------------------------------------------------------
Abbreviations:
--------------
ZP = Zabriskie Point
ZP97 = "Zabriskie Point" extended soundtrack released by Rhino in 1997
OY = "Omay Yad" RoIO LP
AJTT&S = "A Journey Through Time & Space" RoIO CD
UZP = "Ultimate Zabriskie Point" RoIO CDs
Number of tracks:
-----------------
There are 27 tracks, while on some other similar projects (e.g. UZP) there are 29 tracks for the Zabriskie Point sessions. The explanation is quite simple: on AJTT&S there are 2 unnecessary tracks (11 and 15).
AJTT&S track 11 is an extract of AJTT&S track 04 (this is exactly the same as track 04, the difference is that track 11 fades out
after one minute). On UZP, there is the same duplication: UZP CD2 track 12 is exactly the same as the beginning of UZP CD2 track 09.
AJTT&S track 15 is taken from ZP97 (it fades in slightly later, but it's clearly the soundtrack version). On UZP, there is the same
mistake: UZP CD1 track 15 is identical to the soundtrack version (UZP CD1 track 12).
Titles:
-------
The titles used for the tracks were taken from official sources as often as possible. The only exception is "Fingal's Cave", for which
no official title is known, therefore the tentative title from the original "Omay Yad" RoIO LP manufacturers was kept.
The correct title for "Rain In The Country" from OY is "Unknown Song".
"Oenone" from OY is actually one of the attempts for "Love Scene" (as explained in David Fricke's liner notes on the ZP97 booklet).
"Riot Scene" title was preferred above "The Violent Sequence", because here is no evidence that Pink Floyd ever used "The Violent Sequence" as the title, and David Fricke (who clearly had access to the multi-track tapes) refers to this outtake as being "Riot Scene", on the official ZP97 booklet.
Versions:
---------
The tracks marked "soundtrack version" are taken from ZP97.
The tracks marked "film version" are taken from ZP LaserDisc.
The two tracks marked "rough mix" are taken from OY.
On AJTT&S, most of the outtakes are not really "alternate versions", but rather "alternate mixes" (i.e. same take as on the official
version, but differently mixed). Apparently these mixes contain all the tracks from the multi-track tape, while on the official versions some tracks were left out of the mix. This is why these alternate mixes from AJTT&S are called "full mix" here.
More details about the different versions are given below.
Numbering of "Love Scene" outtakes:
-----------------------------------
Here is what we know from official sources:
- Pink Floyd made at least 6 attempts for "Love Scene"
- #4 is the quiet piano piece
- #6 is the blues piece
- the outtake known as "Oenone" was an earlier attempt for "Love
Scene" (refer to David Fricke's liner notes in the ZP97 booklet),
therefore it's one of the first 3 attempts
On AJTT&S, tracks 7-8-9 seem to come from a continuous tape (there is no tape cut). Since track 7 is "Love Scene #4" and track 9 is
"Love Scene #6", it is logical to assume that track 8 is "Love Scene #5". It is also important to note that during the Interstellar
Expo in Paris, late 2003, a 8-track master reel of the sessions was exposed. The label clearly mentions Love Scene #4 as a piano/vibes track, Love Scene #6 as the "blues version", and between them, Love Scene #5, which is indicated as a "vibes version", with 2 different vibes tracks. This definitely confirms that AJTT&S track 8 must be Love Scene #5.
On AJTT&S again, tracks 10-11-12 could be also from a continuous tape (even if track 11 fades out early). This is why it was assumed that:
- AJTT&S track 10 = "Love Scene #1"
- AJTT&S track 11 = "Love Scene #2" (intro only, the complete version being on AJTT&S track 4)
- AJTT&S track 12 = "Love Scene #3"
Tracks order:
-------------
The songs were organised to follow the movie. This is why:
- CD1 begins with "Heart Beat, Pig Meat"
- CD2 ends with "Come In Nr.51, Your Time Is Up"
- "Riot Scene" is placed after "Heart Beat, Pig Meat" and before "Crumbling Land"
- "Love Scene" is placed on CD2, just before "Come In Nr.51"
The way the other songs are placed is a matter of taste. "Unknown Song" and "Country Song" follow "Crumbling Land". "Fingal's Cave" cannot be attributed to a specific scene (it could be an attempt for the final scene, but it could also be an attempt for the riot
scene). It is placed on CD1 track 4, just after "Riot Scene", to contrast with the quietness of the preceding track. It offers also
an interesting transition with the following track (the rock intro of "Crumbling Land" and "Fingal's Cave" have some similarities).
For each song, the different versions were organised in order to have a progression between the versions. When different takes were
available, the earlier takes come first. For a same take, the official version comes first, because rough mixes and full mixes often reveal other recorded tracks, not kept in the official mix (e.g. the vibes during "Love Scene #4", the piano and additional percussion during "Unknown Song", a second drums track with tempo mistakes during "Crumbling Land").
Description of the versions:
----------------------------
HEART BEAT, PIG MEAT:
The "film version" is an alternate mono mix. The intro (before the first organ notes) is longer than on the soundtrack version. The sounds and background noises are differently mixed (especially the orchestra snippets). The last part is edited.
RIOT SCENE:
The only available version is an outtake. This song is often called "The Violent Sequence" by the fans, although there is no evidence
that this title was used by Pink Floyd. It was played live during shows in early 1970 (with bass and drums). The song later re-emerged
as "Us And Them".
FINGAL'S CAVE:
The only available version is an outtake. The title was given by the manufacturers of the "Omay Yad" RoIO LP.
CRUMBLING LAND:
The first version is an early take, where there is a solid rock intro, directly followed by the song itself. In fact only the first verse of
the song was recorded during this early take. Curiously, the "film version" comes from the early take mentioned above, and not from the final take that appears on the soundtrack. The "extended version" is basically the same as the soundtrack
version, but the ending with cars and street noises is uncut. The "full mix" version is from the same take as the soundtrack version, but here all the tracks are in the mix, even tracks with some experimentation (e.g. a second drums track with mistakes).
UNKNOWN SONG:
The "rough mix" version (entitled "Rain In The Country" in OY) comes from the same take as the soundtrack version (recorded 06Dec69), but there are edits here and there, and some instruments not mixed in the official version can be heard here (percussion, piano). The lead guitar is different. The "full mix" version is also from the same take, with all the tracks in the mix and without edit.
COUNTRY SONG:
The "humming version" and "harpsichord version" are early attempts. The "full mix" version is from the same take as the soundtrack version (recorded 12Dec69), but is slightly differently mixed. This version is also uncut and is more than one minute longer than the
soundtrack version.
LOVE SCENE:
"Love Scene #1" is just organ and guitar. "Love Scene #2" is much more elaborated, with more keyboards, more guitar tracks, vibes and percussion. The "rough mix" version (entitled "Oenone" in OY) has some edits and does not include all the tracks. The "full mix" version has all the tracks in the mix, including an explicit sex scene, with "vocals" from Roger and David! "Love Scene #3" is another take, with similar instrumentation. "Love Scene #4" is a quiet piano piece (recorded 16Nov69), overdubbed
with vibes. The soundtrack version only includes the piano, while the "full mix" version has the overdubs. "Love Scene #5" is a vibes duo. "Love Scene #6" is a blues piece, played by the whole band (recorded 16Nov69). The "full mix" version is from the same take as the soundtrack version, but is slightly differently mixed (note that the piano is on the left at the beginning and the suddenly moves to the right).
COME IN NR.51, YOUR TIME IS UP:
This song is actually "Careful With That Axe, Eugene" revisited. The "film version" is an alternate mono mix. The organ is louder in the mix, and one guitar track is edited out.
mob
Enjoy!
(105/1) Pink Floyd, , The Embryo
Audio/Flac, ?/?, (20221124)
Pink Floyd
The Embryo
Label: The Swingin' Pig TSP-CD-020
1 Let There Be More Light 3:34
2 Point Me At The Sky 4:18
3 Murderistic Woman 2:16
4 Julia Dream 2:08
5 The Embryo 3:01
6 A Saucerful Of Secrets 6:42
7 The Narrow Way 4:23
8 Green Is The Colour 6:12
Recorded live in session for BBC Radio 1968- 1969.
(106/1) Pink Floyd, , The Man The Journey
Audio/Flac, ?/?, (20221124)
Pink Floyd
The Man The Journey
01 Daybreak
02 Work · Afternoon
03 Doing It
04 Sleep [Intro]
05 Sleep
06 Nightmare
07 Daybreak, Part Two
08 The Beginning
09 Beset By The Creatures Of The
10 The Narrow Way, Part Three
11 The Pink Jungle
12 The Labyrinths Of Auximenes
13 Behold The Temple Of Light
14 The End Of Time
(107/1) Pink Floyd, , BBC archives 1967-1969
Audio/Flac, ?/?, (?)
Pink Floyd - 1967-1969 BBC Archives
Genre : Rock
Date : 03.20.2012
Year : 1971
Quality : 436kbps / 44.1kHz / Stereo
Songs : 30
Playtime : CD1:36:16 CD2:67:51
Size : 323.74 MB
Streetdate : 00.00.0000
Type : Album
Source : CDDA
[ Tracklist ]
CD1
01.Pow R Toc H (14May67). [00:37]
02.Astronomy Domine (14May67). [03:58]
03.The Gnome (25Sep67). [02:12]
04.Scarecrow (25Sep67). [02:07]
05.Set The Controls (25Sep67). [03:32]
06.Matilda Mother (25Sep67). [03:22]
07.Reaction In G (25Sep67). [00:39]
08.Flaming (25Sep67). [02:40]
09.Green Onions (12Dec67). [00:37]
10.Instrumental (12Dec67). [01:14]
11.Vegetable Man (20Dec67). [03:20]
12.Scream Thy Last Scream (20Dec67). [03:42]
13.Pow R Toc H (20Dec67). [04:25]
14.Jugband Blues (20Dec67). [03:51]
CD2
01.Instrumental (26Mar68). [02:04]
02.Set The Controls (28Mar68). [02:44]
03.The Murderotic Woman (25Jun68). [03:10]
04.The Massed Gadgets Of Hercules (25Jun68). [06:56]
05.Let There Be More Light (25Jun68). [04:19]
06.Julia Dream (25Jun68). [02:35]
07.Point Me At The Sky (02Dec68). [04:25]
08.Baby Blue Shuffle In D Major (02Dec68). [03:48]
09.Embryo (02Dec68). [03:31]
10.Interstellar Overdrive (02Dec68). [08:40]
11.Daybreak (12May69). [03:47]
12.Nightmare (12May69). [03:38]
13.The Beginning (12May69). [03:31]
14.Beset By Creatures Of The Deep (12May69). [03:28]
15.The Narrow Way (12May69). [04:46]
16.Moonhead (20Jul69). [06:29]
-------
104:07
104:07 min
323.74 MB
[ ReleaseNotes ]
Another Fine Release Bought To You By OBSERVER
(108/1) Pink Floyd, , All movement is accomplished
Audio/mp3, ?/?, (?)
Pink Floyd
All Movement Is Accomplished
Label: Inhouse Records (3) â PFCD234
Pays: Luxembourg
Sortie: 1998
1 Flaming
2 Vegetable Man
3 Scream Thy Last Scream
4 Julia Dream
5 Murderistic Woman
6 The Massed Gadgets Of Hercules
7 Baby Blue Shuffle In D Minor
8 Embryo
9 Daybreak
10 The Narrow Way Part 3
11 Merry Xmas Song
12 Arnold Layne
13 Candy & A Currant Bun
14 See Emily Play
15 Scarecrow
16 Apples & Oranges
17 Paint Box
18 It Would Be So Nice
19 Julia Dream
20 Point Me At The Sky
21 Careful With That Axe Eugene
Taken from a CDr compilation of rare unreleased Pink Floyd material from the 1960s. Later half consists of early Pink Floyd singles.
Track 1: Top Gear 9/30/67
Tracks 2,3: Top Gear 12/19/67
Tracks 4,5,6: Top Gear 6/28/98
Tracks 7,8: Top Gear 1/14/69
Tracks 9,10: 5/12/69
Track 11: Circa 1969
Tracks 12-21: Early Singles A Sides & B Sides
(109/1) Pink Floyd, , BBC archives 1967-1969 (rev. a)
Audio/mp3, ?/?, (?)
Pink Floyd - BBC Archives 1967-1969 (Rev. A)
Recorded Sept. 25, 1967 at BBC Playhouse Theater,
Broadcast Oct. 1, 1967 (Top Gear) (01-04),
Recorded Dec. 20, 1967 at BBC Maida Vale Studios,
Broadcast Dec. 31, 1967 (Top Gear) (05-08),
Recorded June 25, 1968 at BBC 210 Piccadilly Studios,
Broadcast Aug. 11, 1968 (Top Gear) (09-12),
Recorded Dec. 2, 1968 at BBC Maida Vale Studios,
Broadcast Dec. 15, 1968 (Top Gear) (13-16),
Recorded May 12, 1969 at BBC Paris Cinema,
Broadcast May 14, 1969 (Night Ride),
and June 1, 1969 (Top Gear) (17-21)
Source: Soundboard -> Various -> CD-R -> Remastered -> SHN
Encoded with Lame 3.96 at VBR/44/JS/HQ (DinoMIX)
Tracks
01 - Flaming
02 - Scarecrow
03 - Matilda Mother
04 - The Gnome
05 - Pow R Toc H
06 - Vegetable Man
07 - Scream Thy Last Scream
08 - Jugband Blues
09 - Let There Be More Light
10 - Murderistic Women
11 - Julia Dream
12 - Massed Gadgets Of Hercules
13 - Point Me At The Sky
14 - Embryo
15 - Baby Blue Shuffle In D Major
16 - Interstellar Overdrive
17 - Daybreak
18 - Nightmare
19 - The Beginning
20 - Beset By Creatures Of The Deep
21 - The Narrow Way
Syd Barrett - Guitar, Vocals (01-08)
David Gilmour - Guitar, Vocals (09-21)
Rick Wright - Keyboards
Roger Waters - Bass, Vocals
Nick Mason - Drums
Remastering Notes From Ed At Harvested-Weeds:
Hi All,
Well it's that time again!
Another 'Rev. A' release is ready to go.
This time the treatment goes to HRV CDR 008 - BBC Archives 1967-1969.
Back when this title was orginally released, Marc-Olivier did an exhaustive comparison between it and the RoIO known as At Dawn v4.00. He found neither entity to be superior to the other. Each one had its strong points in different areas and he suggested an amalgamation of the two.
A little later, we also learned that the speed used for "Scream Thy Last Scream" and "Vegetable Man" were incorrect.
Another flaw existed with the 1967 sessions. These were originally mono broadcasts. But due to "old age" of the tapes, the original BBC Archives 1967-1969 Harvested release had some channel balance problems.
All this, and more, has been fixed on the 'Rev. A' release.
Here's a track-by-track breakdown...
Track 01 - Flaming
Our original release was a little hissy. The At Dawn version had been equalized to eliminate the hiss, but this was overdone and resulted in a "bassy" track. I've re-equalized our original track. The Rev. A version is not hissy and not bassy either. The balance has been recentered to mono too.
Track 02 - Scarecrow
The balance has been recentered to mono.
Track 03 - Matilda Mother
The At Dawn version was slightly clearer than our original. This Rev. A release uses the At Dawn version with the balance recentered to mono. Ron also re-Frankentooned the first note. In addition, the tray artwork has been updated to give the correct spelling of 'Matilda'.
Track 04 - The Gnome
Again, the At Dawn version is used here as it had slightly better SQ. We used our version to restore the start of the song that was missing on At Dawn. The balance was recentered to mono.
Track 05 - Pow R Toc H
The balance was recentered to mono.
Track 06 - Vegetable Man
The At Dawn version is used here. And the balance was recentered. But that's not all... This is the biggest change on this release. The speed has been significantly slowed down.
The recent Omnibus special on Syd Barrett and the Pink Floyd included some snippets of "Vegetable Man". The RoIO used for this BBC show came direct from the BBC Archives. As such, we feel we may have found a valid speed reference. The speed of "Vegetable Man" on our Rev. A release matches that used in the Omnibus special. This is a lot slower than you're probably used to hearing for this song. But, it is very nice and natural.
Enjoy!
Track 07 - Scream Thy Last Scream
A balance recentered, speed corrected version sourced from At Dawn is used here.
Track 08 - Jugband Blues
A balance recentered At Dawn version is used here.
Track 09 - Let There Be More Light
Our original unchanged.
Track 10 - Murderistic Women
Our original unchanged.
Track 11 - Julia Dream
At Dawn version used. Pop at 1:09 fixed.
Track 12 - Massed Gadgets Of Hercules
At Dawn version used. Pop at 0:24 fixed.
Track 13 - Point Me At The Sky
Our original version with the original patch job at the beginning, rebalanced to have a more natural transition. Glitch at 2:36 fixed.
Track 14 - Embryo
Our original unchanged.
Track 15 - Baby Blue Shuffle In D Major
Our original unchanged.
Track 16 - Interstellar Overdrive
Our original unchanged.
Track 17 - Daybreak
Our original unchanged.
Track 18 - Nightmare
To conform with The Man And The Journey theme of this performace, the title "Cymbaline" has been changed to "Nightmare" in the revised artwork. The song is our original unchanged.
Tracks 19/20 The Beginning/Beset By Creature Of The Deep
Our originals unchanged.
Track 21 - The Narrow Way
Our original unchanged.
So, as you can see, this new version of BBC Archives 1967-1969 has a lot to offer. Let the weeding begin.
Remember, for a single disc release such as this, only 3 weedlings are required to fulfill your obligations (not 5).
Regards,
Ed
(110/1) Pink Floyd, , The Man And The_Journey
Audio/mp3, ?/?, (?)
Originally released : 00-00-0000
Release date : 05-23-2007
Album name: The Man And The Journey
Artist : Pink Floyd
Ripped by : Kniffy
Genre: Progressive Rock
Label: Free Range Pigs
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 16
Size of Files : 122,3 MB
Track list
The Man
01 01:02 Introduction
02 08:11 Daybreak
03 03:53 Work
04 03:34 Teatime
05 05:13 Afternoon
06 04:03 Doing It
07 04:37 Sleep
08 09:14 Nightmare
09 01:21 Daybreak Part 2
The Journey
01 04:55 The Beginning
02 06:27 Beset By The Creatures Of The Deep
03 05:13 The Narrow Way
04 04:48 The Pink Jungle
05 06:39 The Labyrinths Of Auximenes
06 05:31 Behold The Temple Of Light
07 06:54 The End Of The Beginning
Total time: 81:35 min
Release notes
The Man and the Journey is the name of a conceptual music piece performed at Pink Floyd live shows in 1969.
It consists of several of their early songs coupled with material that would appear on Music from the Film More and Ummagumma, as well as unreleased songs. The material was incorporated into two album-length suites, The Man and The Journey. The concerts also included visual performance elements such as the sawing and construction of a table and consumption of afternoon tea onstage.
The concept was first performed 14 April, 1969 at the Royal Festival Hall in a show billed as The Massed Gadgets of Auximenes - More Furious Madness from Pink Floyd. A truncated version of the show was recorded 12 May, 1969 for the Top Gear radio programme. The 17 September performance in Amsterdam is the most widely bootlegged of the shows on the tour because it was broadcast by radio station VPRO. Plans for an official live album release of The Man and the Journey were considered, but abandoned due to overlap of material with Ummagumma.
To most fans, the work is either entirely unknown or at least unrecognized as the genesis of Pink Floyd's 'themed pieces'. The band themselves have seldom made reference to it in later interviews. Yet the unique combination of quadraphonic sound effects, abstract program music, and recursive themes ù all of which can be traced to The Man and The Journey ù were to become further developed in the band's most enduring music, culminating in 1983 with their album The Final Cut.
This is the September 17th show.
Contact
Contact us @ : #eos (efnet)
(111/1) Pink Floyd, , Early Flights Vol 1-10 CD
Audio/Flac, ?/?, (?)
Pink Floyd - Early Flights Vol 1
Genre : Rock
Date : 03.20.2012
Year : 1994
Quality : 719kbps / 44.1kHz / Stereo
Songs : 131
Playtime : CD01:70:45 CD02:72:27 CD03:7
Size : 3787.91 MB
Streetdate : 00.00.0000
Type : Album
Source : CDDA
[ Tracklist ]
Pink Floyd - Early Flights Vol 01
01.I'm a King Bee [03:03](Session From 1966)
02.Interstellar Overdrive [16:52](Studio 31 Oct. 1967)
03.Sunshine [01:31](Unreleased Track From 1967)
04.Milky Way [03:10](Alternate Take)
05.Astronomy Domine [04:06](Outtake)
06.Scream Thy Last Scream [04:51](Acetate)
07.The Committee, Part 1 [05:40](OST)
08.The Committee, Part 2 [04:02](Alternate)
09.Long Blues [09:16](Montreux 1970)
10.Slow Blues [05:07](Montreux 1970)
11.Obscured by Clouds / When You're In [13:07](Chicago 3.07.1973)
Pink Floyd - Early Flights Vol 02
01.Silas Lane (Outtake) [01:18]
02.Flaming (U.S Version) [02:49]
03.Interstellar Overdrive(UFO Club 1967) [04:18]
04.Reactioning (Rotterdam 1967) [04:07]
05.12 Bar(Montreux 1970) [05:34]
06.Libest Spacement Monitor(Copenhagen 1971) [09:29]
07.Embryo (Copenhagen1971) [12:16]
08.Money(Demo 1971) [01:43]
09.On The Run(Demo 1971) [03:24]
10.Brain Damage(Demo 1971) [02:03]
11.us And Them(Demo 1971) [07:11]
12.Childhood`s End(Cincinatti 1973) [07:59]
13.Interstellar Overdrive(Acetate 1967) [05:26]
14.Moonhead(Ost From NASA Appolo 11 BBC 1969) [05:38]
Pink Floyd - Early Flights Vol 03
01.Arnold Layne [02:38](Acetate 1967)
02.Candy And Currant Bun [02:03](Acetate 1967)
03.Scarecrow [01:08](BBC Broadcast 1967)
04.Astronomy Domine [03:29](Abbey Road Outtake)
05.See Emily Play [02:56](Acetate)
06.Corporal Clegg [02:53](Belgian Video Version 1968)
07.It Would Be So Nice [03:20](Promo Edit 1968)
08.Paintbox [03:31](Stereo Edit)
09.Jugband Blues [03:11](Unreleased Version With Syd)
10.Vegetable Man [02:33](Last Song With Syd)
11.Let There Be More Light [03:34](Paris 15/05/1969)
12.The Narrow Way [04:22](London 12/05/1969)
13.Green Is The Colour [06:05](London 12/05/1969)
14.The Journey [09:13](Plumpton 08/08/1969)
15.Two Of A Kind [02:37]
16.Bob Dylan S Blues [03:16]
17.Interstellar Overdrive [15:47](London, October 31, 1966)
Pink Floyd - Early Flights Vol 04
01.Astronomy [09:01]
02.Mademoiselle Knobs [01:53](Outtake)
03.Come In Number 51 Your Time Is Up [05:00]
04.Green Is The Colour [03:54]
05.Careful With That Axe Eugene [03:46]
06.Embryo [02:11]
07.Cymbaline [08:36]
08.Granchester Meadows [07:12]
09.Fearless [03:20](Mono Mix - US Promo)
10.Us And Them [03:21](US Promo)
11.Brain Damage Eclipse [03:32](Demo)
12.Interstellar Overdrive [13:22]
13.See Saw [04:32]
14.San Tropez [03:40]
Pink Floyd - Early Flights Vol 05
01.Intro [01:17]
02.Let There Be More Light [07:28]
03.Set the Controls for the Heart of the Sun [12:30]
04.Intro (2) [00:54]
05.A Saucerful of Secrets [14:11]
06.Candy [02:00]
07.Interstellar Overdrive [06:23]
08.Intro (3) [00:36]
09.Keep Smiling People [10:12]
10.Intro (4) [01:06]
11.Let There Be More Light (2) [08:07]
12.Intro (5) [00:53]
13.Flaming [05:00]
Pink Floyd - Early Flights Vol 06
01.Astronomy Domine [02:30](Ortf Radio 28/01/1968 Complete Short Version)
02.Astronomy Domine [07:50](Rome 1969)
03.Cymbaline [05:21](London Sound Techniques Studios 03/1969)
04.Obscured By Clouds [01:03]
05.Free Four [03:32](US Promo Single 1972)
06.Instrumental Unreleased [01:40]
07.Set The Control For The Heart Of The Sun [02:36](ORTF Studio Paris Jan 22 1969)
08.Green Is The Colour [04:00](Amougies Festival - Belgium, Okt 25, 1969)
09.Careful With That Axe Eugene [09:55]
10.Intro [01:11](Theatre Des Champs-Elysees Paris - Jan 23, 1970)
11.The Violent Sequence [04:51](ID.)
12.The Amazing Pudding [16:21](ID.)
13.Careful With That Axe Eugene [07:43](The Dome, Brighton, June 29, 1972)
14.Margritte PT4 [02:45](Waters 1972)
Pink Floyd - Early Flights Vol 07
01.Interstellar Overdrive [04:17](Ufo Club 20.01.1967)
02.Pow R Toc H [00:49](BBC-Look Of The Week 14.05.1967)
03.Astronomy Domine [04:03](IDEM)
04.Set The Control For The Heart Of The Sun [02:30](UK Radio 1967)
05.Let There Be More Light [03:44](Psychedelic Club, Paris 30.10.1968)
06.Flaming [03:08](IDEM)
07.Set The Control For The Heart Of The Sun [08:25](Rome 05.05.1968)
08.Interstellar Overdrive [06:43](IDEM)
09.A Saucerful Of Secrets [06:12](Kralingen 28.07.1970)
10.A Great Gig In The Sky [06:04](Ivor Wyne Stadium, Hamilton, Canada 28.06.1975)
11.Money [09:14](IDEM)
12.Any Colour You Like [07:20](IDEM)
13.Brain Damage [09:13](IDEM)
14.Eclipse [03:52](IDEM)
Pink Floyd - Early Flights Vol 08
01.Pigs On The Wing Part 1 And 2 [03:35](Alternate Version 1977)
02.Comfortably Numb [02:39](Demo 1978)
03.Like A Rolling Stone [01:45](Gilmour 1983)
04.Across The Universe [02:37](Waters 1985)
05.The Hit [03:48](Waters/Clapton 1985)
06.Learning To Fly [01:27](Demo 1986)
07.Sign Of Life [03:59](Live Chicago 1987)
08.Yet Another Movie [07:38](IDEM)
09.A New Machine PT1 [01:43](IDEM)
10.Terminal Frost [06:52](IDEM)
11.A New Machine PT2 [10:10](IDEM)
12.Another Brick In The Wall [10:11](Waters 1987)
13.The Dog Of War [07:27](IDEM)
14.On The Turning Away [06:54](IDEM)
Pink Floyd - Early Flights Vol 09
01.A Saucerful Of Secrets [16:33]
02.Sheep [12:21]
03.Pigs Part 1 [01:34]
04.Dogs [18:25]
05.Pigs Part 2 [02:08]
06.One Slip [05:27]
07.Run Like Hell [07:34]
08.Money [06:17]
Pink Floyd - Early Flights Vol 10 The Last Flight
01.Country Theme [02:11]
02.Mexico 78 [04:24]
03.Big Theme [02:51]
04.Small Theme [03:08]
05.Carrerra Slow Blues [04:51]
06.Shine On You Crazy Diamond [10:51](Knebworth, June 6th 1990)
07.Comfortably Numb [08:22](Knebworth, June 6th 1990)
08.High Hopes [08:18](Knebworth 1994)
09.Take It Back [06:01](Knebworth 1994)
10.Coming Back To Life [06:50](Knebworth 1994)
11.Keep Talking [07:41](Knebworth 1994)
12.One Of These Days [06:59](1994)
-------
720:56
720:56 min
3787.91 MB
[ ReleaseNotes ]
Another Fine Release Bought To You By OBSERVER
(950/1) Pink Floyd, , Pinkie Milkie
Audio/mp3, ?/?, (?)
Pinkie Milkie
Pink Floyd
Label Kobra
Catalogue No. KRCR 21
Release Date 2001
Total Time : 78.03
Comments: This is a compilation of various outtakes and live performances.
These are the best sounding versions for each song (except maybe "Atom Heart Mother", because this is a mono version, and you can find stereo versions around).
However, there are some mistakes in the C.D. tracklist (some titles are wrong or incomplete, some references are wrong).
This C.D. is an absolute must-have for Floyd fans because of the rare "Money" demo and "Pigs On The Wing Pt. I & II".
Also, for the superb sound quality of "Flaming" and "Scream Thy Last Scream".
The C.D.
No Tracklisting Information Time
1 Arnold Layne UK single version in mono. Recorded at Sound Studios, London in January 1967, the single was issued 11th March 1967. (A stereo version was issued on "Relics") 2:51
2 Candy And A Currant Bun UK single (b-side of Arnold Layne) Recorded at the same sessions as the a-side 2:41
3 Flaming Alternate mono mix as appeared on the U.S. Single issued on 5th August 1967 Released as a single as the track was not included on the U.S. "Piper At The Gates Of Dawn" 2:44
4 Scream Thy Last Scream Recorded 9th August 1967 this was planned to be the third U.K. single but was cancelled. (I can see why ! ... Zappa meets Floyd) 4:35
5 Julia Dream BBC Picadilly Studio recording on 25th June 1968 for "Top Gear" 2:20
6 Point Me At The Sky Mono UK single version 3:29
7 Embryo Recorded 2nd December 1968 at BBC's Maida Vale studio for "Top Gear" 3:24
8 Atom Heart Mother Mono recording of 16th July 1970 at the BBC Paris Theatre, London for "Peel Sunday Concert" Whole song, with orchestra. 24:43
9 Breathe From first public performance of "Dark Side" on 17th February 1972 at the Rainbow Theatre 2:59
10 On The Run From first public performance of "Dark Side" on 17th February 1972 at the Rainbow Theatre 6:18
11 Money Mono solo Roger Waters Demo Version - 1972 (or 1971) 1:38
12 Pigs On The Wing Pt.I-II The complete stereo studio version as recorded in 1977 with guitar solo by Snowy White. For the "Animals" release that middle part disappeared as they split the song into two parts. 3:31
13 Mother Stereo - From "The Wall" film, very different from the album version. 6:44
14 Empty Spaces/What Shall We Do Now Listed on the C.D. as "Outside The Wall" From "The Wall" film - Not issued on the 1982 L.P. 4:34 15 Wish You Were Here Live performance, recorded on 20th October 1994 at Earls Court, London. (Could have been copied directly from the official "P.U.L.S.E" video.) 5:00
(700/1) Pink Floyd, , The Massed Gadgets of Auximenes (Reconstructed)
Audio/Flac, ?/?, (?)
Pink Floyd
'The Massed Gadgets Of Auximenes (Reconstructed)' [SBD@320]
(Soniclovenoize 'The Man & The Journey' Studio Reconstruction)
The September 2017 Upgrade
Studio Soundboard Recordings
Encoded: 320 Kbps MP3
Track List: (Artwork Included)
Side A:
01. Daybreak, Pt 1
02. Work
03. Afternoon
04. Doing It!
05. Sleeping
06. Nightmare
07. Daybreak, Pt 2
Side B:
08. The Beginning
09. Beset By Creatures of the Deep
10. The Narrow Way
11. The Pink Jungle
12. The Labyrinths of Auximenes
13. Behold The Temple of Light
14. The End of The Beginning
After the release of Pink Floyds The Early Years anthologyespecially the Dramatis/ation volumeI reevaluated this previous reconstruction, contemplating if it could be improved upon. And I found I could! This is an upgrade to a studio reconstruction of the never-recorded experimental performance piece of The Man and The Journey, often titled The Massed Gadgets of Auximenes. This reconstruction attempts to present a version of the performance that would have taken the place of the More soundtrack and Ummagumma album, only utilizing studio recordings and condensing the performance down to two sides of a vinyl album. -Original
The upgrades to this September 2017 edition are:
Careful of that Axe Eugene is used for Beset by Creatures of the Deep instead of Come In Number 51, Your Time Is Up
Main Theme is used for The Pink Jungle instead of the live version of Syncopated Pandemonium
The Grand Viziers Garden Party II is used for The Labyrinths of Auximenes instead of the live version of Interstellar Overdrive
A new, longer edit of Behold The Temple of Light" was created.
Cirrus Minor is used for The End of The Beginning instead of the live version of Celestial Voices.
Musical soul-searching was the predominant mindset in 1969 for Pink Floyd. The previous year had seen the band attempt to mimic their former bandleaders singles-oriented approach to psyche-pop with their second release A Saucerful of Secrets as well as the single releases It Would Be So Nice and Point Me At the Sky. While both singles failed to make any significant chart impact, it was actually the latters instrumental b-side Careful With That Axe Eugene that garnished some underground FM-radio play, prompting the band to make it a live staple. Following the cues of their audiences reaction to the one-off track, Pink Floyd switched gears and focused on what the remaining four members could do the best without Syd Barrett: sprawling, experimental psychedelic jams.
The perfect opportunity to test these waters came in February 1969, recording the soundtrack for the film More at Pyre Studios in London. For several months, the band tracked a few songs and a number of musical themes for director Barbet Schroeder that ranged from Pink Floyds typical space rock to pastoral ballads, from exotic influences to even proto-metal hard rock. The soundtrack album was released in June and while not a critical nor commercial success, several of the albums highlights were added to their current set, including Green is The Colour and Cymbaline. But More was not all; by then Pink Floyd had also been working on their own proper follow-up to A Saucerful of Secrets.
That Spring, each member of Pink Floyd entered Abbey Road studios alone to record solo material, intended to be collected together as the next Pink Floyd album. Although Nick Mason and Richard Wrights material was largely instrumental and experimental, Roger Waters and David Gilmours material each featured a song that had already been performed live with the full band, Grantchester Meadows and The Narrow Way. Paired with exquisite live recordings from The Mothers Club on April 27th and the Manchester College of Commerce on May 2nd, Ummagumma was released in October and cemented Pink Floyds status as a cult band, prepared to push rocks envelope, even without hit singles.
While both More and Ummagumma tell a story of Pink Floyds progress in 1969, it is not the complete story. With new and original material spread across two separate albums essentially recorded simultaneously, as well as another two albums-worth of material in their back pocket, the band pondered how to present the material in a cohesive live setting beyond the typical rock band performance. Choosing to cull the highlights from both projects as well as their favorite instrumental jams from The Piper at the Gates of Dawn and A Saucerful of Secrets (as well as the b-side that was the catalyst for it all), Pink Floyd designed a series of performances from April to June, sometimes entitled The Massed Gadgets of Auximenes but usually titled The Man and The Journey.
The Man & The Journey was arranged as two 40-minute movements, and utilized the newly-built Azimuth Coordinator, a primitive incarnation of a surround sound system which played pre-recorded samples meant to fit into the performances itself. The first setcalled The Manseemed to follow the events of a typical person throughout his mundane, British, post-Industrial life. The set included the members of Pink Floyd actually building a table on-stage (to represent Work) and being served tea (to represent Teatime). The concept, as explained by Gilmour, was inspired by graffiti near Paddington Station, which said Get up, go to work, come home, go to bed, get up, go to work, come home, go to bed, [repeated]... How much longer can you keep this up? How much longer before you crack?
The concept of the second set is less clearly defined and seemed to be largely instrumental and improvisational. Called The Journey, sketches from the performances playbilland even the songs themselvesseem to suggest the piece follows a pilgrims quest. A member of Pink Floyds crew even appeared in a sea creatures costume, moving through the audience and appearing on-stage near the end of the set. Is there some greater meaning or metaphor beyond this? Is this the Mans own spiritual journey through existence? Knowing Pink Floyds conceptual pretensions, that very well might be the case. But Pink Floyd has never given any hints of what the journey nor its prize was, the task apparently left to the imaginations of the listeners. My own interpretation is that The Journey is the evolution of agricultural mankind into industrial mankind, the quest for knowledge and technology; while there isnt an actual Greek name Auximines, it could be stemmed from the Latin auxiliaris (to help) and the first
pharaoh of Egypt, Menes (whose name translates to he who endures), literally a metaphor for the king (of humanity) who is assisted by gadgets (our technology) as he endures (history).
After two seasons of performances of The Man & The Journey which concluded with a penultimate performance in Amsterdam on September 17th professionally recorded by VPRO Radio, Pink Floyd retired the conceptual pieces in time for Ummagummas release in October. Unfortunately, the music assembled as The Man & The Journey was never formally recorded in the studio, suggesting that it was simply a way for the band to present the disparaging More and Ummagumma material in a live setting, rather than The Man & The Journey being the true genesis of either albums. But is there a way to construct a studio version of The Man & The Journey, to condense and create some sort of conceptual order to Pink Floyds 1969 output?
My reconstruction of The Man & The Journey will have two rules. The first (which I regretfully broke when I originally reconstructed this album a few years ago) is that only studio material recorded in this era will be allowed. This will exclude both live material and anything after 1969. The problem that arises from this rule is that some of these pieces (Work and Behold The Temple of Light, for example) were never properly recorded by Pink Floyd. The solution to this is in the second rule: we will substitute some unavailable tracks for other similar ones, assuming they are still from this same era. Likewise we will try to avoid using previously-released tracks (Pow R Toc H or any section of A Saucerful of Secrets, for example) so that this album reconstruction can fit into any continuity you desire. The Azimuth Coordinator sound effects are also omitted, as I believe it fits better for a live performance rather than a studio album. I also chose to condense each set to fit on its own side of an LP, limited to 24 minutes. -Original
Side AThe Manremains unaltered from my previous version of this reconstruction. The Man wakes at Daybreak (Grantchester Meadows from Ummagumma) and then goes to Work (since this musical piece was never recorded by Pink Floyd, we will use a similar-sounding track, Sysyphus Part III from Ummagumma). Tea Time is omitted from my reconstruction, as it seemed more of a performance piece and less effective as an album recording. Afternoon follows (Biding My Time from Relics), as well as the track Doing It! meant to represent sexual intercourse (often a Nick Mason drum solo, Pink Floyd often used either Up the Khyber, Syncopated Pandemonium or The Grand Viziers Garden Party (Entertainment) for this; here I use the later from Ummagumma). Next the Man falls asleep (using an edited version of Quicksilver from More) and slips into a Nightmare (as represented by Cymbaline also from More). The side concludes with the Man waking from his dream to the next days Daybreak (a short edit of "Grantchester Meadows").
Side BThe Journeybegins with the pilgrim leaving the British pastoral countryside (Green is the Colour from More) by sea, when they are soon Beset By Creatures of The Deep (depicted by Careful With That Axe Eugene from Relics). The pilgrims ship plows through a 'horrid storm' (as depicted by The Narrow Way III from Ummagumma) and finally arrive on land, moving through a Pink Jungle (while Pink Floyd performed Pow R Toc H for this piece, here we will substitute a different tribal track based around a rolling bass riff: an edit of Main Theme from More). Our adventurers next creep through the Labyrinth of Auximenes (this piece often featured the bassline to the verses of Let There Be More Light juxtaposed with guitar effects and ominous drums; when stripped of the bass line, we are left with a track reminiscent of the first few minutes of The Grand Viziers Garden Party II from Ummagumma, which I used here) and Behold The Temple of Light (looping the chord sequence from The Narrow Way II also from Ummagumma). The End of The Beginning is a problematic conclusion to the album, as any use of Celestial Voices would be reusing an old track, not to mention an anticlimax if using the subdued studio version that lacks the bombast of how it was performed for The Man and The Journey. Here, we will substitute a different song that features a very similar organ passage: Cirrus Minor from More. Not only are we then concluding the album on an actual song, but also it references a journey and features bird sound effects, a reoccurring motif of the performance.
Sources Used:
Relics (1996 remaster)
Soundtrack to the Film More (1987 remaster)
Ummagumma (1994 remaster)
flac --> wav --> editing in SONAR and Goldwave --> flac encoding via TLH lv8
*md5, artwork and tracknotes included -Original
(84/16) Pink Floyd, 1966-12-03, Roundhouse, London, England
jpg/, ?/?, (?)
(92/16) Pink Floyd, 1966-12-22, Marquee Club, London, England
jpg/, ?/?, (?)
(117/16) Pink Floyd, 1967-04-06, Salisbury City Hall, Salisbury, England
/, ?/?, (?)
(183/16) Pink Floyd, 1967-09-10, Gyllene Cirkeln, Stockholm, Sweden
/, ?/?, (?)
(100/1) Pink Floyd, 1968-06-25, Celestial Voices, BBC Studios, London, England
Audio/flac, ?/?, (?)
My contribution to the memorial posts. RIP Rick Wright, you'll be missed.
Pink Floyd
---------- ---
"Celestial Voices"
Rover Records (RR CD 002)
Source: Dime post by Darkcycle - thanks !!
Pink Floyd_Celestial Voices_1969-08-09_BBC1968-69_(DeGlitched)[SHN].torrent
http://www.dimeadozen.org/torrents-details.php?id=178623
Which was a beautifully de-clicked version of this Dime post:
http://www.dimeadozen.org/torrents-details.php?id=178092
Taken from silver bootleg CD: "Celestial Voices."
Ripped with EAC.
Lineage: Silvers > EAC > SHN
Additional lineage,
Tracks 1-8, 11 and 12: SHN > WAV (CEP2.1 deglitching) > TLH (SBEs fixed) > SHN (MKW)
Changes Made (Nero 7): SHN > MKW > Nero > FlacFrontend (level 6)
Paradiso tracks:
Fixed phase offset by moving left channel +0.15msec
- Balance centred
- More bass and drums more dynamic
Noise print NR at very lowest possible setting
- Noise and hum lessened, but not totally eliminated
- More bass and fuller sound
Cross faded tracks by 1sec to smooth transitions
1969 session tracks:
This is a mono recording with a better sounding, higher level right channel
- Remixed with both channels 100% right channel
- Fuller sound
Noise print NR at very lowest possible setting
- Hum lessened, noise only lowered a little
Deleted little silences and small glitches at beginning / end of tracks
Cross faded tracks by 1sec to smooth transitions
1968 session tracks:
No change at all, excellent sounding mono, you don't need these if you got the original.
Quality: As good as you'll hear from any of this era Pink Floyd posts
---------- --
The original was very good sounding with Darkcyle doing a great job on the glitches, but the
live tracks were very phasey and the 1969 session was actually mono with a false impression of
slight stereo due to the duller left channel, so I fixed all this, whilst leaving the 1968 mono
session alone...
...Enjoy !!
(TomP) Remaster on Dime (Oct 2008)
Original Info >>>>
-The Paradiso, Amsterdam, The Netherlands (August 9, 1969)
01. Interstellar Overdrive (Segment)
02. Set The Controls For The Heart Of The Sun
03. Careful With That Axe, Eugene
04. A Saucerful Of Secrets
-BBC Session, Paris Cinema, London, England (May 12, 1969)
05. Daybreak (Grantchester Meadows)
06. Nightmare (Cymbaline)
07. The Beginning (Green Is The Colour) / Beset By Creatures Of The Deep (Careful With That Axe, Eugene)
08. The Narrow Way (Part 3)
-BBC Studios, 201 Piccadilly, London, England (June 25, 1968)
09. 'Top Gear' Introduction
10. The Murderotic Woman (Careful With That Axe, Eugene)
11. The Massed Gadgets Of Hercules (A Saucerful Of Secrets)
12. Let There Be More Light
13. Julia Dream
14. 'Top Gear' Conclusion
Notes:
The BBC Recordings here do indeed sound better than those included on the current Harvested Rev.A release of BBC Archives 1967-1969 (HRV CDR 008)! Nice upgrade! Though, MOB did find evidence that some of the BBC 1969 tracks may have been processed. I kept the Spectral View of Track 7 that Ron Toon posted, together with this SHN set.
The only unfortunate thing is that there were a number of crackle/pops, most obvious on Track 5, but other tracks were affected as well. I had to fix these, I felt it was worth the effort.
I ended up fixing the pops/snaps on ten tracks (1-8, 11 and 12). Some 'pops' were VERY minor, others were quite obvious, like the ones during the first bit of Track 5, 'Daybreak (Grantchester Meadows)'.
I extracted the SHNs to WAV, then used Cool Edit Pro v2.1 to manually remove the digital pops, I aligned on sector boundaries with Traders Little Helper and reSHNed with MKW Audio Compression Toolkit. New ST5 Checksum created with TLH - Jan. 9, 2008.
Notes by MOB (from a post on Dime 2008-01-08 21:08:18 GMT):
The 1969 BBC session torrented here is an obvious upgrade compared to HRV CDR 008 Rev.A, but we already have an even better source for this session (the versions of BBC69 here have excellent sound quality, but spectral analysis reveals some kind of compression - high frequencies were "cleaned" by some compression process, maybe mp3). The source we have sounds slightly more natural and has a pure frequency range.
For the 1968 BBC session, the tracks here were directly taken from the "master" version of John Peel 11Aug68 show torrented here some years ago (this torrent also included tracks by Tim Rose, Leonard Cohen...). The volume has been normalised for the present RoIO but apart from that they are strictly the same. And for the quality, with the exception of Massed Gadgets which is an obvious upgrade compared to HRV CDR 008 Rev.A, the gain in sound quality it's not so obvious for the 3 remaining 1968 songs. The "master" versions here have pure spectral characteristics, so they are probably from a direct transfer from BBC masters, but the tapes appear to have suffered with the years and there is a lot of tape warble, especially during Murderotic Woman (the exact title announced by John Peel) and Julia Dream. These tape flaws are NOT present on the corresponding HRV versions, that were taken from excellent sources (probably 1st gen). So you have the choice between a direct transfer from slightly "damaged" BBC masters (the current torrent) and the HRV versions from an older transfer, done before the tapes began to reveal their age.
It's a matter of taste of course, but personnally I don't consider the 1968 tracks as upgrades (except Massed Gadgets), I prefer the HRV versions for their clarity and the absence of tape warble.
The HRV versions are much brighter and more pleasant to my ears. This is an example where "master" does not directly mean better sound quality; sound quality depends on the age of the master at the time of the transfer (in other words, a well preserved 1st gen can sometimes have less flaws than a recent transfer of a "damaged" master).
Cheers!
- MOB
[Seems a Rev.B of HRV CDR 008 is in our future!]
Other Notes:
'Celestial Voices' is a brand new (2007) bootleg from Rover Records. They offer a recently uncovered, lost recording from August 9, 1969. According to a review at boot-review.com:
The first four songs come from a recently surfaced soundboard tape of a recording made of Pink Floyd at the Paradiso in Amsterdam on August 9, 1969. The band's set was professionally recorded with the intention of broadcast on Hilversum 3 Radio. When this tape first surfaced it was said there was a malfunction with the microphone for the vocals and the band were forced to play the songs as instrumentals. This isn't exactly accurate because Waters does still sing in Set The Controls For The Heart Of The Sun, Careful With That Axe, Eugene, and in the latter part of A Saucerful Of Secrets. The vocals are present but barely audible.
Neither the audience nor the band seems to notice this and it leads one to the conclusion that the band's PA wasn't malfunctioning but the radio station's equipment was. Since the tape was unusable for the radio, Pink Floyd returned to Amsterdam the following month and were recorded by Hilversum 3 again on September 17th 1969 at the Concertgebouw, the famous The Man And The Journey tape.
The versions of the two other shows (May 12, 1969 and June 25, 1968) on the Celestial Voices boot are equally brilliant. The show at the Paris Cinema in London on May 12 precedes the Malaysian riots by one day. The last tune played that day was called The Narrow Way. It's chilling how it can describe the political fortunes of both Malaysia and Singapore.
This period of Pink Floyd was also their most liberating with all four members equally in charge and contributing. By the time Dark Side Of The Moon was made, Roger Waters was in control.
- The Little Chicken
(180/1) Pink Floyd, 1969-04-14, Royal Festival Hall, London, England
Audio/flac, ?/?, (?)
1969-04-14
HRV CDR009 - The Massed Gadgets of Auximenies
Royal Festival Hall, London / April 14, 1969
Label: Harvested HRV CDR009
Audio Source: audience recording
Lineage: Original Harvested shn-files --> FLAC 8 --> MWP
(see protocol file for conversion details)
Artwork: included
Gallery Link
http://www.mindwarppavilion.org/cpg/displayimage.php?pos=-5100
http://www.mindwarppavilion.org/cpg/displayimage.php?pos=-5105
Number of Discs: 2
Disc 1 Running time 38m 59s / Disc 2 Running Time 54m 21s
Notes:
April 14, 1969 - Royal Festival Hall, London
Comments: 1st performance of The Man & the Journey. Gilmour recieves an electric shock sending him across the stage during the show. drugged girl runs out screaming at sight of monster costume sitting next to her
http://home.comcast.net/~fingalscave/1969.htm
What were 'The Man' and 'The Journey'?
[With much help from Adam Winstanley and others]: In fact several concert recordings exist of The Man and The Journey and many people probably possess RoIOs of these pieces without realising it. The Man and The Journey were two parts of "More Furious Madness From The Massed Gadgets of Auximenies" and consisted of several well-known Floyd tunes linked into a concept piece as follows:
More Furious Madness From The Massed Gadgets Of Auximenies
Part One: The Man (representing a day in the life of a man)
Daybreak ("Granchester Meadows")
Work and Afternoon ("Biding My Time") [the band was served afternoon tea on stage at this point]
Doing It (instrumental) ("Grand Vizier's Garden Party, pt 3")
Sleep
Nightmare ("Cymbaline")
Daybreak (reprise)
Part Two: The Journey
The Beginning ("Green is the Colour")
Beset By Creatures of the Deep ("Careful With That Axe Eugene")
The Narrow Way ("The Narrow Way part 3")
The Pink Jungle ("Pow R Toc H")
The Labyrinths of Auximenes ("Moonhead")
Behold the Temple of Light ("Nile Song"-based instrumential)
The End of the Beginning ("Sauceful of Secrets" - final part)
The complete piece lasted about 70 minutes.
http://www.allfloyd.com/echoes/echoes2.html#13
The Man and the Journey (From Wikipedia, the free encyclopedia)
The Man and the Journey is the name of a conceptual music piece performed at Pink Floyd live shows in 1969. It consists of several of their early songs coupled with material that would appear on Music from the Film More and Ummagumma, as well as unreleased songs. The material was incorporated into two album-length suites, The Man and The Journey. The concerts also included visual performance elements such as the sawing and construction of a table and consumption of afternoon tea onstage.
The concept was first performed 14 April, 1969 at the Royal Festival Hall in a show billed as The Massed Gadgets of Auximenes - More Furious Madness from Pink Floyd. A truncated version of the show was recorded 12 May, 1969 for the Top Gear radio programme. The 17 September performance in Amsterdam is the most widely bootlegged of the shows on the tour because it was broadcast by radio station VPRO. Plans for an official live album release of The Man and the Journey were considered, but abandoned due to overlap of material with Ummagumma.
To most fans, the work is either entirely unknown or at least unrecognized as the genesis of Pink Floyd's 'themed pieces'. The band themselves have seldom made reference to it in later interviews. Yet the unique combination of quadraphonic sound effects, abstract program music, and recursive themes all of which can be traced to The Man and The Journey were to become further developed in the band's most enduring music, culminating in 1983 with their album The Final Cut.
http://en.wikipedia.org/wiki/The_Man_and_the_Journey
On 14 April 1969, at Royal Festival Hall, they debuted their new pan pot 360 degree sound system dubbed the "Azimuth Coordinator". This show, named "More Furious Madness from the Massed Gadgets of Auximenes", consisted of two experimental "suites", "The Man" and "The Journey". Most of the songs were either renamed earlier material or under a different name than they would eventually be released.
A UK tour of "The Man/The Journey" occurred during May and June 1969 culminating in the show dubbed "The Final Lunacy" at Royal Albert Hall on 26 June 1969. Considered one of the most experimental concerts by Pink Floyd, it featured a crew member dressed as a gorilla, a cannon that fired, and band members sawing wood on the stage. At the finale of "The Journey" suite the band was joined on stage by the brass section of the Royal Philharmonic and the ladies of the Ealing Central Amateur Choir, and at the very end a huge pink smoke bomb was let off.
An additional complete performance of "The Man/The Journey" occurred at the Concertgebouw, Amsterdam on 17 September and was taped and later broadcast by Dutch radio station Hilversum 3. Portions of the suites were being performed as late as early 1970.
http://en.wikipedia.org/wiki/Pink_Floyd_live_performances
Azimuth co-ordinator (From Wikipedia, the free encyclopedia)
The Azimuth coordinator was the first quadraphonic sound system. Pink Floyd became the first band to use it in their early shows.
The Azimuth coordinator was a multi-speaker pan pot system. It used four large rheostats housed in a large box, converted from 270 degrees rotation to 90 degrees. The system was operated by a joystick, which allowed the sound to be panned around the hall. The Azimuth coordinator was operated by keyboardist Rick Wright. The original one was stolen after the first concert in Queen Elizabeth Hall in London, England. A second system was built for the concert at the Royal Festival Hall in London on April 14, 1969. The second one had two pan pots and four channels.
http://en.wikipedia.org/wiki/Azimuth_co-ordinator
Info: This is the ninth Harvested release.
http://en.wikipedia.org/wiki/Pink_Floyd
http://en.wikipedia.org/wiki/Pink_Floyd_discography
http://en.wikipedia.org/wiki/Pink_Floyd_live_performances
http://www.harvested.org/
Tracklisting:
Disc 1
01 - Daybreak (Part 1) 6:16
02 - Work 8:39
03 - Afternoon 5:25
04 - Doing It 5:18
05 - Sleeping 10:55
06 - Daybreak (Part 2) 2:25
Disc 2
01 - The Beginning 4:35
02 - Beset By The Creatures Of The Deep 8:25
03 - The Narrow Way 4:46
04 - The Pink Jungle 4:18
05 - The Labyrinths Of Auximenies 8:30
06 - Behold the Temple Of Light 6:42
07 - The End Of The Beginning 5:49
08 - Interstellar Overdrive 11:15
Torrent History:
Originally seeded to Mind-Warp PaVilion by schnittstelle on October 15, 2007.
WackoBros&Sista thank the Harvested boys for their releases.
(6/1) Pink Floyd, 1969-04-27, Careful With These Tracks, Mothers Club, Birmingham, England
Audio/Flac, TradersDen/?, (20221124)
Pink Floyd - 1969-04-27, Mother's, Birmingham & 1969-05-02 Manchester College Of Commerce, Unreleased & Alternate Mix Ummagumma recordings, 'Careful With These Tracks', SB, 56:04
01. Astronomy Domine - 8.46 (Same as Ummagumma version, different mix)
02. Careful With That Axe, Eugene - 9.27 (Same as Ummagumma version, longer intro, no vocals in mix)
03. Interstellar Overdrive - 13.35 (Pulled from official release)
04. Set The Controls For The Heart Of The Sun - 9.51 (Same as Ummagumma version, different mix)
05. A Saucerful Of Secrets - 14.25 (Birmingham Mother's) (Ummagumma version uses a composite of this and the Manchester recording)
Birmingham Mother's 27th April 1969
Manchester College Of Commerce 2nd May 1969
56 minutes, Stereo Soundboard Recordings.
Yellow Cow Records - YCCD016
Includes artwork (cover insert, disc & tray) and MD5.
Yes folks, you have read the description correctly. This is lossy sourced but this is the best that has ever been available to date (i.e. never).
If you mess with this or re-release in any form then that's fine with us! We had nothing to do with it other than release it but if you could mention 'Yellow Cow Records' as being the original source for these tracks it would be appreciated :)
Prepare to have your fucking minds blown : )
YC xx
(182/1) Pink Floyd, 1969-05-09, University, Southampton, England
Audio/flac, ?/?, (?)
UNIVERSITY OF SOUTHAMPTON
HAMPSHIRE, ENGLAND
MAY 9TH 1969
Source: Audience
Generation: Master > Reel > DAT(4) > CDR(5) > EAC 0.94 > WAV > SHN
Sound Quality: VG+
Disc (52:10m)
1. ASTRONOMY DOMINE
2. CAREFUL WITH THAT AXE, EUGENE
3. INTERSTELLAR OVERDRIVE
4. THE BEGINNING / BESET BY CREATURES OF THE DEEP
5. A SAUCERFUL OF SECRETS
very nice upgrade over the common roio 'Beset By Creatures of the Deep'. It sounds real nice and bright.
g_b_c, july 2004
(190/16) Pink Floyd, 1969-05-16, The Massed Gadgets of Auximenes, Town Hall, Leeds, England
jpg/, 1969-05-10 Melody-Maker p27/?, ()
(290/1) Pink Floyd, 1969-06-22, Free Trade Hall, Manchester, England
Audio/shn, ?/?, (?)
69-06-22 Manchester
From The Master Tape
June 22 - Free Trade Hall, Manchester, Lancashire
Recording Includes:
Daybreak
Work
Afternoon
Doing It
Sleep
Nightmare
Daybreak Pt. 2
The Beginning
Beset By The Creatures Of The Deep
Narrow Way Pt. 3
Labyrinths Of Auximenes
Behold The Temple Of Light
End Of The Beginning
Set the Controls
Source: Audience
Comments:
CD Reference: Manchester 22.6.69, Man Chester, The Man and the Journey (ayanami)
LP Reference:
Quality: Very Good
***NOT TO BE ENCODED INTO MP3***
**NO CONVERSION TO FLAC**
EAC'd by sydb
seeded on PinkRoioShn
(300/1) Pink Floyd, 1969-06-26, Royal Albert Hall, London, England
Audio/flac, ?/?, (?)
Pink Floyd
June 26, 1969
Royal Albert Hall, London
'The Man and the Journey' tour
master > 1st gen > DAT > CD-R > flac (files made with xACT 1.4b28)
flac files made by jimshoes
disc one
--------
01. Afternoon (5:43) (Biding my Time)
02. Doing It (4:10)
03. Sleeping (5:27)
04. Nightmare (9:15) (Cymbaline)
05. Daybreak (1:04) this is just a clock sound effect!
06. The Beginning (4:39) (Green is the Colour)
07. Beset by Creatures of the Deep (5:56) (Careful With that Axe Eugene)
08. The Narrow Way (5:08)
09. The Pink Jungle (5:24) (Pow R Toc H)
10. The Labyrinths of Auximines (9:01)
11. Behold the Temple of Light (3:20)
12. The End of the Beginning (9:24) with orchestra and choir! (Celestial Voices)
disc two
--------
01. Set The Controls for the Heart of the Sun (11:04)
notes
-----
Daybreak and Work were not recorded. This is the longest and lowest generation tape of this show known. No processing, filtering, or noise reduction was done to this, as you can probably tell. This recording might be a little fast (it sounds it to me, but I'm just guessing), and there is a nasty hiss in the 8k range that many circulating copies of this show have filtered out. Despite the hiss, this has clearer sound than other copies of this show.
Please don't "remaster" this and "improve" it. Please. I beg you.
Just listen, share and enjoy. Don't pee all over it with your 'mad mastering skillz.'
The Pink Floyd trading pool is polluted enough already.
(400/1) Pink Floyd, 1969-08-08, Plumpton Festival, Plumpton, England
Audio/shn, ?/?, (?)
Pink Floyd
9th National Jazz & Blues Festival
Plumpton Racecourse
Plumpton, Sussex, England
1969-08-08
AUD (rec1 cass[m]) (SQ: VG+)
Technical: Lineage: Shure SM57 > Philips Recorder >BASF C90 Cassettes(Master) > DAT(2) > CDR(1) - Recorder #1
Source: AUD > rec1 > cass[m] > ...
Setlist:
01. Set The Controls For The Heart Of The Sun 10:46
02. Cymbaline 9:34
03. The Journey 9:07
04. The Narrow Way (Pt. 3) 5:42
time: 35:09
Notes:
Comments (as they came): Sound quality is superior to all of the versions that I have listened to so far. Several versions of this set are circulating, most probably from the same source and cut to fit tapes. The longest version is presumably of the entire show, some 65 minutes in all.
Not a lot of hiss and good separation. The audience is noticeably quiet, presumably because many of them are asleep or bombed out by this late hour.
Fantastic performance (one of my favorite). Ratings came as VG+ but I'd give it a EX or at least EX-, too bad it's incomplete.
For trade only, do not sell.
Do not encode as MP3 or any other lossy format and redistribute.
- fatoldpig
----------
MY NOTES:
I DL'd this from beerlover in one of the Hubs on 2008-02-06. No art...files were renamed a la' etree.org, original verification mechanism(s) saved, then copied and edited to reflect file-name change.
ref: http://www.pf-db.com/index.php?concert_id=400&bootleg_id=3309
pnkflyd@pnkflyd.net
www.pnkflyd.net
real.serious.music.
2007
(101/1) Pink Floyd, 1969-09-17, More Furious Madness From The Massed Gadgets Of Auximenes, Concertgebouw, Amsterdam, Netherlands
Audio/mp3, ?/?, (?)
Pink Floyd - More Furious Madness From The Massed Gadgets Of Auximenes.
'The Man and the Journey' was one of Pink Floyd's early concept-shows performed the first time April 14, 1969 in Royal Festival Hall, London.
The event was titled 'The Massed Gadgets Of Auximenes - More Furious Madness From Pink Floyd'. Both parts of the show contained of improvisations around different Floyd songs, many of them closely related to the soundtrach from the film 'More', which was written simultaniously.
A recording of the show was meant to be released, but cancelled because most of the material was already released in other versions.
'The Man and the Journey' is only available on bootleg-recordings. One recording circulating is done by dutch radio VPRO in Amsterdam September 17, 1969. A part of the show was recorded for the radio-show 'Top Gear' on May 12, 1969. The recording has been released on the more ore less official italian CD: 'Pink Floyd - The Complete Top Gear Sessions' (GDR CD 9206/AB).
This is the Live Soundboard Recording of the Amsterdam concert 09-17-1969 done by the dutch radio VPRO with additional tracks. There is some Dutch spoken comentary in between.
Produced by F. Saucer for Galaxy-Records, P 1971 Galaxy Records Ltd., London GR 1829
It is VERY much worth listening to .
Tracklisting
THE MAN - SUITE
01. Daybreak (Part One)
02. Afternoon
03. Doing It
04. Sleep
05. Nightmare/Daybreak (Part Two)
THE JOURNEY - SUITE
06. The Beginning
07. Beset The Creatures Of The Deep
08. The Narrow Way
09. The Pink Jungle
10. The Labyrinth Of Auximenes
11. Behold The Temples Of Light
12. Celestial Voices
Additional Tracks
13. Flaming (U.S. 7" Version)
14. Astronomy Domine (Alternate Take)
15. Sunshine (Unreleased, Recorded 1967)
16. Silas Lane (Outtake)
17. Money (1971 Demo Version)
Enjoy!!
(450/1) Pink Floyd, 1969-09-17, Concertgebouw, Amsterdam, Netherlands
Audio/flac, ?/?, (?)
1969-09-17
Amsterdam, Concertgebouw, Pays Bas
01 Introduction
02 Daybreak
03 Work
04 Teatime
05 Afternoon
06 Doing It
07 Sleep
08 Nightmare
09 Daybreak (Part II)
10 The Beginning
11 Beset By The Creatures Of The Deep
12 The Narrow Way
13 The Pink Jungle
14 The Labyrinths Of Auximenes
15 Behold The Temple Of Light
16 The End Of The Beginning
(66/1) Pink Floyd, 1969-10-11, Gruga Halle, Essen, Germany
Audio/Flac, TradersDen/?, (20221124)
Pink Floyd
Date: 11 October, 1969
Location: Internationales Essener Pop and Blues Festival '69, Grugahalle, Essen, West Germany
Source: A(1)>D(2)>CDR(4)
Rating: G-VG (Mono)
Disc One:
1. Introduction - Tuneups 0:22
2. Astronomy Domine 8:16
3. Green Is The Colour 4:11
4. Careful With That Axe, Eugene 6:21
5. Interstellar Overdrive (cuts early) 5:50
Total: 24:50
Comments: Pink Floyd played on the last night of this three day festival (10/9-10/11) and were second on the bill to The Nice. The Festival featured bands of the day including: Yes, Cuby's Blues Band, Deep Purple, Fleetwood Mac and others. The set list included 'A Saucerful of Secrets' as the closer, but that has not made it to this recording or any other known recording.
This recording is *very old* however sound quality rates Good to Very Good in places.
(455/1) Pink Floyd, 1969-10-25, Festival D Amougies, Amougies, Belgium
Audio/flac, ?/?, (?)
Pink Floyd - Interstellar Zappadrive
Actuel Music Festival, Amougies, Belgium, October 25, 1969
Label: HRV CDR031
Audio Source: CD 1 Audience (Speed corrected) / CD 2 Soundboard
Sound Quality: A-
Lineage: Original Harvested SHN-files --> FLAC level 8 --> MWP
(see protocol file for conversion details)
Artwork: Included
Gallery links:
http://www.mindwarppavilion.org/cpg/displayimage.php?pos=-5157
http://www.mindwarppavilion.org/cpg/displayimage.php?pos=-5162
Number of Discs: 2
Total running time: (77:43 / 25:14)
Notes:
Taken from http://members.cox.net/scottstrades/69-Oct-25_hrv.txt
From Harvested Weeds (www.harvested.org): Introducing Interstellar Zappadrive!! HRV-CDR-031. The complete Pink Floyd performance from October 25, 1969 at the Actuel Music Festival.
These (above tracks) are all from the new audience source recently uncovered. They have been speed corrected and carefully mastered by the Harvested staff. These 8 tracks all fit nicely on a single 80 minute disc.
However, the shn disc now being seeded has 3 bonus tracks. These are the soundboard tracks from this show that were broadcast on the radio. After some digging, we found the best source and put in our own handiwork.
The following comments were ripped from The Pink Floyd Database at http://pf-db.com/index.php?concert_id=905&bootleg_id=3467
Also speedcorrected and pitch corrected version of the original seed of the audience recording, slightly at diff speed than "Let's Be Frank..." though. The shn disc comes with bonus material from the supposed radio broadcast (soundboard source), but is not mentioned as a D2 on the artwork. -Furry_Animal
---------- ---------- ----------
Notes that came with the ORIGINAL recording (from which all others have come from):
source: audience recording
Our Amougies series continues with probably the most anticipated performance of all - Pink Floyd's. Of course, the version of "Interstellar Overdrive" with Frank Zappa, long presumed lost, will now be familiar to most, but I'm sure this complete set will be of high interest to Floyd fans. As previously stated, the taper (JJB) didn't record everything, but when he did, he generally recorded complete sets. There are exceptions though, and Freedom is one of them - presumably after a few minutes the taper thought the band wasn't worth taping? Still, better than nothing!
Also, there are obvious issues with the sound quality. Firstly, the tape recorder used was way below modern standards and the sound is nowhere near "professional" quality. Secondly, in order to save on batteries, the taper occasionally turned the recorder off between songs, resulting in a few truncated introductions. These reservations aside, however, this is simply an unbelievable document of a legendary festival, and so our hearfelt thanks to the taper for recording this at the time, and for allowing me to seed it here.
Disc 1 - 80.33 *
1 Astronomy Domine 10.53
2 Green Is The Colour 3.37
3 Careful With That Axe 10.08
4 Tuning w/ Frank Zappa 2.48
5 Interstellar Overdrive 21.03
6 Set The Controls 13.28
7 Saucerful Of Secrets 18.36
* (my comment): You can compare the disc and track
times to get an idea of how much HRV slowed the
recording
Taken from http://wherethevibeis.blogspot.com/2007/10/trolling-underground-interstellar.html
Thirty eight years ago, Paris was slated tohave its first rock festival, the Festival "Actuel".
The festival did occur, but due to bureaucratic nonsense it ended up in Belgium. It must have been one hell of a scene, though.
If you look at the list of bands below (click to embiggen) there are some amazing possibilities. I recognize the name Aynsley Dunbar from his work with Zappa and Jefferson Starship, and likewise recognize Keith Tippet from his brief stint with King Crimson in the 70s, but don't know if either of these bands was ever recorded. Better known bands included Yes, the Nice, and the Pretty Things. Zappa was there first as Capt. Beefheart's road manager, and soon stepped up to being the MC for the festival. This presented certain problems, however, since the audience spoke little English and Zappa's command of French was tenuous at best. He abdicated those duties and ended up playing as a guest with many of the bands instead. One of them was Pink Floyd.
(...)
...this delicious 20 minute jam from October 25 1969. On that night Zappa joined Pink Floyd onstage to improvise through an uncustomarily long and experimental version of the already long and experimental Syd Barrett classic Interstellar Overdrive.
When I found this, I actually found two different versions of it. One was called Interstellar Zappadrive and the other was Let's Be Frank. Being as it doesn't cost anything, I downloaded them both and gave them both a listen. Not only was IZ the better sounding audience recording, it also came with a few alternate soundboard cuts. What I have here, though, is from the audience - no board of the Zappa stuff. It sounds pretty damn good, though, and has become a favored listen here Under the Bridge. Those of us familiar with Gilmour and Zappa's styles will be able to pick them apart, and it's amazing how easily Zappa fits in with and influences what's going on with the song.
Info: Thirtyfirst in a series of Harvested uploads...
http://en.wikipedia.org/wiki/Pink_Floyd
http://en.wikipedia.org/wiki/Pink_Floyd_discography
http://en.wikipedia.org/wiki/Pink_Floyd_live_performances
http://www.harvested.org/
Tracklisting:
Disc 1
01 Astronomy Domine 9:51
02 Green Is The Colour 4:10
03 Careful With That Axe Eugene 9:44
04 Tuning Up With Zappa 2:29
05 Interstellar Overdrive 20:33
06 Tuning Up 0:51
07 Set The Controls 12:07
08 A Saucerful Of Secrets 17:58
Disc 2
01 Green Is The Colour (SBD) 4:14
02 Careful With That Axe Eugene (SBD) 9:44
03 Set The Controls (SBD) 11:16
Torrent History: Originally seeded to Mind-Warp PaVilion by xuncat on December 29, 2007.
WackoBros&Sista thank the Harvested boys for their releases :D
(75/1) Pink Floyd, 1969-12-06, AFAN Lido Indoor Sports Centre, Port Talbot, Wales
Audio/Flac, ?/?, (?)
Pink Floyd - Mega-rare restored LP "Port Talbot, Wales 1969" - Afan Lido Sports Centre, Port Talbot UK 1969-12-06 AUD great show
This is a very pretty package, as you can tell from the photos. It's very well done. Thanks to the Discogs site for the photos. The performance is great, the recording is a bit distant and sometimes overloaded. It's a nice listen, though.
Setlist (Runtime 36m52s)
Interstellar Overdrive
Green Is The Colour
Careful With That Axe, Eugene
Set The Controls For The Heart Of The Sun
Lineage: LP ->Audacity ->Sound Forge 11 ->click and crackle removal ->FLAC via TLH, level 6, sectors aligned and verified, FLAC integrity checked
Enjoy!
A DoinkerTape
(75/16) Pink Floyd, 1969-12-06, AFAN Lido Indoor Sports Centre, Port Talbot, Wales
jpg/, 1969-12-06 Melody-Maker p34/?, ()
(78/1) Pink Floyd, 1970-01-18, Fairfield Hall, Croydon, England
Audio/Flac, Dime/?, (20221124)
Pink Floyd - 1970-01-18 - Fairfield Hall, Croydon (Leaders Of The Underground - EAT 119-120)
Pink Floyd
January 18, 1970
Fairfield Hall
Croydon
Leaders Of The Underground
Eat A Peach / EAT 119-120
101. Careful With That Axe Eugene
102. The Embryo (Early Version)
103. Main Theme From 'More' (Early Version)
104. Biding My Time
105. A Saucerful Of Secrets
201. The Violent Sequence
202. Set The Controls For The Heart Of The Sun
203. Astronomy Domine
204. The Amazing Pudding (AKA Atom Heart Mother Early Version)
Contrast Clause
http://www.dimeadozen.org/torrents-details.php?id=540306 2 Gen Aud
Review:
After the arrival of David Gilmour and the departure of Syd Barrett, the Pink Floyd were forced to begin a musical transformation. Barrett was their chief song writer and front man, much of these duties would to Roger Waters and Richard Wright, subsequent singles from this time period shows a lack of direction from earlier songs that topped the British music charts. The band moved away from singles and towards more LP oriented themes, they also were much in demand as a live act, gone was the psychedelic freak outs and the band moved into college circuits where like minded students would intently listen to this new music. 1969 and 1970 were pivotal years for the band, they found that concept based themes could be personally rewarding and quite popular, The Man and The Journey concept concerts were well received. Their work on film soundtracks like Zabriskie Point and More would also provide a sort of testing ground to venture into other areas outside an official record and coupled with such albums as A Saucerful Of Secrets and Ummagumma, made for a very prolific period.
Not wanting to stick with concept performances the band were beginning to experiment with their live set and in early 1970 the band would play some of the most adventurous sets of songs, taking existing crowd favorites and expanding with newer music. This was short lived as the band would soon focus on a collection of songs that would form the basis for their sets for the next two years, it was this set of songs and consistent touring where themes and ideas would evolve into some of the greatest music the band would record. There are three very important recordings in circulation, Feb 11 Birmingham (Atomic Heartbeat In The Hall Godfatherecords 786/787), Paris Jan 23 (Household Objects In Paris Godfatherecords GR 897/868, The Man In Paris Sigma 89) and Croydon Jan 18, the subject of this new release. The recording from Croydon is good, it has circulated for years in trading circles, the master tape has never circulated and the best that does are a couple generations from that tape. Apparently the taper would set up a stall at a record fair and sell copies of his recordings on cheap media, so the sound is not as good as it could be. As stated the sound is good, there is tape hiss present as well as some distortion in loud parts and while the instruments and vocals can be heard the recording lacks clarity. It is also sadly incomplete as to conserve tape the taper would pause the machine to save tape. For years the sequence was the subject of much debate with only news paper reviews to give some clues, finally a person who attended the concert wrote down the set lists at that time and confirmed the sequence of songs on this release are correct, only thing missing is the encore of Intestellar Overdrive!
The first disc begins with Careful With That Axe, Eugene, for a first song it is clear and well defined, clocking in at about 11 minutes it is a focused and excellent version of the song, not as intense as latter versions but certainly an important song in the bands repertoire. Embyro is still in its infancy, it is similar to the recording from the BBC December 1968, you can hear the band incorporating the more bluesy feel into it, something that would be fully in place less than a month later in Birmingham, Dave plays quite a bit of slide guitar during the song. The middle section features the band playing around with different melodies and themes as if simply seeing what works or is interesting. Main Theme From More is great live, it just kind of bobs along, the middle section features some interesting growls or grunts from Roger and you can hear some almost Embryo type jamming in the middle. What is apparent is how well played the song is giving it was very short lived in the band live set. Biding My Time aka Afternoon was part of the suite known as The Man from 1969s concept concerts and is always an interesting song live. It sounds as if it could be played anywhere from London to New Orleans, Richard Wright would play trombone giving a jazzy feel but soon afterwards Gilmour plays a wonderful blues inspired solo as the song starts to really cook. More than likely A Saucerful Of Secrets is the final song from the first set, clocking in at 17 minutes it is a typically wonderful and mysterious version, the Celestial Voices ending seems to be too much for the recording device as it gets a bit distorted yet adds to the corrosive nature of the song.
The second disc and set begins with The Violent Sequence, it starts with a sort of Heartbeat Pigmeat meets Sysyphus which morphs into a sort of avant garde jazz variation of the percussive beat of the song before moving into the Richard Wright piano which would become Us And Them two years later. This is a very adventurous and at times meandering piece of music, given the rarity of the piece and the fact that the band would ultimately reject it for the stage make for a unique listening experience. A nice long Set The Controls For The Heart Of The Sun and Astronomy Domine follows, both typical for the era and its obvious that both are audience favorites with the former really starting to reach for the cosmos, gentle yet deliberate. The last thing that makes this tape absolutely essential for Floyd enthusiasts is the last song, the first known recording of what would later be titled as Atom Heart Mother. It is believed that the previous nights concert in Hull, England was its live debut, yet there is no recording from that performance. The framework of the song is here, it lacks a more focused structure and lacks some of the dynamics that would continue to evolve over the next couple months, one of the more interesting things is Nick Masons drum solo section. The recording cuts at its conclusion and the last three minutes is a repeat from the beginning section done as part of a Yeeshkull project restoration of this concert, done so well if you did not know it was there, you never wouldve known.
The packaging is typical Eat A Peach, mini LP sleeve with a collage of live shots from the period. The inner CD sleeves have live and posed shots, the one of Waters seated at a table with a couple of cats glancing out a window in nice, and have the song titles for each cd listed. There is an insert with liner notes from The Lazy Goalkeeper that is well written, simply another well sought out release. As with their The Man And The Journey set, it is obvious Eat A Peach is committed to releasing well thought out and relevant Pink Floyd material, material that deserves such lovingly assembled sets such as this. Oh yeah, the title of this comes from Roy Shipstons review of this concert in Disc magazine, Pink Floyd Leaders of the underground.
(78/16) Pink Floyd, 1970-01-18, Fairfield Hall, Croydon, England
jpg/, 1970-01-10 Melody-Maker p17/?, ()
(79/16) Pink Floyd, 1970-01-19, The Dome, Brighton, England
jpg/, 1970-01-10 Melody-Maker p17/?, ()
(500/1) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/flac, Dime/SousMarin, (?)
----------
Pink Floyd
The man : In memoriam Michel Lancelot, Rick Wright.
1970-01-23
Théatre des Champs-Elysées
Paris, France.
----------
From original Europe 1 live broadcast (AM bandwidth).
(Campus by Michel Lancelot, from 8:00 o'clock till 10:30 o'clock).
3 cuts :
- First : during "Sleeping", perhaps 20 seconds lost to flip the tape over.
- Second : at the end of "Cymbaline", the news (about 2 or 4 mn at 9:00 or 10:00 o'clock).
- The final cut :) at the end of the first part of the show, during the intermission, before the David Gilmour's interview.
No memories of what happens next. Surely, the end of Campus (10:30).
----------
Sound Quality : G
(1970) Philips > Geloso mono tape recorder G257 >
(2008) Sony stereo tape recorder TC-377 > Archos AV320
Lineage: ANA(M) > WAV(PCM 44.1Khz 16 bits) > Flac(Level 8)
Audacity v 1.3.5 (unicode) Beta (notch 4800 Hz frequency, split)
Trader's Little Helper v 2.4.1 (Build 160) (flac, md5)
----------
LineUp :
Richard Wright
David Gilmour
Nick Mason
Roger Waters
----------
Track List :
1. Daybreak 7:26
2. Work 4:48
3. Tea Time 3:14
4. Afternoon 6:12
5. Doing It 3:22
6. Sleeping 9:11
7. Nightmare 9:47
8. Celestial Voices 16:19
----------
Total Time : 60:26 mn
----------
SMJ002
v2013.12.11
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(500/2) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/flac, ?/?, (?)
Artist: Pink Floyd
Date: 23rd Of January, 1970
Venue: Theater Comedie des Champs-Elysees, Paris, France
Bootleg Title: "The Violent Journey To Paris"
Company: Fat Old Sun Records
Serial: FOS-CDR-003
Artwork: Moonwall
Disc 1:
1. Daybreak* [7:22]
2. Work* [4:43]
3. Tea Time* [2:28]
4. Afternoon [6:01]
5. Doing It [3:20]
6. Sleeping [6:42]
7. Celestial Voices* [3:08]
8. Green Is The Color [3:07]
9. Careful With That Axe, Eugene [6:37]
10. The Violent Sequence [4:54]
Disc 2:
1. The Amazing Pudding [19:42]
2. Main Theme (from "More") [6:51]
3. Set The Controls For The Heart Of The Sun* [12:39]
* - tracks come from source 2.
Total running time: 1hr 27min 27sec.
linage:
source 1 - FM source from Sean Z > FM > cas(?) > cdr
source 2 - Reels > mic in front of R2R speakers > cass[?] > CDR(?) > FLAC
then i've done - decode both to wav vial flacfronted > wav > cool edit pro 2.0 > wav > flac level 8.
background info:
How would i describe the floyd era of January and Febuary of 1970? My description would be one comprising of confusion, continuity, experimentation, originality but, most of all, creative. The band had finished a not so busy tour of the UK and Europe with "The Man and The Journey", and it seemed they wanted to continue with those songs whilst performing some new creations written over the christmas period of late 1969 and very early 1970.
This is the last audio document of the band playing "The Man and The Journey" sets, but its hard to say if the whole two sets were played due to all the different sources being incomplete, yet. Celestial Voices has just surfaced which was usually at the end of the second set. It seems to segue straight into "Green Is The Color", so i'm not actually sure if they closed set 1 with "Celestial Voices" or they did in fact play the whole "The Man and The Journey" suite. That is why i put "Celestial Voices" at the end of the first set.
The floyd augmented the "The Man and The Journey" suite with some very new material. "Main Theme" was composed for the film "More" in 1969 but was only ever played once before being only five days prior (as far as we know). There are only three documented performances of the "Main Theme" being the 18th and 23rd of Jan, and the 11th of Feb making this a rarity just for that. And making only its second appearance was "The Amazing Pudding" (aka Atom Heart Mother) which was still untitled even as far as the 28th of Febuary when Roger introduced it as being "as yet untitled".
recording info:
This is the most complete version of this date at present. All versions don't surpass an hour, yet this is an hour and twenty-seven minutes long. I came across a really nice version of the already mass circulated "source one" with a completely different transfer. It sounded a little clearer than the recently released roio "Mothered Man (LPP)" which i used as much as possible. "Source two", which only surfaced just recently, had some audio that was missing from source one including about twenty seconds more of the intro for Daybreak. It also brought to light "Celestial Voices" and "Set The Controls For The Heart Of The Sun" which until recently had not been heard at all from this date.
Source two was riddled with a "whistling" sound throughout most of the songs which really annoyed me so i only used the source when needed to fill gaps or present the newly surfaced songs. The "whistling" is documented in the .txt file of source two.
Going back to the addition and positioning of "Celestial Voices", on source two, it seems "Celestial Voices" goes straight into "Green Is The Color" which confused me somewhat. Maybe the band were doing different things with the "Man and The Journey" set list because "The Violent Sequence" directly follows "Careful With That Axe, Eugene", which it never used to do. So thats why i took the chance that the band actually played "Celestial Voices" at the end of "The Man".
I don't think anyone really knows what exactly was the set list for the night so what i've done is i've presented "The Man and The Journey" upfront and followed it by the other songs which have nothing to do with the suite. But as i said, i don't think anyone really knows the setlist and i'm definitely not implying that this was HOW it was played that night.
I'm trying to make sense out of all the material i had.
One more thing, both sources were speed corrected. I didn't spend hours correcting them but both sources were occasionally running so fast that they were two semi-tones too high. I brought them both back down to a much normal speed. During "Afternoon" (Biding My Time) and "Green Is The Color" i actually fade from one source to the other, and they sound exactly the same pitch wise so they ended up being as close as you get to the same speed.
conclusion:
The recording is still a digusting roio to listen to and only hardcore roio-er's will be able to listen to it the whole way through without an earache lol, but this is a much better sounding roio than anything i've heard from this date, but in saying that, its not a massive upgrade by any means but it is definitely THE longest version. The rarity factor of this roio is very high due to the rare performances of some of the songs, if you don't have anything from this date YOU NEED THIS! lol.
Fat Old Sun Records would like to thank Moonwall for the fantastic artwork provided for this. I love her work so i never give her any requirements or boundAries to work within (I always say "come up with something".) She never ceases to suprise me. As you can see, she came up with some awesome pictures of some famous France landmarks, The Eiffle Tower and The Arch Of Triumph which don't directly correspond with this show besides that the performance was in france yet the pictures blew me away, so her delightful creativity completes this release.
The original .txt files from the sources used are included.
FAT OLD SUN RECORDS... 2008.
----------
----------
**----Sell on ebay and die---------- -----**
**----convert to any lossy format and die-**
**----re-flac and die---------- ---------- **
**----take credit for this work and die---**
**----remaster and die---------- ---------**
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(500/3) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/flac, ?/?, (?)
Pink Floyd
Date: January 23, 1970, June 12, 1971
Location: Hotel de Champs-Elysees a Paris Paris, France, Palais Des Sports Lyon, France
CD Bootleg: Broadcasting From Europa 1
Label: Free Range Pigs (FRP CDR-002)
Quality: EX
CD Bootleg "Broadcasting From Europa 1" > EAC > FLAC level 5
Comments:
(+) From a First Generation tape, of the April 30, 1995 rebroadcast by the French radio station, Europa 1. The Sound Quality is EX, making it essential for collectors. This snippet is about 22 minutes total length, however the original ORTF Radio, France broadcast was around 60 minutes.
(++) This recording is taken from the Europa 1 Radio France broadcast from sometime in June 1971. This is a two channel recording, unlike the one channel recording or AM broadcasts that have circulated previously.
Set List:
Hotel de Champs-Elysees a Paris Paris, France January 23, 1970 (+)
1. L'introduction en Français
2. The Violent Sequence
3. The Amazing Pudding
Palais Des Sports Lyon, France June 12, 1971 (++)
4. Set The Controls
5. Cymbaline
6. Atom Heart Mother (with Orchestra)
Band:
David Gilmour
Rick Wright
Nick Mason
Roger Waters
Recordet live at Hotel de Champs-Elysees a Paris Paris, France, Palais Des Sports Lyon, France
January 23, 1970, June 12, 1971
(500/4) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/flac, ?/?, (?)
Concert de Pink Floyd au Theatre des Champs-Elysees (Paris) le 23 janvier 1970.
Concert historique ! Il contient une rare version publique du theme de More, et une des toutes premieres presentations publiques de Atom Heart Mother, encore sous le titre provisoire de "Amazing Pudding". Et puis la version presentee ici de "Set The Controls For The Heart Of The Sun" est aussi une des plus musclees que je connaisse.
Il s'agit là d'une reconstitution de la plus grande partie du concert à partir principalement de 3 sources :
1. Un CD qui a ete fait à partir d'une K7 que j'ai faite en enregistrant, il y a quelques annees, avec un micro devant le haut-parleur du vieux magnero de mes parents, la bande originale que je n'ai pas encore retrouvee (Elle doit être dans tout mon fourbi...). Ben oui, ce foutu magneto à bande n'etait même pas equipe d'une sortie pour prise directe de magneto à magneto !! Alors forcement, c'est pas toujours top. Et puis il y a des siflements parasites qui s'accompagnent de baisses du son sur certains morceaux mais je me suis efforce d'utiliser au maximum, quand c'etait possible, d'autres sources pour ces passages abimes. Ils proviennent d'une manip' catastrophique que j'ai du faire sur la master-tape quelques mois apres qu'on me l'ait donnee. Ca se passait vers 1973... Mea culpa ! J'etais jeune à l'epoque... Mais je vous jure qu'avant que ce soit abime, c'etait pas mal du tout ! (sadique, va !)
Je ne connais pas precisement la source originelle, certainement la radio et il semblerait que ce soit Michel Lancelot qui commente le concert (un peu trop parfois !). Je ne sais pas plus les raisons des coupures : j'ai eu la bande telle quelle...
Abrege en "K7" dans la liste des morceaux ci-dessous)
2. Le roio "The Man In Paris" (qui provient certainement de la même source que ma bande magnetique. Il y a vait des coupes sombres dans certains morceaux, et notamment "Amazing Pudding", inutilisable en l'etat, mais d'autres morceaux sont integraux ou presque (Biding My Time, More Main Theme...). Abrege en "TMIP" dans la liste des morceaux ci-dessous.
3. Le roio "Broadcast from Europa 1" pour la majeure partie de "Amazing Pudding". Abrege en "BFE1" dans la liste des morceaux ci-dessous.
Les commentaires de Michel Lancelot ont ete gardes pour leur interêt descriptif.
Les morceaux :
1. Daybreak (Grantchester Meadows) (sources K7 + TMIP)
2. Work (source : K7)
3. Tea Time (avec presentation des musiciens) (Source K7)
4. Biding My Time - Doing It (sources K7 + TMIP)
5. Sleeping (source TMIP)
6. Celestial Voices (Fin)
7. Green Is The Colour (sources K7 = TMIP)
8. Careful with that axe Eugene (source TMIP))
9. The Violent Sequence (sources TMIP + BFE1)
10. More, Main Theme (sources K7 + TMIP + un roio de quelques jours plus tard pour les 80 premieres secondes (petite tricherie))
11. Set The Controls For The Heart Of The Sun (source K7)
12. Annonce par Gilmour (sources K7 + BFE1)
13. The Amazing Pudding (Atom Heart Mother) (sources K7 + BFE1)
Tous les morceaux sont entiers, sauf Celestial Voices.
Commentaires :
1 Daybreak (GM) : version habituelle à l'epoque, introduisant la suite "The Man", dont il semble que ce soit une des dernieres presentations publiques, peut-être même la derniere.
2 Work : Tres rare version pirate de ce morceau etonnant ! Waters à l'egoine, Gilmour au marteau, Wright au vibraphone, Mason à ... la batterie. Et ça fait... de la musique !! Quel dommage que ce morceau n'ait jamais connu de sortie officielle !
3. Tea Time : Pendant que les quatre musiciens se font servir le the sur scene, l'animateur radio en profite pour les presenter. On apprend ainsi que Waters a "un visage de Christ" (!), que Wright est feru de Stockhausen, que Gilmour est "le beau gosse du groupe -il y en a toujours un- ", et que Mason est le batteur, merci !
4. Biding My Time - Doing It : une belle version de ce classique du Floyd, avec de belles envolees de Wright au trombone et de Gilmour à la six-cordes. Une belle demo de blues maà®trise, suivie d'un dechainement de Mason aux percus.
5. Sleeping : version du sommeil qui precedait normalement "Nightmare" (Cymbaline), encore introuvable.
6. Celestial Voices (Fin) : une coda de Saucerful, un peu abimee par les parasites,
7. Green Is The Colour : version habituelle à l'epoque.
8. Careful with that axe Eugene : enchaine directement sur la precedente, comme d'habitude alors. Cette version ne restera pas dans les annales, sa fin est expediee. J'ai dà» travailler sur les niveaux d'amplification pour lui donner un peu de pêche...
9. The Violent Sequence : le futur "Us and Them", alors instrumental prevu pour "Zabriskie Point". J'ai superpose deux sources pour donner de la profondeur au son.
10. More, Main Theme : une version live tres rare de ce morceau tres peu joue sur scene (je n'en connais qu'une autre version, quelques semaines plus tard). Ca demenage bien. Elle est entiere, reconstituee à partir des sources citees. Neanmoins, comme il manquait le debut, j'ai pris les 80 premieres secondes sur la version du 11 fevrier 1970 à Birmingham, petite tricherie.
11. Set The Controls For The Heart Of The Sun : Une version assez speed de ce grand classique du Floyd à cette epoque. Les commentaires du presentateur ont ete conserves tels quels.
12. Annonce par Gilmour : Gilmour annonce le tout dernier morceau en français.
13. The Amazing Pudding (Atom Heart Mother): sans doute le clou de ce bootleg : une des toutes premieres presentations publiques de Atom Heart Mother. La version proposee dans "Broadcast..." a un son correct, mais il lui manque pres de 3 minutes au milieu de "Mother Fore", o๠Gilmour et Wright improvisent des choeurs en voix de tête. Ces trois minutes, je les ai dans ma version K7, et les ai integrees. Le passage d'une source à l'autre se perçoit nettement, mais l'ensemble reste audible. J'ai superpose les deux sources sur les trois premiers mouvements pour donner plus de profondeur au son, celui de "Broadcast..." etant trop "propre" et sans grand relief.
(500/5) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/flac, ?/?, (?)
Pink Floyd
Work In Paris
Theater Comedie des Champs-Elysees
(Note: The "Theater des Champs-Elysees" and "Comedie des Champs-Elysees" are two separate, adjacent venues)
Paris, France
23 January 1970
1. Green Is The Colour (2:54)
2. Careful With That Axe, Eugene (6:40)
3. The Violent Sequence (5:00)
4. Biding My Time (5:43)
5. The Amazing Pudding (20:02)
6. Daybreak (6:21)
7. Work (1:25)
8. Doing It (2:47)
9. Sleep (6:03)
10. Main Theme From 'More' (6:46)
11. Interview (including Work) (5:29)
(500/6) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/Flac, ?/?, (?)
Pink Floyd
Théâtre des Champs-Elysées
Paris
1970-01-23
**** DO NOT BUY / SELL ****
**** DO NOT ENCODE TO MP3 OR ANY OTHER LOSSY FORMAT ****
**** DO NOT POST ON YOUTUBE OR ANY LOSSY SHARING MEDIA SITE ****
CD 1: The Man
1. Daybreak pt.1 [a.k.a. Grantchester Meadows]
2. Work
3. Tea Time
4. Afternoon [a.k.a. Bidind My Time]
5. Doing It! [a.k.a. The Grand Vizier's Garden Party (Entertainment)]
6. Sleep [a.k.a. Quicksilver]
7. Nightmare [a.k.a. Cymbaline]
8. A Saucerful of Secrets
-- cut (tape flip) --
9. A Saucerful of Secrets [continued]
CD 2
1. [banter]
-- cut --
2. Astronomy Domine
-- cut --
3. Green Is The Colour
4. Careful with That Axe, Eugene
5. The Violent Sequence
-- cut --
6. More (Main Theme)
7. Set The Controls For The Heart Of The Sun
8. The Amazing Pudding [a.k.a. Atom Heart Mother]
-- cut (tape change) --
9. The Amazing Pudding [continued]
-- cut --
**** DO NOT BUY / SELL ****
**** DO NOT ENCODE TO MP3 OR ANY OTHER LOSSY FORMAT ****
**** DO NOT POST ON YOUTUBE OR ANY LOSSY SHARING MEDIA SITE ****
Line-up:
--------
Roger Waters: Bass, Vocals
David Gilmour: Guitar, Vocals
Richard Wright: Keyboards
Nick Mason: Drums
Notes:
------
This recording comes from a 40 years old master tape and has never been circulated before.
It must have a few glitches from times to times, but it's a miracle that it was not completely gone after all this time. In particular the song Cymbaline has some gaps, but luckily I've been able to play it completly after many attemps since the deck was often stopping the tape during that part. Sadly the very end of The Amazing Pudding is cut because of another concert that was overtaped.
Big thanks to Gérard for digging out his tapes collection, and coming home with some of them, and of course for taping this show at the time!
A soundboard recording also exists, as the show was recorded for French radio Europe 1's Musicorama program. Many recodings based on various FM broadcasts are in circulation, however this is the first time a complete audience tape surfaces and gives us the complete and correct running order of all the songs.
Pink Floyd also played the same venue the day after, 24 January, but no recording of this second performance is to be known. The taper did not attend the second show since he attended (and recorded) The Nice at L'Olympia, Paris, that night. Sadly the very beginning of The Nice recording was taped over the very end of 'The Amazing Pudding'.
Some parts between the songs may also be missing, since the recorder was stopped to save the tape.
Because of a low recording level, the original recordings had a terrible amount of hiss.
I reduced a big part of it, but there's still a quite noticable hiss on the final recording.
The right channel has also a lower volume than the left channel. I did some ajustement, but I did not increased too much the right channel since it was increasing its hiss as well.
Lineage:
--------
Audience->Philips EL-3302->Master Cassette
->Nakamichi DR-1 (azimuth adj.)->Thomson/Hama Scenium KD4112 cable->Roland Edirol R-09HR
->WAV 96000Hz 24bits->Adobe Audition:
* Right Channel: +4dB
* Manual clicks removal
* Hiss Reduction (different on left and right channels)
* Volume (left: +9dB, right: +10dB)
* Conversion to 44100Hz 16bits
->split to CD WAV->FLAC->MP3Tag
**** DO NOT BUY / SELL ****
**** DO NOT ENCODE TO MP3 OR ANY OTHER LOSSY FORMAT ****
**** DO NOT POST ON YOUTUBE OR ANY LOSSY SHARING MEDIA SITE ****
(500/8) Pink Floyd, 1970-01-23, Théâtre Des Champs Elysées, Paris, France
Audio/mp3, ?/?, (?)
pink floyd
19700123-008
Work in Paris (mothered man)
01 - Green Is The Colour
02 - Careful With That Axe Eugene
03 - The Violent Sequence
04 - Biding My Time
05 - The Amazing Pudding
06 - Daybreak
06 - Work
08 - Doing It
09 - Sleeping
10 - Main Theme (More)
(603/16) Pink Floyd, 1970-02-05, Sophia Gardens Pavilion, Cardiff, Wales
/, ?/?, (?)
(604/16) Pink Floyd, 1970-02-07, Royal Albert Hall, London, England
jpg/, 1970-01-17 Melody-Maker p22/?, ()
(606/1) Pink Floyd, 1970-02-11, Atomic Heart Beat In The Hall, Town Hall, Birmingham, England
Audio/Flac, Dime/?, (20221124)
Pink Floyd 1970-02-11 Birmingham, 2nd gen stratcat58 tapes (16bit/44.1kHz)
Pink Floyd
Town Hall, Birmingham, England
11 February 1970
Lineage: 2nd gen Maxell XLII-S and XLII cassettes (bet.1992-96) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) > vince666 > header change to 88.2 Khz > WAV 88.2Khz/32bit float > speed correction > WAV 88.2Khz/32bit float > resampled to 44.1Khz and dithered to 16bit > WAV 44.1Khz/16bit > track splits > FLAC 44.1Khz/16bit
1. The Embryo .................................. 11:50
2. Main Theme From More ........................ 11:29
3. Careful With That Axe, Eugene ............... 10:12
4. Sysyphus .................................... 11:39
5. Heart Beat, Pig Meat ........................ 5:46
6. Oenone ...................................... 6:19
7. Moonhead .................................... 4:21
8. The Violent Sequence ........................ 7:59
9. Set The Controls For The Heart Of The Sun ... 13:36
10. The Amazing Pudding ......................... 22:57
Total running time 1 hours 46 mins 14 secs
*Neonknight's notes*
We believe that this is the best copy yet of this great show. Stratcat58's 2nd gen is smoother, closer and more detailed than the 3rd gen we torrented in July. It also has better high end. From the outset it is apparent that the cymbals and hi-hats appear where they were previously buried; always a good sign. In fact you can follow all the instruments more clearly, including during the quieter passages which are less dominated by hiss than our previous copy.
Side B's TAP on the 3rd gen ends fractionally later than the 2nd gen so the 3rd gen cannot be a copy of this 2nd gen version.
The third gen's lineage was master (probably a cassette) > reel > reel > Nak Dragon > stratcat58's cassettes. Stratcat58 arranged a loan of the 2nd gen cassettes and the lineage for them is master > reel > Nak Dragon > cassettes. Stratcat58's source's source (the owner of the 1st gen) visited with his reel many years ago and our man made two copies, one to cassette and the other to reel. The reel was the source of the 3rd gen cassette that we posted. It's as though two gens have been shaved off, not just one, for this Nak Dragon provenance.
The audience chatter before The Embryo is more complete on some other copies e.g. the taper's comment at the very beginning of the recording, "I can't get the hang of his thing", is not present here. Additionally, the opening to side B, Heart Beat Pig Meat, is a bit steadier on lordsnooty's tapes than stratcat58's and his copy has some extra tuning. Stratcat58's tapes are fuller and closer than the lordsnooty version but his copy is cleaner. It's best to keep both!
The taper was probably towards the back of the auditorium and possibly had their recording levels set low, at least some of the time. The way the high end falls off indicates that basic equipment was used. The recording levels have probably been subsequently optimised during copying.
It's difficult to draw any clear conclusions about the Town Hall's acoustics but they may well have contributed to the overall ambience of this recording. Those not familiar with it might be a bit put off at first but my experience is that it ceases to be distracting when your ear dials into the sound.
If you are outside of the UK or have never been to Birmingham it's worth taking a moment to to get a feel for the Town Hall's neo-classical architecture by looking it up on wikipedia. Internal pictures from the time suggest that the hall was quite long and slim with a balcony at the end furthest from the stage.
As I mentioned in the 3rd gen text file, here the Floyd are recycling material from the Zabriskie Point sessions and working out what to do next.
Little memorabilia from the concert appears to exist. The only thing I could find was a ticket on google image search. I tried contacting the Friends of Birmingham Town Hall in 2012 and they were unable to assist.
11 February 1970 was a Wednesday and the concert started at 19.45. It was promoted by big name promotor Roy Guest, who had joined NEMS Enterprises in the autumn of 1968.
Most copies of the concert from the late 1970's onwards started out from a major tape collector in San Diego who sold and traded using low quality unbranded cassettes. His collection was passed to another collector who continued distributing tapes and then another one after that. There is also a guy from Wales, DT, who was probably the source of the San Diego trader in case anybody reading this recognises themselves or can offer a lead.
The guy who owned the 1st gen reel that was the source for the tapes used for this release retired from trading and moved away.
*Vince's mastering notes*
Most of my notes are going to be the same as what i've just described for the previous work on the 3rd gen cassettes, since they have many things in common... so, i start by "recycling" a few points from there, which are perfectly true for these new cassettes, too... especially the point which brought me to choose the final 88,2Khz sample rate for the both of them.
This recording did run very fast so, before actually performing the classic speed correction process, I made a header change to 88.2Khz which automatically "forces" the audio to play at a lower samplerate (and then at a lower speed) without actually altering the samples, so, i preferred to perform this header change to simply bring the recording much closer to the correct speed with no true resampling (and digital speed correction is a resampling process).
But the choice to switch to 88.2Khz needs that the whole recording will need to stay at this new samplerate (but a good point of the 88.2Khz samplerate is that the conversion to 44.1Khz to make a CD version is more easy/transparent than when you go from 96Khz to 44.1Khz, which would involve much more complex maths to do the trick as 96000 isn't a multiple of 44100).
So, with the recording played at 88.2Khz, and then much closer to a correct/reasonable speed, i finally started to think about the classic speed correction process, and it must be noted that the 88.2Khz header change alone did bring the first 9 minutes (or so) of "The Embryo" just to a quite correct speed (within a very small error I will explain later in more detail) so these first minutes weren't subjected to any resampling process as I simply left them alone as they sounded quite right that way... but let's go to the actual work I did...
First of all, I must say that this recording isn't just the typical "easy" speed correction work as the speed varies a lot of times throughout the whole recording and, moreover, there are a whole lot of slight speed fluctuations and also a noticeable amount of wow and flutter (and my guess is that the W&F just belongs to the previous generations of this recording, as I seem to remember it's present on any versions of this gig).
But, this time, I did choose to work in an even more careful and meticulous way as on the previous one... so, in the first moment, I simply checked the speed virtually second by second by trying the needed corrections "on the fly" without applying them and so I mapped the whole recording with a lot of markers to put in evidence all the segments which needed to be corrected differently (with a lot of markers I mean a few hundred markers!).
This way, with this very detailed map of the recording, I could actually correct both the "overall" speed and the small/sudden fluctuations with the first (and only) processing pass, small segment by small segment (at times, tiny segment by tiny segment).
On the contrary, on the previous 3rd gen, to make the work a bit easier, I had made a first "overall" correction applied on relatively long segments and then I addressed the short fluctuations within the same "just corrected" segments while applying a second correction process over the first one.
And so, the much longer and detailed checking work I had made before brought me to the final result by also processing the recording the least possible... but, actually, after I finished the whole work and was finally making a properly relaxed listening, I caught a handful short things which at that point I did correct in a second processing step... but, hey, it's a matter of a few minor things here and there which are 1 second long each, at max... so not really a big deal, but these few "extra" corrections may have been a bit distracting while listening (or, at least, they were definitely distracting to my ears)... Thus, the result of the processing itself is still more "transparent" than on the previous 3rd gen and, after all, this 2nd gen is a better sounding source just as a starting point.
But, since the Birmingham recording is perhaps the most "difficult" in terms of fluctuations and tape related problems of the whole PF recordings story, of course there are still small/light fluctuations here and there and there is still the infamous wow and flutter (more noticeable on some songs, less noticeable on others).
I will explain the wow and flutter and the "within a small error" point in more detail... After the initial header change, the first nine minutes of The Embryo came gracefully extremely close to the right speed... I mean that they may still be a hair fast (with "a hair" I mean a fraction of a percentage, say around 0,5%) and it would have been unwise to subject them to processing for such a tiny difference, since they just sounded very nicely in raw shape... and, while trying to find the best correction ratios for this recording I could experiment a few interesting things myself... the wow and flutter may appear to be more noticeable than on some other sources, not certainly because there is more or a deeper wow and flutter oscillation, but simply because the sound is clearer and better defined, so the instruments are more clear and detailed and, of course, the wow and flutter might also be heard more distinctly... if you think about it, the wow and flutter is a continuous and quite periodic speed fluctuation and the clearer you can finally hear the instruments, the clearer you will also detect the W&F, because if you have a confused and muffled sound, you will have the W&F somewhat masked just by the less defined sound itself, since the speed oscillation is detected just on the actual "useful" content and not on the hiss or on the background noise or on any other "non music related" noises.
So, in other words, we have better sound and so we can "appreciate" the flaws of this recording in a "better" way and, anyway, I'd prefer to see quite only the "half full" glass of a better sounding tape anyday!
The second point I'd like to mention is a sort of an easy way to tame what i've just explained here above about the W&F... in fact, I noticed that, when there is a noticeable continuous W&F speed oscillation, if I keep the overall speed a hair faster then the W&F speed fluctuation oscillates in a speed-range which, for example, goes from the correct speed to a hair fast or, anyway, it ranges mostly on the faster side... and, to my ears, such situation sounds noticeably better than if I try to put the overall speed to the "correct" value and leaving the W&F oscillation ranging also to the slower side as it definitely gives me the impression of a tape machine losing some power and I found it very annoying... so, in general, I tended to stay a hair fast throughout the whole recording because it makes the W&F much less annoying... so, a small error (around 0,5% or so) to the fast side sounded noticeably better than a "just exact" overall speed... and I add that, with the W&F and some minor fluctuations still present, it makes not really sense in talking about the "perfect" speed but it may be much more useful to directly stick to something which makes the recording more enjoyable, which is just what I tried to do.
And, believe me, it needed quite a bit more work than the 3rd gen to make the recording how it is now and with the lightest hand I could in applying processing individually on hundreds of small to tiny segments... so, as the other 3rd gen one, at a certain (even longer to arrive) moment, I simply decided to stop working and consider it ready otherwise i would have risked to never finish to work on it as these Birmingham recordings are just those which you could keep improving for years and with countless hours of meticulous manual editing.
So, the speed may still be not just perfect at moments and the W&F is still there but, hey, to my ears this time I finally have the impression of being phisically there attending the gig and it's indeed a nice upgrade in sound quality over any other circulating versions, including the recent 3rd gen cassettes which just sounded like a sort of miracle when they finally surfaced only a few months ago.
No other kind of processing was done, so no level changes, no normalization, no NR, no EQ, etc...
Stratcat58 cassettes / Neonknight tape transfer / Vince666 mastering, October 2017
(606/2) Pink Floyd, 1970-02-11, Atomic Heart Beat In The Hall, Town Hall, Birmingham, England
Audio/Flac, Dime/?, (20221124)
Pink Floyd 1970-02-11 Birmingham UK
Atomic Heart Beat In The Hall The Godfatherecords GR 786-787
Lineage:
My silvers.
EAC (secure mode) > WAV (& spectrograms included)
Traders Little Helper > FLAC Level 08 (checksums included)
Tracker > You
Setlist:
CD 01
01. The Embryo
02. Main Theme From More
03. Tuning
04. Careful With That Axe, Eugene
05. Sysyphus
CD 02
01. Heart Beat, Pig Meat
02. Quicksilver
03. Moonhead
04. The Violent Sequence
05. Set the Controls For The Heart Of The Sun
06. The Amazing Pudding
Artwork included
Bootleg comments:
http://www.collectorsmusicreviews.com/pink-floyd/pink-floyd-atomic-heart-beat-in-the-hall-godfather-records-gr-786787/
&
http://www.hokafloyd.com/CD4/Atomic_Heart_Beat/Review_Atomic_Heart_Beat_In_The_Hall.htm
Atomic Heart Beat In The Hall (Godfather Records GR 786/787)
Town Hall, Birmingham, England February 11th, 1970
Disc 1 (46:18): Embryo, Main Theme from More, Tuning, Careful With That Axe Eugene, Sysyphus
Disc 2 (61:08): Heart Beat Pig Meat, Quicksilver, Moonhead, The Violent Sequence, Set The Controls For The Heart Of The Sun, The Amazing Pudding
Atomic Heart Beat In The Hall documents Pink Floyds February 11th, 1970 show in Birmingham, England. The sound quality of the tape starts off quite rough and unpleasant, but quickly improves to be quite listenable and enjoyable. The entire show was pressed before on The Amazing Pudding (Highland HL 208/209) and the latter half of the show can be found as bonus tracks on Monopoly (1996 DYNAMO GULAG SUBOTNIK, MOSCOW).
There are several reasons why this show is important. It contains very early performances of both Atom Heart Mother still called The Amazing Pudding at this point and with a drum break, and The Embryo. Second, there are several very rare live performances of Sysyphus and The Main Theme (from More).
The most interesting part is the twenty-five minute long piece that starts off the second disc. It starts off with Heart Beat Pig Meat from the soundtrack to the film Zabriskie Point and leads into The Violent Sequence, the precursor to Us & Them on Dark Side Of The Moon. Its the longest performance of the piece and most interesting given the incorporated musical themes. Godfather utilize their gorgeous tri-fold cardboard gatefold sleeve with copious liner notes written by their Pink Floyd expert Alex The Gnome.
http://www.freewebstore.org/scooby-doo/2CD_PINK_FLOYD_ATOMIC_HEART_BEAT_IN_THE_HALL/p1351921_7758014.aspx
Rare songs performed live on a decent sounding audience tape. Once you get past the first few unlistenable minutes of the Embryo, it's pretty good from there on. Recommended for the freak only.
(612/1) Pink Floyd, 1970-02-28, Leeds University, Leeds, England
Audio/Flac, Dime/?, (20221124)
PINK FLOYD
REFECTORY HALL, LEEDS UNIVERSITY
LEEDS, ENGLAND
FEBRUARY 28, 1970
MASTER REELS > DAT @48KhZ/16bIT > WAVE (PROTOOLS) @48KhZ/16bIT
SET LIST:
THE EMBRYO
CAREFUL WITH THAT AXE EUGENE
SET THE CONTROLS FOR THE HEART OF THE SUN
ATOM HEART MOTHER
SAUCER FULL OF SECRETS
INTERSTELLAR OVERDRIVE
After seeing several versions claiming to come from an unknown DAT gen from the master reels, the owner of the original tapes offered me a fresh transfer from those reels onto a DAT tape. From there I took the DAT into my studio and digitally transferred it using ProTools, preserving the integrity of the 48kHz/16Bit transfer (unfortunately a 24Bit transfer was not an option). These are the raw, unprocessed wave files from my transfer. MOB will be remastering this recording for Harvested Records, applying some needed speed-correction which will be shared shortly after the release of this torrent.
PLEASE DO NOT REMASTER AND REPOST!!!
Some additional info from the current owner of the reels:
"I didn't tape this show as was posted earlier ( I was 10 years old at the time!), but the taper, John Parkin, kindly gave me his master in the early 90's.
I've no idea who has what in terms of generation but I only made three direct transfers from reel to DAT. When I bought a DAT machine in 1994 I made a safety copy for myself and one also for a friend who is also a member of this forum (edit:Yeeshkul). I sent a few copies to friends at the time and these were clones from my DAT. I also made two cassette copies for other friends one of which was given away some years ago, this is probably the source of most of the boots that have surfaced. I subsequently made a new transfer about 3 years ago for a collector in the US who asked for one (nobody else asked!) so despite comments by others this was never hoarded, it was freely given to people I was in touch with at the time.
If anyone is interested I can make a fresh transfer on DAT, I can send a copy to someone if they want to torrent it. I'm afraid I'm too thick to torrent it myself, I attempted it once but failed miserably. I guess if he is willing I can send it to RonToon, as he is the only person I know on this forum, so Ron if you are 'up for it' let me know.
The original tape was recorded on a Grundig TK 140 machine at 3 3/4 ips, no idea what mics were used. The recording was made from the balcony, and the machine was plugged into the mains ( the joy of taping old shows!) as this was the only power source available."
Thanks to Lord Snooty for giving me the opportunity to share this incredible source!
Enjoy!
RonToon
(625/1) Pink Floyd, 1970-03-20, Akademiska Foreningens Stora Sal, Lund, Sweden
Audio/Flac, Dime/?, (20221124)
Pink Floyd DB:
http://www.pf-db.com/index.php?concert_id=190&bootleg_id=3413
Hokafloyd:
http://www.hokafloyd.com/CD3/Lund_Sweden/Lund_Sweden.htm
PINK FLOYD - Lund Sweden 1970
FARM 20507/8 Flux and Reflux Music
Matrix Disc 1: FARM 20507
Matrix Disc 2: FARM 20508
(P) ???? Made In Japan
Not For Sale. For Promotional Use Only.
Comment by pf-db.com
Great sound, everything comes through really clear, and there's no extraneous noise/chatter near the taper in the audience, to interfere with the listening experience.
I'd definitely feel comfortable rating this show as an A.
Their earlier tours (pre-Eclipsed) tend to get glossed over a little, since the material they performed isn't as legendary as their later works, which is a shame because these shows were just as tight and solid as the ones they did for The Dark Side of the Moon, Wish You Were Here, and Animals.
More Infos from Collectors Music Reviews
Disc 1: Time:
1. Astronomy Domine 9:23
2. Careful With That Axe Eugene 11:23
3. Cymbaline 10:00
4. A Saucerful Of Secrets 13:09
Total Time: 43:55
Disc 2: Time:
1. Embryo 8:44
2. Interstellar Overdrive 13:26
3. Set The Controls 11:53
4. Atom Heart Mother 18:29
Total Time: 53:42
Band:
Pink Floyd
David Gilmour
Nick Mason
Roger Waters
Richard Wright
MD5 & Artwork incl.
-----------------------------
Cheers
Hoka
http://www.hokafloyd.com
20 March 1970
Live at Akademiska Foreningens Stora Sal, Lund, Sweden
(635/1) Pink Floyd, 1970-04-22, Capitol Theatre, Port Chester, NY, US
Audio/Flac, Dime/?, (20221124)
Pink Floyd
Capitol Theater
Port Chester, New York
April 22nd 1970
Equipment: Sony TC-110
Source: Master Cassette > Soundforge / Remaster > CD-R > FLAC
TRACK LIST
Disc 1
1. Granchester Meadows
2. Astronomy Domine
3. Cymbaline
4. Atom Heart Mother
5. The Embryo
Disc 2
1. Green is the Colour
2. Careful With that Axe, Eugene
3. Set the Controls for the Heart of the Sun
4. A Saucerful of Secrets
5. Interstellar Overdrive*
(638/1) Pink Floyd, 1970-04-29, Interstellar Fillmore, Fillmore West, San Francisco, CA, US
Audio/Flac, Dime/?, (20221124)
Pink Floyd
Interstellar Fillmore
Fillmore West
April 29, 1970
Stereo Soundboard
Harvested HRV CDR 016
This is the best-known circulating version of this show and is complete, though it's not clear if some of that "completeness" is due to careful patching from another show. This version supersedes "Interstellar Encore".
It's an excellent performance, though all versions of it suffer from a persistent, annoying "squeak" throughout disc one.
This performance occurred on the evening of the same day as the "KQED" video recording.
Disc One:
01 - Grantchester Meadows
02 - Astronomy Domine
03 - Cymbaline
04 - Atom Heart Mother
05 - Embryo
Disc Two:
01 - Green Is the Colour
02 - Careful with that Axe, Eugene
03 - Set the Controls for the Heart of the Sun
04 - A Saucerful of Secrets
05 - Interstellar Overdrive
(640/1) Pink Floyd, 1970-05-01, Since We Were Teenagers, Civic Auditorium, Santa Monica, CA, US
Audio/Flac, Dime/?, (20221124)
Pink Floyd - Since We Were Teenagers - MQR 004
Civic Auditorium - Santa Monica, CA, USA
May 1st 1970
Source: Audience
Sound Quality: EX
Taper: Dub Taylor
Recording equipment: Nagra R2R > 5" Reel Master
Playback: Tandberg R2R > Revox B-77 > M.M.'s 1st Generation Reels
Transfer: Reel[1] > Sony DAT > DAT(0) > Audigy 4 Pro > Nero Wav Editor > CDWav >
CDR(0) > CDR(1) > EAC > FLAC
Restored and Enhanced by MQR - creamcheese, }{eywood and WRomanus
Total time = 121:53m
Set One 51:18
1. GRANTCHESTER MEADOWS
2. ASTRONOMY DOMINE
3. Tune Ups
4. CYMBALINE
5. THE AMAZING PUDDING
Set Two 79:08
1. Tune Ups
2. THE EMBRYO
3. GREEN IS THE COLOUR
4. CAREFUL WITH THAT AXE, EUGENE
5. SET THE CONTROLS FOR THE HEART OF THE SUN
6. INTERSTELLAR OVERDRIVE
7. A SAUCERFUL OF SECRETS
Magna Qualitas Records is proud to present "Since We Were Teenagers", this fully restored and remastered recording from Santa Monica as our fourth release. Due to our continuing work on everything related to Zabriskie Point, which led to the new revision of the Omayyad album, we've decided to complete the restoration of this excellent recording. GBC torrented this recording (provided by Rudy and M.M.) originally a while back, and his notes reflect the many instances of dropouts, damages and cuts in the tape. All this has been restored here using pieces of other shows or relocating pieces from this show.
Originally Grantchester Meadows only ran about 30 seconds. Apparently that is where the taper started recording. We have patched the majority of the song in from the previous show in San Francisco on April 29, but since the very beginning of that fades in we decided to restore that as well from the KQED tape. We wanted the birds before the song to be there. The 30 seconds of the song that existed on the tape for this show are all there, but now the whole song exists in a form that is nearly impossible to tell its from more than one show. from 0 to 0:34 April 30 - KQED. From 0:34 to 7:13 April 29 - Fillmore East. From 7:13 to 7:37 (end) May 1 - Santa Monica
Astronomy Domine had a small part missing due to a damaged portion of the tape. This was patched with a piece from slightly earlier in the song. The buildup was a bit oversaturated and was all at one continuous loud volume, so this was readjusted to better reflect the gradually increasing intensity of the song.
The original little patch from Santa Monica 1970-10-23 is still in place in Cymbaline. It was done so well I can't even tell where it is, so why mess with perfection?
A dull spot in the tape at about 14 minutes into The Amazing Pudding was repaired.
The missing part of Careful was spliced in from Port Talbot 1969-12-06, curiously this concert was during the Sessions for Zabriskie Point. We searched long and hard through dozens of shows to find a tape where the performance was similar enough to the one at Santa Monica (and with similar sound quality) to fill the missing section. Quite a lot was missing, so it had to be done. The patch exists from 2:33 to 3:48.
Drop-outs and other anomalies were cleaned up or otherwise repaired. The volume of the whole thing was adjusted in various places to make the dynamics more pleasant, and because the tape sounds like the taper was adjusting the gain on the fly as the show went on in order to compensate for very quiet passages. A lot of the between song banter and tuneups and the tape effects during Cymbaline were very quiet, so they were brought up a bit. The distorted sections of the show were carefully restored to avoid a lot of the oversaturation they originally contained. Several spots where the high end dulled down a bit, likely from deterioration of the master, were EQd separately and patched in in order to compensate for the tonal changes. Noise Reduction was carefully applied in three stages, and the whole thing now appears for the first time in stereo due to the usage of a very sophisticated and well sounding (although freely available) stereo processing plugin. The tape flips were all patched by relocating audience from different parts of the show so the whole thing is now a continuous piece for each set.
This release is certainly not perfect. Many wrinkles and crumples were present in the master tape, and although we did our best, there's not a lot that can be done to fix them. It is, however, probably the best it has ever sounded since we were teenagers, maybe even as it ever will...
July 2011
(640/2) Pink Floyd, 1970-05-01, Since We Were Teenagers, Civic Auditorium, Santa Monica, CA, US
Audio/Flac, Dime/?, (20221124)
Pink Floyd
Civic Auditorium
Santa Monica, California USA
May 1st 1970
Straight from a 1st Generation Reel to Reel copy of the masters
Source:
1 Sennheiser 805 shotgun microphone > Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips on 5" diameter 3M Scotch tapes
First Generation Tape Copy (1980's):
1/2 track 5" diameter Masters played back on Tandberg 9000X > Teac An-180 (Dolby) > Revox B-77
Transfer to DAT (1996):
Revox B-77 > Teac AN-60 (Dolby) > Sony DTC-690 @ LP (reduced Bandwidth of 16KHz or 32/2)
Transfer to Hard Drive (2006):
Sony DTC-690 (16-32) > Audigy 4 Pro (resampled to 16-48 on the fly)
Mastering (2014)
Adobe Audition 3.0 > AudioGate Aqua (16-44) > CD Wav > Flac (Level 8) > Stamp ID3 tag editor
Note that there are some drastic volume changes as the recording levels are adjusted.
The two affected songs are marked *
Recording starts with GRANTCHESTER MEADOWS already in progress.
First Set (45:48m)
1. GRANTCHESTER MEADOWS > ASTRONOMY DOMINE * (11:16m)
2. CYMBALINE * (12:51m) (tape flip)
3. ATOM HEART MOTHER aka THE AMAZING PUDDING (21:41m) (tape flip inside song)
Second Set (78:19m)
1. tuning (1:09m)
2. THE EMBRYO (12:35m)
3. GREEN IS THE COLOUR > CAREFUL WITH THAT AXE, EUGENE (13:21m) (tape flip inside song)
4. SET THE CONTROLS FOR THE HEART OF THE SUN (15:21m) (tape flip)
5. INTERSTELLAR OVERDRIVE (14:04m) (tape stopped-encore call not recorded)
encore
6. A SAUCERFUL OF SECRETS (21:49m) (tape flip inside song)
Total Running Time 2 hours, 4 minutes and 7 seconds
I have tried to borrow these masters again to do a hi-res transfer.
Even offered a tempting "borrowers fee".
Was informed that these tapes were discarded by the collector that got them after me.
Hope that's not true but this could be as close to the original tape as we may ever get.
As a result I spent a little extra time on this project.
Very nice sounding recording and it is the first time that this complete tape has been shared.
Some technical issues
Drastic volume changes are found in ASTRONOMY DOMINE and CYMBALINE.
This was a result of the microphone output overdriving the recorders input.
The adjustment knob becomes all or nothing at the near zero position in this condition.
Ahh, for an inexpensive 20 dB attenuator this would have been avoided.
Nothing can be done to fix this now.
There is a tape flip immediately after CYMBALINE ends.
A few seconds of applause was inserted to smooth out the abrupt transition.
Next tape flip is inside ATOM HEART MOTHER and an unknown amount is missing.
CAREFUL WITH THAT AXE, EUGENE has a tape flip a few bars before the scream.
SET THE CONTROLS FOR THE HEART OF THE SUN has a tape flip during the applause after the song.
INTERSTELLAR OVERDRIVE has a tape flip during the applause and just prior to the introduction of the next song
Some applause was inserted to smooth out the abrupt transition.
A SAUCERFUL OF SECRETS has a tape flip towards the end of the song.
These cuts are on the master reels.
Five inch tapes at 7 1/2 ips need flipping and re-threading every 22 1/2 minutes.
Thirty seconds (minimum) would be lost for each reel flip.
Even as much as 60 seconds to do this in the dark and on the floor.
Not as easy as turning a cassette over.
These old recordings were also plagued by "mini dropouts" found on the tapes or created in the transfer.
Opposite channel patches were used to repair single channel dropouts.
There were quite a few of these repairs required throughout this concert.
Performed a meticulous end to end review to try and catch all of these and fix them.
Some have slipped past my ears but I repaired most of the obvious ones.
The result is this nice clean copy of a classic Pink Floyd concert recording by the TMoQ crew (thanks Ken and Dub).
For Historical reference only and not for resale or any commercial uses.
Enjoy
-M- (October 2014)
FLYING M PRODUCTIONS
FAN RECORDINGS FOR COLLECTORS
TRADE FREELY BUT PLEASE DO NOT SELL
(649/1) Pink Floyd, 1970-07-16, Paris Cinema, London, England
Audio/mp3, ?/?, (?)
Pink Floyd
16th July 1970
Paris Theatre, London.
with John Alldis Choir och the Philip Jones Brass Ensemble.
1. Embryo
2. Green Is The Colour
3. Careful With That Axe, Eugene
4. If
5. Atom Heart Mother (Orchestra versions)
FM Re-Broadcast
Swedish Radio, P3 Live
7 October 2005
Excellent sound
-------------------------------------------------------------------------------------------------------------------------------------------------------------
FM broadcast >WinFast PVR2000 FM Card (44100, 16 bits Stereo, PCM Wav) > Adobe Audition 1.5 > Flac Frontend>Flac fix (to fix sector boundaires)
Cuts and fades between track 1-2 & 4-5: had to edit out the radio announcer.
-------------------------------------------------------------------------------------------------------------------------------------------------------------
(657/1) Pink Floyd, 1970-09-26, The Electric Factory, Philadelphia, PA, US
Audio/Flac, Dime/?, (20221124)
Pink Floyd 1970-09-26 Electric Factory, Philadelphia, 2nd gen (24bit/96kHz)
Pink Floyd
Electric Factory, Philadelphia, Pennsylvania, USA
26 September 1970
Lineage: 1st gen Maxell metal cassette > Nak Dragon x 2 > 2nd gen cassette (Maxell XLII-90) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 2.0.3 > FLAC (24bit/96kHz)
xACT used to create FFP
*The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum
01 Astronomy Domine
02 Cymbaline
03 A Saucerful Of Secrets
04 Interstellar Overdrive
05 Fat Old Sun
06 Green Is The Colour
07 Careful With That Axe, Eugene
Total running time: 1 hour 26 minutes 14 seconds
This is without doubt the best source for this date that I have come across so far. The only disadvantage to Stratcat58's tape is that Set The Controls For The Heart Of The Sun is missing. The master that circulates sounds dull in comparison to this 2nd gen, which is unequivocally brighter and clearer.
Stratcat58's source runs slow, as seems to be the case with all sources. Goldenband calculated the necessary speed corrections, which ranged form +0.9-2.3%. The values aren't perfect because of the shifting speed but get each song very close indeed to the right pitch.
The recording also has occasional flaws and dropouts that are not on other copies. You can hear one at the start of IO and a couple in CWTAE, for example. I have carefully checked various noises and can confirm they are on the tape.
Stratcat58's source kept meticulous notes on all of his recordings. From him we know that the individual who originally recorded the concert had the cassette masters "cleaned up" several years back using professional recording studio equipment.
Stratcat58's source is not aware of the details regarding what the original master(s) consisted of or what clean up process involved. The results were recorded onto a 90 minute Maxell metal cassette. Stratcat58's source was able to borrow this metal tape through a reliable third party and make two archive copies, one on reel-to-reel and the other being the tape used for this release.
Side B on Stratcat58's cassette, starting with Interstellar Overdrive, was recorded at a lower level than side A. I adjusted the gain on the FSP14 to compensate when I flipped the tape.
Stratcat58 cassette / Neonknight tape transfer and speed adjustments, January 2014
(672/1) Pink Floyd, 1970-10-16, Pepperland Auditorium, San Rafael, CA, US
Audio/Flac, Dime/?, (20221124)
Pink Floyd - Rolf's Pepperland Bomb - MQR 012
Pepperland Auditorium, San Rafael, CA, USA
October 16th 1970
Source: Audience
Sound Quality: EX+
Tapers: Jay D. and Ron C. ...They sat 10-12 rows back, left of center.
Recording equipment: Sony TC-126 with Powered Single Point Stereo Microphone, using either Sony Red or Green cassette tapes
Lineage:
Oct. 1970. Recording equipment > Sony TC-252 7" Reel to Reel Recorder >1/4 Scotch 140 RtR Tape (Jay D. copy).
Jun. 2011. 1st gen 1/4 Scotch 140 RtR Tape > Baking process > Revox A77 RtR Deck > Tascam US-200 > Adobe Audition 24/96. 2013. 50 Hz dehumming in iZotope RX 2 Advanced > EQ > NR1 in RX > 1st Manual cleaning and restoring iZ RX2 A> NR2 in RX > 2nd Manual cleaning iZ RX2 A > EQ and MB compression > Balancing > Adobe Audition 1.5 for some manual dynamic adjustments.
a) 24/96 version - TLH for SBE fix and FLAC Level 8.
b) 16/44.1 version - Conversion and manual dynamic adjustments done with Adobe Audition 1.5 > TLH for SBE fix and FLAC level 8.
Remaster and Artwork made throughout the whole 2013 by MQR - creamcheese, WRomanus and }{eywood
Released on 17 December 2013
DVD Audio 2:12:05 - (Disc One 69:05)
03:14 - 01. Astronomy Domine (1 st Attempt - Tune Up)
03:58 - 02. Astronomy Domine (2nd Attempt - Tune Up)
09:03 - 03. Astronomy Domine (3rd Attempt - Tune Up)
06:07 - 04. Astronomy Domine (4th Attempt)
00:27 - 05. Tune Up
12:09 - 06. Fat Old Sun
00:46 - 07. Tune Up
11:09 - 08. Cymbaline
01:53 - 09. Tune Up
20:19 - 10. Atom Heart Mother
.................................. (Disc Two 63:21)
01:13 - 11. Tune Up
11:01 - 12. The Embryo
01:26 - 13. Announcement - Tune Up
03:24 - 14. Green Is the Colour
10:52 - 15. Careful with that Axe, Eugene
01:14 - 16. Tune Up
12:06 - 17. Set the Controls for the Heart of the Sun
01:27 - 18. Tune Up
20:37 - 19. A Saucerful of Secrets
MQR releases this in memory of Rolf Ossenberg, who passed away on 17 December, 2012.
This show was the last Rolf worked on in the few days before he left us.
Thanks to him and his passionate research over the course of 35 years, research that took him all over the world at great expense to himself in search of master tapes and other Pink Floyd material, this show wasn't lost to time.
All those who knew this gentle and nice guy can recognize in this artwork the same style he used in his loony New Year cards.
The following notes were written by WRomanus and }{eywood based on the recollections of Rolf, Mike K., Ron C., Duckpont49, creamcheese and WRomanus.
Pepperland resided in San Rafael, CA, USA from September 1970 to the end of January 1972.
Prior to that it was known as Euphoria (though only for the summer of 1970) Bermuda Palms, and Lichfield's.
Pepperland was a Beatles-themed hall that featured a quadraphonic sound system designed by sound engineer John Meyer, who later built custom PA systems for the Grateful Dead.
It was 2 large rooms joined together with a partial wall separating both rooms.
This wall was opened up and later removed. The Room had a very low ceiling less than 10 feet high, creating excellent sound.
The support girders for the halls roof were adorned with painted portholes that mimicked the windows of the Yellow Submarine.
Even the sound system blended into the décor, with the speakers molded into huge fiberglass cones in which people would often be found sitting. There was very poor ventilation. Lots of pot and cigarette smoke. No air conditioning. No HVAC.
Very cold in winter, too hot the rest of the time.
For Pink Floyd's shows there the band needed to use the ballroom floor to accommodate all of their gear, which took up two trucks to transport. PF was set up against the back wall opposite the entrance on a very low riser.
The big Glyph horns were set up in the corners and there were Shure vocal columns set up every 20 feet or so along the walls in between. There were slide projectors up in the metal rafters projecting fisheye photos of farm animals into the painted portholes on the walls in reference to the Atom Heart Mother cover.
A few steps up at the back of the performance space was another space with a trippy sculpture in the center, a female hand holding up a glowing sphere surrounded by "angel hair" and all under a plex dome.
There were no more than 500 people present, sitting on the floor in the center, with some folks sitting up inside the big Glyph bottom horns.
Pink Floyd were on tour promoting their new album, Atom Heart Mother, which had just been released a few days before.
They played there two nights, the 16th and 17th, returning to California for the fourth time in their career.
As with everytime they came to CA they felt at their best and their performance was really hot. This time, though, was the first time they didn't play Interstellar Overdrive, an omission not lost to the Californian fans who considered it a certainty.
That first night there were many problems with the power.
The club's system was unable to deal with the multichannel sound system the Floyd brought, and several power outages marred the performance of Astronomy Domine.
Three more small outages occurred during the crescendo of A Saucerful of Secrets, but this time the band forged on and finished the song in spite of them, much to the fans' delight.
The show was originally recorded by Jay D. and Ron C. with a Sony TC-126 with Powered Single Point Stereo Microphone,
using either Sony Red or Green cassette tapes. They sat 10-12 rows back, left of center.
When the boys got back home, they instantly made two copies onto Scotch 7" Reel, one for Jay and one for Ron C.
The Master Cassettes were re-used for next day's Jethro Tull show in Berkeley.
They were usually never kept, due to the unreliability of cassette transport mechanisms at the time.
Thanks to this recording the show was soon famous amongst the fan trader circles and many bootlegs were released with at least some of these songs, especially the four attempts at Astronomy Domine.
Jay D. never traded this item so all copies around came from Ron C.'s reel copy which went rotten in the early 90's.
Rolf Ossenberg managed to get the Jay D. 1st gen reel copy which would no longer play back at all.
With the invaluable help of Mike K., the reel was baked in June 2011 (the morning after Roger Waters' show in Düsseldorf) and transferred from Revox A77 into Tascam US-200 to a 96KHz/24bit file.
Rolf was really nervous about baking the Scotch tape.
The issue is that the binder used was incorrectly made so it absorbs moisture.
This is believed to be a problem with all old Scotch/Ampex reels.
This moisture interferes with the adhesive so during playback you get lots of sticky gunk (yes, that is the technical term for it) collecting on the playback head and it impacts playback quality and even speed.
So you have to fix it. Rolf had bought a well-controlled oven specifically for this purpose.
They baked at 53C to 55C for 3-4 hours to drive the moisture out without damaging the plastic backing, let cool down to room temp, and voila' ... The tape plays back with no problems for a month or so.
Rolf gave that to creamcheese for cutting and some "basic treatment", as we used to call it.
A 50 Hz hum that probably appeared with the transferring process was taken away very carefully.
A little EQ was done to give the recording a bit more body.
Rolf approved it that way. He furtherly agreed to MQR making a remastered release from this but it was his wish to release that (almost) raw one himself first.
Unfortunately we were in November 2012 and Rolf's time has come.
Creamcheese released the transfer as Grolsch's Baked Pepperland Reel a few days after Rolf (Grolsch) passed away.
This remaster uses that same transfer.
The 50 Hz de-humming was redone with iRX2. The recording was then EQ'ed and a 1st run of Noise Reduction was done with iRX2.
A 2nd Noise Reduction run was applied later. Some kind of noise "popping up" around sharp transients is audible throughout the show. A hiss that only appears in conjunction with an audible sound; when there's no sound there's no hiss.
This was particularly noticeable during the spoken intros. For this reason the whole project was restarted from scratch.
Although
the result of the 2nd attempt is way better sounding, we were not able to remove that popping noise entirely.
As it appeared independently of the NR settings, we suspect it to have been in the source material but buried in the hiss.
After that WRomanus manually removed clicks, pops, shits and some coughs for a more pleasant listening with iRX2.
The final master was then done by creamcheese applying another slight EQ, balancing the stereo image in collaboration with WRomanus and removing some phase issues on the bass range of the recording.
A little pressure was added applying very gentle multiband compression.
}{eywood manually adjusted the volume of a few parts to be more dynamic and better represent the way the songs sounded live, countering the level compression of the original analog gear, and then made an optimized 16/44.1 Master for CD playback of this very dynamic recording.
The main artwork is made with two of the pics WRomanus took of Rolf talking about this show with Ron C., one of the tapers, during a meeting of floydian fans in Rome.
WRomanus conceived
this artwork with Rolf's loony New Years cards in mind... Some of which you can see in the booklet.
MQR - Magna Qualitas Records (creamcheese, WRomanus and }{eywood )
Released on 17 December 2013
(682/1) Pink Floyd, 1970-11-12, Falkoner Centret, Copenhagen, Denmark
Audio/Flac, Dime/?, (20221124)
Pink Floyd
Falkoner Centret Fredriksberg
Copenhagen Denmark
November 12th 1970
Master to Dat Clone 2 to Cdr
from the krw_co collection
Lineage Audience Master transferred to Dat/DAT Clone 2 Fiber Optic Transfer to CDR
CDR Clone To EAC Secure Mode to WAV 16/44.1 to TLH Flac Level 8
Gear Shure SM 57 Mics/Philips Cassette Deck
THE BAND
David Gilmour guitar lead vocals
Roger Waters bass lead vocals
Richard Wright Hammond organ, piano vocals
Nick Mason drums percussion
SETLIST
CD 1
1 Astronomy Domine
2 Fat Old Sun
3 Cymbaline
4 Atom Heart Mother
5 Green Is The Colour
6 Careful With That Axe, Eugene
CD2
1 Set The Controls For The Heart Of The Sun
2 A Saucerful Of Secrets
Many Many Thanks go to the taper
If you have masters and/or known generation recordings that you need assistance with transferring/archiving, please contact us via email at krwcoarchiving@gmail.com.
Visit our youtube channel at https://www.youtube.com/channel/UCETN1cxhiHrPKfzUzmoGTrA
Subscribe if you like what you see. A lot more is on the way.
PLEASE DON'T ALTER OR SELL THIS RECORDING.
AS ALWAYS ENJOY CHEERS KRW_CO
(684/1) Pink Floyd, 1970-11-14, Merck Halle, Hamburg, Germany
Audio/Flac, Dime/?, (20221124)
Pink Floyd
1970-11-14 Ernst-Merck Halle Hamburg Germany (T-136)
The source for this CD-r release is a reel to reel tape recorded at 3 3/4 ips. I received it in trade from a guy in Chicago. This was one of the first shows I ever received in trade. I got it early in 1973. At that time it was only identified as Germany 1970. Many years later another tape trader told me he thought it was a fairly rare, low generation recording of 1970-11-14 Ernst-Merck Halle Hamburg Germany.
There are some bad edits on the reels I have. The sound made by releasing the pause on a reel to reel deck. I have left these intact for the most part since they also contain some program material.
A few years ago I did the first analog to digital transfer of this tape. I gave it out to one person and they copied and traded it. For this new release I have remastered it from my reel to reel tape. I think it's better than the first one.
Mics and recorder unknown >
generation unknown Reel to Reel Scotch 207 recorded at 3 3/4 ips >
Playback Deck: Akai GX-747 >
Nikko 32 Band EQ >
Akai DR16 Digital Hard Disk Recorder >
Sony PCM-R500 DAT Recorder >
Sony DAT Tape >
HHB CDR-800 Compact Disc Recorder >
HHB CDR >
WAV > SHN>TRADERS LITTLE HELPER>FLAC 8
disc 1
01 Astronomy Domine
02 Fat Old Sun
03 Cymbaline
04 Atom Heart Mother
05 Interstellar Overdrive
(This has also been called Corrosion / Pict
I've always thought it had elements of Interstellar Overdrive
There is a Rant by Roger at the end similar to the one at
the end of Pict but I've always thought Roger was sort of telling
the Germans off about something. I just can't really justify calling it Pict.)
disc 2
01 The Embryo
02 Green Is The Colour
03 Careful With That Axe, Eugene
04 Set The Controls For The Heart Of The Sun
05 Saucerful Of Secrets
I did the editing, mastering, analog to digital transfer and the artwork for this version of this show. Please keep the artwork and text file, unaltered, together with the SHN's.
Don't rename directories or file names if you share this.
Please don't alter the sound of this recording. If you want to do something find a better quality tape of the show and work from that. Don't just take what I have done and screw with it.
For Trade or Give Away only - Do not Sell - Do not encode as MP3
July 24, 2003
Timcrill (that guy in Boston)
(686/1) Pink Floyd, 1970-11-22, Casino de Montreux, Montreux, Switzerland
Audio/Flac, Dime/?, (20221124)
Pink Floyd
Altes Casino, Montreux, Switzerland
November 22, 1970
'REELING ON PINK FLOYD' - TAPE 24
Original source lineage: Reel(M) > Reel > Cass > DAT(0)@48khz > wav@16/48 > shn@16/48 > flac@16/48
Additional source lineage: flac > Adobe Audition 3.0.1 (97.1 shrink, clean up) > wav@16/48
Tracked with CD Wave, encoded to flac 8 with TLH, tagged with foobar2000
01 Astronomy Domine 11:03
02 Fat Old Sun 14:34
03 Cymbaline 14:01
04 Atom Heart Mother 18:18
05 The Embryo 14:46
06 Green Is The Colour 4:50
07 Careful With That Axe, Eugene 12:07
08 Set The Controls For The Heart Of The Sun 14:52
09 A Saucerful Of Secrets 18:34
10 Interstellar Overdrive (cuts off) 14:44
Total time: 137:48
Revised by Bert13
January 15, 2017
(689/1) Pink Floyd, 1970-11-27, Niedersachsenhalle, Hannover, Germany
Audio/Flac, Dime/?, (20221124)
Pink Floyd
Niedersachsenhalle, Hannover, West Germany
27 November 1970
Recorder 2
Lineage: Sony C-90CR Chrome Cassette > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > FLAC (24bit/96kHz)
Additional source lineage: flacs > TLH > wav > Adobe Audition 3.0.1** > wav
Tracked with CD Wave, encoded to flac 8 with Flac Frontend, tagged and verified
*The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum
** - Numerous pops and clicks smoothed out
- 13 secs repeat removed during Set The Controls (overlap Cass sides)
- 97.4 shrink
01 Green Is The Colour 4:13
02 Careful With That Axe, Eugene 11:40
03 Set The Controls For The Heart Of The Sun 13:06
Total time: 29:00
Neonknight's comments:
A high resolution transfer of this recently discovered stereo recording. It would be wonderful if the rest were to surface. Some work undoubtedly needs to be done to fix the speed, etc., but even without this it is a really enjoyable listen and shows enormous potential.
Set The Controls For The Heart Of The Sun ends Side A of Hoka's tape and continues on Side B. On Side A there is a silent passage after a stop button is depressed and the music momentarily re-starts in the right channel before the tape ends. If you listen carefully you can also hear some music that appears to be bleeding through from another tape or reel in the lineage. I considered trimming these snippets out but concluded they could be significant so opted to leave them in.
'T136' and all the other tapes collectors have listed as 1970-11-14 should be re-labeled Recorder 1 Hannover 1970-11-27. The 'T136' reel to reel transfer is probably the source of most people's copies of Recorder 1 from the late 1970's onwards. Tapes back then were typically labeled as Hamburg or Germany 1970. The latter was the most common listing for the date. There was a time when no date for a show from Hamburg at the end of 1970 was known. It was speculated that the tape was from Hannover instead but this did not stick when in the 1990s newspaper reviews, adverts, posters and ticket stubs from the Hamburg show were discovered. A number of old tapers agreed that Hamburg was the most likely source of the recording and everybody fell into line. It transpired that a Deep Purple fan was responsible for the recording and he was able to confirm the correct date.
Lord Snooty kindly explained the story of Recorder 1 to me when I corresponded with him last year.
This is the third and final part of my transfer of Hoka's compilation cassette. As previously, I would like to thank Pottel for bringing the tape to the UK so I could work on it.
Hoka Cassette / Neonknight Tape Transfer (February 2012)
Revised by Bert13
October 2013
Torrented at Yeeshkul Tracker
June 2014
(691/1) Pink Floyd, 1970-11-29, Circus Crone, München, Germany
Audio/Flac, Dime/?, (20221124)
Pink Floyd 1970-11-29 Munich, low gen stratcat58 tapes (16bit/44.1kHz)
Pink Floyd
Zirkus Krone, Munich, Germany
29 November 1970
Lineage: Maxell Epitaxial XLII 60 cassettes (1985/6) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) > Adobe Audition 3.0.1 > flac (32bit/96kHz float) > speed correction > FLAC (24bit/96kHz) > WAV (24bit/96kHz) > ClickRepair 3.9.8 > Reaper > FLAC (16bit/44.1kHz)
xACT used to create FFP
01 Astronomy Domine
02 Fat Old Sun
03 Cymbaline
04 Atom Heart Mother
05 The Embryo
06 Green Is The Colour
07 Careful With That Axe, Eugene
08 Set The Controls For The Heart Of The Sun
09 Audience and tuning
10 A Saucerful Of Secrets
Total running time 1 hour 48 mins 22 secs
After the high points of Friday 27th and Saturday 28th November, this gig was a much more straight run through of the band's current repertoire.
Stratcat58's copy is possibly a 2nd gen. His tape is noticeably brighter than the circulating 2nd gen and my transfer adds additional top end to the Beechwoods version you probably have in your collection. There are some cuts in these tapes that are not on other versions.
My thanks, as ever, to goldenband for his speed correction advice and, once again, to Bert13 for dealing with the corrections for me because some sliding adjustments were required. Both tapes run slow and my transfer was faster than the one by Beechwoods. Values of between +0.4 to +3.65% were applied. Goldenband wasn't 100% satisfied with the values. FOS isn't sitting exactly in the pocket, for example, but it was the best we could do without painstaking second-by-second correction.
Bert additionally filtered out some interference between 15 and 16 kHz and put the recording through click repair, medium setting. After further discussion and tests, I subsequently used a strong setting on ClickRepair decrackle to further clean up the recording. I would usually be wary of doing this but on this occasion it was successful.
The songs are arranged in the following order on the tapes: A - AD & AHM, B - FOS & Cymbaline, C - Emb, GITC and CWTAE, D - STC & ASOS. Bert re-sequenced AHM.
Stratcat58 cassettes / Neonknight tape transfer / revisions by Bert13, February 2017
(699/1) Pink Floyd, 1970-12-22, City Hall, Sheffield, England
Audio/Flac, Dime/?, (20221124)
Pink Floyd 1970-12-22 Sheffield 1st gen JFE master
Pink Floyd
City Hall, Sheffield, England
22 December 1970
Lineage: TDK D-C120 and TDK AD AD-C60 1st gen normal position cassettes recorded with Dolby on (1979) > Technics RS-B565-MH (Dolby off) > Tascam SD-20M > Reaper v5.983 (trimming off dead air) > FLAC (24bit/96kHz) > Reaper v6.15 (JFE mastering) > FLAC (24bit/96kHz)
01 Alan's Psychedelic Breakfast
02 The Embryo
03 Fat Old Sun
04 Careful With That Axe, Eugene
05 Set The Controls For The Heart Of The Sun (incomplete)
06 A Saucerful Of Secrets (with Celestial power loss)
07 Celestial Voices
08 Atom Heart Mother
09 Atom Heart Mother Reprise
*** Jimfisheye's recording notes ***
This is an amazing upgrade to previous higher generation copies! CWTAE is intact here! Sadly, STCFTHOTS is still not. This was always an interesting artifact with not only rare material but an excellent performance throughout. What you could make out from it, anyway. Now we have rare material, excellent performance, and strong good sound!
This is a mono recording of a live performance that was mixed in quadrophonic surround sound that was captured in close proximity to one of the surround speaker stacks in the room. I'm guessing a side surround speaker as opposed to the rear one. If this was closer to the stage, you'd hear more natural live drums and cymbals. If it was near the rear surround, the band would be further away sounding. The mono capture of this performance and live mix with sound in motion gives you a perspective that alternates from the perimeter of a surround soundstage to half way across a room from a band, to immersed in sound from all directions in a whole room used as a performance space. A characteristic of lower fidelity recording devices and microphones is that the sound pickup diminishes quicker with distance. Sounds close to the mic may retain surprising fidelity but far away sounds degrade more. Tape effects to instruments panned directly to this close proximity surround speaker come through with immediate up front fidelity. There are moments throughout the show where guitar, keys, or voices are panned to the surround speakers and you hear the proximity and these moments jumping out at you. The moments when the band is more boosted in the PA in general increase the overall brightness in this recording and sound fuller and closer. You can hear in AHM that between adding the (naturally loud) orchestra and the excitement of the finale and the piece, the band is amplified more in the PA and it hits this recording stronger. Of course the loudest moments like the scream push the recording technology too far and are degraded as is often the case. However, the damage in this 1st gen copy is far less than in previously circulating higher generation copies. Distortion damage can really get exponential in generational copies.
You hear evidence of just how wild this show was with the surround sound mix due to the recording perspective even though this is a mono recording. You hear this clearly during the DJ Jimmy Young tape in APB. It sounds like he is being panned around the room in a big circle. You hear it right on top of you when it's in the close speaker. You hear room reflections from sound from a further speaker to the recorder hit the recording mic before the direct sound from that far speaker. That's where that almost reverse reverb effect is coming from. In STC and ASOS especially you can hear the keyboards pulsing from this effect. These were originally sounds that were spinning fast 360 deg around the room. The mono perspective next to the speaker turns into pulsing every time the rotation of the pan hits that speaker. The motorcycle sound foley in AHM is right in this speaker and especially pronounced for it.
The applause from those nearest the recording device is the most well recorded and dynamic content on the tape. Turning the volume up on the recording to try to focus on the music with the applause at this level would cause hearing damage if it didn't blow out a speaker first!
The tape speed varies throughout the recording with longer sections running at unique speeds and many isolated fluctuations. Most of the isolated speed artifacts consist of the tape suddenly slowing down and returning to (a sometimes different) speed a moment later, consistent with a tape that was physically snagging in the transport. That the effect on the recording would be the opposite if this had been happening on the original recording deck suggests this happened with a playback deck used on a later transfer of the original or earlier generation copy.
The taper stopped the recording between songs to conserve tape. There are a few times that he would restart the recording only to stop it again a moment later - the result of trying to anticipate the start of the next song to not miss it but then realizing they weren't quite ready to start playing yet and stopping the recording again. Every stop/start resulted in a loud mechanical clank that was the loudest element of the recording.
The tape has a very high level of broadband noise. This is exaggerated from either this copy or an earlier generation being encoded in Dolby but not decoded on playback. Accurate decoding of the Dolby is not possible from this copy as it will no longer track the pre-emphasis correctly. In the long and short of things, while the Dolby system will not decode the tape correctly, the pre-emphasis probably helps offset some of the high end attenuation caused by various other factors. At the same time, however, the noise is boosted in the quieter parts.
*** Jimfisheye's mastering notes ***
This is originally a mono recording that was played back on a stereo deck for later generation copies. This makes two copies of the original mono track from two different areas of the physical tape into the two stereo channels. This can either result in one of the two channels being clearly the better copy or sometimes different elements of the recording better in each channel. The left channel alone ultimately has the better preserved recording.
The speed was corrected using iZotopeRZ v8 wow and flutter correction and Elastique Pro 3 integrated in Reaper. Sections in ASOS and AHM had some severe wow and flutter problems on top of the speed coasting around that was beyond repair in the past and rendered these pieces nearly unlistenable. The new correction in iZotopeRX v8 is the first software to deliver results with this that aren't mutilated! This went better than expected! The results still coasted around in the base pitch/speed but now these sections along with the rest could be corrected by ear in Reaper. There are still spots throughout the recording with mild speed warbles but the overall speed repair was a success.
The mechanical sounds from the start/stops (the loudest content in the recording) were removed. I kept all the short fragments from the parts where multiple stop/starts were made in anticipation of the song starting and let them segue with no alteration simply to preserve the ambient content. Some of the segues were seamless sounding as the ambience was similar enough sounding while others are obvious cuts. I removed the most obvious microphone clanking and rustling artifacts throughout. I probably missed some. I heavily dynamic eq'd the applause after songs to preserve the ambience as possible while dialing back the hearing damage potential.
Broadband noise was reduced with iZotopeRX v8. The more recent sounding layer of noise in the recording responded well to noise reduction. Older sounding layers of noise that extend well down into the midrange did not. Reducing all hiss to lower levels than the music at all times was not possible. 50Hz hum and the harmonic at 100Hz were removed spectrally with iZotopeRX v8.
There was some level of compression in the recording during the louder parts and then the original recording was likely turned down throughout as the show got louder. I normalized this as well as possible. The parts where you get louder moments of some instruments and sounds from the perspective next to the surround speaker were left alone. Ultimately this is an element as heard from this spot in the audience. You could say this is an example of what it was like to be a little too close to one of the surrounds at an old Pink Floyd show! You actually get an interesting mix between moments of a live band across a room, an amplified band boosted with a PA filling a room, and discrete moments of live surround sound play peppered throughout and really filling the room. In a strange way, this mono recording delivers more of their surround mix than it should! EQ balanced throughout to restore as much original balance as possible from the recording without introducing other artifacts or distortions.
Tools used include: Reaper v6.15, iZotopeRX v8, Waves linear phase multiband comp, Universal Audio multiband comp, ReaEQ, SOX in XLD for 44.1k downsample copy
Reviewing my mastering of the previous 2nd gen (as labeled) copy of this recording I hear a desparate struggle to focus content throughout the recording with an overall harsh processed quality to show for it. It was a way to at least acknowledge this performance. This copy may actually let you enjoy the performance!
*** Neonknight's notes ***
Tape 2 was recorded hotter than tape 1 so I reduced the gain on my Tascam. Note how the songs are in the wrong order so as to achieve a good fit for the cassettes.
Tape 1 D-C120
Side A: Alanâs Psychedelic Breakfast / The Embryo / Fat Old Sun
Side B: Atom Heart Mother / Atom Heart Mother Reprise
Tape 2 AD-C60
Side A: Careful With That Axe, Eugene / Set The Controls For The Heart Of The Sun
Side B: A Saucerful Of Secrets
It quickly became obvious when Haze sent me his tapes to transfer that we were onto something very special. Along with a major leap in sound quality compared to the previous best version supplied by petef451, for the first time there is no cut in Roger's scream and we have more tuning up and Roger's introduction. ASOS also features Roger introducing the song.
Haze is the Founder and CEO 'Woolly Hat Recordings', est. 1979. He is known as coolcats58 on Yeeshkul.
Haze recalls: "I started selling tapes and vinyl to supplement my student grant in about 1979 and "retired" in 1981. During that time I wasn't the only person selling bootlegs to Sheffield University students but I was the only one with a tape of the Floyd show from 1970.
"In 1979 a friend of mine asked if I'd like to borrow some more tapes to add to the catalogue "for a few beers". He had an older brother who taped a lot of radio shows and some gigs at the City Hall in the early 70's. The first batch of tapes included Captain Beefheart and this Floyd show. I copied them onto TDK tapes using a Sony deck for playback and a JVC deck to record. It was from these copies that I duplicated the tapes for sale. I can't remember for sure what brand of tape the masters were but I think they were Philips."
Jimfisheye, February 2021
(91/1) Pink Floyd, 1972-02-17, Rainbow Theater, London, England
Audio/Flac, ?/?, (?)
hokafloyd
http://www.hokafloyd.com/CD3/Rainbow_Tapes_Box/The_Complete_Rainbow_Tapes.htm
Poster / Booklet Scans
http://www.hokafloyd.com/CD3/Rainbow_Tapes_Box/Booklet_The_Complete_Rainbow_Tapes.htm
PINK FLOYD
The Complete Rainbow Tapes
This Box Set Covers The Four Rainbow Theatre, Finsbury Park, London,
UK Shows In February 17-20, 1972
Also Includes A Twelve Page Miniature Reproduction Of The Concert Program And A Concert Poster
The 4 Double CDs Are Packaged In Tri-Fold Digipacks
BOX approx.16,8cm x 16,8cm x 4cm
Day One - 17 February 1972
Disc 1: Time:
1. Speak To Me 1:08
2. Breathe 2:48
3. On The Run 6:44
4. Time 5:32
5. Breathe (Reprise) 1:02
6. The Great Gig in the Sky 4:15
7. Money 7:53
8. Us And Them 6:59
9. Any Colour You Like 3:29
10. Brain Damage 3:14
11. Eclipse 3:48
Total Time: 47:52
Disc 2: Time:
1. Tuning & Soundcheck 2:41
2. One Of These Days 8:24
3. Tuning & Soundcheck 0:52
4. Careful With That Axe, Eugene 14:53
5. Tuning & Soundcheck 2:06
6. Echoes 26:55
7. Tuning & Soundcheck 1:34
8. Set The Controls For The Heart Of The Sun 14:23
Total Time: 71:48
Day Two - 18 February 1972
Disc 1: Time:
1. Speak To Me 1:10
2. Breathe 2:40
3. On The Run 6:43
4. Time 6:21
5. Breathe (Reprise) 1:16
6. The Great Gig in the Sky 4:54
7. Money 7:27
8. Us And Them 6:54
9. Any Colour You Like 3:59
10. Brain Damage 3:08
11. Eclipse 3:39
12. Encore Break (Wind Tone S.E. & Soundcheck) 2:18
13. One Of These Days 8:59
14. Careful With That Axe, Eugene 15:11
Total Time: 64:49
Disc 2: Time:
1. Echoes 28:54
2. Tuning & Soundcheck 1:24
3. A Saucerful Of Secrets 16:58
4. Tuning & Soundcheck 0:51
5. Blues 10:01
6. Tuning & Soundcheck 1:29
7. Set The Controls For The Heart Of The Sun 13:23
Total Time: 63:00
Day Three - 19 February 1972
Disc 1: Time:
1. Breathe 1:01
2. On The Run 6:16
3. Time 6:01
4. Breathe (Reprise) 1:03
5. The Great Gig in the Sky 4:22
6. Money 7:44
7. Us And Them 6:55
8. Any Colour You Like 4:32
9. Brain Damage 4:05
10. Eclipse 3:11
11. One Of These Days 10:37
12. Careful With That Axe, Eugene 13:00
Total Time: 68:37
Disc 2: Time:
1. Echoes 26:34
2. A Saucerful Of Secrets (Cut) 15:36
3. Blues 8:29
4. Set The Controls For The Heart Of The Sun 13:13
Total Time: 63:52
Day Four - 20 February 1972
Disc 1: Time:
1. Speak To Me 2:49
2. Breathe 2:46
3. On The Run 6:05
4. Time 6:55
5. Breathe (Reprise) 1:04
6. The Great Gig in the Sky 3:59
7. Money 8:06
8. Us And Them 6:48
9. Any Colour You Like 4:36
10. Brain Damage 3:51
11. Eclipse 2:48
12. Tuning & Soundcheck 1:34
13. One Of These Days 8:03
14. Tuning & Soundcheck 2:13
15. Careful With That Axe, Eugene 10:58
Total Time: 60:35
Disc 2: Time:
1. Tuning & Soundcheck 2:08
2. Echoes / Encore Break 25:47
3. Audience Requests 0:56
4. A Saucerful Of Secrets 16:05
5. Blues 6:47
6. Audience Requests 1:32
7. Set The Controls For The Heart Of The Sun 13:52
Total Time: 67:07
17 - 20 Feruary 1972 Live at Rainbow Theater, Finsbury Park, London, England
(91/16) Pink Floyd, 1972-02-17, Rainbow Theater, London, England
jpg/, ?/?, (?)
(1/1) Pink Floyd, 1972-03-12, Sapporo, Japan
Audio/mp3, ?/?, (?)
Pink Floyd
1972-03-12
Sapporo, japan
01 - speak to me
02 - breathe
03 - on the run
04 - time
05 - the great gig in the sky
06 - money
07 - us and them
08 - any colour you like
09 - brain damage
10 - eclipse
11 - one of these days
12 - careful with that axe eugene
(2/1) Pink Floyd, 1972-05-21, Open Air Festival, Germersheim, Germany
Audio/flac, ?/?, (?)
PINK FLOYD - "DOUBLE BUBBLE"
Label: The Bubble Company
Cat. N: KA 01/02
CD 1:
Side 1:
1) Atom Heart Mother (17:08)
2) Set The Control For The Heart Of The Sun (11:37)
Side 2:
3) One Of These Days (08:32)
4) Be Careful With That Axe Eugene (09:57)
CD 2:
Side 3:
5) Echoes (23:04)
Side 4:
6) A Saucerful Of Secrets (12:58)
1972 05 21 Germersheim, GER (Open Air Festival)
Insel Grun, Germersheim
http://www.pf-roio.de/roio/roio-lp/double_bubble.lp.html
1000 copies, mine is n. 602.
Digital copy of original vinyl. Comic paper inside the cover.
(3/1) Pink Floyd, 1972-09-22, Hollywood Bowl, Los Angeles, CA, US
Audio/flac, ?/?, (?)
Pink Floyd
Bowl de Luna (Rev. A)
HRV CDR 012
Live @ Hollywood Bowl, Hollywood
22.9.1972
Superb Quality
Tracklist:
CD 1
01 - Breathe
02 - The Travel Sequence
03 - Time
04 - Home Again
05 - The Great Gig in the Sky
06 - Money
07 - Us and Them
08 - Any Colour You Like
09 - Brain Damage
10 - Eclipse
CD 2
01 - One of These Days
02 - Careful with that Axe Eugene
03 - Echoes
04 - A Saucerful of Secrets
05 - Set the Controls
www.harvested.org
by waking_eyes
waking_eyes@yahoo.it
---------- ---------
Info
Concert enregistré le 22 septembre 1972 à l'Hollywood Bowl en Californie.
Le son est excellent, l'interprétation superbe... pour changer, voici encore un indispensable !
Label : Harvested HRV CDR 012 (Rev. A)
(415/1) Pink Floyd, 1972-11-12, Ernst Merck Halle, Hamburg, Germany
Audio/?, ?/?, (?)
Pink Floyd - 1972-11-12 Ernst Merck Halle, Hamburg, Germany
Quality: Vg+/Ex-
Lineage: Master>dat>cd-r(2)>EAC (secure with C2)>CDWave>CEP 2.1>WAV>TLH (with Align)>FLAC(7)
Taped by: ??
Transfered by: mesquite
---------- --------
Set List:
Disc 1:
01. Speak To Me 0:47
02. Breathe 2:50
03. On The Run 6:11
04. Time 5:58
05. Breathe (reprise) 1:05
06. The Great Gig In The Sky 4:35
07. Money 6:20
08. Us And Them 7:41
09. Any Colour You Like 6:02
10. Brain Damage 3:46 (cut at the end, tape flip)
11. Eclipse 0:58 (cut at the beginning, tape flip)
Disc 2:
01. One Of These Days 8:13
02. Careful With That Axe, Eugene 13:03
03. Echoes 23:53
04. Set The Controls For The Heart Of The Sun 12:03
Total: 103:33
---------- --------
Notes: Many many thanks to the taper and Mesquite for sharing this gem from his fantastic collection. Recording seems a little boomy, turn down the bass & turn up the treble during playback. Can never get bored of CWTAE (a psychedelic masterpiece) and Echoes. Nice jam during OTR & ACYL.
This cd came to me with 11 tracks with some repeats between cds. I used cdwave & Cool Edit pro (CEP) to split tracks and remove any repeats. No other processing was done.
Seeded by: fatoldpig
Trade/share freely, do not sell.
Do not encode as MP3 or any other lossy format and redistribute.
Do not remaster with evil Noise Reduction (NR) or alter the text if you want to share.
Include the original text/lineage if you remaster.
(425/1) Pink Floyd, 1972-11-15, Sporthalle, Boblingen, Germany
Audio/?, /, (?)
Pink Floyd
11-15-72
Sporthalle
Boblingen, West Germany
disc 01
01 Speak To Me/Breathe - added Speak to Me from 1st Gen
02 On the Run - fixed gap at 0:40 and drop out at 0:54 with 1st Gen material
03 Time/Breathe (Reprise)
04 Great Gig in the Sky
05 Money
06 Us and Them
07 Any Colour You Like - fixed drop out at 5:02
08 Brain Damage/Eclipse - fixed gap at beginning of song
disc 02
01 Careful With That Axe, Eugene
02 Echoes (Looking Through the Knotholes in Granny's Wooden Leg) -
added intro and ending and fixed gap at 21:30 from 1st Gen material
03 One of These Days
04 Set the Controls For the Heart of the Sun - combined two tracks into one
---------- --
**Comments by Feather at Dimeadozen.org June 2005:
Great Gig in Boblingen REV A.K
Sporthalle Boblingen West Germany
11-15-72
The main source for this revision is The Great Gig in Boblingen Ganja 011/2 ROIO minus the filler from the Rainbow Theatre.
Additional material was used from the untitled 1st Gen ROIO of this date to fill in missing intros, gaps and drop outs.
In my opinion Great Gig is better sounding than the other ROIOs available for this date but had some bad edits, bad indexing
and other minor problems.
I did clip restoration to the whole ROIO and balanced the channels a little better.
Also did various declicking and what not. All modifications were done using Cool Edit Pro.
---------- --
As always please feel free to contact me with any questions, comments or complaints.
kingjollytrouser 04-13-2004
oh yeah... don't encode to crappy loss-riden formats blah-blah-blah.
**Nickdfresh**
This is one of my favorite bootlegs to listen to. It is both haunting and fascinating.
This show of "Darkside of the Moon" predated the albums release by several months and has a few differences.
For instance, "The Great Gig In The Sky" is played as an instrumental without the vocalist musings on the album version.
So crack open a beer (or whatever), fire up your lava lamp and turn out the lights as you slip on the earphones.
This is a great thing for any Floyd fan both casual or diehard...
I have take this torrent "as-is" with the original SHN.
(475/1) Pink Floyd, 1972-11-29, Palais Des Expositions, Poitiers, France
Audio/?, /, (?)
pinkfloyd
1972-11-29
any colour you like
palais des expositions, poitiers
01-speak to me-breath.
02-on the run.
03-time.
04-breath (reprise).
05-the great gig in the sky.
06-money.
07-us and them.
08-any colour you like.
09-brain damage.
10-eclipse.
11-echoes.
12-one of these days.
(475/2) Pink Floyd, 1972-11-29, Palais Des Expositions, Poitiers, France
Audio/?, /, (?)
PINK FLOYD
1972-11-29
Palais des Expositions, Poitiers, France
"The Devils Inside" - FA019
Lineage: Cass[M or 1] > CDR > WAV > SHN > WAV > remastering > FLAC
(sector boundaries aligned, level 8)
Software: mkwACT 0.97 beta 1 - Adobe Audition 1.5 - CDwave 1.71 -
Flac Frontend 1.1.0 - Trader's Little Helper 0.9.356 (for ffp and md5)
Source: analog audience recording, equipment unknown
SQ rating: EX-
**********
TRACKLIST:
**********
Disc 1: [47:22]
01. Speak To Me [2:10]
02. Breathe [2:52]
03. The Travel Sequence [6:31]
04. Time [5:10]
05. Breathe (reprise) [1:03]
06. The Great Gig In The Sky [4:19]
07. Money [5:49]
08. Us & Them [7:25]
09. Any Colour You Like [6:38]
10. Brain Damage [3:41]
11. Eclipse [1:38]
Disc 2: [46:30]
01. Tuning Up [2:31]
02. One of These Days [8:24]
03. Careful with That Axe, Eugene [12:34]
04. Echoes [23:00]
Total Time: [93:52]
---------- ***
RELEASE NOTES:
---------- ***
First of all I have to thank The Greedy for giving me the source for this remaster and making nice artwork for this release. The source he gave me was a slight upgrade to the previous 3rd generation
version that I had before.
This show is one of the few French concerts from winter 1972, in terms of length probably the shortest concerts ever for Pink Floyd (if we don't consider short festival appearances). At that point in this European Winter Tour, Pink Floyd was near the end of a marathon touring year with 85 gigs played to date: two UK tours, two US tours, two European tours and even a series of concerts in Japan. Though this was the 79th and a half time they played the Dark Side of The Moon suite (including the aborted premiere in Brighton on January 20th) and though most of the album was already recorded, Dark Side was still undergoing some changes. Remember the album was not yet released, testify the friend of the taper asking during the set to the taper what the names of the songs were. "They're all unreleased!"
Typical of the 1972 performances, On The Run is still a nice guitar jam. What was previously entitled "The Mortality Sequence" began to sound allmost like the definitive Great Gig In The Sky. That fantastic piano composition of mr. Wright was still lacking the now famous vocals and included a more heavy sounding chorus portion.
Since the band wasn't touring with backing vocalists or saxophonist Dick Parry, as for Great Gig in The Sky, Money and Us & Them sound rougher than the definitive versions. David Gilmour and Richard Wright deliver fantastic work to fill in the vocal and sax parts with their respective instruments. Particularly Wright seems to have fun playing with a wah-wah pedal effect on his organ for the Money solo.
The second set is not less typical for this tour, though it consists of older songs, familiar to the audience which sounds a little more receptive. First comes One of These Days, then Careful with That Axe, Eugene, one of the 5 or 6 known versions with Roger's Pictish rant, making the tune even more scary and mysterious before the culminating point of the climax. I surely would have shivered if I was there. As usually, the audience keeps asking for Echoes, Pink Floyd's masterpiece at that time. And that's just what they get! Nothing less than a 22 minutes long encore.
Performance-wise, it shows the band was a little tired. Here and there you'll spot some errors, especially during Echoes. Once Nick changes pattern a few bars too early, another time it's Dave who sounds a bit lost in his solo. Dark Side also sounds a bit too mechanical at times. Still we can't call this a weak show, but just not one of the most memorable.
Though the audience behaves most of the time, they are a little bit more noisy than usual. Nothing compared to the typical American crowd, but all that whistling between songs becomes a little annoying towards the end. Another source of noise are the taper and his friends. Not enough of the many interferences dued to the equipment, you'll easily notice they are drinking wine from the bottle throughout the show. One of the guys in particulary is very jovial "Il y a encore du rouge?" (Is there some red wine left?) ; "Assis bande de cons!" (Sit down bunch of morons) etc.
Overall, we would rate this show a 7/10 for the performance and again 7/10 for the sound (mind that the source was barely 5/10!). Not a essential, but very enjoyable!
---------- *******
REMASTERING NOTES:
---------- *******
Everything has been done with Adobe Audition 1.5.
The whole show has been speed-corrected, it ran too fast, off by about 105%. I used both the cash register sound effect from Money and the clocks from Time taken from the official release of Dark Side of
The Moon as reference point. Indeed, it's just the same backing tape they used live :-)
About a hundred little crackling sounds of less than 0.1s have been carefully removed throughout the whole show, either on both channels or just one. I spent about 12hours (for a 95min recording!) removing them one by one, but of course I might have overlooked a few even after a 5th listen. Some were not to be completely removed but I have at least reduced them a lot.
Some drops in the right channel have been corrected by mirroring the left channel instead. Since the right channel seemed to be a tad weaker than the left one, I mirrored the left channel at 90% volume.
There was a huge drop+crackle in the intro of Money, I deleted that bar and merged the previous and the next one nicely.
A big "firecracker" sound occured in the intro of U&T, exactly the same type of sound as on the roio "cracked crackers". I managed to reduce this noise to a minimum, what is left is a light crackle.
It seems the tape is a little bit damaged during the first verse of U&T, causing some mini-warbles and speed fluctuation - nothing to do about that.
A few channel micro-drops but especially a long 7s drop of the right channel during Any Colour You Like have also been corrected by mirroring the left channel. This one correction, because of it's length, might be more audible than others, because the panning clearly changes.
There was also a cut with loss of music during ACYL (I guess from tape flipping). I have tried to smoothen this cut with a progressive fade out and in.
Again in the intro of Brain Dramage the tape source dropped causing a loss of 2 bars. I managed to merge the last bar before the drop with the first bar after the drop, and I hope quite smoothly. What you'll hear is Brain Damage with a very short intro that is missing a few bars and therefore the lyrics are beginning early.
The taper stopped recording during intermissions, that's why I had a 'natural' gap between the Dark Side suite and OOTD. Since we don't lose anything in the continuity I decided to put OOTD on the second
disc while it is actually part of the first set, so the discs timing are more or less equal.
There is no audible gap between Careful and Echoes, but clearly part of the intermission was cut (on the master). I did nothing to correct the merge between those songs, I found that cut not too annoying and hardly noticeable. That's the point I chose for track split.
However, part of the audience noise and Roger's announcement of Echoes were repeated. This is because on my source CD transfer Echoes was put as only track on disc 2 and it began with the end of disc 1.
Of course I deleted this repeated segment and merged it nicely to the previous portion.
There was constant hiss present, prominently on the left channel, causing a very disturbing unbalanced effect. I applied very slight curved hiss reduction with a peak of -5dB around the 16KHz range for
the left channel and -4dB for the right channel, that was a little weaker and less hissy.
No worries, I do hate the usual quickly and unintelligently applied Noise Reduction too. I did not use simple NR but rather a process of reducing the volume of some frequenties. Hence the depth and the
sound quality of the master are preserved. Just listen to Nick's cymbals at the very end of GGITS during the piano outro or during the quieter parts of the Travel Sequence (On The Run jam) and you'll hear
by yourself there's no swooshy cymbal or any other artifact generated by this process.
Finally the last 'remastering' process I applied is making the stereo field a tad wider for a more enjoyable listen with headphones. I did it by mixing the new channels by 100% of the channel + -40% of the opposite channel. This had also as an effect to reduce the overall volume a bit, which was very loud anyway and proach to clipping.
---------- ******
Enjoy!
Furry Animal zoulouy@hotmail.com and The Greedy
Released in October 2005
A FURRY ANIMAL PRODUCTION
---------- **
---------- **
** **
** Respect the trading spirit ; DO NOT SELL **
** Respect the sound quality ; DO NOT TRADE IN LOSSY FORMAT (MP3) **
** Also, DO NOT RE-RELEASE THIS. Use your own source. **
** **
---------- **
---------- **
(480/1) Pink Floyd, 1972-12-01, Palais Des Sports, Saint Ouen, France
Audio/?, /, (?)
Pink Floyd
Palais des Sports de L'Ile de la Jatte, Saint Ouen, France
1 December 1972
01 On The Run (incomplete)
02 Time
03 Breathe (Reprise)
04 The Great Gig In The Sky
05 Money
06 Us And Them
07 Any Colour You Like (cuts)
08 Any Colour You Like (in full)
09 Brain Damage
10 Eclipse
11 One Of These Days
12 RTL presenter
13 Careful With That Axe, Eugene
14 BlueS (cuts)
15 Blues (in full)
16 Echoes
17 Childhood's End
Total running time 97m 38s
AM > Cass(1) > DAT(1) > WAV (16-bit/48kHz) > FLAC
This is a 1st gen 48kHz recording of the RTL Radio broadcast from 2 December 1972. Like other sources from this date it does not feature Speak to Me or Breathe.
The correct running time of the concert is about 90 minutes. My DAT has about 8 minutes of duplicated music with 4 in 15 secs repeated during Any Colour You Like and another 3 mins 40 secs minutes during Blues. Somebody might like to edit the extra music out but I decided it was best to avoid the temptation.
I normalized the WAV but no other processing has been applied.
Neon 05/08
(495/1) Pink Floyd, 1972-12-05, Vorst Nationaal, Brussels, Belgium
Audio/Flac, ?/?, (?)
PINK FLOYD
Brussels Affair (Sigma 114)
Forest National
Brussels, Belgium
December 5th, 1972
Lineage: Silvers>Flac 8
Disc 1
01 Speak To Me
02 Breathe
03 On The Run
04 Time
05 Breathe (Reprise)
06 The Great Gig In The Sky
07 Money
08 Us And Them
09 Any Colour You Like
10 Brain Damage
11 Eclipse
Disc 2
12 One Of These Days
13 Careful With That Axe Eugene
14 Echoes
15 Childhoods End
Disc 3 - Belgian Radio1 FM Rebroadcast 31st October 2005
16 Radio dj/Time
17 Breathe (Reprise)
18 Interview/Careful With That Axe Eugene
(500/1) Pink Floyd, 1972-12-07, Le Palais Des Sports, Lille, France
Audio/mp3, ?/?, (?)
Date : 1972-12-07 Version 1
Palais des sports, Lille
Source: Telefunken tape recorder > Audacity > mp3/128
Taped by: ZEF
Disc 1: Dark Side Of The Moon
Speak to Me/Breathe
On the Run
Time
Breathe (Reprise)
Great Gig in the Sky
Money
Us & Them
Any Colour You Like
Brain Damage
Eclipse
Disc 2:
One of These Days
Careful with that Axe Eugene
Echoes
(500/2) Pink Floyd, 1972-12-07, Le Palais Des Sports, Lille, France
Audio/flac, ?/?, (?)
1972-12-07
No Known Recording
Pink Floyd
Palais des Sports
Lille, France
Audience mono.
Sound Quality : G
(1972) Telefunken mono tape recorder
(2008) Sony stereo tape recorder TC-377
Lineage: ANA(M) > WAV(PCM 48Khz 24bits) > Flac
Recording : ZEF
Joking : Raymond
No Editing : ANDbreton
Artwork included : John SousMarin
The Band :
Rick Wright
David Gilmour
Nick Mason
Roger Waters
Track List :
disc 1
Dark Side Of The Moon
00 audience
01 Speak to Me
02 Breathe
03 On the Run
04 Time/Breathe (Reprise)
05 Great Gig in the Sky
06 Money
07 Us & Them
08 Any Colour You Like
09 Brain Damage
10 Eclipse
Total time : 48:45
disc 2
00 Tune up
01 One of These Days
02 Careful with that Axe Eugene
03 Echoes
Total time : 40:20
Sousmarin_john@hotmail.fr
Hehe, my dear friend...let us not forget that heaven is blue...tomorrow the world!
(500/3) Pink Floyd, 1972-12-07, Le Palais Des Sports, Lille, France
Audio/flac, ?/?, (?)
"Filling a Gap" (IFWT-CDR-035) (REC.1)
With a huge thanks to ParanoidEyes, IFWT team is glad to seed this missing date
Source:
Telefunken tape recorder, external mic (mono) > Audacity (1.2.6) no Filter >
WAV (48Khz/24bits) > remastering / cleaning / restoration (MOB "touch") > FLAC (44.1Khz/16bits)
Setlist:
Disc 1: Dark Side Of The Moon
01. Speak To Me
02. Breathe
03. On The Run
04. Time
05. The Great Gig In The Sky
06. Money
07. Us And Them
08. Any Colour You Like
09. Brain Damage
10. Eclipse
Disc 2:
01. One Of These Days
02. Careful With That Axe, Eugene
03. Echoes
Taped by: ZEF
---------- --
Remastering notes (from MOB):
The rough recording was already very good, but needed some restoration and cleaning before being spread worldwide. Indeed, due to the age of the mastertape, a lot of crackles, tape warble and level fluctuations were present on the rough digital transfer.
These have been manually cleaned as much as possible. Also, the rough version had a lot of clipping that needed to be corrected. Some frequencies with musical content were buried in the original transfer, therefore a slight EQ was applied in order to bring clarity to the recording. There were some abrupt cuts on the mastertape (two cuts during Breathe, one cut at the beginning of Us And Them and one cut in the middle of OOTD, not to mention numerous "pause" operations by the taper during some tunings and applause between songs).
These have been restored by editing, so that the recording is now presented in a continuous way, with smooth transitions.
---------- --
Notes by PE:
Almost like David Vincent, it all started with a torrent which had attracted my attention : Gong 1973-06-19, a gig at Roger Salengro's salle - Lille, France, chez les ch'tis.
Contact was made with the seeder (Sous-Marin) who turned out to be the taper of this show.
Sewing up, and after a few blow-jobs I learned that he had recorded the Campus radio show AM original broadcast (1970) : Pink Floyd 1970-01-23 at the Théâtre des Champs Elysées.
I therefore encouraged him to torrent this recording.
Then, on his website, I saw a date which intrigued me : Pink Floyd 1972-07-12,Lille.
.... Lille? le pays des ch'tis uf course ! but as far as I knew no recording of this particular gig were reported !...
With this new contact we discussed via emails until I learned that the taper (named ZEF) actually taped this gig and that SousMarin owns a mp3/128Kbits recording of this show.
Then began the quest for the "lossless" source of this recording...
Days passing, a lot of blow-jobs again and weeks later, an email just arrived, ZEF replied to Sous-Marin :
I had a small tape recorder, the later Telefunken (R.I.P blessed tape recorder) connected to an external microphone.
I digitalized the tape with Audacity (version 1.2.6) using default settings.
Audacity detected my recording as being in mono. I did not correct the file or apply any filters. This was a "rough" transfer direct from tape to HD.
Bingo! we finally got it
---------- --
Dedicated to all the good people in Yeeshkul, IFWT & PRS hubs.
I really want to thanks all the guys behind this release :
MOB - for the mastering of this show, Breathe - for his general help, and the use of IFWT label for this release.
Alex - for helping in translations,
Sous-Marin (aka AndPh.) - for grabbing the source
Raymond Dzarek (aka PhD.) - for discovering 2 years back that a recording exist!
...and the last, but not the least, the taper ZEF (aka AndP.)!
---------- ------
DON'T BUY OR SELL
FREE TRADE ONLY
---------- ------
Now, time to seed IFWT-CDR-035
Thanks all
Cheers,
BruNo. (aka PE)
(500/4) Pink Floyd, 1972-12-07, Le Palais Des Sports, Lille, France
Audio/Flac, ?/?, (?)
Pink Floyd
December 7, 1972
Palais Des Sports
Lille
The French Side Of The Moon
Golden Eggs 7/8
101. Intro / Speak To Me
102. Breathe
103. On The Run
104. Time
105. Breathe (Reprise)
106. The Great Gig In The Sky
107. Money
108. Us And Them
109. Any Colour You Like
110. Brain Damage
111. Eclipse
201. One Of These Days
202. Careful With That Axe Eugene
203. Echoes
(500/5) Pink Floyd, 1972-12-07, Le Palais Des Sports, Lille, France
Audio/Flac, ?/?, (?)
edition 13eme anniversaire
----------
Pink Floyd
1972-12-07
Palais des Sports
Lille, France
Audience mono.
Sound Quality : G
(1972) Telefunken mono tape recorder
(2008) Sony stereo tape recorder TC-377
Lineage: ANA(M) > WAV(PCM 48Khz 24bits) > Flac
Taper : ZEF (Andre Pavot)
Joking : Raymond (Philippe Desodt)
No Editing : John SousMarin
Artwork included : John SousMarin
----------
The Band :
Rick Wright
David Gilmour
Nick Mason
Roger Waters
----------
disc 1
Dark Side Of The Moon
00 audience
01 Speak to Me
02 Breathe
03 On the Run
04 Time/Breathe (Reprise)
05 Great Gig in the Sky
06 Money
07 Us & Them
08 Any Colour You Like
09 Brain Damage
10 Eclipse
----------
Total time : 48:45
----------
disc 2
00 Tune up
01 One of These Days
02 Careful with that Axe Eugene
03 Echoes
----------
Total time : 40:20
----------
Notes :
Je profite de la sortie du livre de Patrick Ducher "Pink Floyd en France" (Decembre 2021 chez Eclipse) pour re-presenter ce que j'ai recupere sur ce concert.
En 13 ans beaucoup se sont appropies cet enregistrement.
L'histoire est ici : http://philippe.andrieu.free.fr/concerts/19721207/006-19721207-pink-floyd.php
Les fichiers d'origine sont la : https://mega.nz/folder/45wE2JqR#M30P9ZzHLi1n-ocdQoHaOg
----------
SMJ051
v2021.12.31
----------
(510/1) Pink Floyd, 1972-12-09, Hallenstadion, Zürich, Switzerland
Audio/?, /, (?)
Pink Floyd
December 09, 1972
Hallenstadion - Zurich, Switzerland
Source: AUD > Low gen clone of master tape > CD-R > WAV > SHN
Sound quality - A-/A
Taken from the 'In a Neutral Land, Revision 1' bootleg. Man of Leisure Music (MoLM)
Remastered by Danalog
Disc 1:
Dark Side Of The Moon ...48:24
Disc 2:
01) One of These Days ...08:48
02) Careful With That Axe, Eugene ...13:17
03) Echoes ...23:59
04) Childhood's End ...11:19
Notes:
This is speed-corrected and de-hissed, with some boosting having been done to the upper sound range. This is a complete concert, and includes 'Childhood's End', which is missing from other versions of this great concert.
(510/2) Pink Floyd, 1972-12-09, Hallenstadion, Zürich, Switzerland
Audio/?, /, (?)
1972-12-09
Pink Floyd
Hallenstadion
Zurich,
Switzerland
a01 Speak To Me
a02 Breathe
a03 On The Run
a04 Time
a05 Breathe (reprise)
a06 The Great Gig In The Sky
a07 Money
a08 Us And Them
a09 Any Colour You Like
a10 Brain Damage
a11 Eclipse
b01 One Of These Days
b02 Careful With That Axe, Eugene
e01 Echoes
e02 Childhood's End
(515/1) Pink Floyd, 1972-12-10, Palais Des Sports, Lyon, France
Audio/?, /, (?)
Pink Floyd - 1972-12-10 Palais des Sports, Lyon, France
Quality: VG+
Lineage: 1st gen>dat>cd-r(2)>EAC (secure with C2)>CDWave>CEP 2.1>WAV>TLH (with Align)>FLAC(7)
Taped by: ??
Transfered by: mesquite
---------- --------
Set List:
Disc 1:
01. Speak To Me 2:36
02. Breathe 2:48
03. On The Run 6:04
04. Time 5:14
05. Breathe (reprise) 1:05
06. The Great Gig In The Sky 4:30
07. Money 6:15
08. Us And Them 7:28
09. Any Colour You Like 9:25
10. Brain Damage 3:59
11. Eclipse 1:40
Disc 2:
01. Tuneup 3:17
02. One Of These Days 7:55
03. Tuneup 2:21
04. Careful With That Axe, Eugene 12:53
05. Tuneup 2:22
06. Echoes 23:36
Total: 103:37
---------- --------
Notes: Many many thanks to the taper (whereever you're) and Mesquite for sharing this gem from his fantastic collection. 1972 is one of my favorite year and this show has pic rant on CwtAE (what a treat)! This cd came to me with 4 tracks with some repeats between cds. I used cdwave & Cool Edit pro (CEP) to split tracks and remove any repeats. No other processing was done.
Seeded by: fatoldpig
Trade/share freely, do not sell.
Do not encode as MP3 or any other lossy format and redistribute.
Do not remaster with evil Noise Reduction (NR) or alter the text if you want to share.
(4/1) Pink Floyd, 1973-10-12, Olympia Halle, München, Germany
Audio/flac, ?/?, (?)
ROGER WATERS
INDIO, CA @ EMPIRE POLO CLUB
DESERT TRIP
2016-10-09
AT831 -> BB -> DR-2d -> Soundforge -> FLAC
01. Speak To Me
02. Breathe
03. Set The Controls For The Heart Of The Sun
04. One Of These Days
05. Time
06. Breathe (reprise)
07. The Great Gig In The Sky
08. Money
09. Us And Them
10. Fearless
11. -intro-
12. Shine On You Crazy Diamond (Parts I-V) (with Greg Galeazzi)
13. Welcome To The Machine
14. Have A Cigar
15. Wish You Were Here
16. (Battersea Power Station Chimnies)
17. Pigs On The Wing 1
18. Pigs On The Wing 2
19. Dogs
20. Pigs (Three Different Ones)
21. The Happiest Days Of Our Lives
22. Another Brick In The Wall Part 2
23. Mother
24. Run Like Hell
25. Brain Damage
26. Eclipse
27. Why Cannot the Good Prevail
28. Vera
29. Bring The Boys Back Home
30. Comfortably Numb
(1/1) Pink Floyd, 1977-02-27, Olympia Halle, München, Germany
Audio/flac, ?/?, (?)
Pink Floyd - 1977-02-27 Olympiahalle, Munich, Germany
Sound Quality: Ex (if you can ignore the right channel problem)
Lineage: Master>dat>cd-r(2)>EAC (secure with C2)>CDWave>CEP 2.1>WAV>TLH (with Align)>FLAC(7)
Taped by: ??
Transferred by: mesquite
---------- --------
Set List:
Disc 1:
01. Sheep 12:13 (cut at 3:53)
02. Pigs On The Wing (part 1) 1:56
03. Dogs 18:44 (cut at 18:00)
04. Pigs On The Wing (part 2) 2:28
05. Pigs (Three Different Ones) 18:01 (Roger sings 17 at 12:25)
Disc 2:
01. Shine On You Crazy Diamond (part 1-5) 14:23 (cut at 5:43)
02. Welcome To The Machine 8:18
03. Have A Cigar 6:09
04. Wish You Were Here 6:34 (cut at 6:04)
05. Shine On You Crazy Diamond (part 6-9) 17:53 (cut at 6:44 & 17:50)
06. Money 10:32
Total: 117:17
---------- --------
Notes: Many many thanks to the taper (wherever you're) and Mesquite for sharing this gem from his fantastic collection. Right channel goes in and out and sometimes it's completely dead, there are some cuts here & there, otherwise SQ is quite excellent. This cd came to me with 6 tracks with some repeats between cds. I used cdwave & Cool Edit pro (CEP) to split tracks and remove any repeats. No other processing was done.
The frequency spectrum in the other 2 versions I have (Band Is Just Fantastic & Munich 27.2.1977) seem suspicious, hardly any frequency left beyond 11KHz).
Seeded by: fatoldpig
Trade/share freely, do not sell.
Do not encode as MP3 or any other lossy format and redistribute.
Do not remaster with evil Noise Reduction (NR) or alter the text if you want to share.
(2/1) Pink Floyd, 1977-02-28, Olympia Halle, München, Germany
Audio/flac, ?/?, (?)
Pink Floyd - 1977-02-28 Olympiahalle, Munich, Germany (rec2)
Sound Quality: VG/Ex
Lineage: Master>dat>cd-r(2)>EAC (secure with C2)>CDWave>CEP 2.1>WAV>TLH (with Align)>FLAC(7)
Taped by: ??
Transferred by: mesquite
---------- --------
Set List:
Disc 1:
01. Sheep 11:41
02. Pigs On The Wing (part 1) 2:09
03. Dogs 18:12 (cut at 1:05)
04. Pigs On The Wing (part 2) 2:31
05. Pigs (Three Different Ones) 16:27 (Roger shouts 18 at 11:35) (cut at 9:58)
Disc 2:
01. Shine On You Crazy Diamond (part 1-5) 14:19
02. Welcome To The Machine 7:56
03. Have A Cigar 4:40 (cut at 0:42)
04. Wish You Were Here 6:32
05. Shine On You Crazy Diamond (part 6-9) 17:50
06. Money 9:51
Total: 112:12
---------- --------
Notes: Many many thanks to the taper and Mesquite for sharing this gem from his fantastic collection. This cd came to me with 5 tracks. I used cdwave & Cool Edit pro (CEP) to split tracks and remove any repeats. No other processing was done.
Seeded by: fatoldpig
Trade/share freely, do not sell.
Do not encode as MP3 or any other lossy format and redistribute.
Do not remaster with evil Noise Reduction (NR) or alter the text if you want to share.
Include the original text/lineage if you remaster.
Bibliographie / Bibliography
Pink Floyd : l histoire selon Nick Mason / Nick Mason ( EPA (06 juin 2007))
Pink Floyd en France / Patrick Ducher (Eclipse chez Lilly J. Editions (18 janvier 2022))
Liens/Links
p:646/500/2...D/16
Syd Barrett
Discographie / Discography
Syd Barrett
Mes Matérialisés |
1970 | Syd Barrett | Barrett | Harvest | SHSP 4007, 1E 062 ? 04592 | LP |
1988 | Syd Barrett | Opel | Harvest | CDP 79 1206 2, CZ 144 | CD |
1990 | Syd Barrett | The Madcap Laughs | Capitol Records | CDP 7 46607 2 | CD |
Mes Autres |
1970 | Syd Barrett | Barrett | M | 320 | 19 |
1970 | Syd Barrett | The Madcap Laughs | M | 160 | 19 |
1988 | Syd Barrett | Crazy Diamond | M | 160 | 20 |
2010 | Syd Barrett | An Introduction To Syd Barrett | M | 320 | 19 |
Allées O Venues
Syd Barrett |
2 | | | | | | Psychedelic Freak Out | | | | | | 01 |
1 | | | | | | Beyond Rhyme Nor Reason | | | | | | 01 |
1970 |
500 | | | | | 1970-06-06 | Olympia Exhibition Hall, London, England | | | | | | |
1972 |
501 | | | | | 1972-01-20 | Corn Exchange, Cambridge, England | | | | | | |
502 | | | | | 1972-01-27 | Corn Exchange, Cambridge, England | | | | | | |
503 | | | | | 1972-02 | Market Square, Cambridge, England | | | | | | |
504 | | | | | 1972-02-05 | The Dandelion Cafe, Cambridge, England | | | | | | |
505 | | | | | 1972-02-12 | The Dandelion Cafe, Cambridge, England | | | | | | |
506 | | | | | 1972-02-24 | Corn Exchange, Cambridge, England | | | | | | |
507 | | | | | 1972-02-26 | Corn Exchange, Cambridge, England | | | | | | |
1973 |
508 | | | | | 1973-10 | Union Society Cellars, Cambridge, England | | | | | | |
1974 |
3 | | | | | 1974-08-12 | Last Recording Session Abbey Road Studios, London, England | | | | | | 01 |
2006 |
999 | M | | | +Roger Keith Barrett : 6 janvier 1946 (Cambridge, England) / 7 juillet 2006 (Cambridge, England) | 2006-07-07 | Mort de Syd Barrett Cambridge, England | | | | 60 | | |
Have You Got It Yet |
45 | | | | | HYGIY ? | VCD 3 | | | | | | 01 |
46 | | | | | HYGIY ? | VCD 4 | | | | | | 01 |
11 | | | | | HYGIY V1 | Vol 01 | | | | | | 01 |
12 | | | | | HYGIY V1 | Vol 02 | | | | | | 01 |
13 | | | | | HYGIY V1 | Vol 03 | | | | | | 01 |
14 | | | | | HYGIY V1 | Vol 04 | | | | | | 01 |
30 | | | | | HYGIY V1 | Vol 05 Sound Opinions | | | | | | 01 |
16 | | | | | HYGIY V1 | Vol 06 Interviews + Miscellaneous tracks | | | | | | 01 |
17 | | | | | HYGIY V1 | Vol 07 Interviews | | | | | | 01 |
18 | | | | | HYGIY V1 | Vol 08 Esoterica | | | | | | 01 |
19 | | | | | HYGIY V1 | Vol 09 Distorted View | | | | | | 01 |
20 | | | | | HYGIY V1 | Vol 10 OOPS I Did It Again | | | | | | 01 |
31 | | | | | HYGIY V1 | Vol 11 Photo CDRom | | | | | | |
32 | | | | | HYGIY V1 | Vol 12 Omnibus - Crazy Diamond - VCD | | | | | | 01 |
33 | | | | | HYGIY V1 | Vol 13 VH1 - Crazy Diamond - VCD | | | | | | 01 |
34 | | | | | HYGIY V1 | Vol 14 Pink Floyd - The Story (1994) - VCD | | | | | | 01 |
35 | | | | | HYGIY V1 | Vol 15 Let s Try It Another Way | | | | | | 01 |
36 | | | | | HYGIY V1 | Vol 16 VCD | | | | | | 01 |
37 | | | | | HYGIY V1 | Vol 17 VCD | | | | | | 01 |
28 | | | | | HYGIY V1 | Vol 18 Syd / Pink Floyd OOPS (Out Of Phase Stereo) Mixes | | | | | | 01 |
29 | | | | | HYGIY V1 | Vol 19 Apocrypha | | | | | | 01 |
38 | | | | | HYGIY V2 | Vol 01 | | | | | | 01 |
39 | | | | | HYGIY V2 | Vol 02 | | | | | | 01 |
41 | | | | | HYGIY V2 | Vol 04 | | | | | | 01 |
43 | | | | | HYGIY V2 | Vol 06 Interviews & Radio Shows | | | | | | 01 |
44 | | | | | HYGIY V2 | Vol 11 Photo CDRom | | | | | | 01 |
Enregistrements
(2/1) Syd Barrett, , Psychedelic Freak Out
Audio/flac, ?/?, (?)
Syd Barrett
Psychedelic Freak Out
(Demos, Acetates & Mixes)
The Godfatherecords GR 483
Matrix Disc : G.R. 483
(P) 2010 Made In Italy
Barcode: 28012010843
Tri-fold Paper Sleeve
Tracks: Time:
01 Interstellar Overdrive 14:56 October 31, 1965 - Demo
02 See Emily Play 02:52 May 21, 1967 - Acetate With Alternate Ending
03 Scream Thy Last Scream 04:40 August 7, 1967 - Malcom Jones Mix 1987
04 Vegetable Man 02:37 October 1967 - Malcom Jones Mix 1987
05 Vegetable Man 02:47 1967 Mix From Mason Interview, March 1969
06 Silas Lang 02:47 May 6, 1968 - Backing Track
07 Lanky 01:36 May 14, 1968 Part Two
08 Golden Hair 01:56 May 28, 1969 Instrumental - Gareth Cousins Mix 1988
09 Swan Lee 02:43 June 20, 1968 - Backing Track
10 Clowns & Jugglers 02:45 July 20, 1968 Take 1 - Alternate Mix With Studio Chat
11 Love You 01:17 April 11, 1969
12 Clowns & Jugglers 01:34 May 3, 1969 Take 2 - Keyboard Mix
13 Long Gone 01:45 July 26, 1969
14 Dark Globe 02:58 July 27, 1969 Choral Version - Peter Jenner 1987 Echo Mix
15 Dark Globe 02:57 July 27, 1969 Choral Version - Malcolm Jones 1987 Clean Mix
16 Maisie 02:51 February 26, 1970 - Alternate Mix With Extra Vocals
17 Slow Boggie 02:58 August 12, 1974
18 John Lee Hooker Inspired 03:52 August 12, 1974
19 In The Beachwoods 04:49 1967 - Backing Track
Bonus Track:
20 Interstellar Overdrive 14:55 Pink Floyd Live Supporting Jeff Back Group, Shrine Exposition Hall,
Los Angeles, CA, July 27, 1968
Total Time: 55:47
---------- ---
Cheers
Hoka
http://www.hokafloyd.com
---------- ---
---------- ---
http://www.collectorsmusicreviews.com
Syd Barrett
Review Psychedelic Freak Out
1965 - 1974 Demos, Acetates & Mixes
I dont think Im easy to talk about.
Ive got a very irregular head.
And Im not anything that you think I am anyway.
So said Syd Barret.
Founding father of the Pink Floyd & enfant terrible of avant garde rock.
This release from Godfather draws a hard, dark line under the above quote, showcasing a mish mash of some of the best of Syds various demos & studio out takes.
The main bulk of this release spans Syds solo releases with a dash of Pink Floyd on the side to exemplify his work within that group.
Presumably lifted from the epic 17 Internet treed CD set Have You Got It Yet this makes a far more interesting listening experience than the bigger set.
For anyone who wants to pick through the murky depths of his back catalogue with out trawling through various different takes, outfakes, Oopsed tracks or interviews then its a great way to start.
The Godfather has created this CD chronologically too so we can hear how Syds sound evolved or devolved through out his short recording career.
1. Interstellar Overdrive ( Demo - October 31st 1965 ).
I suppose, true to the date, this piece was recorded on Halloween at the Thompson Private Recording Studios for the short film San Francisco by filmmaker Anthony Stern And is certainly nightmarish compared to its commercial sister recording.
Recorded much faster than the CV & without the plodding, meandering Steptoe & Son styled riff.
A few elements remain throughout such as the meandering guitar riff that permeates the track.
It should be noted that this track also lasts a few seconds shorter than the track that was released on the Have You Got It Yet internet treed CD.
2. See Emily Play ( May 21, 1967 - Acetate With Alternate Ending ).
Not a great deal different from the CV to my ears. The alternate ending would seem to suggest that the sitars are abbreviated slightly on the acetate.
3. Scream Thy Last Scream ( August 7, 1967 - Malcolm Jones mix 1987 ).
The unreleased follow up to See Emily Play & one of two tracks ( Inc. Vegetable Man ) that were pulled from the 1988 rarities album Opel.
Another rather disturbing track from the dark rooms of Barretts mind with Nick Masons vocal being aped by a high pitched gnomic voice ( Actually Barrett.)
Without the double track vocal then the track might have stood a very good chance of actually getting a release but i can only guess that the reason it was left off is because of the allusions to the voices that could have been a little too close to Syds madness for some tastes. Filled with mind skewering time changes,
violent themes & rapidly surreal lyrics its on of the highlights from the unreleased cannon.
4. Vegetable Man ( October 1967 - Malcolm Jones mix 1987 ).
This unreleased track is somewhat less fun to listen to. Written autobiographically from Barretts point of view it makes a point of being almost Spectoresque in filling each nook & cranny with oddball noises, sounds & various chattering, its a song that just doesnt really want go anywhere or even if it did wouldnt know what to do with itself when it got there. a pantomime in obscurity.
5. Vegetable Man ( 1967 Mix from Mason Interview ).
Recorded from a reel to reel tape that Nick Mason brought with him to an interview with a nameless collage student in March 1969.
The subsequent interview tape has gone missing in the interim but dubs had been made of the musical parts of the interview.
Sounding very much like an off air radio recording ( this isnt a quiet under the table recording ) the track sounds markedly different to its 1987 compatriot.
This on has a little more move about it with a rampant, crazy guitar line wringing through it & with a powerful drum track administered throughout.
We can also ( almost ) hear Masons views on the track as he runs through his interview
6. Silas Lang ( May 6, 1968 - Backing track ).
Noted as being Silas Lang, this is RM 1 from four track, take 1 by the recording engineer. This track starts out rather optimistic for a Barrett written track with a rather twee strummed guitar line but then turns in to an altogether darker guitar track utilizing, according to Roger Waters a great plan
to expand the group, get in two geezers, some two freaks that hed met someplace or other. One of them played banjo and the other played saxophone. We werent in to that at all and it was obvious the crunch had finally come.
Another of Syds ideas gone awry then but it also shows that Syd wasnt always the doom & gloom merchant that some of his later Floyd recordings suggest but rather when he put his mind to it was capable of producing elegant & world wise tracks such as this one. It reminds me of some of the Bonzo Dog Doo Dah Bands tracks - particularly Topo D Bills Witchi Tai To or rather his cover of the Harpers Bizarre cover. Its just a shame that the track was never actually finished but, seems to be reported as being a work out to the eginning of the track Swan Lee ( see track 9 )
7. Lanky - Part 2 ( May 14, 1968 ).
Another tribal influenced track rather like Silas Lang ( above ). Sounding like an authentic, simple, track with an african hollow drum sound.
Its obviously a simple riff that Barrett was toying with but one that was never finished up. This track is also speculated to be known as Rhamadan as they were recorded in the same date.
Its pure speculation mind & without the Motorbike sounds Barrett wanted to add to it theres really no way of knowing.
8. Golden Hair ( May 28, 1969 Instrumental - Gareth Cousins mix 1988 ).
Starting ominously like one of Brian Wilsons SMiLE tracks ( although it would be difficult to pinpoint who might be influencing who at this time .. )
one of Barretts most down beat & maudlin tracks but presented here as an instrumental.
Not as effective without Syds lyrics but to which that might be missing the point. The instrumentation might work as just the trick for some & so will be appreciated.
This was proposed for the Crazy Diamond release but left off for an earlier recorded version.
9. Swan Lee ( June 20, 1968 - Backing Track ).
Taking the same route as Silas Lang a groove revolving around a mumbling, noodled bass part.
10. Clowns & Jugglers ( July 20, 1968, Take 1 - Alternate with with Studio chat ) Octopus in different sleeves. Not a great deal of difference from the Opal release but the studio chat referred to at the beginning is the studio announcement This is Clowns & Jugglers RS 1 from Take 1 on reel 69631".
11. Love You ( April 11, 1969 ).
The Syd from the old days. Free from the menace & doom of his later recordings & back to the seaside parade & whimsy of his earlier recordings. The track has a very Beatley type of jangle.
This version is free of the out of tune bar room piano & is wildly underproduced compared to the CV.
12. Clowns & Jugglers ( May 3, 1969. Take 2 - Keyboard Mix ).
Often there are very good reasons why one piece of an artists oeuvre remains unreleased or unrealised. This mix of the Madcap Laughs sessions track is truly the work of an over exaggerated mind.
Powerfully over egged & messy the reason that this was released as a pared down & almost acoustic song in the end must be that it was thought to be too far our for public consumption.
Thing of Captain Beefheart at his most fevered & wacked out & this mix comes perilously close.
13. Long Gone ( July 26, 1969. )
Sounding like an early, stripped back demo version rather than the augmented organ version found on the Madcap .. . A track thats very close to the Sound of Skip Spence on his Oar album.
14. Dark Globe ( July 27, 1969 - Choral Version. Peter Jenner 1974 Echo mix )
15. Dark Globe ( July 27, 1969 - Choral Version. Malcolm Jones 1987 Clean mix. )
Tracks 14 & 15 are two sides of the same coin. The Choral tag refers to Syds delayed double tracked voice.
The main two differences being that the 1987 version is somewhat tighter & wider than the 1974 version & less scummy to listen to.
The second difference is that in the 74 Mix Barretts singing voice is heard quite clearly over the choir where as on the 87 mix the two voices are brought closer together in the mix the difference is not so obvious.
The session log seems to omit the fact that there was a session on the 27th of July so we either have to assume that there was no session & the tapes are wrongly labled ( and the 26th of July was the actual last session ) or the 27th was when the mixes of this track were submitted.
16. Maisie ( February 26, 1970 - Alternate mix w/ extra vocals. )
Starts with a clip of studio chat ( sounds like Put The Kettle on? ) this version differs to the track on Barrett by adding additional spoken word vocals panned from center to left & right.
Maybe Syd had influenced what Yoko Ono was about to be doing with her solo album as this track sounds ominously like one of the Plastic Ono Band Sessions tracks but with a little of the Barrett magic on top.
17. Slow Boogie ( August 12, 1974. )
18. John Lee Hooker Inspired ( August 12, 1974 )
Tracks 17 - 18 are from the much fabled 1974 sessions when Peter Jenner managed to get Syd back in to the studio for a rough 4 days of work.
Both of these tracks feature much less than the work wed come to expect from Syd whos mental state must have failed him so much by this time that to focus at all would have been a struggle.
of the 8 pieces bootlegged from these sessions these two must have been chosen as best although the rest of the material is fragmentary & untogether.
Both titles allude as much to the sound contained therein - two blues inspired tracks that sound like Nick Drakes legendary home tapes where he can be heard strumming away old blues classics although at least Nick had songs,.
the riffs that Syd plows through must have, at the very least, been made up on the spot or half remembered from his own record collection. One can only assume that this was what Syd was listening to at home at the time for them to be at the forefront of his mind or they were just the easiest thing to play ..
19. In The Beechwoods ( 1967. Backing Track. )
Another track from the Mason interview tape that never was. In The Beachwoods has a very soulish if Floydian groove. Think Tamala Motown as realised by Syd Barrett. it sounds like a great track if
only it had have been finished up & could have been another great commercial success for the group had Syd not taken the direction he did. The track, as mentioned, is taken from the interview tape
so besides being played loud had a nasty, shrill clip to the top end & a clicky, strange flutter to the tape but this does nothing to desecrate the fact that its unreleased Floyd.
Bonus Track
20. Interstellar Overdrive
( Pink Floyd live supporting the Jeff Beck Group, Shrine Exposition Hall, Los Angeles, CA, July 27, 1968. )
To top it all off a slightly distant audience recording of the Floyd in America supporting the Jeff Beck Band. Lunacy abound in this section with the middle section taking the form of a happening of sorts.
By all accounts this was the form of the track at the time & fans of this era Floyd or students of underground forms will find something to listen to here.
The Packaging itself it particularly handsome ( as with most of The Godfathers work. ) the front cover featuring an over exposed shot of Barrett in his live Floyd heyday fulfilling the Psychedelic Freak Out tag.
A colourised picture by Mick Rock on the back featuring Syd looking through a telescopic lens.
Inside the trifold is a montage of pictures featuring Syd, an excellent short essay retelling Syds career & achievements by Alex the Gnome & Enigma Publius & most excitingly a painting of Syd bordered on purple featuring the legend Psychedelic Freak Out - Demos, Acetates & Mixes. its a shame the Don didnt include this as a mini poster as its very handsome indeed.
An excellent attribution to your Barrett collection or another must have disk to file under B. It certainly wont get left on the shelves.
It certainly wont get left on the shelves.
(1/1) Syd Barrett, , Beyond Rhyme Nor Reason
Audio/flac, ?/?, (?)
This is the tracklist for ths 6CD set as noted on the back cover. As you will see, there are some duplicates, sometimes labeled differently, also some mislabeled and other questionable sources.
All in all this compilation is still interesting in several aspects. Firstly because it does include some previously unreleased tracks (seemingly genuine). Secondly because this is a valuable alternative to the "Have You Got It Yet?" marathonian series which tends to be a little bit pointless after the first few volumes.
The sound quality overall is nice, of course some source are the same crappy ones as usually, but others are genuine upgrades. Here and there some NR is noticeable but nothing too bad. It might have been a definitive series if all of it was free of dupes and mislabels. But on the other hand this looks quite complete.
I don't know the origin of this bootleg (I say bootleg cause it's a silver pressed commercial release), but the only few traders I found having it are Japanese. And that's where I got it from, some Japanese trader who made CDR copies of his silver CD's. So lineage would be something like Original Silvers>CDR(1)>flac (flac'ed by me).
- Furry Animal (zoulouy@hotmail.com)
DISC 1
001. 01 - Lucy Leave (Oct 1965 Acetate) [2:52]
002. 02 - King Bee (Oct 1965 Acetate) [3:01]
003. 03 - Interstellar Overdrive (65-10-31 demo) [14:53]
004. 04 - Mike Leonard Interview (67-12-17) [2:02]
005. 05 - Interstellar Overdrive (TLAMLIL ost 67-01-21) [9:30]
006. 06 - Nick's Boogie (TLAMLIL ost 67-01-21) [11:46]
007. 07 - Interstellar Overdrive (TLAMLIL ost LP 67-01-21) [3:03]
008. 08 - Matilda Mother (Live at UFO 67-01-21) [2:32]
009. 09 - Interstellar Overdrive (Live at UFO 67-01-21 with McCartney interview) [5:01]
010. 10 - Let's roll Another One (rehearsal 67-01-22) [1:30]
011. 11 - Instrumental (rehearsal 67-01-22) [1:28]
012. 12 - Arnold Layne (67-01-28 acetate) [2:35]
013. 13 - Candy and A Current Bun (67-01-28 acetate) [1:59]
014. 14 - Interstellar Overdrive (67-02-27 French Arnold Layne EP mix) [5:10]
015. 15 - Pow R Toc H (67-05-14 BBC TV) [1:45]
016. 16 - Astronomy Domine (67-05-14 BBC TV) [3:55]
017. 17 - See Emily Play (67-05-23) [2:53]
DISC 2
018. 01 - Arnold Layne (67-02-27) [2:53]
019. 02 - Candy and A Current Bun (67-02-27) [2:44]
020. 03 - Remember A Day (67-05-09 mono) [4:20]
021. 04 - See Emily Play (67-05-21 acetate with alt ending) [2:50]
022. 05 - Flaming (67-06-29 mono single mix) [2:45]
023. 06 - Beechwoods (67-09-04) [1:24]
024. 07 - Set The Controls For The Heart of The Sun (67-08-07 Syd's part) [0:30]
025. 08 - Scream Thy Last Scream (67-08-07 Jenner 1974 mix) [4:37]
026. 09 - Scream Coda [0:24]
027. 10 - Vegetable Man (Oct 67 Jenner 1974 mix) [2:27]
028. 11 - Flaming (67-09-25 BBC) [2:37]
029. 12 - Scarecrow (67-09-25 BBC) [2:03]
030. 13 - The Gnome (67-09-25 BBC) [2:10]
031. 14 - Matilda Mother (67-09-25 BBC) [3:21]
032. 15 - Reaction in G (67-09-25 BBC) [0:35]
033. 16 - Set The Controls For The Heart of The Sun (67-09-25 BBC) [3:18]
034. 17 - Jugband Blues (67-10-24 mono) [2:54]
035. 18 - Scream Thy Last Scream (67-08-07 Malcolm Jones 1987 mix) [4:38]
036. 19 - Vegetable Man (Oct 67 Malcolm Jones 1987 mix) [2:34]
037. 20 - Apples And Oranges (67-11-15 stereo Masters of Rock LP) [3:02]
038. 21 - Paint Box (67-11-12 stereo) [3:26]
039. 22 - Vegetable Man (67-12-20 BBC 80s rebroadcast) [3:12]
040. 23 - Scream Thy Last Scream (67-12-20 BBC 80s rebroadcast) [3:37]
041. 24 - Jugband Blues (67-12-20 BBC 80s rebroadcast) [3:46]
042. 25 - Julia Dream (68-02-13 stereo Masters of Rock LP w. echoed vocals) [2:29]
043. 26 - It Would Be So Nice (68-03-21 stereo) [3:41]
044. 27 - Julia Dream (68-02-13 stereo) [2:36]
DISC 3
045. 01 - Reaction in G (67-11-13 Rotterdam) [4:05]
046. 02 - Pow R Toc H (67-11-13 Rotterdam) [11:42]
047. 03 - Scream Thy Last Scream (67-11-13 Rotterdam) [4:29]
048. 04 - Set The Controls For The Heart of The Sun (67-11-13 Rotterdam) [8:56]
049. 05 - Interstellar Overdrive (67-11-13 Rotterdam) [14:13]
050. 06 - Pink Floyd Interview (Jan67 CBC) [10:32]
051. 07 - Barrett and Waters Interview by Hans Keller (67-05-14 BBC TV) [3:39]
052. 08 - Studio Chatter (1969) [0:04]
053. 09 - Roger Waters Interview (67-09-10 Stockholm P3) [2:53]
054. 10 - John Peel, Roger Waters, Peter Jenner Interview (70s) [3:59]
055. 11 - Peter Jenner Interview (70s) [6:05]
056. 12 - Octopus (69-06-13 rough mix Malcolm Jones fragment) [0:22]
057. 13 - Backing Track Excerpt (67-09-04) [1:14]
058. 14 - Swan Lee Excerpt (68-06-08) [0:29]
DISC 4
059. 01 - In The Beachwoods (67 backing track from 69-03 Mason Interview) [4:47]
060. 02 - Vegetable Man (67 backing track from 69-03 Mason Interview) [2:33]
061. 03 - Vegetable Man (67 rehearsal from 69-03 Mason Interview) [2:45]
062. 04 - Silas Lang (68-05-06 backing track) [2:50]
063. 05 - Lanky Part 2 (68-05-14) [1:34]
064. 06 - Golden Hair (68-05-28 instrumental 88 Gareth Cousin mix) [1:56]
065. 07 - Swan Lee (68-06-08 backing track 87 Malcolm Jones alternate mix) [0:53]
066. 08 - Swan Lee (68-06-20 backing track) [2:41]
067. 09 - Clowns And Jugglers (68-07-20 Take 1 alternate mix with studio chat) [2:44]
068. 10 - Swan Lee (69-04-10 fragment with vocal) [0:41]
069. 11 - Opel Studio Chatter (69-04-11) [0:24]
070. 12 - Love You (69-04-11 take 2) [1:17]
071. 13 - Clowns And Jugglers (69-05-03 take 2 keyboard mix) [1:32]
072. 14 - Long Gone (69-07-26 take 2 [1:48]
073. 15 - Dark Globe (69-07-27 choral version Peter Jenner 1974 echo mix) [2:56]
074. 16 - Dark Globe (69-07-27 choral version Malcolm Jones 1987 clean mix) [2:55]
075. 17 - Maisie (70-02-26 take 1 false start) [0:22]
076. 18 - Maisie (70-02-26 take 2 alt mix with extra vocals) [2:56]
077. 19 - Rats (70-06-05 take 1 false start with studio chatter) [1:06]
078. 20 - Wined And Dined (70-06-05 takes 1 and 2 edit with studio chatter) [1:38]
079. 21 - Terrapin (70-06-06 Olympia London) [4:19]
080. 22 - Gigolo Aunt (70-06-06 Olympia London) [4:51]
081. 23 - Effervescing Elephant (70-06-06 Olympia London) [1:21]
082. 24 - Octopus (70-06-06 Olympia London) [5:17]
083. 25 - Baby Lemonade (71-02-16 BBC) [2:12]
084. 26 - Dominoes (71-02-16 BBC) [2:48]
085. 27 - Love Song (71-02-16 BBC) [1:26]
086. 28 - Boogie (74-08-13) [1:29]
087. 29 - If You Go Don't Be Slow (74-08-13) [2:31]
088. 30 - Incomplete Ballad (74-08-13) [0:21]
089. 31 - Fragment (74-08-13) [0:04]
090. 32 - Slow Boggie (74-08-12) [2:56]
091. 33 - John Lee Hooker Inspired (74-08-12) [3:50]
092. 34 - Fast Boogie (74-08-12) [1:18]
093. 35 - Random Bit (74-08-13) [0:17]
094. 36 - Was That OK (74-08-13) [0:04]
DISC 5
095. 01 - Sound Opinions WXRT Chicago 2001-01-03 [1:12:52]
DISC 6
096. 01 - Reaction In G (67-09-13 Star Club Copenhagen) [6:26]
097. 02 - Arnold Layne (67-09-13 Star Club Copenhagen) [3:09]
098. 03 - One In A Million (67-09-13 Star Club Copenhagen) [5:55]
099. 04 - Matilda Mother (67-09-13 Star Club Copenhagen) [6:03]
100. 05 - Scream Thy Last Scream (67-09-13 Star Club Copenhagen) [5:21]
101. 06 - Astronomy Domine (67-09-13 Star Club Copenhagen) [7:21]
102. 07 - In The Beechwoods (1967 backing track) [4:47]
103. 08 - Vegetable Man (1967 mix) [2:57]
104. 09 - Vegetable Man (1967 rehearsal) [3:26]
105. 10 - Peter Jenner Nick Mason David Gilmour Interview (1970s) [6:23]
106. 11 - Pink Floyd Interview (69-03-21 Blackpool UK) [4:55]
107. 12 - Pink Floyd Interview (70-09-28 NYC) [5:55]
108. 13 - Roger Waters Interviews Roger The Hat (1972 for DSOTM FX) [7:33]
109. 14 - Paul Breen Interview (88-10-27 BBC) [4:56]
(3/1) Syd Barrett, 1974-08-12, Last Recording Session, Abbey Road Studios, London, England
Audio/flac, ?/?, (?)
Syd Barrett's Last Recording Session - Abbey Road Studios 1974-08-12 -Now you can finally hear it!
Well, well, well! After lusting after this gem for many years... here it is, finally... 11 instrumental tracks of pure unrealized potential, going nowhere faster and faster...
I wish someone with more talent for visualization than I have, and with more dexterity at arranging than I have, and with the vision that Syd has started - would finish these tracks, especially "If You Go". One of the many biographies I have read about this session (arranged for three days, but only worked on for one) said that all they could produce from Syd is "a few unfocused licks". Well, it's a bit more than that.
Setlist:
Boogie #1
Boogie #2
Boogie #3
If You Go #1
Ballad (unfinished)
Chooka-Chooka-Chug-Chug
If You Go #2
Untitled
Slow Boogie
John Lee Hooker
Fast Boogie
Source: Peter Jenner's Mixdown Reel
Lineage: Boot Vinyl LP "You Got It Now!" -> Sound Forge ->click and crackle removal, vinyl restoration, and light NR ->FLAC via FLAC frontend level 6, sectors aligned and verified
HEY!!! I can do DAT tapes now! Please PM me if interested
Enjoy!
A DoinkerTape
(45/1) Syd Barrett, HYGIY ?, VCD 3
Video/VCD, ?/?, (?)
HYGIY ? VCD 3
301 Astronomy Domine promo - Belgium TV 2/18-19/68 4:11
302 Scarecrow, Corporal Clegg, Paintbox, Set The Controls - Belgium TV 2/18-19/68 13:01
303 See Emily Play - Belgium TV 2/18-19/68 2:46
304 Astronomy Domine - Bouton Rouge, French TV 2/24/68 2:30
305 Flaming - Bouton Rouge, French TV 2/24/68 2:47
306 Set The Controls - Bouton Rouge, French TV 2/24/68 0:34
307 Apples & Oranges promo 2:58
308 It Would Be So Nice promo 1:03
309 Set The Controls from All My Loving movie 1968 3:25
310 Let There Be More Light & Flaming 11/26/68 ORTF French TV 7:07
311 Let There Be More Light promo 1:52
312 Point Me At the Sky promo 3:02
313 Set the Controls 1968 - Roger comments 0:34
314 Sysphus promo 1:02
314.5 Let There Be More Light - Surprise Partie - French TV 6:22
315 Set the Controls & Saucerful of Secrets - Kralingen Pop Fest 6/28/70 10:19
316 Saucerful of Secrets - Le Ballet de Marseille - French TV 1971 1:20
317 Careful with that Axe Eugene & Saucerful of Secrets with Ballerinas - Soiree French TV broadcast 1/2/71 0:35
318 Careful With That Axe - Sydney TV 1971 2:15
319 Interview & Set the Controls promo - GTK ABC 8/15/71 6:06
320 One of these Days promo 5/4/73 3:30
(46/1) Syd Barrett, HYGIY ?, VCD 4
Video/VCD, ?/?, (?)
HYGIY ? VCD 4
401 Atom Heart Mother - early July? 1971 Japan 15:17
402 Careful with that Axe Eugene - Brighton Dome 6/29/72 7:48
403 Any Colour You Like - Brighton Dome 6/29/72 2:17
404 Set The Controls - Brighton Dome 6/29/72 9:03
405 Roland Petit - Dans Pink Floyd Ballet - 1/13-14/73 38:10
(11/1) Syd Barrett, HYGIY V1, Vol 01
Audio/mp3, ?/?, (?)
Disc #1
01) Lucy Leave, 10/65, acetate
02) King Bee, 10/65, acetate
03) Interstellar Overdrive, 10/31/66, demo
04) Mike Leonard interview w/Floyd beneath, 12/17/67
05) Interstellar Overdrive, (Love In London Soundtrack), edit/mix used in film, 1/12/67
06) Nick's Boogie (Love In London Soundtrack), 1/12/67, stereo enhanced
07) Interstellar Overdrive, (Love In London Soundtrack), LP edit, 1/12/67
08) Matilda Mother, Live at UFO, 1/20/67, TV w/voiceover
09) Interstellar Overdrive, Live at UFO, TV (McCartney interview afterward)
10) Let's Roll Another One, 1/22/67, rehearsal
11) Instrumental, 1/22/67, rehearsal
12) Arnold Layne, 1/28/67, acetate
13) Candy And A Currant Bun, 1/28/67, acetate
14) Interstellar Overdrive, 2/27/67, French "Arnold Layne" EP mix
15) Row R Toc H and commentary, 5/14/67, BBC TV
16) Astronomy Domine, 5/14/67, BBC TV
17) See Emily Play, 5/23/67, stereo enhanced
(12/1) Syd Barrett, HYGIY V1, Vol 02
Audio/mp3, ?/?, (?)
Disc #2
01) Arnold Layne, 2/27/67?, stereo enhanced
02) Candy And A Currant Bun, 2/27/67?, stereo enhanced
03) Remember A Day, 5/9/67, mono
04) See Emily Play, 5/21/67, acetate, alt. ending
05) Flaming, 6/29/67, mono single mix
06) Instrumental (aka Beechwoods), 9/4/67?
07) Set The Controls... concl. 8/7/67 (Syd's part)
08) Scream Thy Last Scream, 8/7/67, Peter Jenner 1974 mix
09) Scream coda ("Dark Side Of The Moo" boot, dubious authenticity)
10) Vegetable Man, 10/67, Peter Jenner 1974 mix
11) Flaming, 9/25/67 BBC
12) Scarecrow, 9/25/67 BBC
13) The Gnome, 9/25/67 BBC
14) Matilda Mother, 9/25/67 BBC
15) Reaction In G, 9/25/67 BBC
16) Set The Controls, 9/25/67 BBC
17) Jugband Blues, 10/24/67, mono
18) Scream Thy Last Scream, 8/7/67, Malcolm Jones 1987 mix
19) Vegetable Man, 10/67, Malcolm Jones 1987 mix
20) Apples And Oranges, 11/15/67, stereo, "Masters of Rock" LP
21) Paint Box, 11/12/67, stereo
22) Vegetable Man, 12/20/67, BBC (80s rebroadcast, proc. from 1st gen)
23) Pow R Toc H, 12/20/67, BBC (80s rebroadcast, proc. from 1st gen)
24) Scream Thy Last Scream, 12/20/67, BBC (80s rebroadcast, proc. from 1st gen)
25) Jugband Blues, 12/20/67, BBC (80s rebroadcast, proc. from 1st gen)
26) Julia Dream, 2/13/68, "Masters of Rock" LP mix (echoed vocals, louder backing track), stereo enhanced
27) It Would Be So Nice, 3/21/68 stereo enhanced
28) Julia Dream, 2/13/68, stereo
(13/1) Syd Barrett, HYGIY V1, Vol 03
Audio/mp3, ?/?, (?)
Disc #3 (length -- 78:23)
Star Club, Copenhagen, 9/13/67, clone of 1st gen audience tape
01) Reaction In G
02) Arnold Layne
03) One In A Million
04) Matilda Mother
05) Scream Thy Last Scream
06) Astronomy Domine
Hippy Happy Fair, Oude Ahoy, Rotterdam, 11/13/67, clone of 1st gen audience tape
07) Reaction In G
08) Pow R Toc H
09) Scream Thy Last Scream
10) Set The Controls
11) Interstellar Overdrive
(14/1) Syd Barrett, HYGIY V1, Vol 04
Audio/mp3, ?/?, (?)
Disc #4 (length -- 77:02)
01) In The Beechwoods backing track 1967 (1st gen from 3/69 Mason interview, digitally enhanced) 4:49
02) Vegetable Man 1967 mix (1st gen from 3/69 Mason interview, digitally enhanced) 2:58
03) Vegetable Man 1967 rehearsal (1st gen from 3/69 Mason interview, digitally enhanced) 3:27
04) Silas Lang backing track 5/6/68 2:52
05) Lanky, Part II (aka Rhamadan) 5/14/68 1:37
06) Golden Hair instrumental, 1988 Gareth Cousins mix 5/28/68 1:58
07) Swan Lee backing track, Malcolm Jones alt mix 6/8/68 0:56
08) Swan Lee backing track 6/20/68 2:44
09) Clowns and Jugglers take I, alt mix w/studio chat 7/20/68 2:46
10) Swan Lee fragment, with vocal 4/10/69 0:45
11) Opel studio chatter 4/11/69 0:27
12) Love You take II 4/11/69 1:21
13) Clowns and Jugglers take II, keyboard mix 5/3/69 1:35
14) Long Gone take II 7/26/69 1:50
15) Dark Globe choral version 7/27/69 Jenner 1974 echo mix 2:59
16) Dark Globe choral version 7/27/69 Jones 1987 clean mix 2:58
17) Maisie take I, false start 2/26/70 0:24
18) Maisie take II, alt mix, extra vocals 2/26/70 3:00
19) Rats take I, false start w/studio chatter 6/5/70 1:08
20) Wined and Dined takes I & II edit w/studio chatter 6/5/70 1:40
21) Terrapin (Olympia, London, processed from 1st gen) 6/6/70 4:03
22) Gigolo Aunt (Olympia, London, processed from 1st gen) 6/6/70 4:54
23) Effervescing Elephant (Olympia, London, processed from 1st gen) 6/6/70 1:11
24) Octopus (Olympia, London, processed from 1st gen) 6/6/70 5:18
25) Baby Lemonade (BBC) 2/16/71 2:15
26) Dominoes (BBC) 2/16/71 2:51
27) Love Song (BBC) 2/16/71 1:29
28) "Boogie" 8/13/74 1:32
29) If You Go, Don't Be Slow 8/13/74 2:34
30) "Ballad incomplete" 8/13/74 0:24
31) fragment 8/13/74 0:05
32) "Slow Boogie" 8/12/74 2:59
33) John Lee Hooker 8/12/74 3:53
34) "Fast Boogie" 8/12/74 1:21
35) random bit 8/13/74 0:20
36) Was That OK? 0:04
(16/1) Syd Barrett, HYGIY V1, Vol 06 Interviews + Miscellaneous tracks
Audio/mp3, ?/?, (?)
Syd Barrett
have you got it yet vol. 06
01 - pf int with intover cbc 1-67
02 - barrett-waters int by hans keller bbctv 5-14-67
03 - syd unknown studio chatter 1969
04 - waters int stockholm 9 (10-67)
05 - peel waters jenner int
06 - jenner int 1channel piper underneath
07 - jenner mason gilmour ints
08 - pf int edit blackpool 3 (3-21-69)
09 - pf int edit nyc 9-28-70
10 - waters ints rogerthehat for dsotm 1972
11 - paul breen int bbc 10-27-88
12 - octopus fragment 6-13-69
13 - ytpme escaps hidden wall msg 1979
14 - eltit on 9-4-67
15 - eel naws excerpt 6-8-68
16 - soenimod solo as syd played it 7-14-70
17 - sampling loop oneinamillion
18 - sampling loop powrtoch
19 - sampling loop kingbee
20 - screamthylast at 16rpm (unchipmunks)
21 - my little red book riff (love 66)
22 - steptoe & son theme (edit)
23 - in the beechwoods raw
24 - vegetable man 1967mix raw
25 - vegetable man 1967rehearsal raw
(17/1) Syd Barrett, HYGIY V1, Vol 07 Interviews
Audio/mp3, ?/?, (?)
Disc #7 Interviews (length -- 76:57)
1 Nick Mason interview (1995) for the book, "Kaleidoscope Eyes" 47:51
2 David Gilmour interview (1991) promoting the "Shine On" box set 27:32
3 Nick Mason interview (1986) excerpt 01:31
(18/1) Syd Barrett, HYGIY V1, Vol 08 Esoterica
Audio/mp3, ?/?, (?)
Disc #8 "Esoterica" (length -- 79:24)
01 Corporal Clegg (Belgian vid mix, 31Jan68) 2:53
02 Paintbox (Belgian vid mix) 3:29
03 Set the Controls (Belgian vid mix) 4:53
04 It Would Be So Nice (promo single edit, 21Mar68) 3:15
05 Julia Dream (echo mix, 13Feb68) 2:32
06 Let There Be More Light (promo single edit, mono) 3:01
07 Remember A Day (promo single edit, mono) 2:42
08 Vegetable Man (mono mix, 11Oct67?) 2:32
09 It Would Be So Nice (stereo enhanced) 3:41
10 Relics LP, radio ad #1 1:03
11 Relics LP, radio ad #2 1:03
12 No Man's Land (spoken, semi-audible) 17Apr69 1:06
13 Octopus (Malcom Jones fragment, 13Jun69) 0:25
14 Octopus (Left channel mix, unplugged version) 3:45
15 Love You (Right channel mix, with synth) 2:28
16 Rats (Right channel mix, more guitar) 2:57
17 Gigolo Aunt (Left channel mix, more guitar) 5:47
18 Wined And Dined (Left channel mix, unplugged) 2:59
19 Wolfpack (Right channel mix, more guitar) 3:45
20 Let's Split (edit, minus the "mistakes", 14Jul70) 1:37
21 soesimoD (the solo as Syd played it, 14Jul70) 3:35
22 eltiT oN (04Sep67) 1:17
23 eeL nawS (Malcolm Jones fragment, 08Jun68) 0:32
24 secapS ytpmE (The Wall secret message, 1979) 0:21
25 My Little Red Book riff (Love, 1966 -- inspired IO) 0:15
26 Steptoe & Son/Old Ned (TV theme, also inspired IO) 2:29
27 Interstellar Overdrive ("Love In London" edit/mix, 12Jan67) 9:43
28 Scream Thy Last @ 16rpm (chipmunks become Syd) 1:21
29 AMMusic - Later During A Flaming Riviera Sunset (edit, AMM Jun66) 3:56
(19/1) Syd Barrett, HYGIY V1, Vol 09 Distorted View
Audio/flac, ?/?, (?)
HYGIY
Number 9.... Number 9.... Number 9....
"Distorted View"
PINK FLOYD with SYD
Out of Phase Stereo (OOPS) mixes
length -- 77:48
These would comprise nearly every currently available stereo Floyd track Syd is either on or ever been rumored to be on. Alternate mixes were left off for reasons of space (and if the alternates didn't produce an interesting OOPS mix).
"See Saw" and "Jugband Blues" were also left off, because in OOPS much of the track is very quiet, with occasional jumps in volume. It all has to do with where things were panned originally, and that can't be changed.
In the left channel of each track is an OOPS mix produced by inverting the left channel of the original, and the right channel contains a right channel OOPS inversion. As it turns out, these produce the same mix, and one channel is a mirror image of the other. (Identical, but with the polarity reversed.)
Therefore, although an OOPS mix comes out in mono by definition, these tracks are in stereo, technically speaking -- the term of art being a "dual signal expansion." The wavform for a standard mono file would show an identical graph in each channel. The wavform for these looks like an inkblot, but horizontal. It's the same (or very nearly), but in symmetry.
They sound like mono, but with more depth and ambience than would be possible from a one-channel mix. (If played through QSound, Carver Sonic Holograph or any similar stereo-wide function, they will appear to pan further to the left and right simultaneously.)
In place of "See Saw" and "Jugband Blues," we substituted two left-channel mixes from "Piper." The final two tracks are "Scarecrow" and "Astronomy Domine." Incidentally, these mixes were first heard on the Capitol Records Radio Show in December 1976, beneath an interview with Peter Jenner. (This can be heard on HYGIY6.) At the time, people thought they might be outtakes, but they're simply the left channel of "Piper." They make viable and interesting tracks nonetheless, and so here they are without the voiceover.
01 Astronomy Domine 4:12
02 Lucifer Sam 3:07
03 Matilda Mother 3:08
04 Flaming 2:46
05 Pow R Toc H 4:26
06 Take Up Thy Stethoscope and Walk 3:07
07 Interstellar Overdrive 9:42
08 The Gnome 2:13
09 Chapter 24 3:42
10 Scarecrow 2:11
11 Bike 3:22
12 Scream Thy Last Scream (1974 mix) 4:41
13 Vegetable Man (1974 mix) 2:31
14 Paint Box 3:29
15 No Title (04Sept67) 1:36
16 Apples and Oranges 3:06
17 Remember A Day 4:33
18 Set The Controls 5:28
19 Corporal Clegg 4:13
20 Scarecrow (Left channel, not OOPS) 2:08
21 Astronomy Domine (Left channel, not OOPS) 4:05
L A U G H I N G M A D C A P S
----------
Disc #9 "Distorted View" (length -- 77:48)
Syd / Pink Floyd OOPS (Out Of Phase Stereo) Mixes
These are fan-created remixes. These are NOT session outtakes. OOPS is a process by which a home user can remix a stereo track, thus revealing musical details that were less evident in the commercial mix. Depending on how the original track was put together, the differences may be subtle or dramatic, varying from song to song and in different parts of the song.
To better understand the OOPS effect, go here:
a href=http://www.beatletracks.com/btoops.html
and then here:
http://www.beatletracks.com/btoops2.html
This CD consists of nearly every available stereo Pink Floyd track Syd is either on or ever been rumored to be on. (We left off "See Saw" and "Jugband Blues" because there were volume jumps and and other oddities that wouldn't hold up to repeated listening.)
(20/1) Syd Barrett, HYGIY V1, Vol 10 OOPS I Did It Again
Audio/flac, ?/?, (?)
Disc #10 "OOPS I Did It Again." (length -- 79:36)
(CDs 9-10 feature a few single-channel mixes left over from CD8, noted as such. These are not OOPS mixes, but feature one channel of the original panned to stereo. A few of these tracks are good enough to stand alone as such, and so we present them this way.)
Every OOPS and mono track in HYGIY 8-10 has been rendered as a dual-signal expansion: one channel is a mirror image of the other. For the listener, this means a richer soundfield and a more natural ambience than could be expected from pure mono, yet without any obvious attempt at a stereo result from a mono source.
More tracks could be included, but the OOPS process didn't yield a particularly interesting mix, and considerations of space won out.
It goes without saying that acoustic songs could not be used. When there's nothing to work with beyond a guitar and a vocal, OOPS is beside the point. By necessity, this disc features Syd with a band, or at least some overdubs.
Most of these came from the first two solo albums.
A few tracks came from HYGIY4 or "Opel," but not as many as we might have liked. "Opel" and the "Crazy Diamond" outtakes were mixed in the late 80s and early 90s -- the superior technology involved doesn't translate into a superior OOPS mix. We had high hopes for "Lanky," for example, but in OOPS it's a river of murk.
Some songs yield backing tracks when OOPSed, or else the vocal seems to be coming from down the hall. This is typical enough for OOPS and we included some examples of each. What comes out is determined by where all the instruments were panned in the original mix. There's no control on our end -- we OOPS it and save the result.
(Track #14 is not OOPS, it's the left channel of "Rats," panned to center. This is a leftover from HYGIY8.
There was room for it here, and so it is.)
As on HYGIY9, all tracks were rendered as a dual-signal expansion -- mono in one channel, inverted mono in the other.
01 Late Night, take 2 (slide guitar) 3:14
02 Swan Lee (backing track) 2:44
03 Golden Hair, take 5 2:18
04 Clowns And Jugglers 3:28
05 No Good Trying 3:26
06 Love You 2:30
07 No Man's Land 3:03
08 Dark Globe (choral version) 2:58
09 Here I Go 3:12
10 Octopus 3:48
11 Golden Hair 2:00
12 Late Night 3:11
13 Swan Lee 3:14
14 Rats (Left Channel, not OOPS) 2:57
15 Gigolo Aunt, take 9 3:48
16 Baby Lemonade 4:12
17 Dominoes 4:10
18 It Is Obvious 3:00
19 Rats 3:02
20 Maisie, alt mix 3:00
21 Gigolo Aunt 5:48
22 Wind And Dined 2:59
23 Wolfpack 3:41
24 Effervescing Elephant 1:55
25 Golden Hair (instrumental) 1:56
(28/1) Syd Barrett, HYGIY V1, Vol 18 Syd / Pink Floyd OOPS (Out Of Phase Stereo) Mixes
Audio/mp3, ?/?, (?)
Disc #18 MP3 CDRom
Syd / Pink Floyd OOPS (Out Of Phase Stereo) Mixes-
HYGIY #18
-random notes-
It's damn near impossible to assemble the definitive comp of Syd covers, so we didn't try. What we have here is a wide selection of faves and obscuros for every taste. We have the Okey-Pokey Band (first Syd cover EVER) ripping through "See Emily Play" and we have Three To One ripping off the Okey-Pokey band years later. We have a half- accidental live cover from Tangerine Dream. We have Area Code emptying out a half-empty Buffalo dive with "Astronomy Domine." There's a cover of "Echoes," included because... well, they covered *Echoes*...! (There were *two* covers of "Echoes" to choose from, in fact. Count your blessings.) You'll appreciate some, you'll hate some, you'll ignore a lot of them.
Fine. This is the do-it-yourself volume of HYGIY. Take what you like, load it onto your MP3 player, burn your own CD, whatever. Most songs are by Syd. Others are about him. Others are early Floyd. We're not fussy; this is Casual Day.
Here are comments on a few of the songs, when we could think of something to say. More notes can be found in individual folders elsewhere on the disc. Enjoy.
ACID CASUALTIES:
This California band somehow considered Roger Waters to be a kindred spirit; they opened their 1985 album "Panic Station" with this excellent cover of "Point Me At The Sky." Features Arthur Barrow (ex-Zappa) on keyboards. No obvious Syd connection but a fine cover nonetheless.
AREA CODE:
An early-1980s "real music" band from Buffalo, NY, playing "Astronomy Domine" at the now-defunct McVan's on 4/20/81. McVan's had been the first rock club in the city, premiering such diverse talents as Little Richard, Foreigner (as Black Sheep), Hendrix (pre-Experience), Frank Sinatra, John Cale, the B-52s. At this point it was a punk dive on the skids. This is the last known instance of "Astronomy Domine" being played there.
DAVID BOWIE:
This isn't quite on the level of Pat Boone covering Little Richard, but only because Syd saw a lot of money from it, enabling him to move to London's fabulous Chelsea Cloisters. I'm glad this exists, and it's too historic to omit, but the track hasn't aged very well. It appeared on "Pinups," Bowie's oldies-remake album of 1973.
MARIANNE FAITHFULL:
It turns out Marianne is old friends with Roger Waters of all people. In 1999, she finally got around to asking if he'd care to donate a song to her new album. He eventually came up with "Incarceration Of A Flower Child," supposedly written in 1968 and his first-ever song about Syd. Both the music and the lyrics suggest he revised it afterward. Rewriting songs about Syd is something of a hobby with him. ;)
FLAMING LIPS:
America's premier psychedelic band (on a major label anyway), they've been playing the occasional Syd cover for years. The earliest we're aware of is their rendition of "Opel" from 1994. It had been intended for this collection, but they stretch out the coda for eight minutes... that's great if you're already a fan, but it wouldn't win them any new ones. Here they are doing "Lucifer Sam." All well and good, but what you really want is to run out and buy one of their albums. Any album from 1993 onward will do. Go ahead: buy a Flaming Lips album. All things will be revealed unto you. We'll wait right here until you get back.
RON GEESIN:
>From the 1973 "As He Stands" album, this is another of those no-Syd-but-oh-well. Geesin didn't rate Syd at all but he thought highly of Waters, enough to record "To Roger Waters, Wherever You Are." It was too much fun to leave out, so here 'tis.
LaMARQUE JAUNE:
I can't even remember where this came from. I believe somebody emailed it to me, but it was some time ago. Another fine version of "Lucifer Sam," more laid-back than many (semi- acoustic), but retaining that "Secret Agent Man" feel. He has a track on HYGIY15 as well.
MARC & THE MAMBAS
This is the singer from Soft Cell. His "Terrapin" imagines it's Burt Bacharach on Mars. Surprisingly it works--for maybe four minutes. This goes on for 4:18.
NEIL THE HIPPIE:
>From "Neil's Heavy Concept Album," this version of "The Gnome" is everything one could hope for after having read the liner notes. (I could never get through them, but dig those horns!)
The OKEY-POKEY BAND & SINGERS:
Their "Flower Power" album was the sort of thing you'd see in the bargain bin for $1.99 in the drugstore. A concept album: anonymous session musicians recreate recent chart hits. The liner notes go out of their way to reassure us there really is a place for this sort of album. (Would YOU buy an album whose liner notes are half-apologetic about its very existence?) All kidding aside, it's reasonably well done. This sort of LP would do quite well in countries like Paraguay, where kids couldn't tell the difference. However, this was aimed at the American market, which makes "Emily" a curious selection. (Whoever compiled it may have been connected with Tower Records on some level?) It's notable for being THE very first known cover of a Syd or Pink Floyd song. All the tunes on the LP charted in mid-1967, so this would have been produced a month or two after that.
SHOCKABILLY
The problem with assembling a comp like this is that everybody does "Lucifer Sam." Even so, nobody does it like Shockabilly. Nobody ever will. Recorded in 1984, now it belongs to the ages.
TANGERINE DREAM:
"Monolight" (conclusion), from the LP "Encore." Live in North America, March/April 1977. The piece takes up an LP side, and this is the end--after the usual festivites, a piano takes up the main four-chord theme of "Celestial Voices." The band picks it up from there, for a pleasant two or three minutes. They don't get any further than those four chords, but we could count it as a cover version nonetheless. Homage. The liner notes to their first LP ("Electronic Meditation," 1969) mention "Saucerful Of Secrets" as an influence.
THREE TO ONE
What's this??? We thought nobody else even *knew* about the Okey-Pokey Band. We were wrong. Three To One not only copped the same crappy album, they stole... errr, they sampled? they appropriated the Okey-Pokey version of "See Emily Play" and made it their own. (Just barely.)
HYGIY 18 contents:
360s - Long Gone
Acid Casualties - Point Me At The Sky
Architectural Metaphor - Echoes
Area Code - Astronomy Domine (4/20 1981 McVan's, Buffalo NY)
At The Drive-in - Take Up Thy Stethoscope And Walk
Awaken - Left Alone (Ballad Of Syd Barrett)
Kevin Ayers - Oh! Wot A Dream
David Bowie - See Emily Play (1973)
Chandeen - Apples and Oranges
Changelings - See Emily Play
Cleaners From Venus - Song For Syd Barrett (1984)
Damned - Arnold Layne
Doglegs & Feet - Effervescing Elephant
Eden - Jugband Blues
Electric Hellfire Club - Lucifer Sam
Elevator Through - No Good Trying
Marianne Faithfull - Incarceration of a Flower Child (1968 Waters song about Syd)
Faraday Cage - Set The Controls/Storm
Matthew Fischer - Octopus
Flaming Lips - Lucifer Sam (London 22Jan03)
John Frusciante - Jugband Blues (live Paradiso)
Ron Geesin - To Roger Waters Wherever You Are
Grapes Of Wrath - See Emily Play
Half Japanese - Candy and a Currant Bun
The Iditarod + Drekka, Ring & Peter Scion - Julia Dream
In the Woods - If it's in You
LaMarque Jaune - Lucifer Sam
Jeff the Hobo - Feel
Jesus and Mary Chain - Vegetable Man
Lightning Seeds - Lucifer Sam
Livid - Love Song
Los Planetas - Baby Lemonade
Lost & Profound - Dark Globe
Love & Rockets - Lucifer Sam
Mandra Gora Lightshow Society - Point Me At the Sky
Marc & the Mambas - Terrapin
Mike McInnis - Effervescing Elephant
Melting Euphoria - Point Me At The Sky
Melvins - Interstellar Overdrive
Minimal Compact - Late Night
Moonboy - Matilda Mother
Neil the Hippie - The Gnome
Okey-Pokey Band - See Emily Play (1st Syd cover version, 1967)
Pearl Jam - Interstellar Overdrive
Peter Principle - No Man's Land
Placebo - Dark Globe
Primal Scream - Vanishing Point - Burning Wheel
Quasimojo - Late Night
Replicants - No Good Trying
Ritalin - Scarecrow
Shockabilly - Lucifer Sam (1984)
Skullflower - Golden Hair
Slowdive - Golden Hair
Smashing Pumpkins - Terrapin
Smell of Incense - (Smell Of) Interstellar Overdrive
Soundgarden - Dark Globe
Sprout & The Orange - Set The Controls
St.Hubbins - 9 Miles High - Light Globe (Syd tribute)
Tangerine Dream - Monolight, concl - live Spr77 (Celestial Voices)
This Mortal Coil - Late Night
Three To One - See Emily Play
Wellwater Conspiracy - Lucy Leave
Widespread Panic - Astronomy Domine Jam (incomplete)
Wondermints - Arnold Layne
Worms - A Tribute to Syd
CAMPER VAN BEETHOVEN:
Interstellar Overdrive (1986)
Interstellar Overdrive (1986 outtake)
Interstellar Overdrive--> Porpoise Mouth (Davis, CA 10Jun87)
DAVID GILMOUR:
Dominoes - 18Jan02
Terrapin - 22Jun01
MONKS OF DOOM:
Let's Split
Let's Split (live Austin 1992)
PHISH:
Love You (unknown show)
Love You (10May91 3rd gen sbrd)
PSYCHIC TV:
A Star Too Far (A Lullaby for Syd Barrett)
A Star Too Far (1994, Space Daze compilation)
Set the Controls for the Heart of the Sun
R.E.M.:
Dark Globe
Dark Globe (live in Italy)
RED TEMPLE SPIRITS:
Nile Song
Set the Controls for the Heart of the Sun
SOFT BOYS/ROBYN HITCHCOCK:
Astronomy Domine (Mar80 London "Two Halves")
Vegetable Man (Maxwell's, Hoboken NJ, 06Sep80)
Astronomy Domine (Maxwell's, Hoboken NJ, 06Sep80)
Gigolo Aunt (live 1980)
Vegetable Man (studio)
ROBYN HITCHCOCK:
1974
Arnold Layne
Chapter 24 (live)
Dark Globe (live)
Dominoes 1
Dominoes 2
Long Gone
Surgery
The Man Who Invented Himself (1981 mix with horns)
Wolfpack
SPIRAL REALMS:
Interstellar Overdrive
Interstellar Overdrive (Boulder, CO 30Jul95)
TELEVISION PERSONALITIES:
Bike (live)
I Know Where Syd Barrett Lives (live)
I Know Where Syd Barrett Lives (original)
I Know Where Syd Barrett Lives
Matilda Mother (live)
Set the Controls for the Heart of the Sun
THE THREE O'CLOCK:
Lucifer Sam
Afterinbetweentime (fanclub flexidisc, first release as 3 O'Clock)
TRUE WEST:
Lucifer Sam
maS reficuL (rare 1983 single, 500 made)
TWINK:
Psychedelic Punkaroo
Psychedelic Punkaroo (live w/Plasticland, 22Oct88 Chicago)
You Reached For The Stars
VOIVOD:
Astronomy Domine
Astronomy Domine (Stockholm 14Oct99)
The Nile Song
(29/1) Syd Barrett, HYGIY V1, Vol 19 Apocrypha
Audio/mp3, ?/?, (?)
Disc #19 Apocrypha (length -- 79:51)
Most of these are credited to Syd or Pink Floyd, although if they were REALLY Syd or PF they wouldn't be here. Common sense dictated it was easier to list them as you see them than to put quotation marks around every other word. When in doubt, consult the Liner Notes--SHN copies of this disc come with nine pages of twisted tales, explanations and debunkings.
01 Twink - Enter The Diamonds 2:05
02 Pink Floyd - Astronomy Domine Demo 4:03
03 Sun Ra, Keith Moon & Syd - Stonehenge '69 Solstice Jam 4:42
04 The Beatles - The Candle Burns (Peace Of Mind) 3:13
05 Syd Barrett - Susan's Lungs 0:49
06 The Beatles - Pink Litmus Paper Shirt 0:39
07 Pink Floyd - Julia Dream Demo 3:04
08 Syd Barrett - Interstellar Overdrive Demo 6:24
09 Syd Barrett - Bob Dylan's Blues Demo 2:00
10 Syd w/The Beatles - What's The New Mary Jane 3:13
11 Syd Barrett - Milky Way (alternate mix) 3:04
12 Syd Barrett - Cinnamon Toast 3:41
13 Pink Floyd - See Emily Play (Top of the Pops 7/67) 2:45
14 Pink Floyd - Piggy Back Demo (edit) 2:38
15 Syd Barrett - Chooka Chooka Chug Chug 0:35
16 Syd w/Kevin Ayers - "Oh Is That...Is That Ummmm" 0:13
17 Syd w/Soft Machine - Esther's Nose Job edit (live 3Feb70) 5:35
18 Pink Floyd - Scream Thy Last Scream, mono mix 6:02
19 Pink Floyd - Vegetable Man, mono mix 2:36
20 Syd Barrett - Last Ever Recording Session 1975 1:10
21 Pink Floyd - Take Up Thy Stethoscope Demo 3:00
22 Pink Floyd - Stanley The Simpleton 1:12
23 Syd w/Steve Took - Molecular Lucky Charm (edit) 5:30
24 Syd w/Steve Took - Syd's Wine (edit) 4:30
25 Pink Floyd w/Hawkwind (BBC) - Heckty Skies (edit) 7:06
Comments
The final disc in the HYGIY canon is a FLAC collection of fakes and hoaxes.
The general gist is that with the arrival of Napster on the scene, anyone could create a Syd rarity, simply by changing the name on the track.
At the time of the creation of volume 19 there were around 80 of these "Syd" tracks of varying degrees of legitimacy.
Volume 19 collects the best. Some may well have Syd hiding in there somewhere, but it's safest to consider it as a tribute to the legacy he left us all.
I've included the comments from the liner notes against each track.
1. Enter The Diamonds (Twink) 2:05
By Twink
"For title alone, we cant think of a better opener.
On Napster, this was credited to Twink with Syd Barrett, as if saying a thing was the same as making it so. Admittedly, that lead guitar has a similar tone and mood to Syds in Gigolo Aunt.
(All the more reason to doubt it could be Syd, who never played anything the same way twice.) And yes, there is that reference to diamonds.
But this has much more in common with the great sloppy drunken boogie of the Pink Fairies.
The fact is, this track appeared on a Twink EP called Do It 77. It was recorded in 1977.
Any questions? I pointed this out to the person from whom I downloaded it, and he said but theres a rumor Syd plays on this. No. There isnt.
If Twink had ever had Syd guesting on one of his sessions, you wouldnt be able to shut him up about it. Thered be a big pink sticker on the cover, featuring SYD BARRETT!!!, cut into the shape of a crazy diamond. Ironically, the EP featured another track,
Psychedelic Punkaroo, which Twink has since claimed was written for Syd.
The fun thing about Twink is, hell say anything."
2. Astronomy Domine (Barrett) 4:03
"Demo"
"Ahhhh
The Freak-Out Demos. I have 45 minutes of this stuff, and most of it cant bear the light of day. Some things are too horrible to contemplate, and so most of them will not be preserved here. Well give you just enough to get the general idea. This tape appeared at some point in the 1980s and a few people were convinced that these were, in fact, Pink Floyd demos from the Piper era.
Bernard White saw through them immediately, but the late, great Nicholas Schaffner, writing in A Saucerful Of Secrets, took them at face value.
He wrote that if Syd had had his way, the final mix of Piper would have been awash in reverb and phase shift.
(See what we mean about harm to the artists good name? People who ought to have known better were fooled into thinking Syd liked tape hiss and distortion, and enjoyed noise for its own sake.)
What we have here is one channel of the Piper track, fed into an EQ that cranked the lower frequencies while compromising everything else. Here and there, bits of incompetent/incontinent lead guitar are dubbed on top, giving the impression that Syd was in the process of learning his own song.
They ran this through a few more tape decks, which changed the speed and added extra hiss.
Then they inflicted it on the world.
With fans like these, is it any wonder Syd wont even read their mail?"
3. Stonehenge '69 Solstice Jam (unknown) 4:42
Sun Ra, Keith Moon and Syd
"Somebodys idea of a joke; a power trio from hell. In real life, these three people never met.
If they had, I doubt they would have had very much to say to each other.
This recording is a pleasant-enough bit of guitar strumming with flute over that.
It sounds like it was done in somebodys basement on a low-end 4-track cassette recorder, the sort that finally became affordable to amateur musicians in the late 1980s.
There is no percussion at all. No keyboards either. And no Syd."
4. The Candle Burns (Peace of Mind) (unknown) 3:13
The Beatles - then Syd
"Attributed to Lennon or Harrison or both, this outfake has been a perennial on Beatle bootlegs since the mid-1970s.
It has long since been debunked and the identity of the person responsible been determined.
However, there have been some attempts made to reclaim it under Syds name, and so we include it here. It is a decent-enough bit of psychedelia, but not very convincing as a hoax. (The Beatles, just possibly. Syd, not at all.)"
5. Susan's Lungs (Barrett) 0:49
"This is an insult. A portion of the Silas Lang backing track was fed through a flanger, and some random female intoning in French or German is dubbed on top.
I guess theres supposed to be some clever pun going on between Silas Lang and Susans Lungs. Some things arent worth taking the time to debunk, but well document them all the same."
6. Pink Litmus Paper Shirt (Lennon/McCartney) 0:39
The Beatles
"A companion piece to Susans Lungs. This one takes up where the last bit of Silas Lang left off, while two-part harmonies chant You know that Ive been hurt/Check my litmus paper shirt. Words to live by. Pink litmus is acidic, isnt it? Whoa, deep.
Unless pink litmus is alkaline, which would explain the perception of injurynot enough acid. This track has been attributed to the Beatles, but since Syds music was used we include it here."
7. Julia Dream (Waters) 3:04
Demo
"Ive even seen a session date assigned to this one, in August of 1967.
However, its from the Freak-Out Demos. Not everything on that tape was derived from Piper.
Half the tracks feature a guitarist and bass player pretending to be Barrett and Waters.
This is one of those. For what its worth, its the best track on the tape.
I got it in the early 1990s and thought it was genuine. Its plausible, anyway.
That snarling guitar tone could never be Gilmour. One could imagine it to be Syd, until hearing several more Freak-Out Demos featuring the same guitar sound on tracks they never recorded."
8. Interstellar Overdrive (Barrett/Wright/Waters/Mason) 6:24
Demo
"This track has been around since the early 1980s and was considered authentic until the 31 October 1966 recording came into circulation.
(Its not far off from the Freak-Out Demos overall, but the version of Interstellar on that tape is infinitely worse.
Its unspeakable, and goes on for 17 minutes. This one is pretty decent.)
Again, its a plausible hoax, purporting to be a two-guitar demo tape.
However, the 1966 studio take used in the San Francisco film is closer in spirit to Loves My Little Red Book than any version they did afterward.
One would expect an earlier demo to have a tempo and feel even closer to the Love track.
This one derives from the Piper version. Im told the Barrett family debunked this as well.
Fair enough; if Syd had owned a two-track recorder and made demos on it, theyd have been first to know."
9. Bob Dylan's Blues (Barrett) 2:00
Demo
"Enough with the plausiblethis track returns us to the land of the woefully inept.
In mid-2000, I personally downloaded this track from the individual who put it into circulation. He had already been laughed out of two or three Syd forums, mostly for claiming to own tracks he couldnt produce.
His explanation for the lack of a vocal on this was priceless:
I was mailed the tape from England, and it was a multitrack.
So I put it into a multitrack deck to attempt a mixdown, and I accidentally erased the vocal.
Yeah I know it sucks, but we should be grateful for what we do have, hmmmmm?
Even though it was well-documented that Bob Dylan Blues was a two-track demo then in the possession of one David Gilmour.
Not only was he sloppy in basic research, he never bothered to check the Info fields of the MP3 he had renamed for this project.
If he had, he would have altered them so nobody could tell this was really Slide Guitar Freestyle by Ben Harper, live on FM from Portugal in 1996."
10. What's The New Mary Jane? (Lennon/McCartney) 3:13
The Beatles with Syd
"This White Album outtake (featuring John, George and Yoko) was a staple of pre-Anthology Beatle bootlegs; I own at least three mixes of it but used none of them here.
The very track that launched the hoax was sent in by Christer Undemo of Stockholm, Sweden, who writes:
Trying to make THE END of a very very long story about Beatles/Barrett, Whats the Shame Mary Jane. Im responsible for it.
I bought a Beatles bootleg for a friend and Unforgotten Hero for me, way back in 1980-1982.
After listening to Unforgotten Hero, we played the Beatles bootleg.
I thought the singing on the second verse did sound very strange and not by John.
So I said to my friend, who could this be, I said could it be Syd?
We had seen in the Miles book that they did write about a meeting on April 15, 1967.
But we couldnt decide who was singing. So I sent this song to two friends,
one in Germany and one in USA, and asked them, could this be Syd?
One said no I don't think so, the other one couldn't say, like us.
Then one of these two must have sent it to someone else. I didn't send it to anyone else,
as I didn't think it actually was Barrett singing.
Then suddenly I saw it on tape lists as Barrett w/Beatles 67-04-15.
I have gotten it several times as filler on tapes and it has always been the same version as the one I got from the Beatles bootleg.
They have even played it on Swedish national radio as Barrett w/Beatles.
Thats the story of how it was born."
11. Milky Way (Barrett) 3:05
Rare mix
"There are one or two legitimate alternate mixes of Milky Way floating around.
(With only one take in existence, and nothing to mix but a vocal and a guitar, the differences are trivial. The Opel mixdown is the only one that matters.)
However, this version includes some pleasant surf guitar and percussion that sounds suspiciously like shoe boxes.
Somehow, these overdubs go unmentioned in David Parkers Random Precision.
If they had been found on the master tape, we would have heard them on Opel."
12. Cinnamon Toast (Barrett) 3:41
"Outstanding! Finally, somebodys idea of a joke is genuinely funny.
If a Syd parody had ever landed on a National Lampoon LP or been submitted to Dr. Demento, this wouldve been it.
This is more grey area than hoax per se, since were not expected to believe thats really Syd singing. Famous last words: Lets go watch some telly."
13. See Emily Play (Barrett) 2:44
Top Of The Pops, live, July 1967
"And sure enough, heres the Floyd on TV in mid-67. Its been rumored that Syd sings a live vocal over the Emily single, but the recording quality is so bad its a tough call.
In fact, we found a reasonably decent source for this track (B+ quality at least), and there doesnt seem to be any live vocal.
There are one or two spots when the double-tracking isnt perfect, but if you listen closely to the single youll hear them in the original.
The rougher sound quality does tend to exaggerate these flaws, but the fact is that everybody lip-syncs on Top Of The Pops.
Theres no reason to believe they would have rigged up a live microphone just for Sydthe only thing live in this track is the bit of applause and announcer
at the very end. The truth is, Syd didnt even want to be there."
14. Piggy Back (Barrett) 2:38
Edit
"Its the dreaded Freak-Out Demos again. This time, Syd and Roger are working on an original. (The title was taken from a 10/66 set list.)
Amusingly enough, Roger cant find the riff. He can barely find the E string.
The two players are so untogether that this sounds a little like Syds 1974 sessions which is interesting in a way, because nobody had heard them yet.
The main riff seems to think it would like to be the intro to Baby Lemonade but cant quite make up its mind. After two or three minutes it becomes impossible to care.
We edited this down and faded it early. Dont worry, you didnt miss a thing."
15. Chooka Chooka Chug Chug (Barrett) 0:36
"There is a legitimate track with this title on the 1974 session reel.
Its 34 seconds long. This track also lasts exactly 34 seconds before it cuts off in mid-note. (Coincidence? Or
destiny?) Since Syd didnt have titles for most of the tracks, Peter Jenner came up with descriptive names for the various bits that made up this reel.
This one was based upon Syds guitar rhythm: chooka chooka chug chug.
Why then does this version feature some ass-clown playing a bass through a chorus pedal?
(The fact that it was announced by the same individual who had blessed us all with the Bob Dylans Blues demo a year previous might have something to do with it.)
And what does the ass-clown play? Ooom-pah, ooom-pah, ooom-pah, ooom-pah.
As anybody who owns a Syd album already knew
Syd never wrote any polkas.
Well give the final word to the person who discovered this onewho would care to argue the point? It has not been known to be on any bootlegs or anything like that.
It is very short. Again, we have no proof that the track is real.
There are no vocals so it would be hard to pinpoint if the track is indeed a hoax because we don't even know if it is or not.
But we believe and several close friends have all said this track sounds indeed real."
16. Oh Is That, Is That Ummm (Ayers/Barrett) 0:13
Syd Barrett and Kevin Ayers
"Everybody knows about Singing A Song In The Morning by now.
With the reissue of Joy Of A Toy, there was no point in including it here.
Theres no mystery anymore. Everyone should just go out and buy the thing.
I did. And theres no point in preserving the acetate version either, which was merely a low-fi copy of the single.
However, there is one other Syd bit of interest on Joy Of A Toy.
In this sliver of dialogue before Song For Insane Times, its rumored you can hear Syd saying the words Oh is that
is that ummmm? and then the tune launches in. Maybe its Syd, maybe not. I dunno. It sounds like his voice.
Grey area."
17. Esther's Nosejob (Robert Wyatt/Mike Ratledge) 5:35
Syd and the Soft Machine, 3/2/70 (Edit)
"Supposedly with Syd. His few live shows are very well documented.
He once was advertised to appear on a bill with Kevin Ayers for a European gig, but Syd never went. The one time he set foot on a stage in 1970 was the 6/6/70 London show, and they all but had to drag him out.
Earlier in the year he was busy making the Barrett album with David Gilmour, not gigging with The Soft Machine. Any questions?"
18. Scream Thy Last Scream (Barrett) 6:02
Mono mix
See track 19 for notes.
19. Vegetable Man (Barrett) 2:36
Mono mix
"These two songs went unheard until 1975, when they were played on UK radio.
Because it includes the DJ patter, this tape might be of some slight historical interest since it documents the occasion.
Unfortunately, either the broadcast or the tape deck was in mono.
The DJ patter is in mono as well. Underneath the DJ patter at the beginning is Flamingthe stereo mix.
(Its easy to distinguish between them; the true mono mix features flanging on the drums.)
Its the stereo mix of Flaming, flattened into mono on the tape.
Minus the announcer, these tracks have often been passed off as mono single mixes, even though they were never approved for release.
There was no special mix done for radio play.
We hear what any schmuck would achieve using outdated equipment.
In fact, neither track sounds all that good. With authentic stereo mixes in A+ quality available elsewhere on HYGIY?...why care? Some people will collect anything."
20. Last Ever Recording Session - 1975 (Barrett) 1:10
"Never mind that it was really 1974. What we have here is a chunk from those sessions, but slowed down to half speed. News flash: at 16 RPM, Syds guitar sounds like a bass.
This might be another attempt at humor. Syd was on downers for the sessions. Riiiiight.
There are several of these tracks floating around on peer-to-peer networks, and no need to include them all. Its interesting listening for a minute or so, though I prefer Chris Squire. Past that point the novelty wears off, and so we pulled the plug."
21. Take Up Thy Stethoscope And Walk (Waters) 3:00
Demo
"The Freak-Out Demos, once more for old times sake.
This is another deconstruction of a Piper track.
We could have included their Pow R Toc H instead, but this one includes more of that extra-special guitar work from Syd.
Then again, we couldve included Gimme A Break from that tape, except its an alternate take of Piggy Back and features a little too much of that extra-special guitar work from Syd. Youre welcome."
22. Stanley the Simpleton (unknown) 1:11
Pink Floyd
"Syd with the Floyd was at the peak of his powers.
This has been purported to be an outtake from 1967, and as such it is an insult to his considerable talents.
Whoever inflicted this one, Ill give them credit for at least writing a little song and singing it. Most hoaxers are too lazy for that. However, every song Syd recorded with the Floyd has been thoroughly documented.
It shouldnt be necessary to point out that there is nothing in EMIs tape vault titled Stanley The Simpleton. It shouldnt, except for the casual fan or the newcomer who has seen this plastered all over the peer-to-peer networks so many times they figure it must be true.
It isnt. This was made at some point in the mid-1990s.
Its typical of home-studio recordings from that period.
If you listen closely to the echo effects theyre all digital.
And the guy doing the singing is nowhere near to a Cambridge accent.
(To his credit, the guy who sang Cinnamon Toast didnt even try.)
Then there are the lyrics, such as they are, and the melody, such as it is..."
23. Molecular Lucky Charm (Took) 5:30
Steve Peregrine Took
See track 24 for notes.
24. Syd's Wine (Took) 4:30
Steve Peregrine Took
"Steve Took is mostly remembered today for having been the original percussionist in Tyrannosaurus Rex. One could say Marc Bolan got rid of him for the same reason
Mick Jagger got rid of Brian Joneseverything Bolan pretended to be, Took really was.
Marc wanted desperately to be a Popstar, and all Steve ever wanted was to sit under an orange tree, play my guitar in the sun, get stoned and dig the smells and the colours.
Steve continued writing and recording until his untimely death in 1979, but little came of it at the time. One set of 1972 home recordings was issued in 1995 as
Missing Link...(to Tyrannosaurus Rex). There are rumors Syd plays on these two tracks.
Unlike various Napster rumors, there is at least some plausibility to these.
We dont know. The Tookie group on Yahoo has been researching the question, but results so far have been inconclusive. There are two people who could verify this.
Steve Took is dead. Roger Barrett, if he even recalls Steve Took thirty years later, no longer answers questions. Its difficult to make certain, because anyone in the London underground community might have dropped in on Steve at some point and been roped into a session. All the evidence is circumstantial.
Among the reasons it is suspected Syd may have done so is the fact that Steve had done some session work for Syd in 1968. (He appears on Lanky and Rhamadam.)
Its thought that Syd might have returned the favor.
Steve Took and Syd were friendly; he was a great admirer of Syd.
Given their respective situations they had a lot in common.
Both of them had seen something theyd been involved in from the very beginning take on new life after their respective departures.
According to Mick Farren in Give The Anarchist A Cigarette, Steve and Syd hung around together in the late 1960s and on occasions Took dragged Syd along to things or would be talking maniacally at Syd.
(According to Farren, part of the reason was that Syd attracted prettier girls than the rest of The Pink Fairies Drinking Club.)
Then theres the fact that these sessions took place at Steve Tooks flat.
By 1972 it would have been nearly impossible to get Syd to enter a studio, but there was a decidedly casual vibe at Steves place.
(Listen closely during one of these tracks and you can hear him fall out of his chair.
The other musicians dont bat an eye.)
Steves manager, Tony Secunda, had been Bolans manager as well, and Steve didnt altogether trust him. In fact, he had something close to a phobia at that
point about going into a studio, which is why Secunda arranged for a multi-track tape recorder to be installed into Took's living space.
The intent never went beyond making some rough demos to shop around.
Steve didnt keep close track of who played what, although he occasionally entitled a song after someone who had participatedwhich raises the obvious questions about Syds Wine.
(We dont know if Syd was using cocaine circa 1972 but if he was at all interested, that would have been another reason to see Steve Took.
As well as furnishing Took with a tape recorder, Secunda provided Took with near-limitless suppliers of cocaine.
This has been confirmed by a number of sources including Tooks girlfriend and mother of his son, Lou. She recalls piles of it. Literally piles.
Syd in the 1970s seems to have preferred downers mostly, but who knows? We dont.
But there is that possibility as well.)
Paul Cox (editor of Terrapin at the time) thanked Steve Took and his girlfriend Lou in one issue for giving him Syds home address. This was in 1973/4,
which suggests that they remained in contact for some years, even after Syd had moved from London back to his mothers in Cambridge.
The most interesting bit of evidencewe are told Steve credited acoustic guitar on these two tracks to one crazy diamond. I would want to see the song sheet in his handwriting to be certain of this; its almost too coy to be true.
(In any case, these sessions took place in 1972 and nobody would have referred to Syd that way until 1975.)
At this point, theres no way to know. But they are very nice tracks.
They have been processed and edited for this collection, although we left in all the acoustic guitar work that might be Syds.
(For the originals youll need to track down the Steve Took CD.)
There are several excellent Steve Took resources on the web.
Chief among them is Steve Peregrin Tooks Domain. More on Steves career, biography and unreleased recordings can be found there at http://www.steve-took.co.uk."
25. Heckty Skies (Harley) 7:06
Pink Floyd and Hawkwind
"With much fanfare, there was an announcement in late 2001 of a newly discovered track, unknown to the Barrett world.
It is rumored to have been recorded in late 67 or early 68 at the BBC Sound Workshop.
With lyrics like couch my disease and chinse covered kisses, glazed calico cloak my costume misses this is a definite [must] for all Barrett and Floyd collectors.
The lyrics are a rewrite of Hilaire Bellocs Ballade to Our Lady of Czestochowa.
Perhaps somebody got the idea into their head by misinterpreting the lyrics.
They seemed to think the first four lines went, Guttle of white insanity/Counting dread in some vanity/This is hardly paradise/Were off in search of Heckty Skies.
The last two words are actually petty scorn, and there will be no shortage of that.
Id never before heard this attributed to Syd, but a day or two later I was told in a private email, The Chinese Kisses track did the rounds a few years ago.
It was labeled as a PF 67 BBC Radiophonic Workshop recording and/or some Syd collaboration with some Hawkwind members?? It sounds NOTHING like Syd, and PF did not record anything at the BBC Radiophonic Workshop.
This is confirmed by David Parkers research in Random Precision.
A moot point. Its Steve Harley and Cockney Rebel.
The song is Ritz, and the album is The Psychomodo, released in 1974.
Their finest, and Ritz is arguably the best song on it.
(Hawkwinds debut was recorded in 1969, by the way.
None of them had done anything to warrant a BBC session in late 67, and none is on record.)
If anyone had asked, we could have crushed this one years ago.
As it was, we made certain inquiries. Steve Harley was amused.
He confirmed what we already knew: the song has no connection with Syd Barrett.
It has even less to do with Belloc, except in somebodys fantasy world. And for the record, the correct lyric is as follows:
Couch my disease in chintz covered kisses/Glazed calico cloth, my costume this is/Come to Pablo Fanques In Indigo/And we'll show you pastel shades of rhyme.
It was soon announced: We had doubts if the track was a real Barrett track.
We were very hesitant about putting it on our collection. At least we know now, thanks to the Laughing Madcaps group that is not Syd Barrett and we thank you for that.
Were all about public service.
As with the Steve Took tracks, this one has been slightly edited and processed.
The original can be found on The Psychomodo by Cockney Rebel, and we highly recommend it.
More information about Cockney Rebel can be found at http://www.steveharley.com.
About the only thing Steve Harley has in common with Syd is that both took a lot of acid when they were youngerbut this is one of his finest songs and he deserves proper credit for it. Let those who deserve it deal with the petty scorn.
Honi soit!"
(30/1) Syd Barrett, HYGIY V1, Vol 05 Sound Opinions
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Syd Barrett
have you got it yet vol. 05
Sound Opinions WXRT 3Jan2001 Syd 1
Sound Opinions WXRT 3Jan2001 Syd 2
Sound Opinions WXRT 3Jan2001 Syd 3
Sound Opinions WXRT 3Jan2001 Syd 4
Sound Opinions WXRT 3Jan2001 Syd 5
Sound Opinions WXRT 3Jan2001 Syd 6
Sound Opinions WXRT 3Jan2001 Syd 7
Sound Opinions WXRT 3Jan2001 Syd 8
Sound Opinions WXRT 3Jan2001 Syd 9
(32/1) Syd Barrett, HYGIY V1, Vol 12 Omnibus - Crazy Diamond - VCD
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(33/1) Syd Barrett, HYGIY V1, Vol 13 VH1 - Crazy Diamond - VCD
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(34/1) Syd Barrett, HYGIY V1, Vol 14 Pink Floyd - The Story (1994) - VCD
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PINK FLOYD - The Story (BBC Omnibus 1994) - REV.A
[ This Place Records TPR DVD 001 ]
ratio : 4:3
video : 8000kbps
audio : LPCM Stereo
length: 40 minutes
source: Master PAL VHS
Details:
This is the very first DVD release of my little label called "This Place Records" (the referred place should be well known to any serious Floyd fan and appears during the opening and closing tracks of the DVD; this is one of the most beautiful places in the world and I used extracts from my private film, shot during my honeymoon trip, for these DVD intro & outro; don't worry, my honeymoon trip is not the main subject of the DVD ;-)).
Back in 1994, I taped this excellent documentary when it was broadcast by BBC TV. I decided to transfer my Master PAL VHS to digital format when I realised that it could be a nice upgrade, compared to the best version of the documentary circulating until now, by our friends from Psychedelic Closet Records (sorry, Scott... ;-)).
This 40 minute documentary was aired by BBC TV on November 15, 1994, just before the broadcast of the Earl's Court show filmed a few weeks before, on October 20. Even if the documentary was produced at the time of the Division Bell tour (Roger Waters refused to be interviewed for that program), the post-Waters era is only briefly mentioned (during the last 2 minutes). The rest is focused on the band's history with Waters. The documentary not only features interviews with the 3 Pink Floyd members of the time, but it also includes interesting interviews with a lot of people closely related to the band: Andrew King, Joe Boyd, Mike Leonard, Storm Thorgerson, Ron Geesin, Clare Torry, Douglas Adams...
It also contains rare archival footage such as extracts from 1968 Tomorrow's World program, and a very unique film showing the band recording Marooned in Gilmour's houseboat studio, the Astoria, with Bob Ezrin playing the bass (this recording session is only shown very briefly, and mainly in a small incrusted image during the ending credits; this rare footage was used, in slight slow motion and full screen, for the DVD menus).
The original version was in mono, but since then, I managed to find an excellent stereo audio track, that was used for this Rev.A.
I hope you'll enjoy this nice upgrade. I think that the only possible improvement would be to find the pre-broadcast tape used by BBC TV!
Enjoy!
(35/1) Syd Barrett, HYGIY V1, Vol 15 Let s Try It Another Way
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Have You Got It #15 - Lets Try It Another Way
1) John McKeag - Astronomy Domine 4:10
2) Mark Zampino - Arnold Layne 4:23
3) Swedish Whistler - Effervescing Elephant 1:02
4) Full Dimensional - Candy & a Currant Bun 2:35
5) Dinar Bandosu - Interstellar Vegetable Man 4:03
6) Tony Favazza - Mathilda Mother 3:39
7) Keith Jordan - Flaming 2:56
8) John Cavanagh - Rats 2:14
9) Pitt Reeves - Baby Lemonade 2:07
10) Vertigo Poets - Wined and Dined 2:07
11) Cartensis - Dark Globe 2:05
12) Tony Fitzgerald - One in a Million 3:44
13) La Marque Juane (Jean Gregoire) - Gigolo Aunt (live) 4:44
14) Jeremy Winkie - Golden Hair 2:33
15) The Cosmic Cult of Damien Youth - Long Gone 2:33
16) ST37 - No Man's Land 2:51
17) Vortis - Word Song 3:20
18) Rectoplasm - Long Dark Scarecrow 2:38
19) Luciano Chessa - Opel 6:17
20) Alan Bishop - Terrapin 2:35
(36/1) Syd Barrett, HYGIY V1, Vol 16 VCD
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HYGIY V1 Vol 16 VCD
101 Syds First Trip 1966 11:02
102 San Francisco movie featuring unique 10/66 Interstellar Overdrive soundtrack 15:53
103 Scene Special - It's So Far Out It's Straight Down with unique early version of Matilda Mother soundtrack & 1/27/67 Interstellar Overdrive from UFO) 29:41
104 History of Rock excerpts - merged US and BBC versions 4:10
105 Peter Whitehead Interview 3:49
106 Mike Leonard - 3/21/68 Pathe newsreel 2:42
107 Scarecrow outtakes (silent) 3:24
(37/1) Syd Barrett, HYGIY V1, Vol 17 VCD
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HYGIY V1 Vol 17 VCD
201 Interstellar Overdrive & Nick's Boogie from Tonight Lets All Make Love In London Laserdisc 29:49
202 Arnold Lane promo 2:49
203 Look of the Week 9:42
204 Scarecrow promo 2:09
205 Apples and Oranges with brief interview - American Bandstand 3:24
206 Tomorrow's World (excerpt) from 12/67 1:52
207 Jugband Blues promo 3:09
208 Christmas On Earth Continued 12/22/67 from Joe Cocker promo film (silent) 0:36
209 Syd Barrett - Lost in the Woods - 1969 home video 1:32
210 Shine On excerpt - Dave & Rick talk about Syd 1:07
211 Syd Barrett - Day So Dark So Warm - stalker video 12:48
(38/1) Syd Barrett, HYGIY V2, Vol 01
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HYGIY v2.0
Volume One
length: 67:23
01 Lucy Leave (May/June? 1965) 02:55
02 King Bee (May/June? 1965) 03:06
03 Green Onions (17Dec67 "Tomorrow's World" BBC-TV) 01:58
04 Int Overdrive (31Oct66 demo 1st gen) 15:07
05 Interview + Int Overdrive (Dec66, CBC) 10:37
06 Matilda Mother (20Jan67 UFO) 02:52
07 Int Overdrive (20Jan67 UFO no voiceover) 04:17
08 Let's Roll Another One (22Jan67 rehearsal) 01:58
09 Instrumental (22Jan67 rehearsal) 01:10
10 Arnold Layne (28Jan67 acetate) 02:38
11 Candy And A Currant Bun (28Jan67 acetate) 02:04
12 instrumental (24Feb67 UFO prob "Interstellar") 04:35
13 Pow R. Toc H. (14May67 "Look Of The Week" BBC-TV) 01:02
14 Astronomy Domine (14May67 "Look Of The Week" BBC-TV) 03:59
15 See Emily Play (21May67 acetate, alt ending) 02:53
16 Emily edit piece (16rpm, looped 5x) 00:42
17 Set The Controls (08Aug67 mono) 05:28
(39/1) Syd Barrett, HYGIY V2, Vol 02
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HYGIY v2.0
Volume Two
length: 75:47
01 In The Beechwoods (19Oct67) 04:50
02 VegMan (11Oct67, mixdown May68) 02:41
03 VegMan jam (09-11Oct67 mixdown May68) 02:50
04 Untitled, take 7 (04Sep67 1st gen) 01:34
05 Remember A Day (12Oct67 mono) 04:24
06 Scream Thy Last Scream (07Aug67 Jenner 1974 mix) 04:41
07 Vegetable Man (11Oct67 Jenner 1974 mix) 02:31
08 Reaction In G (1967, b'cast 26Apr69 Beat Club, German TV 1stGen) 00:44
09 The Scarecrow (25Sep67 BBC 1stGen) 02:18
10 The Gnome (25Sep67 BBC 1stGen) 02:38
11 Matilda Mother (25Sep67 BBC 1stGen) 03:34
12 Flaming (25Sep67 BBC master) 02:45
13 Set The Controls (25Sep67 BBC master) 03:35
14 Reaction In G (25Sep67 BBC master) 00:51
15 Scream Thy Last Scream (07Aug67 Jones 1987 mix) 04:42
16 Vegetable Man (11Oct67 Jones 1987 mix, from "What Syd Wants") 02:39
17 Jugband Blues (24Oct67 mono) 03:00
18 Flaming (02Nov67 Tower mono 45) 02:47
19 Set The Controls (18Feb68 Belgian vid mix) 04:53
20 Vegetable Man (20Dec67 BBC 1stGen) 03:37
21 Scream Thy Last Scream (20Dec67 BBC 1stGen) 03:50
22 Jugband Blues (20Dec67 BBC 1stGen) 03:58
23 Pow R. Toc H. (20Dec67 BBC 1stGen) 04:38
24 Tomorrow's World instrumental (17Dec67 BBC-TV) 01:45
(41/1) Syd Barrett, HYGIY V2, Vol 04
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HYGIY v2.0 Volume 4 Disc 1
Length: 40:31
01 Silas Lang, take 1 (06 May '68) 2:52
02 Lanky pt2, take 1 (14 May '68) 1:37
03 Golden Hair, take 1 (14 May '68 dry mix) 2:04
04 Golden Hair, take 1 (28 May '68 Gareth Cousins '88 mix) 2:13
05 Swan Lee, take 5 (08 Jun '68 Malcolm Jones alt mix) 1:04
06 Swan Lee, take 5 (20 Jun '68 backing track) 2:45
07 Clowns and Jugglers, take 1 w/chatter (20 Jul '68) 2:53
08 Swan Lee, take 5 excerpt (10 Apr '69 w/vocal) 0:53
09 Opel, take 9 chatter (11 Apr '69) 0:29
10 Opel, take 9 (11 Apr '69 Jenner '74 mix) 6:25
11 Love You, take 1 (11 Apr '69 Jones mix) 1:08
12 Love You, take 2 (11 Apr '69 Jones mix) 1:23
13 Clowns and Jugglers, take 2 (03 May '69) 1:37
14 Octopus, take 11 (12 Jun '69 rough mix excerpt) 0:25
15 Long Gone, take 2 (26 Jul '69) 1:55
16 Dark Globe, take 1 choral (26 Jul '69 Jenner '74 echo mix) 3:03
17 Dark Globe, take 1 choral (26 Jul '69 Jones '87 dry mix) 2:58
18 She Took A Long Cold Look, take 5 (26 Jul '69 Jones '87 dry mix) 1:51
19 Religious Experience, take 10 (18 Dec '69 OOPS mix) 2:51
HYGIY v2.0 Volume 4 Disc 2
Length: 62:40
20 Baby Lemonade, take 1 (26 Feb '70 alt mix) 3:54
21 Maisie, take 1 (26 Feb '70) 0:24
22 Maisie, take 2 (26 Feb '70 alt mix) 3:00
23 Birdie Hop, take 1 (05 Jun '70 Jenner '74 mix) 2:40
24 Rats chatter, take 1 (05 Jun '70) 1:14
25 Wined and Dined chatter, takes 1+2, edit (05 Jun '70) 1:42
26 Terrapin (06 Jun '70 London) 4:18
27 Gigolo Aunt (06 Jun '70 London) 4:51
28 Effervescing Elephant (06 Jun '70 London) 1:12
29 Octopus (06 Jun '70 London) 5:36
30 Milky Way, take 5 (07 Jun '70 Jenner '74 mix) 3:05
31 Word Song, take 1 (21 Jul '70 Jenner '74 mix) 2:58
32 Baby Lemonade (16 Feb '71 BBC) 3:04
33 Dominoes (16 Feb '71 BBC) 2:55
34 Love Song (16 Feb '71 BBC) 1:26
35 Last Minute Put Together Boogie Band (27 Jan '72 Cambridge) 0:58
36 Boogie #1 (12 Aug '74) 1:34
37 Boogie #2-more echo (12 Aug '74) 1:33
38 Boogie #3 (12 Aug '74) 1:29
39 If You Go, Don't Be Slow #1 (12 Aug '74) 2:30
40 Ballad-unfinished (12 Aug '74) 0:23
41 Chooka-Chooka Chug Chug (12 Aug '74) 0:37
42 If You Go, Don't Be Slow #2-echo, laid back (12 Aug '74) 1:56
43 Untitled-echo (12 Aug '74) 1:24
44 Slow Boogie (12 Aug '74) 2;55
45 John Lee Hooker (12 Aug '74) 3:10
46 Fast Boogie (12 Aug '74) 1:25
47 Boogie #2 fragment (Bernard White '94 mix) 0:20
(43/1) Syd Barrett, HYGIY V2, Vol 06 Interviews & Radio Shows
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Syd Barrett - HYGIY v2.0 Vol. 6 - Interviews & Radio Shows
CD1 79:20
01 Mike Leonard (1994) 02:03
02 Mason (BBC Radio2 12Oct2004) 04:38
03 Jenner, Mason ('The Story Of Pop' BBC 12Jul1994) 05:02
04 Paul McCartney (Granada TV 08Mar1967) 01:13
05 BBC Look of the Week (14May1967) 04:57
06 Mason (Mar1967) 01:26
07 Waters (Stockholm 10Sep1967) 02:55
08 Jenner, Joe Boyd (one channel of Piper beneath 17Dec1976) 06:06
09 Waters, Jenner, Peel ('Dancing In The Street' BBC 20Jul1996) 4:01
10 John Peel (Capitol Radio PF Story 17Dec1976) 2:36
11 Auditioning For Auntie (BBC Radio4 21Oct2013) 01:52
12 Syd Barrett (by Meatball Fulton, London Aug1967) 18:06
13 Waters - Have You Got It Yet 1:11
14 Syd studio chatter (1969) 00:04
15 Jenner, Mason, Gilmour (Capitol Radio PF Story 17Dec1976) 06:55
16 Pink Floyd interview edit (Blackpool 21Mar1969) 04:56
17 Pink Floyd interview edit (NYC 28Sep1970) 05:56
18 Paul Breen (BBC 27Oct1988) 05:16
CD2 79:14
01 Roger Waters (BBC Radio1 25May1968) 01:04
02 Bob Harris - Wish You'd Been Here (BBC 02Feb2002) 28:55
03 The Return of Syd (WYWH 25th anniv radio special 30Oct2000) 02:03
04 The Thing About Syd (BBC Radio2 21Jul2007) 47:10
L A U G H I N G M A D C A P S
(44/1) Syd Barrett, HYGIY V2, Vol 11 Photo CDRom
Audio/, ?/?, (?)
Syd Barrett
Have You Got It Yet? v2.0 Vol 11
Photo/Info DVD-Rom
(Version 11, 14th March 2010)
This collection has taken 12 years to put together.
I started it in the 1998.
This disc contains EVERY photo of Syd Barrett & the early
Pink Floyd I could find in the best quality possible & piles
of CD inlays & text files. Most of the photos have been
renamed to show where it's from and, in case of multiple
copies of the same photo, named so that you know that.
(I.E. 2 versions of the same pic from 'Junkyard' photo shoot
are called JunkyardSyd2aCol.jpg & JunkyardSyd2bCol.jpg.)
Sometimes I couldn't decide which was the best out of 4
different sources of the same photo so you've got four
different versions (called a,b,c & d or l,2,3 & 4), but the file
name's the same so you know it's the same photo. One may have
richer more realistic colours, whereas another may be sharper.
There are no photos of the Floyd after Syd left. This is
everything to do with Syd & his time in Pink Floyd & his
solo career.
Also included are various interesting videos & other
surprises.
Everything's set out in proper folders, photo sessions put
back together, interviews grouped together, art work etc.
It's still not complete, never will be, new pics will be
turning up still every now & again but here is everything
I have found.
WARNING: EVERYTHING I have found is here, that includes
items that some people may find distasteful. Photos of Roger
'Syd' Barrett taken without his consent during his 'after
fame' period, the 'Syd's First Trip' video clip & the l998
'Stalker' footage. If you are offended by these, then please do
not view them.
This collection was requested by the managers of the Syd
Barrett Estate in order to produce the official website.
PLEASE if you have anything that is missing from this disc
or an upgrade to a photo already on it then send it to me to
the e-mail address below so that it can be added to further
updated editions:
email: markjonesl97O@btinternet.com
Thanks & I hope you enjoy it,
Mark Jones,
Manchester,
March 2010.
p:498/500/3...D/16
Nick Mason
Discographie / Discography
Nick Mason
Mes Matérialisés |
1981 | Nick Mason | Nick Mason s Fictitious Sports | Harvest | SHSP 4116, 0C 062-64 216, TM 8102 RS | LP |
Allées O Venues
Nick Mason |
2018 |
1 | | | | +[setlistfm][Dime] | 2018-05-21 | The Half Moon, London, England | | | | | | |
2 | | | | +[setlistfm][Dime] | 2018-05-23 | The Half Moon, London, England | | | | | | |
3 | | | | +[setlistfm][Dime] | 2018-05-24 | The Half Moon, London, England | | | | | | |
4 | | | | +[setlistfm] | 2018-09-02 | Cirkus, Stockholm, Sweden | | | | | | |
5 | | | | +[setlistfm][Dime] | 2018-09-03 | Forum Black Box, Copenhagen, Denmark | | | | | | |
6 | | | | +[setlistfm] | 2018-09-04 | Moya, Rostock, Germany | | | | | | |
7 | | | | +[setlistfm][Dime] | 2018-09-06 | Koninklijk Theater Carré, Amsterdam, Netherlands | | | | | | |
8 | | | | +[setlistfm] | 2018-09-08 | Stadsschouwburg, Antwerpen, Belgium | | | | | | |
9 | | | | +[setlistfm][Dime] | 2018-09-09 | Den Atelier, Luxembourg, Luxembourg | | | | | | |
10 | | | | +[setlistfm][Dime] | 2018-09-10 | L Olympia Bruno Coquatrix, Paris, France | | | | | | 01 |
11 | | | | +[setlistfm][Dime] | 2018-09-11 | Mitsubishi Electric Halle, Düsseldorf, Germany | | | | | | 01 |
12 | | | | +[setlistfm] | 2018-09-13 | Laeiszhalle, Hamburg, Germany | | | | | | 01 |
13 | | | | +[setlistfm][Dime] | 2018-09-15 | Liederhalle Beethovensaal, Stuttgart, Germany | | | | | | |
14 | | | | +[setlistfm] | 2018-09-16 | Tempodrom, Berlin, Germany | | | | | | |
15 | | | | +[setlistfm] | 2018-09-17 | Haus Auensee, Leipzig, Germany | | | | | | |
16 | | | | +[setlistfm] | 2018-09-19 | Wiener Stadthalle - Halle F, Vienna, Austria | | | | | | |
17 | | | | +[setlistfm] | 2018-09-20 | Teatro degli Arcimboldi, Milano, Italy | | | | | | |
18 | | | | +[setlistfm] | 2018-09-21 | Samsung Hall, Dübendorf, Switzerland | | | | | | |
19 | | | | +[setlistfm][Dime] | 2018-09-23 | Portsmouth Guildhall, Portsmouth, England | | | | | | |
20 | | | | +[setlistfm][Dime] | 2018-09-24 | Roundhouse, London, England | | | | | | |
21 | | | | +[setlistfm] | 2018-09-25 | Symphony Hall, Birmingham, England | | | | | | |
22 | | | | +[setlistfm][Dime] | 2018-09-27 | O2 Apollo Manchester, Manchester, England | | | | | | |
23 | | | | +[setlistfm] | 2018-09-28 | SEC Armadillo, Glasgow, Scotland | | | | | | |
24 | | | | +[setlistfm][Dime] | 2018-09-29 | Royal Concert Hall, Nottingham, England | | | | | | 01 |
2019 |
25 | | | | +[setlistfm][Dime] | 2019-03-12 | Queen Elizabeth Theatre, Vancouver, Canada | | | | | | 01 |
26 | | | | +[setlistfm][Dime] | 2019-03-13 | Paramount Theatre, Seattle, WA, US | | | | | | |
27 | | | | +[setlistfm][Dime] | 2019-03-15 | Masonic Auditorium, San Francisco, CA, US | | | | | | |
28 | | | | +[setlistfm][Dime] | 2019-03-16 | Wiltern Theatre, Los Angeles, CA, US | | | | | | |
29 | | | | +[setlistfm] | 2019-03-17 | Wiltern Theatre, Los Angeles, CA, US | | | | | | |
30 | | | | +[setlistfm] | 2019-03-19 | Comerica Theatre, Phoenix, AZ, US | | | | | | |
31 | | | | +[setlistfm][Dime] | 2019-03-21 | Paramount Theatre, Denver, CO, US | | | | | | |
32 | | | | +[setlistfm] | 2019-03-24 | The Pavilion at Toyota Music Factory, Irving, TX, US | | | | | | |
33 | | | | +[setlistfm] | 2019-03-25 | Jesse H. Jones Hall for the Performing Arts, Houston, TX, US | | | | | | |
34 | | | | +[setlistfm] | 2019-03-27 | The Fillmore Miami Beach at Jackie Gleason Theater, Miami Beach, FL, US | | | | | | |
35 | | | | +[setlistfm][Dime] | 2019-03-29 | Tabernacle, Atlanta, GA, US | | | | | | |
36 | | | | +[setlistfm][Dime] | 2019-03-31 | Stifel Theatre, Saint Louis, MO, US | | | | | | |
37 | | | | +[setlistfm] | 2019-04-01 | Riverside Theater, Milwaukee, WI, US | | | | | | |
38 | | | | +[setlistfm] | 2019-04-03 | Orpheum Theatre, Minneapolis, MN, US | | | | | | |
39 | | | | +[setlistfm] | 2019-04-04 | The Chicago Theatre, Chicago, IL, US | | | | | | |
40 | | | | +[setlistfm] | 2019-04-05 | Murat Theatre, Indianapolis, IN, US | | | | | | |
41 | | | | +[setlistfm][Dime] | 2019-04-07 | Palace Theatre, Columbus, OH, US | | | | | | |
42 | | | | +[setlistfm] | 2019-04-08 | Akron Civic Theatre, Akron, OH, US | | | | | | |
43 | | | | +[setlistfm] | 2019-04-09 | The Fillmore Detroit, Detroit, MI, US | | | | | | |
44 | | | | +[setlistfm] | 2019-04-11 | Shea s Performing Arts Center, Buffalo, NY, US | | | | | | |
45 | | | | +[setlistfm] | 2019-04-12 | Toyota Presents the Oakdale Theatre, Wallingford, CT, US | | | | | | |
46 | | | | +[setlistfm][Dime] | 2019-04-13 | Orpheum Theatre, Boston, MA, US | | | | | | |
47 | | | | +[setlistfm] | 2019-04-15 | Salle Wilfrid-Pelletier, Montréal, Canada | | | | | | |
48 | | | | +[setlistfm] | 2019-04-16 | Sony Centre for the Performing Arts, Toronto, Canada | | | | | | |
49 | | | | +[setlistfm][Dime] | 2019-04-18 | Beacon Theatre, New York, NY, US | | | | | | |
50 | | | | +[setlistfm] | 2019-04-19 | Beacon Theatre, New York, NY, US | | | | | | |
51 | | | | +[setlistfm] | 2019-04-20 | Metropolitan Opera House, Philadelphia, PA, US | | | | | | |
52 | | | | +[setlistfm][Dime] | 2019-04-22 | D.A.R. Constitution Hall, Washington, DC, US | | | | | | |
53 | | | | +[setlistfm][Dime] | 2019-04-29 | St David s Hall, Cardiff, Wales | | | | | | |
54 | | | | +[setlistfm] | 2019-04-30 | Aylesbury Waterside Theatre, Aylesbury, England | | | | | | |
55 | | | | +[setlistfm] | 2019-05-01 | Cambridge Corn Exchange, Cambridge, England | | | | | | |
56 | | | | +[setlistfm] | 2019-05-03 | Roundhouse, London, England | | | | | | |
57 | | | | +[setlistfm] | 2019-05-04 | Roundhouse, London, England | | | | | | |
58 | | | | +[setlistfm][Dime] | 2019-07-03 | Klosterhof Wiblingen, Ulm, Germany | | | | | | |
59 | | | | +[setlistfm][Dime] | 2019-07-05 | Augusta Raurica Open Air 2019 | | | | | | |
60 | | | | +[setlistfm] | 2019-07-06 | Festival de Nîmes 2019 | | | | | | |
61 | | | | +[setlistfm] | 2019-07-08 | La Civitella, Chieti, Italy | | | | | | |
62 | | | | +[setlistfm] | 2019-07-10 | Mediterranean Conference Centre, Valletta, Malta | | | | | | |
63 | | | | +[setlistfm] | 2019-07-12 | Teatro Greco, Taormina, Italy | | | | | | |
64 | | | | +[setlistfm] | 2019-07-14 | Ravenna Festival 2019 | | | | | | |
65 | | | | +[setlistfm] | 2019-07-16 | Rock in Roma 2019 | | | | | | |
66 | | | | +[setlistfm][Dime] | 2019-07-17 | Umbria Jazz Festival 2019 | | | | | | |
67 | | | | +[setlistfm][Dime] | 2019-07-18 | Piazza della Loggia, Brescia, Italy | | | | | | |
68 | | | | +[setlistfm][Dime] | 2019-07-20 | Night of the Prog XIV | | | | | | |
69 | | | | +[setlistfm] | 2019-07-21 | Les Nuits de Fourvière 2019 | | | | | | |
70 | | | | +[setlistfm] | 2019-07-23 | RAI, Amsterdam, Netherlands | | | | | | |
71 | | | | +[setlistfm] | 2019-07-25 | Palác Lucerna Velký Sál, Praha, Czech Republic | | | | | | |
72 | | | | +[setlistfm][Dime] | 2019-07-27 | Summer Fog Festival 2019 | | | | | | |
2022 |
73 | | | | +[setlistfm] | 2022-04-13 | Convention Centre Dublin, Dublin, Ireland | | | | | | |
74 | | | | +[setlistfm][Dime] | 2022-04-14 | Ulster Hall, Belfast, Ireland | | | | | | |
75 | | | | +[setlistfm] | 2022-04-16 | York Barbican, York, England | | | | | | |
76 | | | | +[setlistfm] | 2022-04-18 | Liverpool Philharmonic Hall, Liverpool, England | | | | | | |
77 | | | | +[setlistfm][Dime] | 2022-04-19 | New Theatre, Oxford, England | | | | | | |
78 | | | | +[setlistfm] | 2022-04-20 | G Live, Guildford, England | | | | | | |
79 | | | | +[setlistfm] | 2022-04-22 | Symphony Hall, Birmingham, England | | | | | | |
80 | | | | +[setlistfm][Dime] | 2022-04-23 | Royal Albert Hall, London, England | | | | | | |
81 | | | | +[setlistfm] | 2022-04-24 | Regent Theatre, Ipswich, England | | | | | | |
82 | | | | +[setlistfm] | 2022-04-26 | Brighton Dome, Brighton, England | | | | | | |
83 | | | | +[setlistfm][Dime] | 2022-04-27 | St David s Hall, Cardiff, Wales | | | | | | 01 |
84 | | | | +[setlistfm] | 2022-04-28 | Royal Concert Hall, Nottingham, England | | | | | | |
85 | | | | +[setlistfm] | 2022-04-30 | Sheffield City Hall, Sheffield, England | | | | | | |
86 | | | | +[setlistfm] | 2022-05-01 | De Montfort Hall, Leicester, England | | | | | | |
87 | | | | +[setlistfm] | 2022-05-03 | O2 City Hall Newcastle, Newcastle, England | | | | | | |
88 | | | | +[setlistfm] | 2022-05-04 | Usher Hall, Edinburgh, Scotland | | | | | | |
89 | | | | +[setlistfm] | 2022-05-06 | O2 Apollo Manchester, Manchester, England | | | | | | |
90 | | | | +[setlistfm] | 2022-05-07 | The Forum, Bath, England | | | | | | |
91 | | | | +[setlistfm] | 2022-05-08 | Plymouth Pavilions, Plymouth, England | | | | | | |
92 | | | | +[setlistfm] | 2022-05-10 | Portsmouth Guildhall, Portsmouth, England | | | | | | |
93 | | | | +[setlistfm][Dime] | 2022-05-11 | Fairfield Halls, Croydon, England | | | | | | |
94 | | | | +[setlistfm][Dime] | 2022-05-14 | Værket, Randers, Denmark | | | | | | |
95 | | | | +[setlistfm][Dime] | 2022-05-16 | Det Kongelige Teater, Copenhagen, Denmark | | | | | | |
96 | | | | +[setlistfm] | 2022-05-17 | Sentrum Scene, Oslo, Norway | | | | | | |
97 | | | | +[setlistfm] | 2022-05-19 | Kulttuuritalo, Helsinki, Finland | | | | | | |
98 | | | | +[setlistfm] | 2022-05-21 | Alexela Kontserdimaja, Tallinn, Estonia | | | | | | |
99 | | | | +[setlistfm] | 2022-05-24 | Palladium, Riga, Latvia | | | | | | |
100 | | | | +[setlistfm] | 2022-05-27 | Compensa Concert Hall, Vilnius, Lithuania | | | | | | |
101 | | | | +[setlistfm][Dime] | 2022-05-28 | Klub Wytwórnia, Lódz, Poland | | | | | | |
102 | | | | +[setlistfm] | 2022-05-30 | Budapest Park, Budapest, Hungary | | | | | | |
103 | | | | +[setlistfm] | 2022-05-31 | Zagrebacki velesajam - Paviljon 9, Zagreb, Croatia | | | | | | |
104 | | | | +[setlistfm][Dime] | 2022-06-01 | Belexpocentar, Belgrade, Serbia | | | | | | |
105 | | | | +[setlistfm][Dime] | 2022-06-03 | Moni Lazariston, Thessaloniki, Greece | | | | | | |
106 | | | | +[setlistfm][Dime] | 2022-06-04 | Technopolis Municipality of Athens, Athens, Greece | | | | | | |
107 | | | | +[setlistfm][Dime] | 2022-06-06 | Volkswagen Arena, Istanbul, Turkey | | | | | | |
108 | | | | +[setlistfm][Dime] | 2022-06-08 | NDK Hall 1, Sofia, Bulgaria | | | | | | |
109 | | | | +[setlistfm][Dime] | 2022-06-09 | Arenele Romane, Bucharest, Romania | | | | | | |
110 | | | | +[setlistfm][Dime] | 2022-06-11 | Planet.tt Bank Austria Halle Gasometer, Vienna, Austria | | | | | | |
111 | | | | +[setlistfm][Dime] | 2022-06-12 | Forum Karlín, Praha, Czech Republic | | | | | | |
112 | | | | +[setlistfm][Dime] | 2022-06-13 | Tempodrom, Berlin, Germany | | | | | | |
113 | | | | +[setlistfm][Dime] | 2022-06-15 | Den Atelier, Luxembourg, Luxembourg | | | | | | |
114 | | | | +[setlistfm][Dime] | 2022-06-16 | Muziekgebouw, Eindhoven, Netherlands | | | | | | |
115 | | | | +[setlistfm][Dime] | 2022-06-17 | Cirque Royal / Koninklijk Circus, Brussels, Belgium | | | | | | |
116 | | | | +[setlistfm][Dime] | 2022-06-19 | Meistersingerhalle, Nürnberg, Germany | | | | | | 01 |
117 | | | | +[setlistfm][Dime] | 2022-06-20 | Jahrhunderthalle, Frankfurt, Germany | | | | | | |
118 | | | | +[setlistfm][Dime] | 2022-06-22 | Le Grand Rex, Paris, France | | | | | | |
119 | | | | +[setlistfm][Dime] | 2022-06-24 | KKL, Lucerne, Switzerland | | | | | | |
120 | | | | +[setlistfm][Dime] | 2022-06-25 | Lucca Summer Festival 2022 | | | | | | |
121 | | | | +[setlistfm] | 2022-06-26 | Stupinigi Sonic Park 2022 | | | | | | |
122 | | | | +[setlistfm] | 2022-06-28 | Théâtre du Léman, Geneva, Switzerland | | | | | | |
123 | | | | +[setlistfm] | 2022-06-30 | Liederhalle Beethovensaal, Stuttgart, Germany | | | | | | |
124 | | | | +[setlistfm] | 2022-07-01 | Laeiszhalle, Hamburg, Germany | | | | | | |
125 | | | | +[setlistfm] | 2022-07-02 | E-Werk, Köln, Germany | | | | | | |
126 | | | | +[setlistfm] | 2022-07-04 | Circus Krone, München, Germany | | | | | | |
127 | | | | +[setlistfm] | 2022-07-05 | Haus Auensee, Leipzig, Germany | | | | | | |
128 | | | | +[setlistfm] | 2022-07-06 | Halle Münsterland, Münster, Germany | | | | | | |
129 | | | | +[setlistfm] | 2022-07-09 | BARTS, Barcelona, Spain | | | | | | |
130 | | | | +[setlistfm] | 2022-07-10 | Noches del Botánico 2022 | | | | | | |
131 | | | | +[setlistfm] | 2022-07-12 | Super Bock Arena, Porto, Portugal | | | | | | |
132 | | | | +[setlistfm] | 2022-07-13 | Campo Pequeno, Lisboa, Portugal | | | | | | |
133 | | | | +[setlistfm] | 2022-09-22 | Shubert Theatre, Boston, MA, US | | | | | | |
134 | | | | +[setlistfm] | 2022-09-23 | Miller Theater, Philadelphia, PA, US | | | | | | |
135 | | | | +[setlistfm] | 2022-09-25 | Providence Performing Arts Center, Providence, RI, US | | | | | | |
136 | | | | +[setlistfm] | 2022-09-26 | Capitol Theatre, Port Chester, NY, US | | | | | | |
137 | | | | +[setlistfm] | 2022-09-27 | Lincoln Theatre, Washington, DC, US | | | | | | 01 |
138 | | | | +[setlistfm] | 2022-09-29 | Akron Civic Theatre, Akron, OH, US | | | | | | |
139 | | | | +[setlistfm] | 2022-09-30 | Benedum Center for the Performing Arts, Pittsburgh, PA, US | | | | | | |
140 | | | | +[setlistfm] | 2022-10-01 | Palace Theatre, Columbus, OH, US | | | | | | |
141 | | | | +[setlistfm][Dime] | 2022-10-03 | The Chicago Theatre, Chicago, IL, US | | | | | | |
142 | | | | +[setlistfm][Dime] | 2022-10-04 | State Theatre, Minneapolis, MN, US | | | | | | |
143 | | | | +[setlistfm] | 2022-10-05 | Riverside Theater, Milwaukee, WI, US | | | | | | |
144 | | | | +[setlistfm] | 2022-10-07 | Royal Oak Music Theatre, Royal Oak, MI, US | | | | | | |
145 | | | | +[setlistfm] | 2022-10-08 | Massey Hall, Toronto, Canada | | | | | | |
146 | | | | +[setlistfm] | 2022-10-09 | Shea s Performing Arts Center, Buffalo, NY, US | | | | | | |
147 | | | | +[setlistfm][Dime] | 2022-10-11 | Théâtre St-Denis, Montréal, Canada | | | | | | |
148 | | | | +[setlistfm][Dime] | 2022-10-12 | Beacon Theatre, New York, NY, US | | | | | | |
149 | | | | +[setlistfm] | 2022-10-14 | Clowes Memorial Hall, Indianapolis, IN, US | | | | | | |
150 | | | | +[setlistfm][Dime] | 2022-10-16 | Tulsa Theatre, Tulsa, OK, US | | | | | | |
151 | | | | +[setlistfm] | 2022-10-17 | Texas Trust CU Theatre, Grand Prairie, TX, US | | | | | | |
152 | | | | +[setlistfm][Dime] | 2022-10-18 | Bass Concert Hall, Austin, TX, US | | | | | | |
153 | | | | +[setlistfm][Dime] | 2022-10-20 | Paramount Theatre, Denver, CO, US | | | | | | |
154 | | | | +[setlistfm][Dime] | 2022-10-22 | Madison Center for the Arts, Phoenix, AZ, US | | | | | | |
155 | | | | +[setlistfm] | 2022-10-24 | Balboa Theatre, San Diego, CA, US | | | | | | |
156 | | | | +[setlistfm][Dime] | 2022-10-25 | Orpheum Theatre, Los Angeles, CA, US | | | | | | |
157 | | | | +[setlistfm] | 2022-10-26 | Arlington Theatre, Santa Barbara, CA, US | | | | | | |
158 | | | | +[setlistfm][Dime] | 2022-10-28 | Fox Theater, Oakland, CA, US | | | | | | |
159 | | | | +[setlistfm] | 2022-10-31 | The Moore Theatre, Seattle, WA, US | | | | | | |
160 | | | | +[setlistfm][Dime] | 2022-11-01 | The Centre in Vancouver for Performing Arts, Vancouver, Canada | | | | | | 01 |
Enregistrements
(10/1) Nick Mason, 2018-09-10, L Olympia Bruno Coquatrix, Paris, France
Audio/Flac, Dime/?, (?)
Artiste : Nick Mason's Saucerful of Secrets
Date : 2018-09-10 (10 Septembre 2018)
Lieu : Olympia Bruno Coquatrix
Ville : Paris, France
Lineage: SP-CMC-8 > Roland R-05 WAV44.1kHz/16bit > Adobe Audition (fade in/out) > CD Wave (Track-Splitting) > Flac Level 8 (44.1kHz/16bit) > Foobar2000 (tagging)
Taper : PH
Master n°497
Location : Centre, 10-15m de la scène
CD 1 : TRT 0:56:19
01 - Soundscape intro
02 - Interstellar Overdrive
03 - Astronomy Domine
04 - Lucifer Sam
05 - Fearless
06 - Obscured by Clouds / When You're In
07 - Arnold Layne
08 - Vegetable Man
09 - If
10 - Atom Heart Mother
11 - If (Reprise)
CD 2 : TRT 0:53:41
01 - The Nile Song
02 - Green is the Colour
03 - Let There Be More Light
04 - Set the Controls for the Heart of the Sun
05 - See Emily Play
06 - Bike
07 - One of These Days
08 - Encores
09 - A Saucerful of Secrets
10 - Point Me at the Sky
Total : 1:50:00
Nick Mason : batterie
Guy Pratt : basse, chant
Gary Kemp : guitare, chant
Lee Harris : guitare
Dom Beken : claviers
*** Ne pas vendre, ne pas acheter ***
*** Merci de ne pas diffuser en mp3 ou autre format lossy ***
*** Et surtout, soutenez les artistes que vous aimez, achetez les CD officiels, allez aux concerts ***
(11/1) Nick Mason, 2018-09-11, Mitsubishi Electric Halle, Düsseldorf, Germany
Audio/Flac, Dime/?, (?)
Nick Mason's Saucerful Of Secrets
Mitsubishi Electric Halle, Düsseldorf, Germany
September - 11 - 2018
Contrast clause: this is a matrix made of 2 different recordings of which both have been upped to Yeeshkul:
1. http://yeeshkul.com/forum/showthread.php?42006-2018-09-11-Nick-Mason-s-Saucerful-of-Secrets-Mitsubish-Halle-D%FCsseldorf-Germany&p=269643#post269643
2. http://yeeshkul.com/forum/showthread.php?42011-Nick-Mason-s-Saucerful-Of-Secrets-2018-09-11-Duesseldorf-Germany-119-24-AUD-MC&p=269663#post269663
Info of the single versions:
Version 1
Position: First Row (a little bit right from center position)
recorded by krazekowski
Lineage: Sennheiser AMBEO Headset -> iPhone7+ MetaRecorder (except Green Is the Colour - because recording stopped here, I had to use the sound from my goPro Cam)
uploaded as flac files 48kHz/24 Bit -> transfer to wav-files 44,1 / 16
Version 2
recorded by Pittylabelle
Position: Last row of inner space
Lineage: Olympus LS-12 via Mic-In jack, plug-in-power On, sensitivity High -> Microphone: Special OKM Rock Variant (external binaural in-ear stereo microphone)
uploaded as flac files 44,1 / 16 -> transferred to wav files
Processing of matrix:
wav files of 2 versions -> Samplitude 11 Silver -> arrangement of matrix -> edit/remaster -> transfer to flac 44,1 / 16
I had to adjust the speed between the versions minimally. Some minor EQ was made and sound level adjusted.
I would say again a better show in sound and performance than the Copenhagen show and close to a sbd. Many thanks go to the tapers and uploaders for recording and uploading.
Here is the original setlist from Pittylabelle which I took over (the times fit more or less, total time of the Matrix: 119:36):
***************************************************************************************************
01 Soundscape [12:59]
02 Interstellar Overdrive [05:10]
03 Astronomy Domine [04:40]
04 Nick Mason speaking [01:14]
05 Lucifer Sam [03:32]
06 Fearless [05:22]
07 Obscured By Clouds - When Youre In [07:03]
08 Arnold Layne [03:21]
09 Vegetable Man [02:27]
10 Nick Mason speaking [01:21]
11 Nick Mason band introduction [01:27]
12 If [02:00]
13 Atom Heart Mother (Parts I-IV) [07:36]
14 If (Reprise) [02:15]
15 The Nile Song [03:23]
16 Guy Pratt speaking [01:10]
17 Green Is The Colour [04:24]
18 Gary Kemp speaking [01:09]
19 Let There Be More Light [03:44]
20 Nick Mason speaking [00:53]
21 Set The Controls For The Heart Of The Sun [11:24]
22 See Emily Play [03:22]
23 Bike [02:35]
24 One Of These Days [05:29]
Encore
25 Encore break [02:21]
26 A Saucerful Of Secrets [10:56]
27 Point Me At The Sky [04:17]
28 Audience [03:41]
Total time: 119.24 min
********************************************************************************************************
the band:
Nick Mason - Drums
Guy Pratt - Bass and vocals
Gary Kemp - Guitar and vocals
Dom Beken - Keyboards
Lee Harris - Guitar
Support the artists, go to their shows, buy their albums.
Do not convert to lossy files, unless for personal use. Don't ever sell!
Uploaded to DIME by Stacheleber 2018/09/14
(12/1) Nick Mason, 2018-09-13, Laeiszhalle, Hamburg, Germany
Audio/Flac, Dime/?, (?)
NICK MASON's SAUCERFUL OF SECRETS (UK)
Hamburg
Laeiszhalle
Germany
2018-September-13 (Thursday)
**********************************
Note/Contrast Claus
this is the 24/48 version
**********************************
taped by: RCM
uploaded by: RCM
size: 1,36 gb
time: 1 h: 55 m: 40 s
RC.386a_aud.ca14.ls11.flac.24
CA-14 (omni) > SP-SPSB11 > Olympus LS-11 (24bit/48khz) >
Secure Digital SD-card>USB2.0 Interface>soundforge/audioedit>Wav-Splitter>flac.frontend lev.8>flac
Setlist: [115:40]
01. Intro/Soundscape
02. Interstellar Overdrive
03. Astronomy Domine
04. Nick Mason talking...
05. Lucifer Sam
06. Fearless
07. Obscured By Clouds - When Youre In
08. Arnold Layne
09. Vegetable Man
10. Nick Mason talking/band intro...
11. If
12. Atom Heart Mother (Parts I-IV)
13. If (Reprise)
14. The Nile Song
15. Guy Pratt talking...
16. Green Is The Colour
17. Gary Kemp talking...
18. Let There Be More Light
19. Nick Mason talking
20. Set The Controls For The Heart Of The Sun
21. See Emily Play
22. Bike
23. One Of These Days
//
24. -audience-
25. A Saucerful Of Secrets
26. Point Me At The Sky
28. -audience/Nick says Thank You...
Line Up:
Nick Mason - Drums
Guy Pratt - Bass and vocals
Gary Kemp - Guitar and vocals
Dom Beken - Keyboards
Lee Harris - Guitar
Enjoy!
*********************************************************
PLEASE - support the artists! Buy their CDs and go to their shows!
NOT FOR SALE
*********************************************************
(24/1) Nick Mason, 2018-09-29, Royal Concert Hall, Nottingham, England
Audio/Flac, Dime/?, (?)
Nick Mason's Saucerful Of Secrets
Royal Concert Hall
Nottingham
29th September 2018
Lineage:
Samsung S7 (external mics)>ASR Recorder>Audacity Track split>wav>flac (TLH)
Was sat in seat R8 just along from the desk.
Lineup:
Nick Mason: drums
Guy Pratt: bass, vocals
Gary Kemp: guitar, vocals
Lee Harris: guitar, vocals
Dom Beken: keyboards
Setlist:
01. Intro
02. Interstellar Overdrive
03. Astronomy Domine
04. Lucifer Sam
05. Fearless
06. Obscured by Clouds
07. When you?re in
08. Arnold Layne
09. Vegetable Man
10. Band Intro
11. If Pt. 1
12. Atom Heart Mother
13. If Pt. 2
14. The Nile Song
15. Green is the Colour
16. Let there be more Light
17. Set the Controls for the Heart of the Sun
18. See Emily play
19. Bike
20. One of these Days
21. A Saucerful of Secrets
22. Point me at the Sky
Running time: 1:51:49
This recording was my first for a very long time and the first using my phone.
I will let you be the judge of how it sounds as my ears are shot & certainly don't work as well as they should! Too much loud music and something that
runs in the family.
(25/1) Nick Mason, 2019-03-12, Queen Elizabeth Theatre, Vancouver, Canada
Audio/Flac, Dime/?, (?)
Nick Mason's Saucerful of Secrets
March 12, 2019
Queen Elizabeth Theatre
Vancouver, British Columbia, Canada
4 Source Stereo Matrix
Source 1: CA-11 (cardioid) > Bat2B > Sony PCM M10 @ 16/48 by LeifH (dress circle left side, row 16)
Source 2: CA-14 (cardioid) > CA-9200 > Sony PCM M10 @ 24/48 by DGB (orchestra left centre, row 13)
Source 3: CA-14 (cardioid) > Naiant TinyHead > Sony PCM M10 @ 24/48 by Seth Meister (dress circle left side, row 13)
Source 4: Tascam DR2D (internal mics) @ 24/48 by Dave Hunter (dress circle centre, row 19)
Transfer: .WAV > Wavepad Masters Edition (edits, amplify, mixdown, tracking, 16/44.1) > flac (8) via TLH
Setlist: 1:44:47
00 intro
01 Interstellar Overdrive
02 Astronomy Domine
03 Lucifer Sam
04 Fearless
05 Obscured by Clouds > When You're In
06 Remember a Day
07 Arnold Layne
08 Vegetable Man
09 If > Atom Heart Mother > If
10 The Nile Song
11 Green is the Colour
12 Let There Be More Light
13 Set the Controls for the Heart of the Sun
14 See Emily Play
15 Bike
16 One of These Days
_encore break_
17 Childhood's End
18 A Saucerful of Secrets
There were a lot of tapers there that night. The recordings used for this mix are all nice on their own but they bring out the best of each other in this presentation.
(83/1) Nick Mason, 2022-04-27, St David s Hall, Cardiff, Wales
Audio/Flac, Dime/?, (?)
NICK MASON'S SAUCERFUL OF SECRETS
St David's Hall,
Cardiff,
Wales, UK
27th April 2022
Lineage:
Source 1: Church Audio CA-14 omnis > CA-9200 > Edirol R-07 (@24/96) > Cool Edit Pro 2
Source 2: Edirol R-07 (@16/48) > Cool Edit Pro 2
Matrix: Movie Studio Platinum > Cool Edit Pro 2 > CDWave > TLH
Source 1: Recorded 15' back from house left stack
Source 2: Recorded 50' back from house left stack
Recording by boombox & mrunhalf
Matrix & artwork by boombox, with thanks to mrunhalf for the excellent photos
CD1 - Set 1:
1. Soundscape
2. One Of These Days
3. Banter
4. Arnold Layne
5. Fearless
6. Obscured By Clouds > When You're In
7. Candy And A Currant Bun
8. Vegetable Man
9. Banter
10. If >
11. Atom Heart Mother >
12. If (Reprise)
13. Banter
14. Remember A Day
15. Band Introductions
16. Set The Controls For The Heart Of The Sun
CD2 - Set 2:
1. Soundscape
2. Interstellar Overdrive
3. Astronomy Domine
4. The Nile Song
5. Banter
6. Burning Bridges
7. Childhood's End
8. Banter
9. See Emily Play
10. Echoes
11. Encore Break
12. Lucifer Sam
13. A Saucerful Of Secrets
14. Bike
The 'Secrets':
Nick Mason - drums, gong
Guy Pratt - bass, vocals, percussion
Gary Kemp - guitars, vocals
Lee Harris - guitars, backing vocals
Dom Beken - keyboards
boombox's notes may 2022:
Nick & Co's return visit to Cardiff was a long time coming (2 days short of a three year interval between gigs), but well worth the wait. Very similar setlist, but completely changed up order to reflect the two set format. Set 1 opened with Guy playing those all too familiar bass notes offstage, before he and then the band entered, and 'Set the controls...' was a masterful choice of set closer. Set 2 kicked off with the songs which had opened the previous tour and ended with a wonderful 'Echoes', accompanied by an excellent light show. Needless to say the band were all on top form - MVP for me on the night was Gary, who as well as shredding like a maniac, really nailed the vocals, sounding not unlike Bowie at times.
This one came out very well after a bit of work and is definitely one to play loud!!! I got a great pull, but it was marred by my neighbour, who wanted to talk and ask questions about song titles etc. Fortunately, he did this mostly at the end of songs, so he could be deleted. I was able to patch the jabbering and then smooth it out using another source, as, luckily for us, mrunhalf was elsewhere in the room recording too. His source, recorded further back, although a bit crispy, also added a nice bit of ambiance. On two occasions, my neighbour really considerately (not!) waited until songs had started before speaking. For the two affected songs, the repair on 'ASOS' is pretty much invisible, but if you listen closely on 'Vegetable Man', you can still make out about a faint second's worth. Source 2 also provides a good chunk of the Set 2 opening tape due to the Jabberwocky. My neighbour also seemed to want to be the last one clapping. This necessitated reducing the volume of thousands of claps. Mrunhalf's recording was also similarly afflicted, but between the two sources, I have managed to get a good balance of applause.
Enjoy!!
(116/1) Nick Mason, 2022-06-19, Meistersingerhalle, Nürnberg, Germany
Audio/Flac, Dime/?, (?)
Nick Masons Saucerful Of Secrets
Meistersingerhalle
Nuernberg, Germany
June 19th, 2022
recorded by: grtflklaus
recording info: Edirol R09 (internal mics, 24/48), row 9 left, seat 7, to the left of left PA stack
transfer: SD>HD>Audacity>CD wave editor>TLH (level 8)>u
Band:
Nick Mason - Drums
Guy Pratt - Bass and vocals
Gary Kemp - Guitar and vocals
Dom Beken - Keyboards
Lee Harris - Guitar
Set 1:
101 Soundscapes 5:36
102 One Of These Days 6:14
103 Nick Mason Welcome 1:25
104 Arnold Layne 3:43
105 Fearless 5:20
106 Obscured By Clouds 4:19
107 When Youre In 2:05
108 Candy And A Currant Bun 2:59
109 Vegetable Man 2:32
110 Nick Mason Song Stories 2:05
111 If 1:52
112 Atom Heart Mother 7:49
113 If (Reprise) 2:39
114 Remember A Day 3:38
115 Band Introduction 3:26
116 Set The Controls For The Heart Of The Sun 13:07
Set 2:
201 Soundscapes 3:37
202 Astronomy Domine 5:11
203 The Nile Song 3:28
204 Guy Pratt Nile Song Story 1:17
205 Burning Bridges 3:29
206 Childhood's End 3:44
207 Gary Kemp Walking The Town 1:20
208 Lucifer Sam 3:25
209 Echoes 20:50
210 Encore Break 2:45
211 See Emily Play 3:33
212 A Saucerful Of Secrets 9:52
213 Bike 2:06
214 Outro 1:44
Total time: 135:10 (2:15:10)
Set 1: 68:49
Set 2: 66:21
Remaster
1. Re-balance frequencies / EQ
2. Correct channel frequency separation
3. Remove some claps during music
4. Repair clicks found
5. Attenuate whistles
6. Boost low volume comments by Nick
7. Track
Notes from the taper:
Solid show, nohing extraordinary, nothing bad happened, either, but very special to witness Nick Mason and the band perform all these old gems.
Having delayed the decision to attend this historic event until the day of the show I had to take the seat I got, DIRECTLY in line with the woofers which at times,
made me feel the music more than actually hearing it, yet, sound was crystal-clear, The Edirol did remarkeably well for the circumstances (the Zoom H6 seemed not comfortable and handy for the occasion),
but it did give in during the loudest parts, in my ears applying gain control, though I swear I checked it switched off before the show, and it was, after, don't know what happened.
The audience around was respectful and attentive, holding their breaths at the right moments, and enthusiastic between songs, very well behaved.
grtflklaus/RMCH/Spacebandit as messenger...
(137/1) Nick Mason, 2022-09-27, Lincoln Theatre, Washington, DC, US
Audio/Flac, Dime/?, (?)
Nick Mason's Saucerful of Secrets
27 Sept. 2022 (Tuesday)
Lincoln Theatre
Washington, D.C.
Source: DPA 4061 > Zoom F3 (32/48)
Transfer: F3 > iMac. Processing with Audacity. Tracked via Sound Studio, FLAC via xACT.
Recorded by vwmule and nylifer
Set One
01. Intro > One Of These Days
02. Arnold Layne
03. Fearless
04. Obscured By Clouds > When You're In
05. Candy And A Currant Bun
06. Vegetable Man
07. If > Atom Heart Mother > If
08. Remember A Day
09. Band Introductions
10. Set the Controls For The Heart Of The Sun
Set Two
11. Intro > Astronomy Domine
12. The Nile Song
13. Burning Bridges
14. Childhood's End
15. Lucifer Sam
16. Echoes
17. E: See Emily Play
18. A Saucerful Of Secrets
19. Bike
Notes:
- Right channel cable problem so left used for both, with Audacity "pseudo-stereo" effect.
(160/1) Nick Mason, 2022-11-01, The Centre in Vancouver for Performing Arts, Vancouver, Canada
Audio/Flac, Dime/?, (?)
NICK MASON'S SAUCERFUL OF SECRETS
"I Told My Mother Not To Take Those Sugar Cubes"
The Centre For Performing Arts, Vancouver, BC, Canada // November 1, 2022
Recorded on location (Center Orchestra, row S, center view of stage) by inu-liger
Lineage: Live sound output > Sound Professionals MS-BMC-3 Master Series Premium binaural microphones w/ SP-EMC-3 Croakie Eyeglass Retainer > Microphone Madness MM-CBM-Mini miniature battery module > Roland R-05 (PCM @ 96/24) > PC > GoldWave (editing out pre-concert/post-concert bits, track-splitting) > WAV > foobar2000 w/ flac.exe > Batch downconversion to 44.1/16 > FLAC Level 8
Quality: EX
-
SETLIST
Set 1 Soundscape
One Of These Days
Arnold Layne
Fearless
Obscured By Clouds
When You're In
Candy And A Currant Bun
Vegetable Man
If
Atom Heart Mother
If (Reprise)
Remember A Day
Band Introductions
Set The Controls For The Heart Of The Sun
Set 2 Soundscape
Astronomy Domine
The Nile Song
Burning Bridges
Childhood's End
Lucifer Sam
Echoes
Encore
See Emily Play
A Saucerful Of Secrets
Bike